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CONTENTS

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Title Introduction of the Poem Theme of the poem is Religious Journey of the Magi a Religious Poem Conclusion Bibliography

Sign

Remarks

INTRODUCTION OF THE POEM


The journey of the magi was published in the 1927 in which year Eliot was converted to Anglicanism.

The poem is in search of the child Christ. He is journeying in search of the child Christ through inclement conditions. He dissatisfied with the world of senses and so desires death for new life. But then he is not joyous he is rather resigned. At last after a long journey, he reaches the land of nativity that he recognizes from the vegetation all around . he also recognizes this land as the land of death and birth. He now gets the vision of the ultimate and yet he cannot relinquish his own world to reach the land of the ultimate.

THEME OF THE POEM IS RELIGIOUS


Journey of the magi is religious poem. It is the promise of salvation. The Magi is three wise man from to see newly born Christ. They have to face many obstacles on their way. The regret for the kingdoms they have left. The paths are difficult and weather is bad. The camel man leave as they do not get wine and woman.

JOURNEY OF THE MAGI AS THE RELIGIOUS POEM

The journey of the magi is an allegory of spiritual journey in which the flesh still craves for sensual enjoyment. The details of the journey of the three wise man from the east bound for Jerusalem to honour the new born Jesus are the objective correlatives of the spiritual experience of the journey from the kingdom of the world to the kingdom of heaven. Which entails the death of the old physical self and the birth of new spiritual one. It is a long hazardous journey in the worst time of the year when the body needs protection and seeks sensual pleasure . all the material aids of the journey are growing weak and incapable of providing physical stimulus. The camels galled , sore footed , refractory lying down in the melting snow. The camel man cursing and grumbling and earning away and the night fires going out, and the lack of shelters. And the cities hostile and the town unfriendly and the villages dirty and charging high prices.

The magi are a composite symbol of the spiritual quarter while one of them reminisces the journey undertaken by them. He longingly recollects their

indulgence in sensual pleasure. He says that while they were going to the fleshly enjoyments that lack of which tortured them and in such a moment of spiritual crisis, they regretted to have obeyed the call of the spirit saying That this was all folly

However the quester survives the long journey in the night and at dawn he is in a temperate valley where everything is pleasant. It is the dawn of spiritual exhilaration. the different aspects of nature signify the new images of life the running stream symbolizes the rhythmic flow of life the water mill beating the darkness suggests the doubt being driven away the galloping away of the white horse in the meadow symbolizes upward movement of the spirit. At this stage the quester becomes conscious of the betrayal of the man of belief at the hands of those who are without any belief. In this kingdom of spirit he visualizes the three crosses on cavalry one of Christ and the other two of the two male factors he also has the vision of the Christ riding a white horse and of Judas betraying Christ for thirty pieces of silver and the roman dicing for the robes of Christ after his crucifixion. These memories of misdeeds of men without belief engage his mind for a while and he realizes that the secret of his quest is not revealed to him as yet and so he continues his exploration. At the end of the day he finds

himself at a place from where he looks back to the region he has traversed and feels satisfied with the advance he has made.

The positive gain of the journey is the affirmation of the belief that for the spiritual rejuvenation the overcoming of the sensual aspect of life is essential. After sacrificing his body Christ become the eternal symbol of the immortal savior of mankind the emblem of belief in . the virtues of life. The protagonist has begun to believe that a new spiritual sense has evolved in him. Like the crucifixion of Christ the painful experience of undergoing the process of the purgation of his soul has been agonizing. But when he comes back from the twilight kingdom to the kingdom of disbelief , he is no longer at ease here because he is away from: the dispersion of the grace of god and is condemned to live in the world of the old dispensation of Acadia in the midst of man without belief who adore old god of greed lust and lechery. However, the experience of his spiritual journey has transformed him. He considers these men alien different from him and wishes to experience once more the death of his physical lust.

CONCLUSION

Journey of the Magi is highly religious poem. The religious nature of the poem. The magi means a three wise man form the east begin their journey to Bethlehem city to see the newly born child Christ. The birth of Christ does not bring. The birth of Christ is a kind of death for the Magi. They do not feel easy and lose peace of mind. They feel alienated form society. They wish to welcome death that they may get a new faith taught be Christ. Their journey symbolises a spiritual and psychological transformation of the old something new. It is symbolic mental reorientation the image are suggestive and symbolic. The water and the mill symbolises the vital force of life. The valley tree and tavern symbolises hope and freedom reference. Thus journey of the Magi is fine dramatic monologue. It is religious poem. Above all poem is full of striking image and effective.

