GUITAR EFFECTS PROCESSOR

EFFECT LIST

Effect Type List

EFFECT TYPE
Distortion Digital Distortion Amp Simulator Chorus Symphonic Flange Vintage Flange Phaser Mono Vintage Phaser Stereo Vintage Phaser Tremolo Auto Pan Rotary Ring Mod. Mod. Filter Compressor M.Band Dyna. Dyna. Filter Dyna. Flange Dyna. Phaser Tape Echo Mono Delay Stereo Delay Mod. Delay Delay LCR Echo 8 Band Parallel Delay 8 Band Series Delay 4 Band 2 Tap Mod. Delay 2 Band 4 Tap Mod. Delay 8 Multi Tap Mod. Delay 2 Band Long + 4 Short Mod. Delay Reverb Early Ref. Gate Reverb Reverse Gate Spring Reverb HQ. Pitch Dual Pitch

Description
Advanced distortion. Mainly used for direct connection to guitar amps front input. Distortion effect. Mainly used for direct connection to guitar amps front input. DG Series amp sound. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Chorus effect. Symphonic effect. Flange effect. Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology. Maximum 16-stage phaser. Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology. Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology. Tremolo effect. Autopanner. Rotary speaker simulator. Ring modulator. Modulation lter. Compressor. 3-band dynamics processor. Filter effect. The effect changes according to input level. Flanger effect. The effect changes according to input level. Phaser effect. The effect changes according to input level. Vintage tape echo. Basic monaural delay. Basic stereo delay. Basic repeat delay with modulation. 3-tap delay (left, center, right). Stereo delay with crossed feedback loop. 8-band modulation delay connected in parallel. 8-band modulation delay connected in series. 4-band delay connected in parallel w/2 multi-tap modulation delays. 2-band delay connected in parallel w/4 multi-tap modulation delay. 8 Multi tap modulation delay. 2 band parallel 2 multi tap + 4 band short modulation delay. Hall, room, stage, and plate reverb simulations, all with gates. Early reections. Early reections with gate. Early reections with reverse gate. Spring reverb simulation. High-quality pitch shifter. Pitch shifter.

Short + Medium + Long Mod. Delay 3 band multi tap delay w/3 delay times.

EFFECT TYPE
3 Band Parametric EQ Multi Filter Reverb+Chorus Reverb->Chorus Reverb+Flange Reverb->Flange Reverb+Symphonic Reverb->Symphonic Reverb->Pan Delay+Early Ref. Delay->Early Ref. Delay+Reverb Delay->Reverb Distortion->Delay 3-band parametric equalizer.

Description
3-band multi-lter (24 dB/octave). Reverb and chorus effects in parallel. Reverb and chorus effects in series. Reverb and anger effects in parallel. Reverb and anger effects in series. Reverb and symphonic effects in parallel. Reverb and symphonic effects in series. Reverb and autopan effects in series. Delay and early reections effects in parallel. Delay and early reections effects in series. Delay and reverb effects in parallel. Delay and reverb effects in series. Distortion and delay effects in series. Mainly used for direct connection to guitar amps front input. Multi effect consisting of Comp + Amp Simulator + Chorus + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Amp Simulator + Flanger + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Amp Simulator + Phaser + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. Mainly used for direct connection to guitar amps front input. Multi effect consisting of Comp + Distortion + Flanger + Delay + Reverb. Mainly used for direct connection to guitar amps front input. Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. Mainly used for direct connection to guitar amps front input. Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Mainly used for direct connection to guitar amps front input. Multi effect for electric-acoustic guitar.

Amp Multi (Chorus)

Amp Multi (Flange)

Amp Multi (Tremolo)

Amp Multi (Phaser)

Distortion Multi (Chorus) Distortion Multi (Flange) Distortion Multi (Tremolo) Distortion Multi (Phaser) Acoustic Multi

Effect Parameters
Distortion
Advanced distortion. Mainly used for direct connection to guitar amps front input.
Parameter Display Range Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Fuzz1, Fuzz2, Distortion1, Distortion2, Overdrive1, Overdrive2, Tube, Solidstate 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 50.0 to 400 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 1.60 kHz -12.0 to 12.0 dB 0.100 to 20.0 600 to 4.80 kHz -12.0 to 12.0 dB 0.100 to 20.0 2.00 k to 16.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 0.0 to 10.0 50.0 to 500 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 2.00 Hz -12.0 to 12.0 dB 0.100 to 20.0 1.00 k to 10 kHz -12.0 to 12.0 dB 0.100 to 20.0 0.0 to 10.0 0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms Description

Type

TYPE

Distortion type

Gain Master Tone EQ 1 Freq. EQ 1 Gain EQ 1 Q EQ 2 Freq. EQ 2 Gain EQ 2 Q EQ 3 Freq. EQ 3 Gain EQ 3 Q EQ 4 Freq. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq. Pre EQ 3 Gain Pre EQ 3 Q N. G. Threshold N. G. Attack N. G. Hold N. G. Decay

GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q NGTH NGAT NGHL NGDC

Adjusts the amount of distortion Adjusts the volume Adjusts the tone Species the post effect EQ1 frequency Species the post effect EQ1 gain Species the post effect EQ1 Q (bandwidth) Species the post effect EQ2 frequency Species the post effect EQ2 gain Species the post effect EQ2 Q (bandwidth) Species the post effect EQ3 frequency Species the post effect EQ3 gain Species the post effect EQ3 Q (bandwidth) Species the post effect EQ4 frequency Species the post effect EQ4 gain Species the post effect EQ4 Q (bandwidth) Species the pre effect EQ level Species the pre effect EQ1 frequency Species the pre effect EQ1 gain Species the pre effect EQ1 Q (bandwidth) Species the pre effect EQ2 frequency Species the pre effect EQ2 gain Species the pre effect EQ2 Q (bandwidth) Species the pre effect EQ3 frequency Species the pre effect EQ3 gain Species the pre effect EQ3 Q (bandwidth) Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold

Digital Distortion
Distortion effect. Mainly used for direct connection to guitar amps front input.
Parameter Type Drive Master Tone Noise Gate Display TYPE DRV MSTR TONE NG Range Distortion1, Distortion2, Overdrive1, Overdrive2, Crunch 0 to 100 0 to 100 10 to +10 0 to 20 Distortion type Distortion drive Master volume Tone Noise reduction Description

Amp Simulator
DG Series amp sound. Mainly used for direct connection to power amp. Speaker simulator allows direct recording.
Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display AMP GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1, Heavy2, Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Clean1, Clean2, Solid 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Off, American 412, British 412, Modern 412, YAMAHA 412, Hybrid 412, American 212, British 212, Modern 212, YAMAHA 212, Hybrid 212, American 112, Modern 112, YAMAHA 112, Hybrid 112, 410, 210 0.0 to 10.0 0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description

Speaker Simulator

SP

When using a line connection to connect directly to a mixer, this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound

N. G. Threshold N. G. Attack N. G. Hold N. G. Decay

NGTH NGAT NGHL NGDC

Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold

Chorus
Chorus effect.
Parameter Wave Freq. AM Depth PM Depth Mod. Delay LSH Freq. LSH Gain EQ Freq. EQ Gain EQ Q HSH Freq. HSH Gain Mix Display WAVE FREQ AMDP PMDP MDT LSHF LSHG EQ.F EQ.G EQ.Q HSHF HSHG MIX Range Sine, Triangle 0.05 to 40.00 Hz 0 to 100% 0 to 100% 0.0 to 500.0 ms 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 100 Hz to 8.00 kHz 12.0 to +12.0 dB 10.0 to 0.10 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB 0 to 100% Description Modulation waveform Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain Mix level

