Techniques dimprovisation 551 - IMP - AA 551 - SS1 - AA 551 - SS2 - AA Notes de cours Professeur : Robert Pelletier Musique - Collge

dAlma

Table des matires : Exercices chromatiques sur les accords de base Groupes de 4 notes et gammes ou modes associs Grille #1 Les principaux accords en arpge Trois gammes essentielles Grille #2 Les principaux cycles Les chelles pentatoniques Les chelles blues Les phrases dans le blues Les grilles de blues typiques Les enchanements mlodiques Larpgement Gammes supplmentaires Utilisation des pentatoniques Accords et pentatoniques Exercices pour les gammes bop Approches diatoniques et chromatiques Groupes rythmiques de 3 et 4 units Phras rythmique : le concept 8/8 BL151 Arpgements II-V-I Groupes de 2 et 4 notes MA Groupes de 2 et 4 notes MI Groupes de 2 et 4 notes MA avec b2 Groupes de 2 et 4 notes MI b5 3 5 6 8 8 9 11 11 12 12 13 14 16 18 20 20 22 23 25 26 27 30 31 37 41 46

Bibliographie : Inside improvisation series - Jerry Bergonzi Advance Music Vol. 1 Melodic Structures Vol. 2 Pentatonics Vol. 3 Jazz Lines Vol.4 Melodic Rhythms, Intermediate Jazz Improvisation Georges Bouchard, Jamey Aebersold Jazz How to Improvise Hal Crook Advance Music Drum Wisdom Bob Moses, Modern Drummer Publications Jazz Mallets in Session Arthur Lipner, Malletworks publications Volumes recommands : Jamey Aebersold Playalong series : Vol. 3 The II/V/I progression Vol.16 Turnarounds, cycles & II/V7s Vol. 84 Dominant 7th workout Building a jazz vocabulary Mike Steinel Hal Leonard HL00849911

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Groupes chromatiques sur les accords de base

4 t !t t !t t c 4 4 t !t t !t t c 4 t "t t t b t "t t t b t!t t "t b t!t t "t b t "t t "t

C

C = 120

Majeur - groupes de notes : 5454

t t !t t b t t !t t b

t "t t "t t c t "t t "t t c

t !t t !t t c t !t t !t t c t "t t t b t "t t t b

t "t t "t t c t "t t "t t c

t t !t t b t t !t t b

Mineur - groupes de notes : 4545

13

t t "t c t t "t c

"t #t t !t t c "t #t t !t t c "t t "t t b "t t "t t b

t !t t "t b t !t t "t b

t "t t t "t c t "t t t "t c

"t #t t !t t c "t #t t !t t c "t t "t t b "t t "t t b

Robert Pelletier 2008 Page 3

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17

t !t t !t t c t !t t !t t c

C7

Dominante - groupes de notes : 5445

t t !t t b t t !t t b

t !t t "t b t !t t "t b t "t t t b t "t t t b

"t #t t !t t c "t #t t !t t t "t t "t t c t "t t "t t c c

21

t "t t t "t c t " t t t "t c

Motifs supplmentaires

"t t "t t b "t t "t t b

25

28

t !t t !t t t #t t t c b
Invers

C C

t t !t t t t #t t b t !t #t t t t !t t

t !t #t !t #t !t t !t

1. Jouer avec les articulations swing et latin 2. Transposer dans les douze tons. Remarquer les groupes de 5 notes (3ce MA) et 4 notes (3ce MI) 3. Mlanger les motifs ascendants et descendants

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MAJ
31

35

t t t tb 1 2 3 5 t t t tb 1 3 5 7
C

Groupes de 4 notes et gammes ou modes associs

MIN
39

t tt b t 7 5 3 1

t t t tb 5 3 2 1

t t t t t t t t t t tt t t t 4 5 6 7 8 7 6 5 4 3 2 1 1 2 3
gamme majeure ou mode ionien

t t tb t 3 5 6 1

t t t b t 6 5 3 1

43

t "t t t b 1 3 4 5 t "t t "t b 1 3 5 7

C7

DOM
47

"t t "t b t 7 5 3 1

t t "t t b 5 4 3 1

mode dorien

t t t "t t "t t t t "t t t t t "t 4 5 6 b7 8 b7 6 5 4 b3 2 1 1 2 b3 t t tb t 3 5 6 1 t t t b t 6 5 3 1

b t "t t t 2 3 5 1

t "t t t b 5 3 2 1

51

t t t tb 1 2 3 5 t t t "t b 1 3 5 7
PP P P c

1. Jouer avec les articulations swing et latin 2. Transposer dans les douze tons 3. Mlanger les motifs ascendants et descendants 4. Faire des variations et dplacements rythmiques 5. Appliquer sur la grille des pages suivantes.

"t t t b t 7 5 3 1

t t t tb 5 3 2 1

mode mixolydien ou mixo

t t t t t "t "t t t t t t t t t 3 4 5 6 b7 8 b7 6 5 4 3 2 1 1 2
d Pd P P c I IP P P P P c

55

exemples de variations rythmiques

P PPP c

P IP P c IP
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Concert
60

64

Bb

Grille #1

B" 7 E"7 D7 E" A" D"

C A" D G7

B" A C

68

72

76

80

G C B A7
Page 6

C7 F7 E7 F B" E"

D B" E

84

88

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92

96

Eb

D G F E7 A C
!