BIBLIOGRAPHY
T.S. Eliat, Quest for Belief A Study for his poetry and Drama Virendra K. Roy, Ajanta Publication, Dr. S.C. Mundra, A.V. Super Guide, English Literature (1550 to 1832)

WORDSWORTHS TINTERN ABBEY AS A NATURE POEM


A PAPER

AS A PARTIAL FULFILLMENT FOR MASTER OF ARTS ENGLISH PART II PAPER II,I

BY PALLAVI RAMESH DURDHAWALE ROLL NO. 408

SUBMITTED TO DEPARTMENT OF ENGLISH RNC ARTS JDB COMMERCE AND NSC SCIENCE COLLEGE NASHIK ROAD

CONTENTS

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Title Introduction of the Poem Theme of the poem Tinteen Abbey as a Nature Poem Conclusion Bibliography

Sign

Remarks

INTRODUCTION OF THE POEM

The poem was composed by Wordworth in 1798. It was also published in the same year. He had first visited the river wye in 1973. the republican ideas had a great influence on his mind on that time. His mind was full of hopes that made him feel that a new era of liberty and happiness had begun. The resuld was that every outward things made him very happy. But in careless sensuous way. By 1798 however at the time of his second visit things had wholly changed. He was looking out for solace. Nature sought to offer him peace and he began to find a deeper significance and meaning in the base landscape. He began to see in nature.

During the visit of 1798 his sister Dorthy was with him.

THE THEME OF THE POEM

The theme of the poem is favorable subject of word worths influence of nature on the life of man in all its mature age. The poem is autobiographical and gives us an account of the growth. Of the poets concepts of nature. The intention of the poet is too show that ultimately the true function of nature is to be mans prime teacher.

TINTREN ABBEY AS A NATURE POEM

Wordsworth was a keen observer of nature. it was easy to grasp or understand and to represent the mysteries of nature. All the truth and philosophy of human life can be found in the interpretation of nature the relationship to man and his life. William Wordswoth revisited the river wye in 1798 after 5 years. He remembers his first visit and then describes the beauty of the landscape. he says that though five years had passed he had not forgotten the beautiful landscape that he had seen in 1793. that pleasant sight has always been during this period. A sweet memory to him often in time of depression and gloom that memory had given him joy and soothed his sorrow. He had often turned for peace and now he is again actually before the river. Then begin Wordsworts description of three stages of his concept of nature only through the senses. At this time nature was only a passion to him. It was short of course appetite but gradually as he advanced in age [possibly due to his disillusionment as regards the hopes that he had placed in the French revolution] this conception underwent a radical change. He now

began to look deeper into nature and started hearing the still sad music of humanity Gradually he began to realize a still deeper meaning. He found that man had much to learn from nature. Which was mans prime teacher. He was led to this belief because he now began to believe the doctrine of immanence. The divine spirit pervades all things in nature. Wordsworth again speaks of the blissful influence that nature can and does exercise over the man. Wordsworth feels that the pleasure he is deriving from the river because nature never forgets nor betrays of nature. He says to her that when in future years her youthful emotions shall grow calm she would find. that her brothers earnest words had a great power to heal the sorrows of her future years. Even if the poet was away from her. She would recall that he brother had stood with her on the banks of the wye that he revisited the river as worshiper of nature or with a holier love for nature. Having visualized a divine presence in her and that her[sisters] company had the enhanced the beauty of nature is his eyes.

POETS LOVE FOR NATURE


Tinteen Abbey is one of the greatest poems written by Wordsworth. It has fine poetry in the seal importance rests upon the autobiographical element contained in it element that has made its for the critics. A very east takes to understand his other workers. In this beautiful poem Wordsworth has given an account of the various phases and periods of his love of nature. Wordsworth revisits after five years the river wye a few miles above.

Tintreen Abbey and sees and praises the beautiful scene once again. He see and describes the beauties of the landscape.

During the five years that had passed since his first visit to the place Wordsworth had not forgotten this beautiful place. The memory of the landscape had always given him peace and pleasure. It had always produced in his mind a feeling that had an exulting and noble influence on his character. He had often turned to the memory of the wye for the relief from the fret and fever life. It shows him as not merely the lover but a worshipper of nature. In the poem Wordsworth shows himself as Natures Priest.