Symphonic
Symphonic effect.
Parameter Wave Freq. Depth Mod. Delay LSH Freq. LSH Gain EQ Freq. EQ Gain EQ Q HSH Freq. HSH Gain Mix Display WAVE FREQ DPT MDT LSHF LSHG EQ.F EQ.G EQ.Q HSHF HSHG MIX Range Sine, Triangle 0.05 to 40.00 Hz 0 to 100% 0.0 to 500.0 ms 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 100 Hz to 8.00 kHz 12.0 to +12.0 dB 10.0 to 0.10 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB 0 to 100% Description Modulation waveform Modulation speed Modulation depth Modulation delay time Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain Mix level

Flange
Flange effect.
Parameter Wave Freq. Depth FB. Gain Mod. Delay LSH Freq. LSH Gain EQ Freq. EQ Gain EQ Q HSH Freq. HSH Gain Mix Display WAVE FREQ DPT FB MDT LSHF LSHG EQ.F EQ.G EQ.Q HSHF HSHG MIX Range Sine, Triangle 0.05 to 40.00 Hz 0 to 100% 99 to +99% 0.0 to 500.0 ms 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 100 Hz to 8.00 kHz 12.0 to +12.0 dB 10.0 to 0.10 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB 0 to 100% Description Modulation waveform Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Modulation delay time Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain Mix level

Vintage Flange
Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Parameter Type Speed Depth Manual Feedback Spread Mix Display TYPE SPD DPTH MANU FB SPRD MIX 1, 2, 3 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Range Description Flanger type Modulation speed Modulation depth Adjusts angers delay time Feedback gain Left and right ange spread (diffusion) Mix level

Phaser
Maximum 16-stage phaser.
Parameter Stage Freq. Depth FB. Gain Offset Phase LSH Freq. LSH Gain HSH Freq. HSH Gain Mix Display STAG FREQ DPT FB OFST PHAS LSHF LSHG HSHF HSHG MIX Range 2, 4, 6, 8, 10, 12, 14, 16 0.05 to 40.00 Hz 0 to 100% 99 to +99% 0 to 100 0.00 to 354.38 degrees 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB 0 to 100% Description Number of phase shift stages Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Lowest phase-shifted frequency offset Left and right modulation phase balance Low shelving lter frequency Low shelving lter gain High shelving lter frequency High shelving lter gain Mix level

Mono Vintage Phaser

Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Parameter Stage Mode Speed Depth Manual Feedback Color Display STAG MODE SPD DPTH MANU FB CLOR Range 4, 6, 8, 10, 12, 16 1, 2 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Description Number of phase shift stages Phaser type Modulation speed Modulation depth Sets the manner in which the phaser acts Feedback gain Sets the phasers tone

Stereo Vintage Phaser

Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Parameter Stage Mode Speed Depth Manual Feedback Color Spread Display STAG MODE SPD DPTH MANU FB CLOR SPRD 4, 6, 8, 10 1, 2 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Range Description Number of phase shift stages Phaser type Modulation speed Modulation depth Sets the manner in which the phaser acts Feedback gain Sets the phasers tone Left and right phaser spread (diffusion)

Tremolo
Tremolo effect.
Parameter Wave Freq. Depth LSH Freq. LSH Gain EQ Freq. EQ Gain EQ Q HSH Freq. HSH Gain Display WAVE FREQ DPTH LSHF LSHG EQ.F EQ.G EQ.Q HSHF HSHG Range Sine, Triangle, Square 0.05 to 40.00 Hz 0 to 100% 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 100 Hz to 8.00 kHz 12.0 to +12.0 dB 10.0 to 0.10 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB Description Modulation waveform Modulation speed Modulation depth Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain

Auto Pan
Autopanner.
Parameter Wave Freq. Depth Direction LSH Freq. LSH Gain EQ Freq. EQ Gain EQ Q HSH Freq. HSH Gain Display WAVE FREQ DPTH DIR LSHF LSHG EQ.F EQ.G EQ.Q HSHF HSHG Range Sine, Triangle, Square 0.05 to 40.00 Hz 0 to 100% L<->R, L>R, L<R, Turn L, Turn R 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 100 Hz to 8.00 kHz 12.0 to +12.0 dB 10.0 to 0.10 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB Modulation waveform Modulation speed Modulation depth Panning direction Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain Description

Rotary
Rotary speaker simulator.
Parameter Rotate Slow Fast Speed Drive Accel Low High Mix Display ROT SLOW FAST SPD DRV ACCL LOW HIGH MIX Range Stop, Start 0.05 to 10.00 Hz 0.05 to 10.00 Hz Slow, Fast 0 to 100 0 to 10 0 to 100 0 to 100 0 to 100% Description Rotation stop, start Slow rotation speed Fast rotation speed Rotation speed (see Slow and Fast parameters) Overdrive level Acceleration at speed changes Low-frequency lter High-frequency lter Mix level

Ring Mod.
Ring modulator.
Parameter Source OSC Freq. FM Freq. FM Depth Mix Display SRC OSC FM.F FM.D MIX Range OSC, SELF 0.0 to 5000.0 Hz 0.05 to 40.00 Hz 0 to 100% 0 to 100% Description Modulation source: oscillator or input signal Oscillator frequency Oscillator frequency modulation speed Oscillator frequency modulation depth Mix level

Mod. Filter
Modulation lter.
Parameter Type Freq. Depth Phase Offset Resonance Level Mix Display TYPE FREQ DPTH PHAS OFST RESO LEVL MIX Range Low Pass Filter, High Pass Filter, Band Pass Filter 0.05 to 40.00 Hz 0 to 100% 0.00 to 354.38 degrees 0 to 100 0 to 20 0 to 100 0 to 100% Description Filter type: low pass, high pass, band pass Modulation speed Modulation depth Left-channel modulation and right-channel modulation phase difference Filter frequency offset Filter resonance Output level Mix level

Compressor
Compressor.
Parameter Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain Display THRE RATI ATAK RELE KNEE GAIN Range -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB Description Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level

M.Band Dyna.
3-band dynamics processor, with individual solo and gain reduction metering for each band.
Parameter Slope Low Gain Mid Gain High Gain Lookup Ceiling LM Xover MH Xover Presence Comp. Bypass Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Exp. Bypass Exp. Threshold Exp. Ratio Exp. Release Lim. Bypass Lim. Threshold Lim. Attack Lim. Release Lim. Knee Display SLOP LO.G MI.G HI.G LKUP CEIL L-MX M-HX PRE COMP CMPT CRAT CATA CREL CKNE EXP EXPT ERAT EREL LIM LIMT LATA LREL LKNE Range 6, 12 dB 96.0 to +12.0 dB 96.0 to +12.0 dB 96.0 to +12.0 dB 0.0 to 100.0 ms 6.0 to 0.0 dB, Off 21.2 Hz to 8.00 kHz 21.2 Hz to 8.00 kHz 10 to +10 Off, On 24.0 to 0.0 dB 1:1 to 20:1 0 to 120 ms 6 to 11500 ms 0 to 5 Off, On 54.0 to 24.0 dB 1:1 to :1 6 to 11500 ms Off, On 12.0 to 0.0 dB 0 to 120 ms 6 to 11500 ms 0 to 5 Description Filter slope Low band level Mid band level High band level Lookup delay Species the maximum output level Low/mid crossover frequency Mid/high crossover frequency For positive values, the threshold of the high band is lowered and the threshold of the low band is increased. For negative values, the opposite will occur. When set to 0, all three bands are affected the same. Compressor bypass Compressor threshold Compressor ratio Compressor attack Compressor release time Adjusts the width of the gain curve just above the compressors threshold Expander bypass Expander threshold Expander ratio Expander release time Limiter bypass Limiter threshold Limiter attack Limiter release time Adjusts the width of the gain curve just above the limiters threshold