G7 C7 B7 F B"

A F B

100

104

108

109

110

111

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Matriel supplmentaire
112

116

t "t t t b 1 b2 3 5
C

C 7" 9

120

t "t t "t b 1 3 4 b5
mode locrien

t t "t t b
5 3 b2 1

gamme "jewish" = la gamme mineure harmonique de fa (depuis la quinte)

t "t "t t "t "t "t t 1 b2 b3 4 b5 b6 b7 8

Les principaux accords en arpges

"t t "t t b b5 4 3 1

t t "t "t t "t "t t t t "t t t "t t 4 5 b6 b7 8 b7 b6 5 4 3 b2 1 1 b2 3 "t "t "t b t 3 b5 7 1 "t "t "t t "t "t t b7 b6 b5 4 b3 b2 1 "t t t b t "t "t "t b t 7 b5 3 1

122

126

t t t t b t "t t "t b
C

Cet exercice se continue en descendant ensuite la fondamentale d'un demi-ton.

"t t "t b t

tt t b t

C7 C

"t "t "t b t

t t "t b t

"t "t "t b t

130

t t t t t t t t t t t t t t "t t t t "t t t t "t t

gamme majeure ou mode ionien gamme de dominante ou mode mixolydien gamme mineure ou mode dorien

Trois gammes essentielles :

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Concert
133

137

C ! ! 59 G7 A" 7 ! ! 59 G7

Grille #2

F C D"

D E" D

141

145

! ! 59 G7

149

153

Bb

D ! ! 59 A7 B"7 ! ! 59 A7
Page 9

G D E" D ! ! 59 A7

E F E

157

161

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165

169

Eb

A !9 E 7! 5 F7 !9 E 7! 5

D A B" A !9 E 7! 5

B C B

173

177

181

185

189

193

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Les principaux cycles
A - le cycle de quintes
197

203

B" E" D E"

A" E

D" F

! !

B G

A A" A

D B"

G B

B - le cycle chromatique

Utiliser les cycles de quintes A et B pour groupes chromatiques, groupes de 4 notes,

arpges, gammes, motifs, phrases, etc...

D"

Les chelles pentatoniques

209

213

t tttt t

pentatonique majeure

217

t t t t "t t

pentatonique mixo

tttt "t t t

t "t t "t "t t "t"t t "t t c t "t t "t t t

pentatonique locrien
1. Jouer dans tous les tons en utilisant les cycles A et B 2. Usage : accord majeur = P mineur (de la tierce) Ex: C = E Pmi accord mineur = P mineur accord dominant = P mineur 6 (de la quinte) Ex: C7 = G Pmi6 accord mineur b5 = P locrien accord dominante b9 = P dim (de la quinte) Ex: C7b9 = G Pdim

tt

pentatonique mineure

t t "t t t "t

pentatonique diminu

ttt t t "t

pentatonique mineur 6

"t t t "t

t "t t "t c t

t t t "t c t

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221

t "t t !t t "t t
blues - forme mineure

blues - forme majeure

1. Jouer dans tous les tons en utilsant les cycles A et B 2. S'utilise sur les accords mineurs correspondants 3. S'utilise sur un blues de la tonalit correspondante, c--d si blues I IV V = C7 F7 G7 = chelle C blues

t "t

#t t

Les phrases dans le blues

223

227

I I t t c c d "t t t d "t t t d t t t t t c d t d t t t t I I I
phrase 2

F7

t tc c d t t td t t td t t t t tb I I I
phrase 1

C7

F7

d "t t t I t
C

phrase compl.

phrase compl.

231

t tc c d t t t d t t t d t t t t t b I I I
phrase 3

G7

G7

Fine

Il y a trois phrases dans un blues 12 mesures. Souvent la troisime sera contrastante mais les deux premires sont souvent preque identiques. Les phrases complmentaires sont facultatives et servent de lien.

t t t

phrase compl.

Page 12

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Grille blues "jazz" typique
235

239

F7

B"7

IV

F7 F7

B"7 G

IV

D7
D7

VI

243

II

C7

F7

VI

G II C 7 V

Grille blues mineur typique

247

251

! ! 59 C7 C G7
! G 7! 59
I

IV

255

A " 7 bVI D

! II G 7! 59 V D

1. Mmoriser ces grilles 2. Transposer dans tous les tons (Truc: une ligne la fois)

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Enchainements mlodiques
1. Transposer chaque extrait dans tous les tons 2. Travailler lentement, couter l'enchainement d'accords

IImi7 - V7
259

263

A
7

D D D

G7

267

t t "t t |

A
3

G7

G t d Y t t t t t t t t !t t |

t | I

I t t t t t t t | t I
D

t t t t t t t | t
G7

G7 G7

271

275

| "t
D D

II - V7b9

279

b t t "t t t t t t | I t t "t t t t "t t t | I

G 7" 9

G 7" 9 G 7" 9

t t "t t "|
D D

G 7" 9

ttt "t t t t t t "t t | I I

t d Y t "t t t t t t t !t t |
G 7" 9

t "t t |
G 7" 9

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V7 - I
283

287

G7 G7 G7

291

b b

t t "t t t t t | t t t t t t !t t | t t "|
C C

G7

G7

G7

t t t t t t t | t t t t t t t t t |
C

V7b9 - Imi
295

G 7" 9 G 7" 9 C C

299

b t t t t "t t t t | t ttt ttt t tt |

I-I

G 7" 9 G 7" 9

303

307

t t !t t t t t t t t t t |
Page 15

ttt t t tt tt t b
C

t t t t "t t t t |

C t t "t t "t t t| C

t tt t |

t tt t |

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L'arpgement
L'arpgement (outlining chords) est une technique commune plusieurs styles. Cette technique est particulirement utile dans l'interprtation des standards. Il est bien d'viter d'tre trop conclusif sur le premier degr MAJ.
311