CONCLUSION
Wordsworth believes that the things of nature. He expressed love for nature other poems beautifully but here there is attitude of veneration and homage Wordsworth feels that he is a dedicated sprit. Wordsworth is content to say let nature be your teacher. Even the famous line

One impulse from a vernal wood may teach you more of man of moral evil or god all the sages can

The poem is very strong and emphatic expression of Wordsworth s idea that nature exercises upon the language is very simple and fine nature of man a purifying influence and enables him to probe into the reality of man. Another important thing to be hated is that the poem with an inimitable sincerity gives three stages of Wordsworths life as a lover of Nature.

BIBLIOGRAPHY Dr. R. L. Varshney , Dr. S.C. Mundra, A.V. Super Guide, English Literature (1550 to 1832)

PORPHYRIAS LOVER AS A LOVE POEM


A PAPER AS A PARTIAL FULFILLMENT FOR MASTER OF ARTS ENGLISH PART II BY PALLAVI RAMESH DURDHAWALE ROLL NO : 408 PAPER II

SUBMITTED TO :

DEPARTMENT OF ENGLISH

RNC ARTS JDB COMMERCE & NSC SCIENCE COLLEGE, NASHIK ROAD
2010 - 2011

CONTENTS

Sr. 1 2 3 4 5 6

Title Introduction of the Poem Prophyrias true love Struggle between love and barriers Psychological study of love Lovers bad thinking Conclusion Bibliography

Sign

Remarks

INTRODUCTION

Porphrias lover and is one of the famous love lyrics by Robert Browning the poem begins abruptly yet we may make act that Prohyrias lover, her lover very deeply. She is a lady of high social class on the contrary the lover belongs to an ordinary social status. She is separated from him by the social and domestic barriers.

1. PORPHYRIAS TRUE LOVE


Prophriyas lover is one of the love lyric. Its little also suggest is a great love poem. Prophriya loves her lover very deeply. She is the lady of high social position. Prophriya is in love with young man. But she is separated from him by the social and domestic barriers. One stormy night she manages to escape to her lovers house. She gives herself to her lover. It is very happy night for both the lvoer. Prophriya running away from home with her lover.

2. STRUGGLE BETWEEN LOVE AND BARRIERS.


In a low voice she tells him that she loves him deeply. She wants to his but she is unable to throw down the barrier of social custom. Besides is she is too weak to throw down the social status and authority of her parents. Due to these barriers I spite of her intense love she is unable to give herself to him.

3. PSYCHOLOGICAL STUDY OF LOVE.


Here Browning presents a psychological study of love Prophriyas lover thinks that she dies in the moment of perfect love. She love to

him forever after death. At present she loves him deeply. This is the reason why she has come to him defying all. If she dies now. The abnormal behavior of the lover has made critics to study the poem form the psychological point of view. The lover called mad or insance his abnormal behavior and frenzy in love amazing.

4. LOVERS BAD THINKING.


Prophriya love to deeply and immortal soul. She is also belong to high society but her lover belong to lower class society, thats why one evening she running away. He is in his cottage. He is sad and gloomy to. At such meet him. She goes into his embrace. She also tells him how passionately she loves him. But that time the lover with the frenzy of love strangles the girl with her long yellow hair. The girl dies and her head rested on his shoulder. Both sit together for the whole night. Even god does not express his disapproval of the lovers act. He feels glad and proud of his action.

CONCLUSION

The poem reflect abnormal lover character it is dramati monologue spoken by lover. Here in this poem the contrust bath ather love poem. Ather poem usually poet glorifies praised their beloved but in this lover is to greedy for his love.

BIBLIOGRAPHY
Dr. R. L. Varshney , Dr. S.C. Mundra, A.V. Super Guide, English Literature (1550 to 1832)

THE CONCEPT OF DISCOURSE


A PAPER AS A PARTIAL FULFILLMENT OF THE COURSE MASTER OF ARTS ENGLISH SEMESTER II EVALUATION IN THE PAPER 2.3 BY PALLAVI RAMESH DURDHAWALE ROLL NO : 408
SUBMITTED TO :

DEPARTMENT OF ENGLISH

RNC ARTS JDB COMMERCE & NSC SCIENCE COLLEGE, NASHIK ROAD
2010 - 2011

CONTENTS

Sr. 1 2 3 4 5 6

Title

Sign

Remarks

Introduction Meaning of the Discourse The Concept of Discourse The representation of Discourse Problem with the proposition Conclusion Bibliography

INTRODUCTION
The paper deals with the concept of discourse. In this paper first section deals with the meaning of discourse. Three type of meanings of discourse. Second section deals with the concept of discourse. We have tried to the explain the concept of discourse. Discourse concerns the use of expression within some utterance to refer to some portion of the discourse. The third section we deals with how to the role of discourse in language or writing discourse represent use of speech and writing. The forth section deals with problems with the proposition and representation of discourse content. There exists a fundamental methodological problem with the proposition based analysis.