Dyna. Filter
Filter effect. The effect changes according to input level.
Parameter Type Decay Direction Sense Offset Resonance Level Mix Display TYPE DCY DIR SENS OFST RESO LVL MIX Range Low Pass Filter, High Pass Filter, Band Pass Filter 6 to 46000 ms Up, Down 0 to 100 0 to 100 0 to 20 0 to 100 0 to 100% Filter type Filter frequency change decay speed Upward or downward frequency change Sensitivity Filter frequency offset Filter resonance Output level Mix level Description

Dyna. Flange
Flanger effect. The effect changes according to input level.
Parameter Decay FB. Gain Direction Sense Offset LSH Freq. LSH Gain EQ Freq. EQ Gain EQ Q HSH Freq. HSH Gain Mix Display DCY FB DIR SENS OFST LSHF LSHG EQ.F EQ.G EQ.Q HSHF HSHG MIX Range 6 to 46000 ms 99 to +99% Up, Down 0 to 100 0 to 100 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 100 Hz to 8.00 kHz 12.0 to +12.0 dB 10.0 to 0.10 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB 0 to 100% Description Decay speed Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Upward or downward frequency change Sensitivity Delay time offset Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain Mix level

Dyna. Phaser
Phaser effect. The effect changes according to input level.
Parameter Decay FB. Gain Direction Sense Offset Stage LSH Freq. LSH Gain HSH Freq. HSH Gain Mix Display DCY FB DIR SENS OFST STAG LSHF LSHG HSHF HSHG MIX Range 6 to 46000 ms 99 to +99% Up, Down 0 to 100 0 to 100 2, 4, 6, 8, 10, 12, 14, 16 21.2 Hz to 8.00 kHz 12.0 to +12.0 dB 50.0 Hz to 16.0 kHz 12.0 to +12.0 dB 0 to 100% Description Decay speed Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Upward or downward frequency change Sensitivity Lowest phase-shifted frequency offset Number of phase shift stages Low shelving lter frequency Low shelving lter gain High shelving lter frequency High shelving lter gain Mix level

Tape Echo
Vintage tape echo.
Parameter Time Feedback Level Display DT FB LEVL 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Range Delay time Delay feedback level Delay level Description

Mono Delay
Basic repeat delay.
Parameter Delay FB. Gain High Ratio High Pass Filter Low Pass Filter Mix Display TIME FB HRAT HPF LPF MIX Range 0.0 to 2730.0 ms 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

Stereo Delay
Basic stereo delay.
Parameter Delay L Delay R FB. Gain L FB. Gain R High Ratio High Pass Filter Low Pass Filter Mix Display DT.L DT.R FB.L FB.R HRAT HPF LPF MIX Range 0.0 to 1350.0 ms 0.0 to 1350.0 ms 99 to +99% 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Left channel delay time Right channel delay time Left channel feedback (plus values for normal-phase feedback, minus values for reverse-phase feedback) Right channel feedback (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

10

Mod. Delay
Basic repeat delay with modulation.
Parameter Wave Delay FB. Gain Freq. High Pass Filter Low Pass Filter High Ratio Depth Mix Display WAVE TIME FB FREQ HPF LPF HRAT DPT MIX Range Sine, Triangle 0.0 to 2725.0 ms 99 to +99% 0.05 to 40.00 Hz Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0.1 to 1.0 0 to 100% 0 to 100% Description Modulation waveform Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Modulation speed High-pass lter cutoff frequency Low-pass lter cutoff frequency High-frequency feedback ratio Modulation depth Mix level

Delay LCR
3-tap delay (left, center, right).
Parameter Delay L Delay C Delay R Delay FB. Level L Level C Level R FB. Gain High Ratio High Pass Filter Low Pass Filter Mix Display DT.L DT.C DT.R DTFB LV.L LV.C LV.R FB HRAT HPF LPF MIX Range 0.0 to 2730.0 ms 0.0 to 2730.0 ms 0.0 to 2730.0 ms 0.0 to 2730.0 ms 100 to +100% 100 to +100% 100 to +100% 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Left channel delay time Center channel delay time Right channel delay time Feedback delay time Left channel delay level Center channel delay level Right channel delay level Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

Echo
Stereo delay with crossed feedback loop.
Parameter Delay L Delay R FB. Delay L FB. Delay R FB. Gain L FB. Gain R L->R FB. Gain R->L FB. Gain High Ratio High Pass Filter Low Pass Filter Mix Display DT.L DT.R DTFL DTFR FB.L FB.R L->R R->L HRAT HPF LPF MIX Range 0.0 to 1350.0 ms 0.0 to 1350.0 ms 0.0 to 1350.0 ms 0.0 to 1350.0 ms 99 to +99% 99 to +99% 99 to +99% 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Left channel delay time Right channel delay time Left channel feedback delay time Right channel feedback delay time Left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Right channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Left to right channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Right to left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

11

8 Band Parallel Delay

8-band modulation delay connected in parallel.
Parameter Wave Form Display W.F. Range Triangle, Saw Up, Saw Down Description Selects the modulation waveform used for other in the Wave Parameter below. Effect level Level of direct sound Pan for direct sound Delay time Filter cuts low frequencies Filter cuts high frequencies Delays feedback level Modulation waveform. Sine wave or other (other is the wave selected in the Wave Form Parameter above). Phase of the delay The output time of the delay sound in regard to the time of the delay loop (see page 31) Modulation speed (modulation phase if the band is synchronized with another band) Modulation depth Position in the stereo eld of the delay sound. Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synchronize with that band. If set to the same number as the current band, it will not synchronize.)

Effect Level ELVL 0.0 to 10.0 Direct Level DLVL 0.0 to 10.0 Direct Pan DPAN L10.0 to R10.0 * Edit window page no. corresponds to delay band no. Time DTn 0.1 to 696.0 ms Low Cut Filter LCFn Off to 10.0 High Cut Filter HCFn Off to 10.0 Feedback FBn 0.0 to 10.0 Wave Phase Tap Speed Depth Pan Level Sync WAVn PHSn TAPn SPDn DPTn PANn LVLn SYNn Sine, Other Normal, Reverse 0 to 100 % 0.0 to 10.0 0.0 to 10.0 L10.0 to R10.0 0.0 to 10.0 1 to 8

*n = delay band no.

8 Band Series Delay

8-band modulation delay connected in series.
Parameter Wave Form Display W.F. Range Triangle, Saw Up, Saw Down Description Selects the modulation waveform used for other in the Wave Parameter below. Effect level Level of direct sound Pan for direct sound Delay time Filter cuts low frequencies Filter cuts high frequencies Delays feedback level Modulation waveform. Sine wave or other (other is the wave selected in the Wave Form Parameter above). Phase of the delay The output time of the delay sound in regard to the time of the delay loop (see page 31) Modulation speed (modulation phase if the band is synchronized with another band) Modulation depth Position in the stereo eld of the delay sound. Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synchronize with that band. If set to the same number as the current band, it will not synchronize.)