313

t
1

exemples d'arpgement et phrass conventionnels

Lorsqu'on part de 3 il est courant d'aller jusqu' 9. (3 - 9 )
315

t
1

t
3

t
5

t
7

G7 G7

t
3

t
1

t
7

t
7 5

t
5

t
3

t
1

t
3

t
5 7

C
3

t
3

t
5

t
7

t
6

| | | |

t
1

t
7

t
5

317

t
3

D t
5

t
5 3

t
7

t
9

G7

t
1

t
7

G7
5

t
3

t
3

t
5

t
1

t
7

t
7

t
9

t
3

C t
5

t
5

t
3

t
7

t
9

t
1

t
7

Sur l'accord de dominante on peut baisser 9. (3 - b9)

319

D t
5

t t
3 1

t
7

t t
3 5

G7

t
7

"t

b9

C t
5

t
3

t
7

t
6

Page 16

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321

t "t t t t t t t t t "t "t #t t t t "t "t "t t t t "t "t t

G C7 B"7

F7

B"7

F7

325

329

c t "t t t t t t t "t t t

7 t t t D | t #t t t "t F7

t "t t t t t | t
F7

c c

t t t |

D7

C7

avec phrases complmentaires 333 F7 B"7

F7 t t t t t tt t t "t t "t t t t t t d t t t "t "t #t t t I "t B"7 F7 7 t t t C t "t t t d"t t t t Y t G D7 7

337

341

7 t tt Dt t "t d t !t t t "t "t "t t t t "t "t t t #t t t I

t tt |

F7

tC t t t "t t t

Page 17

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345

Gammes supplmentaires :

t t "t t t "t t t t t "t t t "t t t t t "t t !t !t t t t t "t t !t !t t t t t "t t t t t t t t "t t t t t t t t t !t t t t t t t t !t t t t t

Mineure harmonique (jewish) S'emploie sur la dominante (G7b9)

346

Diminue - ton 1/2ton - huit notes - symtrique S'emploie sur B7b9 (implique une 13e naturelle)

347

Mineure mlodique aussi appele mineure jazz S'emploie sur Cmin

348

Lydien S'emploie sur C

349

t t t !t t t "t t t t t !t t t "t t

Lydien b7 Driv de mineure jazz S'emploie sur C7, C7#11 (surtout lors d'une substitution) Page 18

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350

t "t "t "t "t "t "t t t "t "t "t "t "t "t t t t t t t t "t #t t t t t t t "t #t t t t t t !t t t t t t t t !t t t t "t "t t t "t "t t t "t "t t t "t "t t t "t "t #t t t "t "t t "t "t #t t t "t "t

Altre (super locrien, diminue-ton) Driv de mineure jazz S'emploie sur C7#9, C7#5, C7b5, C7alt

351

Bebop dominante - huit notes S'emploie sur C7

352

Bebop majeure - huit notes S'emploie sur C

353

Phrygien S'emploie sur C7sus (modal)

354

Phrygien espagnol (spanish phrygian) S'emploie sur C7 ou enchainement C Db Eb

Page 19

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355

t t t "t t t t t t t t "t "t t t t t t t t t t t t t "t "t t "t t t t " t t t t t t t t " t "t t t t t t t t t t t "t "t t t t "t t t
UTILISATION DES PENTATONIQUES - formules de pratique sur Cp

357

"t t t t t " t t t "t t t t "t t t t t t "t t "t t t t t t "t t t t t "t "t t t "t t t t t t "t t t t t t "t t t t t t t t t t "t t "t "t t "t t
C C6 C C C

Accords et pentatoniques
P mineur
359

361

t t t

de 3

de 6

t t

t t

t t

t t
de 2

de 7

!t t t

t "t t

363

"t

de 5

t t

"t t

Page 20

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P locrien
365

t "t t "t "t

" "913 C7 C7

C9

t t "t t t
de 3

t t
de 4

t t "t t
de 6

368

P min6
370

"t

"t "t

de 7

"t t

"t t
de 3

"t t

!t t

t t

t t
de 7

t t

t
P dim

de 5

"t

372

t t "t t "t
de 5

C 7" 9

P aug
376

! C 7 11

!t !t !t t t t t t "t t !t t "t !t !t
de 9

"t

"t

"t

Page 21

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Exercices pour les gammes bop
377

t t "t t t t t t "t t t t t t t t"t "t t t t

Motif supplmentaire

C7

t t t t "t t

381

t t

ttttt

t "t t

t t t !t t t t t t !t t t t t

385

C 7" 9

t t t "t t t t "t t t "t "t

t t t t t "t t t t "t t

t "t t t t "t "t #t t

389

393

t t t t t t "t t t t "t #t t t t t t t t t "t #t t t "t t t t | t t t t t !t t t #t !t t t t t t t t t t t t t t t t "t t t |

C 7" 9 C

C7

397

"t "t t t t "t#t t "t t t t t t "t t t "t#t t t "t "t t t ttt |

Remarque : le principe des gammes bop peut s'appliquer la plupart des chelless sept notes en ajoutant une note entre 7 et 8 ou 5 et 6 selon la qualit du septime degr. Page 22

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Approches diatoniques et chromatiques
401

note infrieure dia.