MEANING OF THE DISCOURSE


Discourse concerns the use of the expressions thin some utterance to refer to some portion of the discourse that contains that utterance. any meaningful interaction between or among persons [discourse analysis] Gillian brown any form of oral or written communication or composition Is called discourse [pregmatics] Stephen C. levinson discourse is any connected piece of speech or writing [discourse analysis] george yule

THE CONCEPT OF DISCOURSE


Discourse concerns the use of expressions within some utterance to refer to some portion of the discourse that contains that utterance [including the utterance itself] we may also include discourse in discourse deixis a number of other ways in which an utterance signals its relation to surrounding text . utterance initial anyway seems to indicate that the immediately preceding discourse, but one or more steps back. [such signals are delicate because they have the distinctive relativity of reference being anchored to the discourse location of the current utterance]. The only detailed accounts of this area of deixis are, again, to be found in fillmore 1975 and lyons 1977 . since discourse unfolds in time. It seem natural that time deictic words can be used to refer to portions of the discourse. Thus analogously to last week and next Thursday we have in the last paragraph and in the next chapter but we also have place-deictic terms reused here and especially the demonstratives this and that. thus this can be used to refer to a forthcoming portion of the discourse.

THE REPRESENTATION OF DISCOURSE


So far we have considered in very general terms some of the difference in the manner of production of writing and speech. Before we go on to discuss some of the ways in which the forms of speech and writing differ we shall consider in the next two sections. Some of the problems of the representation written and spoken language. We shall place this within a general discussion of what it means to represent a text we shall use text as a technical term. To refer to the verbal record of communicative act.

PROBLEMS WITH THE PROPOSITION BASED REPRESENTATION OF DISCOURSE CONTENT


There exists a fundamental methodological problem with the proposition based analysis of texts which makes it difficult to apply in any practical way, in discourse analysis. The discourse analyst has to be able to set about the analysis of pieces of text he encounters in newspapers, journals, novels textbooks and so on. He can not restricts has investigation to pieces of the text which he constructs for a particular purpose. In the following quotation, kintsch first states the outstanding methodological problem which persists for the proposition based analysis of text and then describes the solution he chooses. One of the major problems in work of this type is that no algorithmic procedure exists to analyze a given sentence [ or paragraph] expressions themselves and translate these into English text. into its

CONCLUSION
In the concept discourse we have tried to assemble some of the ingredient which would be required to construct an account of language to communicate with each other. We have paid partial attention to ingredients, which are dominant in the literature. We have tried to show that discourse analysis have only a partial understanding of even the most studied ingredients. There is a dangoures tendency. Among established scholars as among student. To hope that particular line of approach will yield the truth about a problem. It is very easy to make claims, which are too general and to strong. We have tried to show that some of the established wisdom in the area of discourse analysis may illuminate some aspects of discourse processing and of language use but that all approaches open up yet more gaps in our understanding. how people use

BIBLIOGRAPHY
Gillian

brown, George yule, Discourse Analysis, Cambridge

university press
Stephen C. Levinson, Pregmatic, Cambridge university pres www.cambridge.org.

MYTH IN LITERATURE
A PAPER AS A PARTIAL FULFILLMENT OF THE COURSE MASTER OF ARTS ENGLISH SEMESTER II EVALUATION IN THE PAPER 2.4 BY PALLAVI RAMESH DURDHAWALE ROLL NO : 408
SUBMITTED TO :

DEPARTMENT OF ENGLISH

RNC ARTS JDB COMMERCE & NSC SCIENCE COLLEGE, NASHIK ROAD
2010 - 2011

CONTENTS

Sr. 1 2 3 4 5

Title

Sign

Remarks

Introduction to the paper Myth Significance in Literature Literature Conclusion Bibliography

INTRODUCTION TO THE PAPER


The paper deals with signification myth in literature the first section deals with the myth. In general myth is story which is not true and involves myth is always concerned with creation myth explains how some things myth embodies feeling and concept. The second section we have tried to significance myth in literature. in generally myth is closer to literature. All literature equally and completely mythical must be abandoned. A myth is traditional story. A myth represents reality than the last section is literature we deal with this section literature. How literature and myth complimentary to each other.