Effect Level ELVL 0.0 to 10.0 Direct Level DLVL 0.0 to 10.0 Direct Pan DPAN L10.0 to R10.0 * Edit window page no. corresponds to delay band no. Time DTn 0.1 to 696.0 ms Low Cut Filter LCFn Off to 10.0 High Cut Filter HCFn Off to 10.0 Feedback FBn 0.0 to 10.0 Wave Phase Tap Speed Depth Pan Level Sync WAVn PHSn TAPn SPDn DPTn PANn LVLn SYNn Sine, Other Normal, Reverse 0 to 100 % 0.0 to 10.0 0.0 to 10.0 L10.0 to R10.0 0.0 to 10.0 1 to 8

*n = delay band no.

12

4 Band 2 Tap Mod. Delay

4-band delay connected in parallel w/2 multi-tap modulation delays.
Parameter Display Range Description Selects the modulation waveform used for other in the Wave ParameWave Form W.F. Triangle, Saw Up, Saw Down ter below. Effect Level ELVL 0.0 to 10.0 Effect level Direct Level DLVL 0.0 to 10.0 Level of direct sound Direct Pan DPAN L10.0 to R10.0 Pan for direct sound * Edit window no. corresponds to delay band no. and tap no. Page1:Band1 Tap1, Page2:Band1 Tap2, Page3:Band2 Tap1, Page4:Band2 Tap2, Page5:Band3 Tap1, Page6:Band3 Tap2, Page7:Band4 Tap1, Page8:Band4 Tap2 Time DTn 0.1 to 1430.0 ms Delay time (Page1, Page3, Page5, Page7) Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page3, Page5, Page7) High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page3, Page5, Page7) Feedback FBn 0.0 to 10.0 Delays feedback level (Page1, Page3, Page5, Page7) Modulation waveform. Sine wave or other (other is the wave selected Wave WAVn Sine, Other in the Wave Form Parameter above). Phase PHSn Normal, Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0.0 to 10.0 another band) Depth DPTn 0.0 to 10.0 Modulation depth Pan PANn L10.0 to R10.0 Position in the stereo eld of the delay sound. Level LVLn 0.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synSync SYNn 1 to 8 chronize with that band. If set to the same number as the current band, it will not synchronize.) *n = delay band no.

2 Band 4 Tap Mod. Delay

2-band delay connected in parallel w/4 multi-tap modulation delay.
Parameter Display Range Description Selects the modulation waveform used for other in the Wave ParameWave Form W.F. Triangle, Saw Up, Saw Down ter below. Effect Level ELVL 0.0 to 10.0 Effect level Direct Level DLVL 0.0 to 10.0 Level of direct sound Direct Pan DPAN L10.0 to R10.0 Pan for direct sound * Edit window no. corresponds to delay band no. and tap no. Page1:Band1 Tap1, Page2:Band1 Tap2, Page3:Band1 Tap3, Page4:Band1 Tap4, Page5:Band2 Tap1, Page6:Band2 Tap2, Page7:Band2 Tap3, Page8:Band2 Tap4 Time DTn 0.2 to 2920.0 ms Delay time (Page1, Page5 only) Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page5 only) High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page5 only) Feedback FBn 0.0 to 10.0 Delays feedback level (Page1, Page5 only) Modulation waveform. Sine wave or other (other is the wave selected Wave WAVn Sine, Other in the Wave Form Parameter above). Phase PHSn Normal, Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0.0 to 10.0 another band) Depth DPTn 0.0 to 10.0 Modulation depth Pan PANn L10.0 to R10.0 Position in the stereo eld of the delay sound. Level LVLn 0.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synSync SYNn 1 to 8 chronize with that band. If set to the same number as the current band, it will not synchronize.) *n = delay band no.

13

8 Multi Tap Mod. Delay

8 Multi tap modulation delay.
Parameter Wave Form Display W.F. Range Triangle, Saw Up, Saw Down Description Selects the modulation waveform used for other in the Wave Parameter below. Effect level Level of direct sound Pan for direct sound

Effect Level ELVL 0.0 to 10.0 Direct Level DLVL 0.0 to 10.0 Direct Pan DPAN L10.0 to R10.0 * Edit window page no. corresponds to tap no. Page1:Tap1, Page2:Tap2, Page3:Tap3, Page4:Tap4, Page5:Tap5, Page6:Tap6, Page7:Tap7, Page8:Tap8 Time DTn 0.5 to 5890.0 ms Delay time (Page1 only) Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1 only) High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1 only) Feedback FBn 0.0 to 10.0 Delays feedback level (Page1 only) Modulation waveform. Sine wave or other (other is the wave selected Wave WAVn Sine, Other in the Wave Form Parameter above). Phase PHSn Normal, Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0.0 to 10.0 another band) Depth DPTn 0.0 to 10.0 Modulation depth Pan PANn L10.0 to R10.0 Position in the stereo eld of the delay sound. Level LVLn 0.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synSync SYNn 1 to 8 chronize with that band. If set to the same number as the current band, it will not synchronize.) *n = delay band no.

2 Band Long + 4 Short Mod. Delay

2 band parallel 2 multi tap + 4 band short modulation delay.
Parameter Display Range Description Selects the modulation waveform used for other in the Wave ParameWave Form W.F. Triangle, Saw Up, Saw Down ter below. Effect Level ELVL 0.0 to 10.0 Effect level Direct Level DLVL 0.0 to 10.0 Level of direct sound Direct Pan DPAN L10.0 to R10.0 Pan for direct sound * Edit window no. corresponds to delay band no. and tap no. Page1:Band1 Tap1, Page2:Band1 Tap2, Page3:Band2 Tap1, Page4:Band2 Tap2, Page5:Band3, Page6:Band4, Page7:Band5, Page8:Band6 Band1, Band2: 0.1 to 1430.0 Time DTn ms, Band3, Band4, Band5, Delay time (Page1, Page3, Page5 to Page8) Band6: 0.1 to 696.0 ms Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page3, Page5 to Page8) High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page3, Page5 to Page8) Feedback FBn 0.0 to 10.0 Delays feedback level (Page1, Page3, Page5 to Page8) Modulation waveform. Sine wave or other (other is the wave selected Wave WAVn Sine, Other in the Wave Form Parameter above). Phase PHSn Normal, Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0.0 to 10.0 another band) Depth DPTn 0.0 to 10.0 Modulation depth Pan PANn L10.0 to R10.0 Position in the stereo eld of the delay sound. Level LVLn 0.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synSync SYNn 1 to 8 chronize with that band. If set to the same number as the current band, it will not synchronize.) *n = delay band no.