404

407

t t c

note suprieure dia.

t t

t c t t t c

t t c t t c

t t c t t c

t t

notes infrieure et suprieure dia

410

t t ttt t

note suprieure et infrieure dia.

ttt ttt

tt ttt t ttt ttt

t t t t t t t t t t t t t t t t t t t t t t t t

t t t t t t t t

t t t t t t

413

415

t tttttttttt tttt ttttttttt ttc t t tt ttttttttt tttt tttttttttt tc t t

Page 23

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417

420

note infrieure chr.

423

"t t c t t c
note suprieure chr.

t t

t c !t

!t t c t t c "t t c "t t c

t t

note infrieure et suprieure chr.

426

"t t t !t t t

note suprieure et infrieure chr.

t "t t !t t t

"t t t "t t !t "t !t t "t t t

"t t t "t !t t "t t !t t t t

"t t t "t t "t !t t t !t t t

"t t t t "t t "t t

!t t !t t t t

429

t "t t t !t t t t !t "t t t t "t t t !t t t t !t "t t t "t t c t t t "t t t t !t t t "t !t t t "t t t t t !t t t "t !t t t "t t c t t

431

Page 24

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groupes de 3
433

Groupes rythmiques de 3 et 4 units

P Y P P P P PPP d d Y PP d d PPP d d Y PP d d PPP d d Y PP d d PP Y d d Y PP d d

3(2)

438

441

P P P d c P P
3(3) 3(3) dcal

444

P P P P d Y P P d d d Y P P d d d Y P P d d d Y P P d P
variation

Y d c P

P P P d

c P P Y d c P

Y P

445

448

PP PP d d P P PP d d PPP P d d PP PPd d P P P P P P d Y PP Y d d Y PP Pd d Y P P Y d d Y PPP d

4(2) dcal

groupes de 4 4(2)

451

458

PPPPc d Y PPPd c PP PPc d Y PP Y d c PPPP c d Y PPPd c PPPPc d YPPPd c P P P P P Y

4(3)

P P P

var.1

Y P Y P P
var.2 Page 25

Y P

var.3

Phras rythmique - le concept 8/8

461 Le 8/8 est une subdivision trs utilise dans la musique de "groove"

463

& de 4, 1e

Chaque point rythmique suggre un "feel" diffrent.

465

& de 4, 2e

t t t t t t t
Page 26

467

& de 2, 1e

469

& de 2, 2e

471

& de 3, 1e

473

& de 3, 2e

475

& de 1, 1e

477

& de 1, 2e

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swing feel

BL151 t t t 4 b 4 4 c b 4 t
5

C = 151

"t c b t c
F7 B" 7

"t "t t

t c "t t d Y t b

d c b c "t c d t I t I c

t c "t t t t d Y c t t t t t c t t t d t c b I
F7 F7 F7 D7

d c b c "t c d t I t I

t c "t t t d Y c t t t t

c t d t c t d !t a t c b

t c b

R. Pelletier

13

B" 7

t c d t d t c c t I I
D7

c t d !t

17

21

C7

C7

Robert Pelletier 2005 - 27 -

Bb
swing feel

BL151
C = 151

!! 4 b t t t 4 4 c b 4 t
5

!! b

!! c #t t d Y t t !! !! !! t c
G7 C7 A

"t c b

#t "t t

d c b c "t c d t I t I c

t c "t t t t d Yc t t t t t c t t t d t c b I
G7

c "t c d

t c "t t t d Y c t t t t t I d t I c b

c t d !t a

t c b

c t d t

t c b

R. Pelletier

13

17

C7

t c d t d t c c t I I
G7 E7 E7

c t d !t

21

D7

G7

D7

Robert Pelletier 2005 - 28 -

Eb
swing feel

BL151
C = 151

!!! 4 b t t t 4 4 c b 4 t
5

!!! b

t !!! c #t t d Y t !!! t c
D7

"t c b

#t #t t

d c b c "t c d t I t I c t t

c "t c d

c #t t t d t I d

Y t t I

c tt t c b

t #t t t d Y c t t t c t c t t t d Yc b
D7

c t d !t a

c t d t c b

c b

R. Pelletier

13

17

21

7 ! G !!