MYTH
In general a myth is a story which is not true and involves [as a rute] supernatural being or any rate super human being myth explains how some thing come to exist myth embodies feeling and concept hence the promethean or Herculean figure or the idea of Diana or the story of the nature of Orpheus and erudite. Many explanations of the nature order and comic forces. Classical writers had a ready made mythology. Other have not been so fortunate and some have felt a great need to invent or somehow contrive mythology which shall be vehicle of their belief poet especially have continued to fall back on the Greek and roman myths and lesser extent. Upon Germanic and Scandinavian myth and same cases upon Chinese , Indian, Egyptian and Latin American. Myth as a cartridge put it to the old instinct brings back to old names. A good example of poet who has invented mythology akin to the traditional kind is William Blake. He said that he felt obliged to create system other wise he would be enslaved by someone elses. accordingly he combined his own visionary gleams with what he lifted from established mythologies . plus elements of Christianity and ideas. From Sweden Borg and Neoplaonism. A more recent example is W.B. Yeats who was the in the fortunate position of being able to make use of considerable stock of Celtics lore and legend of amore or less mythical kind Yeats explained his mythology in a vision. [1926] Myth is a Greek word indicates . it story myth is narrative or poetic literature.

SIGNIFICATION IN LITERATURE
It generally felt that literature should be brought closer to the myth. The resources of naturalism and symbolism have become insufficient for modern literature. The disciplines have been modified by the search for myth. For twenty years of or more there has been a general feeling that creative literature should be brought closer to myth. The resources of naturalism aesthetician and symbolism have come to seem insufficient for modern literature. These disciplines have been suppressed or at least modified by the search for myth. Many author work in myth. Eliot, Yeats, Joyce etc. this essay write to Richard chase . all literature was equally and completely mythical must be abandoned. How literature becomes myth in primitive culture and suggest how our literature. Especially our poetry. Myth has become term . a myth is traditional story which may describe the origins of the world of or people. A myth is attempt to explain mysteries. Supernatural events and culture tradition sometime sacred in nature. A myth can involve gods or other creatures. And a myth represents reality in dramatic. In contemporary literacy analysis. Myth has become term. Not to be ignored and myth critics like Robert graves. Myth has become one of the most prominent in contemporary literary analysis. The signification is the myth before listing character of the signification one must reflect a little on the way in which it is prepared on the modes of correlation of the mythical concept. The mythical one is dealing with two different types of manifestation there is no need of an unconscious in order to explain myth. In simple system like the language. The signified cannot distort any thing at all the myth is constituted by a sort of constantly moving turnstile which

presents alternately the meaning of the significance and its form. A language object and metal language a purely signifying and purely imaging consciousness. This alteration is so to speak gathered up a purely imaging consciousness . the alteration is so to speak gathered up in the concept which uses like an ambiguous signifier. At once intellective and imaginary arbitrary and natural.

LITERATURE
Literature is as well known on occupation of school and universities not ordinary average existence there it is regrettable part preparation not for the experience of living. But the passing of examination. It is into this inauspicious world. Literature has been thrust and in it that teachers students and readers must try to live. As we are all aware ideas and attitudes that were once considered settled have during that last fifty years under gone profound changes traditionalists. Naturally lament the idea of change but in word that hurring as fast as this one there is little point in such wishful thinking. It is a matter of deep personal regret. That the field of eighteenth century English literature. Let us first see how literature becomes myth in primitive culture and how our literature particularly our poetry may become mythical . myth must always discover and accept preternatural myths always show us what is more than ordinary world. Literature become mythical by overspreading the natural with preternatural by capturing impersonal forces to fulfil certain emotional need.

CONCLUSION
It generally felt that literature should be brought closer to myth. The signification myth in literature deals with myth and literature. A myth is a traditional story, which may describe the origins of the world or of people. A myth is an attempt to explain mysteries. Supernatural event and culture tradition sometime sacred in nature a myth can involve gods other creatures and a myth represents reality in dramatic.

BIBLIOGRAPHY
Reena Mitra, Critical Response to Literatures in English, Atlantic

Publishers and Distributors.


J.A.Cuddon, A Dictionary of Literary Terms Contemporary Critical

Theory, A.V. Publishers And Distributors.


Dr.Vilas Salunke, Literary Theory.

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