14

Short + Medium + Long Mod. Delay

3 band multi tap delay w/3 delay times.
Parameter Display Range Description Selects the modulation waveform used for other in the Wave ParameWave Form W.F. Triangle, Saw Up, Saw Down ter below. Effect Level ELVL 0.0 to 10.0 Effect level Direct Level DLVL 0.0 to 10.0 Level of direct sound Direct Pan DPAN L10.0 to R10.0 Pan for direct sound * Edit window no. corresponds to delay band no. and tap no. Page1:Band1 Tap1, Page2:Band2 Tap1, Page3:Band2 Tap2, Page4:Band2 Tap3, Page5:Band3 Tap1, Page6:Band3 Tap2, Page7:Band3 Tap3, Page8:Band3 Tap4 Band1:0.1 to 696.0 ms, Time DTn Band2:0.2 to 2180.0 ms, Delay time (Page1, Page2, Page5 only) Band3:0.2 to 2920.0 ms Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page2, Page5 only) High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page2, Page5 only) Feedback FBn 0.0 to 10.0 Delays feedback level (Page1, Page2, Page5 only) Modulation waveform. Sine wave or other (other is the wave selected Wave WAVn Sine, Other in the Wave Form Parameter above). Phase PHSn Normal, Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0.0 to 10.0 another band) Depth DPTn 0.0 to 10.0 Modulation depth Pan PANn L10.0 to R10.0 Position in the stereo eld of the delay sound. Level LVLn 0.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band, it will synSync SYNn 1 to 8 chronize with that band. If set to the same number as the current band, it will not synchronize.) *n = delay band no.

Reverb
Hall, room, stage, and plate reverb simulations, all with gates.
Parameter Reverb Type Initial Delay ER/Rev Delay Reverb Time High Ratio Low Ratio Diffusion Density ER/Rev Balance High Pass Filter Low Pass Filter Gate Level Attack Hold Decay Mix Display TYPE IDLY ERDL TIME HRAT LRAT DIFF DNST ERBL HPF LPF GATE ATCK HOLD DCAY MIX Range Hall, Room, Stage, Plate 0.0 to 500.0 ms 0.0 to 100.0 ms 0.3 to 99.0 s 0.1 to 1.0 0.1 to 2.4 0 to 10 0 to 100% 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru Off, 60 to 0 dB 0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms 0 to 100% Description Reverb type Initial delay before reverb begins Delay between early reections and reverb Reverb time High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (leftright reverb spread) Reverb density Balance of early reections and reverb (0% = all reverb, 100% = all early reections) High-pass lter cutoff frequency Low-pass lter cutoff frequency Level at which gate kicks in Gate opening speed Gate open time Gate closing speed Mix level

15

Early Ref.
Early reections.
Parameter Type Initial Delay FB. Gain Room Size Liveness Diffusion Density ER Number High Ratio High Pass Filter Low Pass Filter Mix Display TYPE IDLY FB SIZE LIVE DIFF DNST ERNO HRAT HPF LPF MIX Range Small Hall, Large Hall, Random, Reverse, Plate, Spring 0.0 to 500.0 ms 99 to +99% 0.1 to 20.0 0 to 10 0 to 10 0 to 100% 1 to 19 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Type of early reection simulation Initial delay before reverb begins Feedback gain Reection spacing Early reections decay characteristics (0 = dead, 10 = live) Reection diffusion (leftright reection spread) Reection density Number of early reections High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

Gate Reverb
Early reections with gate.
Parameter Type Initial Delay FB. Gain Room Size Liveness Diffusion Density ER Number High Ratio High Pass Filter Low Pass Filter Mix Display TYPE IDLY FB SIZE LIVE DIFF DNST ERNO HRAT HPF LPF MIX Range Type-A, Type-B 0.0 to 500.0 ms 99 to +99% 0.1 to 20.0 0 to 10 0 to 10 0 to 100% 1 to 19 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Type of early reection simulation Initial delay before reverb begins Feedback gain Reection spacing Early reections decay characteristics (0 = dead, 10 = live) Reection diffusion (leftright reection spread) Reection density Number of early reections High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

Reverse Gate
Early reections with reverse gate.
Parameter Type Initial Delay FB. Gain Room Size Liveness Diffusion Density ER Number High Ratio High Pass Filter Low Pass Filter Mix Display TYPE IDLY FB SIZE LIVE DIFF DNST ERNO HRAT HPF LPF MIX Range Type-A, Type-B 0.0 to 500.0 ms 99 to +99% 0.1 to 20.0 0 to 10 0 to 10 0 to 100% 1 to 19 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% Description Type of early reection simulation Initial delay before reverb begins Feedback gain Reection spacing Early reections decay characteristics (0 = dead, 10 = live) Reection diffusion (leftright reection spread) Reection density Number of early reections High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Mix level

16

Spring Reverb
Spring reverb simulation.
Parameter Reverb Display REV 0.0 to 10.0 Range Reverb level Description

HQ. Pitch
High-quality pitch shifter.
Parameter Mode Delay FB. Gain Pitch Fine Mix Display MODE DT FB PIT FINE MIX Range 1 to 10 0.0 to 1000.0 ms 99 to +99% 12 to +12 semitones 50 to +50 cents 0 to 100% Description Pitch shift precision Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Pitch shift Pitch shift ne Mix level

Dual Pitch
Pitch shifter.
Parameter Mode Delay 1 FB. Gain 1 Delay 2 FB. Gain 2 Pitch 1 Fine 1 Level 1 Pan 1 Pitch 2 Fine 2 Level 2 Pan 2 Mix Display MODE DT1 FB1 DT2 FB2 PIT1 FIN1 LVL1 PAN1 PIT2 FIN2 LVL2 PAN2 MIX Range 1 to 10 0.0 to 1000.0 ms 99 to +99% 0.0 to 1000.0 ms 99 to +99% 24 to +24 semitones 50 to +50 cents 100 to +100% L63 to R63 24 to +24 semitones 50 to +50 cents 100 to +100% L63 to R63 0 to 100% Description Pitch shift precision Channel #1 delay time Channel #1 feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Channel #2 delay time Channel #2 feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Channel #1 pitch shift Channel #1 pitch shift ne Channel #1 level (plus values for normal phase, minus values for reverse phase) Channel #1 pan Channel #2 pitch shift Channel #2 pitch shift ne Channel #2 level (plus values for normal phase, minus values for reverse phase) Channel #2 pan Mix level

3 Band Parametric EQ
3-band parametric equalizer.
Parameter EQ1 Freq. EQ2 Freq. EQ3 Freq. EQ Level EQ1 Gain EQ2 Gain EQ3 Gain EQ1 Q EQ2 Q EQ3 Q Display EQ1F EQ2F EQ3F LEVL EQ1G EQ2G EQ3G EQ1Q EQ2Q EQ3Q Range 20.0 Hz to 20.0 kHz 20.0 Hz to 20.0 kHz 20.0 Hz to 20.0 kHz 0.0 to 10.0 -12.0 to 12.0 dB -12.0 to 12.0 dB -12.0 to 12.0 dB 0.100 to 20.0 0.100 to 20.0 0.100 to 20.0 EQ1 frequency EQ2 frequency EQ3 frequency Overall level EQ1 gain EQ2 gain EQ3 gain EQ1 Q (bandwidth) EQ2 Q (bandwidth) EQ3 Q (bandwidth) Description

17

Multi Filter
3-band multi-lter (24 dB/octave).
Parameter Type 1 Freq. 1 Level 1 Resonance 1 Mix Type 2 Freq. 2 Level 2 Resonance 2 Type 3 Freq. 3 Level 3 Resonance 3 Display TYP1 FRQ1 LVL1 RES1 MIX TYP2 FRQ2 LVL2 RES2 TYP3 FRQ3 LVL3 RES3 Range Low Pass Filter, High Pass Filter, Band Pass Filter 28.0 Hz to 16.0 kHz 0 to 100 0 to 20 0 to 100% Low Pass Filter, High Pass Filter, Band Pass Filter 28.0 Hz to 16.0 kHz 0 to 100 0 to 20 Low Pass Filter, High Pass Filter, Band Pass Filter 28.0 Hz to 16.0 kHz 0 to 100 0 to 20 Description Filter 1 type: high pass, low pass, band pass Filter 1 frequency Filter 1 level Filter 1 resonance Mix level Filter 2 type: high pass, low pass, band pass Filter 2 frequency Filter 2 level Filter 2 resonance Filter 3 type: high pass, low pass, band pass Filter 3 frequency Filter 3 level Filter 3 resonance