G7

t c d t d t c c t I I
D7 B7 B7

c t d !t

!!! E

A7

D7

A7

Robert Pelletier 2005 - 29 -

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D

arpgements II-V-I
faire dans les 12 tons

tttt ttt ttt t c t t t t t t t t "t t t t t t t t t c t t t t t t "t t t t t c t t t t t "t t t t t t "t t t t c "t t t t t t t "t t t t c t

- 30 -

t ttttt tt ttttc tt
G7 C C

G7

t tttttt tt ttttc t
G7 C C

G7

G 7" 9

G 7" 9

t t t t t "t t t t t t t t c t
D

ttt tt ttttt c ttt t

G 7" 9

D D

G 7" 9 G 7" 9

ttt

"t t t t t t t "t t t c t t
D

t "t t t t t t c ttt t
G 7" 9 G 7" 9 C

G 7" 9

t "t t t t "t t t t c ttt

4 4

groupes de 2 et 4 notes en MA
12

t !t t
21

t t t t "t t t t "t t t t "t "t t t "t "t t t !t !t t t t !t t t ttt t t t t t t t t t t t t t t A

12

t t t t t t t t t "t t t t "t t t "t "t t t "t "t t t !t !t t t !t t t t

13

15

19

22

t !t t t
31

t t t t t t t t

!t t t t t t t t t !t t t

"t t t t "t t t t "t t t t t t !t !t t t t !t t t "t t t "t t t !t t t "t t t t "t t t t "t t t !t !t t t t t t t t t t !t t t t t t t t t t !t t t "t "t t t t t !t !t t t t t t "t t t t t t t A A t !t t t t t t t A

t t

t t

26

t t t t t t t t t t t t t t t t
15

29

!t t t t !t t t t t t t "t t

33

36

t t
51

!t t "t t t t t t t "t t t t t "t t t "t t t !t !t t t t t "t t t

- 31 -

"t

40

43

t t
25

47

t t !t t "t t t t t t t t t t t t t "t t t "t t "t "t t t !t !t t t t t !t t t t t t t t t t t t t t t t A

t t

t t

50

54

t t t t "t t !t t "t "t t t "t "t t t !t !t t t t t t t t t t t t t t t

52

57

t !t t t
35

61

t t !t t "t t t t t t t t t "t t t t t t "t t t "t "t t t !t t t t t t t t t !t t t t !t !t t t t t t t t A

t t

t t

t t t

t t t

64

68

t t t t t t t t "t t t t t t t t
53

t !t t t
1235

t !t t t

!t t "t t t t "t t t t "t "t t t !t t t t t t A

71

75

t t t t t t t t t !t !t t

t t !t t

t !t "t t t "t t t t "t "t t "t "t t t !t !t !t !t t t !t "t t

- 32 -

t !t t t

t !t

t t

78

82

t t t t t t t t
1253

85

t !t t !t
1325

89

t !t t t t "t t t "t t t t "t t "t "t t "t t !t !t !t !t t !t t ttttt "t t !t !t t

1352

t t t !t

"t t t t

!t t t "t "t "t t t t !t !t !t !t t t !t "t t "t "t t t t !t t t t t A

92

96

99

t !t t !t
1523

t !t "t t t t t t t "t t t "t t t t "t t "t "t t t "t !t !t !t !t t !t t tt t t t !t t t !t t t t t t A

t !t t t

t !t t t t t t t

103

t t t "t t t t t t t "t "t "t t t t !t !t !t !t t !t t !t t "t "t "t t ttt t t !t !t

1532

106

110

"t t "t t t t t "t t t t t t !t !t !t t !t !t t ttttt t "t "t "t t "t !t t t !t !t

2153

t t t !t

t t !t t t t t t

113

t t !t t t "t "t "t t t t !t !t !t !t t t !t t t t t t t t t "t t "t "t "t t

- 33 -

t !t t

t !t t t t t t t

117

120

124

t !t t t t "t t t "t t t "t "t t "t "t t t !t !t !t !t t t !t tttttt "t

2135

!t t t !t !t t !t t

t t t !t

t !t t t t t t t

127

131

t !t t t t t t "t t t "t t "t t "t "t "t t t !t !t !t !t t !t t ttt tt "t

2315

t t !t t

t t t t !t t t t

134

138

t !t t t t t t "t t t t "t "t t "t "t "t t t !t !t !t t !t t ttt t "t !t t

2351

!t !t t t

t !t t t

t t !t t t t t t

141

145

t t !t !t "t t t t t t t t t "t t t "t t "t "t t "t t "t t !t !t !t !t t t t

2513

!t !t t t

t !t t t

t t !t t t t t t

148

152

t !t "t t t t t t t t t t "t t t t "t "t t "t "t t t "t !t !t !t !t t !t t t

2531

!t t t !t

t t t !t

t t t t !t t t t

!t t !t t

t t !t t

t !t t t t t t t
- 34 -

155 3125

159

t !t "t t t t t t t t t "t t t "t t t t "t "t t "t "t t !t !t !t !t !t t t t t !t t t t t t "t t t "t t t t "t "t "t t t "t !t !t !t !t !t t t tt tt "t
3152

162

t !t t !t t !t t t t t !t t t !t !t t

t t t t t !t t t

166

169

173

!t "t t t "t t !t tt ttt tt t t "t t t "t "t t "t "t t !t !t !t !t t t t

3215

t t !t t t t t t t t t t t !t t t t t t t t t !t t t t t !t t t t t t t t t t t !t t
- 35 -

176

180

t !t "t t t t t t t t t t "t t t t "t t "t "t t "t t "t !t !t !t !t !t t t t

3251

t !t !t t t !t t t t t !t !t t t !t t t t t !t t t !t !t t t t !t t !t t !t

183

187

t !t t t t t t "t t t t "t t t "t "t "t t t "t !t !t !t !t !t t t tt tt "t

3512

190

194

"t t t t "t t !t !t t t tt t tt tt t t "t t "t "t t t "t "t !t !t !t !t t

3521

197

201

t t t t t "t t t t t t "t "t "t t t !t !t !t !t !t t t !t t t t "t "t "t t t

5123

204

t t !t !t t
5132

208

211

t t !t !t
5213

t tt

t tt

t t t !t t t !t t t t t !t t t !t t t !t t t t !t t t

t "t t t t

"t t t t

t t !t "t

215

!t "t "t t t t t t t "t t t "t t "t t !t !t !t !t t t !t tt t t t "t t "t t t !t t !t

5231

t !t t

!t "t t "t t "t t "t !t !t !t !t t !t t t t t t A

t t t

218

222

"t "t t "t t t t t t t t t "t t t t !t !t !t !t !t t !t t tt tt "t "t t "t t !t !t t

5312

t t t !t t t t t t t !t t t t t t t t t !t t t t t t t t t !t t t t
- 36 -

225

229

t t t t t t "t t t t t "t t "t "t t t !t !t !t !t !t !t t t tt t "t "t "t t t !t t !t

5321

232

236

t t t "t t !t "t t "t tt t "t t t "t "t !t !t !t !t !t t t tt t t t "t t t t !t !t t A

!
1345

4 notes MI
"t t t !t "t "t t "t "t "t t !t t !t !t t !t t !t t t !t t t "t t t t "t "t t !t t t t t
1354

t "t "t "t t "t "t t "t !t t !t !t !t t t t !t t t t "t t t t "t "t ! t t t !t !t t t t t

1435

t t t t t t t t t t t t t t t t t t t t

t t t t t t t t t t t t t t t t t t t t
- 37 -

t t "t t

t t t t
1453

"t "t t t !t "t "t t !t !t t !t !t t t !t t t !t t t t t "t "t t "t "t t t "t !t t t t "t t t t "t t "t t A

t "t t t

t !t "t t "t "t "t "t "t "t t "t !t !t !t t !t t t !t t !t t t t t t t t "t t !t t t t t

1534

t "t "t "t t "t "t t "t "t !t !t t !t t !t !t !t t t t !t t t t "t t "t t t !t t t t t t

1543

t "t "t "t t "t "t t "t "t !t !t !t t t !t !t t t t !t t t t t t "t t "t t !t !t

t t t t
3154

t !t "t t t "t "t "t "t "t "t t "t t !t !t !t t t !t t !t !t t t t t "t t t t !t t t t t

3145

t t t t

t t t t

t t "t

t !t "t t "t t "t "t "t "t "t "t t t !t !t !t t !t t t !t t !t t t t "t t t t !t t t t t

3415

t t t t

t t t t t t "t t t t t t t "t t t t t t t t "t t t t t t t t t "t t t t t t t t t "t

- 38 -

t !t "t t t "t "t "t "t "t t t !t !t !t !t t t t !t !t t t t "t t t !t "t t !t t t t t t

3451

t t t t

t !t "t "t t t "t "t "t "t "t t "t t !t !t !t t !t t t t !t !t t t t "t t t t !t t t t t

3514

t t t t

t !t "t t t "t "t "t "t "t t "t "t t !t !t !t t t !t t !t !t t t t t "t t t t !t t t t t

3541

t t t t

t !t "t t "t t "t "t "t "t t "t "t t !t !t !t t t !t t !t t !t t t t "t t t t !t

t t t t

t t t t
4135

"t "t "t t t !t "t "t "t t !t !t t !t !t t t t !t t !t t t t "t t "t t "t t t !t t t t t

4153

t t t t

t t t t t t t "t

"t "t t "t t !t "t "t t "t !t !t !t t !t t t t !t !t t t t t t "t "t t t "t t !t t t t t

4315

t t t t t t t t t t t t t t t t t t t t t t t t

t t t t t t t t t t t t t t t t t t t t t t t t
- 39 -

t t "t t t t t "t t "t t t t "t t t t t t "t t t "t t

A A

"t "t "t t t !t "t "t "t t !t t !t !t !t t t t t !t !t t t t "t t "t "t t t t !t t t t t

4351
110

t !t "t "t t t "t "t "t "t "t t "t !t t !t !t !t t t t t !t !t t t t t "t t t !t t t t t t t t t

4531

A A

1134513

117

t !t "t t t "t "t "t "t "t t "t "t !t !t !t t !t t t t !t !t t t t t t t t "t !t t !t !t "t t !t !t t "t t "t t "t "t "t "t t "t t !t t !t t t t t t "t "t t!t t t t t t A A

120

124

127

131

t !t "t t t "t t t t "t "t "t "t t "t "t "t !t !t t !t t t !t !t !t t t t t t !t

5134

134

t t t t
5143

138

t t "t "t t "t "t "t t "t "t !t !t !t t t !t !t !t t t !t t t t t t "t "t t !t t t t t t

5314

t t t

t t t t t

t t "t t t

141

145

t "t "t t "t "t "t t "t "t !t t !t !t t !t t t !t t t t t "t t t !t "t t ! t !t t t t t t