Reverb+Chorus
Reverb and chorus effects in parallel.
Parameter Wave Initial Delay Freq. Mod. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb/Chorus AM Depth PM Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL AMDP PMDP MIX Range Sine, Triangle 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and chorus balance (0% = all reverb, 100% = all chorus) Amplitude modulation depth Pitch modulation depth Mix level

Reverb->Chorus
Reverb and chorus effects in series.
Parameter Wave Initial Delay Freq. Mod. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance AM Depth PM Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL AMDP PMDP MIX Range Sine, Triangle 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) Amplitude modulation depth Pitch modulation depth Mix level

18

Reverb+Flange
Reverb and anger effects in parallel.
Parameter Wave Initial Delay Freq. Mod. Delay FB. Gain Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb/Flange Depth Mix Display WAVE IDLY FREQ MDT FB RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine, Triangle 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.0 to 500.0 ms 99 to +99% 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and ange balance (0% = all reverb, 100% = all ange) Modulation depth Mix level

Reverb->Flange
Reverb and anger effects in series.
Parameter Wave Initial Delay Freq. Mod. Delay FB. Gain Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance Depth Mix Display WAVE IDLY FREQ MDT FB RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine, Triangle 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.0 to 500.0 ms 99 to +99% 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and anged reverb balance (0% = all anged reverb, 100% = all reverb) Modulation depth Mix level

Reverb+Symphonic
Reverb and symphonic effects in parallel.
Parameter Wave Initial Delay Freq. Mod. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb/ Symphonic Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine, Triangle 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and symphonic balance (0% = all reverb, 100% = all symphonic) Modulation depth Mix level

19

Reverb->Symphonic
Reverb and symphonic effects in series.
Parameter Wave Initial Delay Freq. Mod. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine, Triangle 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and symphonic reverb balance (0% = all symphonic reverb, 100% = all reverb) Modulation depth Mix level

Reverb->Pan
Reverb and autopan effects in series.
Parameter Wave Initial Delay Freq. Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance Depth Direction Mix Display WAVE IDLY FREQ RT HRAT DIFF DNST HPF LPF BAL DPTH DIR MIX Range Sine, Triangle, Square 0.0 to 500.0 ms 0.05 to 40.00 Hz 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% L<>R, L>R, L<R, Turn L, Turn R 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass lter cutoff frequency Low-pass lter cutoff frequency Reverb and panned reverb balance (0% = all panned reverb, 100% = all reverb) Modulation depth Panning direction Mix level

Delay+Early Ref.
Delay and early reections effects in parallel.
Parameter Delay L Delay R FB. Delay FB. Gain High Ratio High Pass Filter Low Pass Filter Delay/ER Mix Type Initial Delay Room Size Liveness Diffusion Density ER Number Display DT.L DT.R DTFB FB HRAT HPF LPF BAL MIX TYPE IDLY SIZE LIVE DIFF DNST ERNO Range 0.0 to 1000.0 ms 0.0 to 1000.0 ms 0.0 to 1000.0 ms 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% Small Hall, Large Hall, Random, Reverse, Plate, Spring 0.0 to 500.0 ms 0.2 to 20.0 0 to 10 0 to 10 0 to 100% 1 to 19 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Delay and early reections balance (0% = all delay, 100% = all early reections) Mix level Type of early reection simulation Initial delay before reverb begins Reection spacing Early reections decay characteristics (0 = dead, 10 = live) Left and right early reections spread Reverb density Number of early reections

20

Delay->Early Ref.
Delay and early reections effects in series.
Parameter Delay L Delay R FB. Delay FB. Gain High Ratio High Pass Filter Low Pass Filter Delay Balance Mix Type Initial Delay Room Size Liveness Diffusion Density ER Number Display DT.L DT.R DTFB FB HRAT HPF LPF BAL MIX TYPE IDLY SIZE LIVE DIFF DNST ERNO Range 0.0 to 1000.0 ms 0.0 to 1000.0 ms 0.0 to 1000.0 ms 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% Small Hall, Large Hall, Random, Reverse, Plate, Spring 0.0 to 500.0 ms 0.2 to 20.0 0 to 10 0 to 10 0 to 100% 1 to 19 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Delay and early reected delay balance (0% = all early reected delay, 100% = all delay) Mix level Type of early reection simulation Initial delay before reverb begins Reection spacing Early reections decay characteristics (0 = dead, 10 = live) Left and right early reections spread Reverb density Number of early reections

Delay+Reverb
Delay and reverb effects in parallel.
Parameter Delay L Delay R FB. Delay FB. Gain Delay High High Pass Filter Low Pass Filter Delay/Reverb Mix Initial Delay Reverb Time Reverb High Diffusion Density Display DT.L DT.R DTFB FB HRAT HPF LPF BAL MIX IDLY RT R.HI DIFF DNST Range 0.0 to 1000.0 ms 0.0 to 1000.0 ms 0.0 to 1000.0 ms 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Delay and reverb balance (0% = all delay, 100% = all reverb) Mix level Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density

Delay->Reverb
Delay and reverb effects in series.
Parameter Delay L Delay R FB. Delay FB. Gain Delay High High Pass Filter Low Pass Filter Delay Balance Mix Initial Delay Reverb Time Reverb High Diffusion Density Display DT.L DT.R DTFB FB HRAT HPF LPF BAL MIX IDLY RT R.HI DIFF DNST Range 0.0 to 1000.0 ms 0.0 to 1000.0 ms 0.0 to 1000.0 ms 99 to +99% 0.1 to 1.0 Thru, 21.2 Hz to 8.00 kHz 50.0 Hz to 16.0 kHz, Thru 0 to 100% 0 to 100% 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 0 to 10 0 to 100% Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Delay and delayed reverb balance (0% = all delayed reverb, 100% = all delay) Mix level Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density

21

Distortion->Delay
Distortion and delay effects in series. Mainly used for direct connection to guitar amps front input.
Parameter Type Delay FB. Gain Freq. Drive Master Tone Noise Gate High Ratio Depth Delay Balance Display TYPE DT FB FREQ DRV MSTR TONE NG HRAT DPTH BAL Range Distortion1, Distortion2, Overdrive1, Overdrive2, Crunch 0.0 to 2725.0 ms 99 to +99% 0.05 to 40.00 Hz 0 to 100 0 to 100 10 to +10 0 to 20 0.1 to 1.0 0 to 100% 0 to 100% Distortion type Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Modulation speed Distortion drive Master volume Tone control Noise reduction High-frequency feedback ratio Modulation depth Distortion and delay balance (0% = all distortion, 100% = all delayed distortion) Description

22

Amp Multi (Chorus)

Multi effect consisting of Comp + Amp Simulator + Chorus + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording.
Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1, Heavy2, Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Clean1, Clean2, Solid 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Off, American 412, British 412, Modern 412, YAMAHA 412, Hybrid 412, American 212, British 212, Modern 212, YAMAHA 212, Hybrid 212, American 112, Modern 112, YAMAHA 112, Hybrid 112, 410, 210 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB Sine, Triangle 0.0 to 30.0 ms 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description