5341

t t t t t t t t t t t t

t t t

t t "t

148

152

!t t !t t "t "t t t "t "t "t t "t "t !t t t !t !t t t t t "t t !t t t !t "t t !t t t t t t "t "t "t t !t t t t !t !t t t t "t t "t t "t !t "t "t !t t !t t !t t !t t t !t t t t t
5431

t t t t t t t t

t "t t t t "t t t

155 5413

159

162

166

t "t "t "t t !t t t !t t t t "t "t "t !t !t t !t t !t t t t "t t "t "t t !t t !t t t t t t t t t t t t t

- 40 -

t t t t

t t t t

t t t "t

t t "t t

4 4

1b2

t t t t t "t t t
b21

"t t t t t "t t t "t t "t "t t t !t t t t ! t t t t !t t t t t t t "t t t "t t t t "t t t t A

groupes de 2 et 4 notes avec b9

"t t "t t t t "t "t t t "t "t t t t !t t t t t t !t t t t t t t t t !t t t t t t "t t t t

b25

t t !t t "t t "t t t t "t t t t "t t "t "t t t t t t "t t t t !t t t #t t t t t t t t t "t

5b2

"t t t t "t t t t t t t "t t t t "t

!t t "t t t "t t t t "t t t "t t t t "t t t t !t t t t #t t t "t t t "t t t t t t t "t t t

1235

t t !t t
1253

t !t "t t t "t t t "t "t t "t "t t t "t#t t "t #t t "t !t t !t !t t #t !t t "t t t "t !t t t t "t t t t "t !t
- 41 -

t "t t t

t "t t t

!t t t "t#t t t "t t "t #t "t t "t t !t t !t !t t #t !t "t t t t "t "t #t "t #t t

t !t t t t !t t "t t t "t t t t "t t

1325

t t !t t t t !t "t
1352

t "t t #t

!t "t "t t #t "t t "t !t !t t !t t !t #t "t t #t "t #t t !t "t t t t !t t A

t !t t t t t t "t

t !t t t
1523

t !t "t t "t t t t "t "t t #t "t t "t #t "t t #t "t t "t #t !t !t !t t t !t #t tt t !t t "t t "t !t t "t !t t "t t t t t "t !t t t "t t t A

t "t t "t t "t t t t "t "t #t t "t t !t !t t !t t !t #t !t t t "t t t "t #t "t #t t t t !t

1532

!t "t t t "t "t t t #t "t t "t t #t "t "t t #t !t !t !t t t !t #t t t "t t "t #t t t !t "t t t !t t t
2153

!t t t t "t t t t t t "t "t t t t t !t !t !t #t t !t "t t t t "t t t "t t "t t !t t t t !t "t t

2135

t !t "t t t t "t t

t !t "t "t t t "t t t t t "t t t "t t t t "t t t "t t t t !t !t !t t t !t t

- 42 -

t !t "t t t t "t t

t t t !t t "t t !t
2315

t !t t t t t t "t t t "t t t t "t "t t t t !t !t !t #t !t t "t t t "t t "t t t t !t t t "t !t t

2351

t t "t t !t t "t t

t !t "t t t t t t "t t t t "t t t "t t t t "t t !t !t !t #t !t t "t t t "t t t t t !t t t "t !t

2513

t "t !t t t !t t #t

t t t t "t t t t t "t "t t t !t !t #t !t t !t "t t t t "t t t "t t "t t t !t t t !t t t t !t "t

2531

t #t !t t t !t t "t

t t t t t t "t t t !t !t !t #t !t !t t t "t t "t t t "t t t "t t "t t "t t t t !t t t t !t t "t

3125

t #t t "t t t !t !t

t !t "t t t "t t t "t #t t "t #t "t t "t #t t "t #t "t !t !t t !t !t t #t t "t t t t !t "t t t t t t "t t "t #t t "t "t #t t "t #t t "t "t #t !t !t !t t !t t #t t !t
3152

t t #t "t t !t t !t

t !t t t t !t t "t

t !t t "t t t t !t

- 43 -

t !t t "t t t t t "t t t "t t t t "t "t t t !t t !t !t !t #t t t!t#t t t "t

3215

t t !t t t "t !t t

t "t !t t t "t t t

t t t t t "t t t t t "t "t t t !t !t !t #t !t t !t t t "t t t "t t "t t "t t

3251

t !t t t t !t "t t

t !t "t t t t "t t

t t "t t t "t #t t "t t "t "t #t t "t !t !t t !t !t t #t !t t t "t t "t #t "t #t t

3512

t t !t t t t !t "t

t t !t "t t t t "t

t t "t !t t t t !t
3521

"t t t t "t t !t !t #t t t t "t t t "t t t t "t t t "t t t t "t !t !t t !t t !t "t t "t t t "t #t t "t "t #t t "t "t #t t !t !t t !t t #t !t t "t t t "t#t t t
5123

t t "t t t t "t !t

t "t t !t t t t !t

t "t t !t t "t t t

t t "t !t t t t !t

t "t !t
- 44 -

t "t t

!t "t t t t t "t t "t t #t "t t "t #t "t "t t #t !t !t !t t t !t #t t t "t "t #t t

5132

t t !t t t "t t t
5213

t t !t "t

t t t !t
5231

t "t

t t

t t !t t !t !t #t !t t t "t t t t "t "t t t "t t t t "t t t "t t t !t t "t t t "t !t t t t !t t

5312

t "t t !t

t t "t t t

t "t t "t t t !t t

t "t t

t !t "t "t

!t t "t t t t "t t !t t !t !t #t t !t A

t t "t

"t t "t#t "t t t "t t t "t #t "t t !t !t t !t !t t #t t t t "t t t "t#t !t "t #t t !t t t

5321

t "t t t "t !t t t

"t t t "t t t t "t t t t t "t t t !t !t t !t !t !t #t t t t "t t t t "t t "t t !t t t t !t "t t t !t "t t t t "t t
- 45 -

t !t t "t

t !t t "t t t t "t

"t t "t t "t "t "t t

1345

t
1354

t "t "t "t "t "t "t t t !t t #t !t !t t t t t t t t t "t "t t t "t !t !t !t !t !t t t "t
1435

t t "t

t t

"t "t "t

4 notes MIb5
"t

t "t

t t !t t !t t t !t #t !t t t t t t t !t !t !t !t "t t t t t "t t "t t "t A

"t t "t "t t "t "t t t

1453

"t "t "t "t t t "t

t "t

t t "t

1534

t t "t t "t t t

"t t t "t

t "t "t "t

t t t !t !t t t !t t #t !t t t t t t !t !t !t !t !t t t !t #t !t t t t t t t t t t !t !t !t !t !t t t !t !t !t t t !t #t t !t !t t t t t t t !t !t tt t !t !t !t t !t t #t !t t !t t t t t t !t !t
- 46 -

t "t "t

t "t "t t t "t "t "t t

1543

t t "t t "t t t "t

"t "t "t "t "t "t "t

t t "t

t "t "t

t "t

t "t

"t

"t t "t t "t "t "t t

"t "t "t "t

"t

t "t "t

t "t t
3154

"t t "t t t "t "t "t "t !t t !t t !t t !t t #t !t t !t t t t t t "t t "t t !t !t t t "t t

3145

t "t t

"t

"t

t "t

"t t "t t "t "t "t "t "t !t !t t t !t !t t t !t #t t!t t t t t t "t t t "t !t !t t
3415

t t "t t

"t

"t

"t

"t t "t "t t "t "t "t "t !t !t t t !t !t t t !t #t t t!t t t t t "t t t "t !t !t t t t "t
3451

"t t t

t "t

t "t

"t

t "t

"t t "t "t t "t "t "t !t !t t t !t t !t !t #t t t !t t t t t "t t "t "t t !t t !t t

3514

t t "t

"t

"t

"t

"t "t t "t "t t "t t t "t

3541

t "t t

t "t

"t "t t "t "t "t t t

t t

t "t

"t "t "t "t t t

t t t !t !t #t !t t t !t t t t t !t t !t !t t !t tt t !t !t t t !t !t t #t !t t t t!t t t !t !t
- 47 -

t "t

"t

t "t

"t "t "t "t

t "t

"t "t

t "t
4135

"t t "t t "t "t "t "t "t !t !t t !t !t t t !t t !t t t t t t t t "t "t !t ! t t #t t t t "t
4153

t t

t "t

t "t

"t "t

"t t "t t t "t "t "t "t !t t !t !t !t t t !t #t t t !t t t t t t t "t "t !t t !t t

4315

t t t "t "t

t t t "t

t t "t "t

"t "t "t "t tt t t t t "t "t "t "t t "t !t !t !t t !t t !t !t t #t t t !t t t !t t

4351

"t

t t "t t

t t "t "t

110

t "t "t t "t "t "t t t

4513

"t

t "t "t "t "t t "t t t "t t

4531

t "t

"t "t "t "t "t "t "t "t t "t

t "t

!t t t !t !t #t "t "t "t t "t "t "t "t !t t !t t t t !t t t t t t "t "t t! t !t t

- 48 -

t "t t

t ttt !t t !t !t !t t !t t !t #t t t t !t t !t t "t t t t "t t "t A

t !t t t !t !t #t t t t !t t t t t !t !t !t t !t t t "t t t "t "t t A

t t t "t

t "t t "t

t "t
5134

"t t "t "t "t "t "t "t t !t !t t !t t !t #t t !t t t t t t t "t t "t t !t ! t t !t "t "t "t "t "t "t "t t !t "t t "t t !t !t t
5143

t "t

t "t t

t "t "t

"t

t t t t

"t

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Liste de standards et pices originales.

Titre a child is born a foggy day a night in tunisia afternoon in paris alice in wonderland all blues all of me all of you all the things you are au privave autumn leaves beautiful love black orpheus blue bossa blue monk bluesette body and soul corcovado days of wine and roses desafinado footprints four freddie the freeloader gentle rain giants steps girl from ipanema green dolphin street have you met miss jones how high the moon how insensitive invitation just friends lady bird lullaby of birdland misty mr pc my foolish heart my funny valentine my one and only love my romance night and day oleo once i loved one note samba recordame round midnight scrapple from the apple serenade to a cuckoo shadow of your smile Tons Mtr. 3 4 4 4 3 3 4 4 4 4 4 4 4 4 4 3 4 4 4 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Titre someday my prince will come sometime ago song for my father stella by starlight stolen moments stompin' at the savoy straight no chaser sugar take five take the a train there is no greater love there will never be another you tough talk triste up jumped spring wave well you needn't caravan things ain't what they used to be moondance poinciana little sunflower the way you look tonight Tons Mtr. 3 3 4 4 4 4 4 4 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

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