Speaker Simulator

SP

When using a line connection to connect directly to a mixer, this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound

N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain Wave Chorus Delay Chorus Speed Chorus Depth Chorus Level FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE CHDT CHSP CHDP CHLV DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Chorus modulation waveform Chorus delay time Chorus speed Modulation depth Chorus level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

23

Amp Multi (Flange)

Multi effect consisting of Comp + Amp Simulator + Flange + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording.
Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1, Heavy2, Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Clean1, Clean2, Solid 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Off, American 412, British 412, Modern 412, YAMAHA 412, Hybrid 412, American 212, British 212, Modern 212, YAMAHA 212, Hybrid 212, American 112, Modern 112, YAMAHA 112, Hybrid 112, 410, 210 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB Sine, Triangle 0.0 to 10.0 ms 0.0 to 10.0 0.0 to 10.0 -99 to 99 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description

Speaker Simulator

SP

When using a line connection to connect directly to a mixer, this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound

N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain Wave Flanger Delay Flanger Speed Flanger Depth Flanger Feedback Flanger Level FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE FLDT FLSP FLDP FLFB FLVL DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Modulation waveform Flanger delay time Modulation speed Modulation depth Flanger feedback Flanger level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

24

Amp Multi (Tremolo)

Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording.
Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1, Heavy2, Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Clean1, Clean2, Solid 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Off, American 412, British 412, Modern 412, YAMAHA 412, Hybrid 412, American 212, British 212, Modern 212, YAMAHA 212, Hybrid 212, American 112, Modern 112, YAMAHA 112, Hybrid 112, 410, 210 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB Sine, Triangle, Squre 0.0 to 10.0 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description

Speaker Simulator

SP

When using a line connection to connect directly to a mixer, this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound

N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain Wave Tremolo Speed Tremolo Depth FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE TRSP TRDP DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Modulation waveform Tremolo speed Tremolo depth Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

25

Amp Multi (Phaser)

Multi effect consisting of Comp + Amp Simulator + Phaser + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording.
Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1, Heavy2, Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Clean1, Clean2, Solid 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Off, American 412, British 412, Modern 412, YAMAHA 412, Hybrid 412, American 212, British 212, Modern 212, YAMAHA 212, Hybrid 212, American 112, Modern 112, YAMAHA 112, Hybrid 112, 410, 210 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB Sine, Triangle 0.0 to 10.0 0.0 to 10.0 -99 to 99 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description

Speaker Simulator

SP

When using a line connection to connect directly to a mixer, this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound

N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain Wave Phaser Speed Phaser Depth Phaser Feedback Phaser Level FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE PHSP PHDP PHFB PHLV DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Modulation waveform Modulation speed Modulation depth Phaser feedback Phaser level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

26

Distortion Multi (Chorus)

Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. Mainly used for direct connection to guitar amps front input.
Parameter Display Range Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Fuzz1, Fuzz2, Distortion1, Distortion2, Overdrive1, Overdrive2, Tube, Solidstate, Bypass 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 50.0 to 400 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 1.6 Hkz -12.0 to 12.0 dB 0.100 to 20.0 600 to 4.80 kHz -12.0 to 12.0 dB 0.100 to 20.0 2.00 k to 16.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 0.0 to 10.0 50.0 to 500 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 2.00 kHz -12.0 to 12.0 dB 0.100 to 20.0 1.00 k to 10.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms Sine, Triangle 0.0 to 30.0 ms 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Description

Type

TYPE

Distortion type

Gain Master Tone EQ 1 Freq. EQ 1 Gain EQ 1 Q EQ 2 Freq. EQ 2 Gain EQ 2 Q EQ 3 Freq. EQ 3 Gain EQ 3 Q EQ 4 Freq. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq. Pre EQ 3 Gain Pre EQ 3 Q Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Wave Chorus Delay Chorus Speed Chorus Depth Chorus Level FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE CHDT CHSP CHDP CHLV DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Adjusts the amount of distortion Adjusts the volume Adjusts the tone Species the post effect EQ1 frequency Species the post effect EQ1 gain Species the post effect EQ1 Q (bandwidth) Species the post effect EQ2 frequency Species the post effect EQ2 gain Species the post effect EQ2 Q (bandwidth) Species the post effect EQ3 frequency Species the post effect EQ3 gain Species the post effect EQ3 Q (bandwidth) Species the post effect EQ4 frequency Species the post effect EQ4 gain Species the post effect EQ4 Q (bandwidth) Species the pre effect EQ level Species the pre effect EQ1 frequency Species the pre effect EQ1 gain Species the pre effect EQ1 Q (bandwidth) Species the pre effect EQ2 frequency Species the pre effect EQ2 gain Species the pre effect EQ2 Q (bandwidth) Species the pre effect EQ3 frequency Species the pre effect EQ3 gain Species the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the compressors threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Chorus modulation waveform Chorus delay time Chorus speed Modulation depth Chorus level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

27

Distortion Multi (Flange)

Multi effect consisting of Comp + Distortion + Flange+ Delay + Reverb. Mainly used for direct connection to guitar amps front input.
Parameter Display Range Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Fuzz1, Fuzz2, Distortion1, Distortion2, Overdrive1, Overdrive2, Tube, Solidstate, Bypass 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 50.0 to 400 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 1.6 Hkz -12.0 to 12.0 dB 0.100 to 20.0 600 to 4.80 kHz -12.0 to 12.0 dB 0.100 to 20.0 2.00 k to 16.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 0.0 to 10.0 50.0 to 500 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 2.00 kHz -12.0 to 12.0 dB 0.100 to 20.0 1.00 k to 10.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms Sine, Triangle 0.0 to 10.0 ms 0.0 to 10.0 0.0 to 10.0 -99 to 99 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Description

Type

TYPE

Distortion type

Gain Master Tone EQ 1 Freq. EQ 1 Gain EQ 1 Q EQ 2 Freq. EQ 2 Gain EQ 2 Q EQ 3 Freq. EQ 3 Gain EQ 3 Q EQ 4 Freq. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq. Pre EQ 3 Gain Pre EQ 3 Q Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Wave Flanger Delay Flanger Speed Flanger Depth Flanger Feedback Flanger Level FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE FLDT FLSP FLDP FLFB FLLV DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Adjusts the amount of distortion Adjusts the volume Adjusts the tone Species the post effect EQ1 frequency Species the post effect EQ1 gain Species the post effect EQ1 Q (bandwidth) Species the post effect EQ2 frequency Species the post effect EQ2 gain Species the post effect EQ2 Q (bandwidth) Species the post effect EQ3 frequency Species the post effect EQ3 gain Species the post effect EQ3 Q (bandwidth) Species the post effect EQ4 frequency Species the post effect EQ4 gain Species the post effect EQ4 Q (bandwidth) Species the pre effect EQ level Species the pre effect EQ1 frequency Species the pre effect EQ1 gain Species the pre effect EQ1 Q (bandwidth) Species the pre effect EQ2 frequency Species the pre effect EQ2 gain Species the pre effect EQ2 Q (bandwidth) Species the pre effect EQ3 frequency Species the pre effect EQ3 gain Species the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Modulation waveform Flanger delay time Modulation speed Modulation depth Flanger feedback Flanger level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

28

Distortion Multi (Tremolo)

Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. Mainly used for direct connection to guitar amps front input.
Parameter Display Range Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Fuzz1, Fuzz2, Distortion1, Distortion2, Overdrive1, Overdrive2, Tube, Solidstate, Bypass 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 50.0 to 400 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 1.6 Hkz -12.0 to 12.0 dB 0.100 to 20.0 600 to 4.80 kHz -12.0 to 12.0 dB 0.100 to 20.0 2.00 k to 16.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 0.0 to 10.0 50.0 to 500 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 2.00 kHz -12.0 to 12.0 dB 0.100 to 20.0 1.00 k to 10.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms Sine, Triangle, Squre 0.0 to 10.0 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Description

Type

TYPE

Distortion type

Gain Master Tone EQ 1 Freq. EQ 1 Gain EQ 1 Q EQ 2 Freq. EQ 2 Gain EQ 2 Q EQ 3 Freq. EQ 3 Gain EQ 3 Q EQ 4 Freq. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq. Pre EQ 3 Gain Pre EQ 3 Q Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Wave Tremolo Speed Tremolo Depth FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE TRSP TRDP DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Adjusts the amount of distortion Adjusts the volume Adjusts the tone Species the post effect EQ1 frequency Species the post effect EQ1 gain Species the post effect EQ1 Q (bandwidth) Species the post effect EQ2 frequency Species the post effect EQ2 gain Species the post effect EQ2 Q (bandwidth) Species the post effect EQ3 frequency Species the post effect EQ3 gain Species the post effect EQ3 Q (bandwidth) Species the post effect EQ4 frequency Species the post effect EQ4 gain Species the post effect EQ4 Q (bandwidth) Species the pre effect EQ level Species the pre effect EQ1 frequency Species the pre effect EQ1 gain Species the pre effect EQ1 Q (bandwidth) Species the pre effect EQ2 frequency Species the pre effect EQ2 gain Species the pre effect EQ2 Q (bandwidth) Species the pre effect EQ3 frequency Species the pre effect EQ3 gain Species the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Modulation waveform Tremolo speed Tremolo depth Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

29

Distortion Multi (Phaser)

Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Mainly used for direct connection to guitar amps front input.
Parameter Display Range Lead1, Lead2, Drive1, Drive2, Crunch1, Crunch2, Fuzz1, Fuzz2, Distortion1, Distortion2, Overdrive1, Overdrive2, Tube, Solidstate, Bypass 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 50.0 to 400 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 1.6 Hkz -12.0 to 12.0 dB 0.100 to 20.0 600 to 4.80 kHz -12.0 to 12.0 dB 0.100 to 20.0 2.00 k to 16.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 0.0 to 10.0 50.0 to 500 Hz -12.0 to 12.0 dB 0.100 to 20.0 200 to 2.00 kHz -12.0 to 12.0 dB 0.100 to 20.0 1.00 k to 10.0 kHz -12.0 to 12.0 dB 0.100 to 20.0 -54.0 to 0.0 dB 1:1 to :1 0 to 120 ms 6 to 11500 ms Hard, 1 to 5 0.0 to 18.0 dB 0.0 to 10.0 0.0 to 120 ms 0.02 to 2040 ms 6 to 44500 ms Sine, Triangle 0.0 to 10.0 0.0 to 10.0 -99 to 99 0.0 to 10.0 0.0 to 1000.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.1 to 1.0 0.0 to 10.0 Thru to 8.00 kHz 50.0 Hz to Thru 0.0 to 500.0 ms 0.3 to 99.0 s 0.1 to 1.0 ms 0 to 10 0 to 100 0.0 to 10.0 Description

Type

TYPE

Distortion type

Gain Master Tone EQ 1 Freq. EQ 1 Gain EQ 1 Q EQ 2 Freq. EQ 2 Gain EQ 2 Q EQ 3 Freq. EQ 3 Gain EQ 3 Q EQ 4 Freq. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq. Pre EQ 3 Gain Pre EQ 3 Q Comp. Threshold Comp. Ratio Comp. Attack Comp. Release Comp. Knee Comp. Gain N. G. Threshold N. G. Attack N. G. Hold N. G. Decay Wave Phaser Speed Phaser Depth Phaser Feedback Phaser Level FB. Delay Tap L Tap R Delay FB. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level

GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE PHSP PHDP PHFB PHLV DTFB DT.L DT.R D.FB D.HI DLVL DHPF DLPF RIDL RT R.HI RDIF RDNS RLVL

Adjusts the amount of distortion Adjusts the volume Adjusts the tone Species the post effect EQ1 frequency Species the post effect EQ1 gain Species the post effect EQ1 Q (bandwidth) Species the post effect EQ2 frequency Species the post effect EQ2 gain Species the post effect EQ2 Q (bandwidth) Species the post effect EQ3 frequency Species the post effect EQ3 gain Species the post effect EQ3 Q (bandwidth) Species the post effect EQ4 frequency Species the post effect EQ4 gain Species the post effect EQ4 Q (bandwidth) Species the pre effect EQ level Species the pre effect EQ1 frequency Species the pre effect EQ1 gain Species the pre effect EQ1 Q (bandwidth) Species the pre effect EQ2 frequency Species the pre effect EQ2 gain Species the pre effect EQ2 Q (bandwidth) Species the pre effect EQ3 frequency Species the pre effect EQ3 gain Species the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Modulation waveform Modulation speed Modulation depth Phaser feedback Phaser level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass lter cutoff frequency. For delay, reverb Low-pass lter cutoff frequency. For delay, reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level

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Acoustic Multi
Multi effect for electric-acoustic guitar.
Parameter Mic Type Blend Bass Middle Treble Presence Volume Stereo Bass Freq. Middle Freq. Treble Freq. Presence Freq. Limiter Chorus/Delay Reverb Type Limiter Level Speed/Time Depth/FB. Effect Level Reverb Display TYPE BLND BASS MID TRE PRE VOL STE BASF MIDF TREF PREF LMSW ETYP RTYP LIM SP/T D/FB ELVL RLVL Range Condenser1, Condenser2, Dynamic1, Dynamic2, Tube1, Tube2, Nylon String1, Nylon String2 0.0 to 10.0 -12.0 to 12.0 dB -12.0 to 12.0 dB -12.0 to 12.0 dB -12.0 to 12.0 dB 0.0 to 10.0 0.0 to 10.0 50 Hz to 400 Hz 200 Hz to 1.80 kHz 600 Hz to 4.80 kHz 2.00 k to 16.0 kHz Off, On Off, Chorus, Delay Off, Hall, Room, Plate 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 0.0 to 10.0 Microphone simulator type Balance between mic simulator and direct sounds Low frequency level Mid frequency level High frequency level Extremely high frequency level Volume Setting for stereo mic effect Frequency for low frequency EQ Frequency for mid frequency EQ Frequency for high frequency EQ Frequency for extremely high frequency EQ Limiter switch Effect type Reverb type Limiter level Chorus effect speed/delay time Chorus effect depth/delay feedback Effect level Reverb level Description

What is TAP?
The Tap parameter found in delay effects is the timing at which the delay sound is taken out of the delay loop. To illustrate this function, the delay shown below is using a delay time setting of 360msec. However, with the Tap parameter set to 60, the rst delay sound will be heard at 216msec. This happens for the rst delay sound only. If the Feedback (FB.) level is increased, all subsequent delay sounds will be heard at 360msec. intervals.
First Delay Sound Original Sound Feedback Delay Sound

Delay Circuit
TAP=60% 216msec TAP=100% 360msec

TIME 216 msec 360 msec 360 msec

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