Beruflich Dokumente
Kultur Dokumente
Course Information: HUAS 6334 501- Fall 2011 IBERIA: Music and Culture
W 4:00-6:45pm AS 2.105
Course Description This is an interdisciplinary course focusing primarily upon Spanish music within a historic and a cultural context. Allied art forms to music such as the plastic arts, literature and architecture will add dimension to Iberian music, and will be present in the course content and class discussions. In music the formats studied will include the sacred and secular traditions of Spain. In so far as secular music is concerned we will survey art music such as the medieval cantigas, the villancicos and romances of the Golden Age of Spanish arts, the Zarzuela ed. Spanish opera, notable solo repertory for piano and guitar, as well as some popular and traditional music. Each class will have assigned readings to combine historical context with music listening. As your professor is a practitioner of Spanish music, on occasion there will be an in class performance by me, or a student, or a guest.
Student Learning Objectives/Outcomes Learning objectives include an enhanced appreciation for the nexus of music in Spanish culture. An important goal for this course includes a familiarity with the multicultural mosaic of Spain which constitutes the seminal elements of both European and Semitic cultures. Through history these traditions have made an imprint which is embedded upon the music and culture of Iberia.
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Required Textbooks and Materials A Short History of Spanish Music, by Ann Livermore is available as the course reading for HUAS 6315 at the UTD Bookstore. N/A Ornament of the World, by Maria Menocal, Little Brown and Co ISBN 0-316-56688-8 Portrait of a Romantic/Albeniz by Walter A. Clarke, Oxford ISBN 978-0-19-925052-3 Spanish Music in the Twentieth Century, by Tomas Marco, Harvard, ISBN 0-674-83102-0 Suggested Course Materials N/A
Assignments & Academic Calendar Week 1: Course introduction and overview: Questions of Spanish Historiography and how the Spaniards see themselves.
Week 2: Medieval music traditions in Iberia. The three faiths of Medieval Spain. Readings: Menocal, - Beginnings Week 3: Alfonso X El Sabio/the Wise, King of Culture Readings: Menocal - p 200, Week 4: The Sacred Vocal Tradition: Polyphonic traditions in Catalonia and Southern Spain. Readings: Menocal- Alhambra 1492 p. 252, Week 5: Villancicos y mas villancicos Readings: Menocal- Somewhere in La Mancha
Week: 6: Instrumental traditions: Renaissance Vihuela and Baroque Guitar Aesthetic summary: Duo Alturas concert Conference Center, Friday 29th @ 8pm Concert report as homework assignment Week 7: Instrumental traditions: the harp and keyboard. Early Modern Spain: Spanish Drama
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Week 9: Reading:Clarke/Albeniz Early Nationalist Composer Week 10: The Romantics: Albeniz, Granados, Granados and Goya Readings: Portrait of a Romantic/Albeniz - Clarke Week 11: Roland Dyens, UTD Guitar Series Concert (Opportunity to review) Marco: Spanish Music in the XX Century Week 12: Regionalist composers: Turina, Espla, Llobet Pre-Civil War Spain Readings: Marco Week 13: Manuel de Falla: Duende! Fiery Falla an article by Prof. Robt. X. Rodriguez Spain during the Civil War:
Readings: Marco Week 14: Federico Moreno Torroba and Joaquin Rodrigo Readings: Marco Week 15: Modernist composers: Madrid, Barcelona Reading: Marco Week 16: Final papers due. Close of semester Please note: this syllabus is provided to help you in planning your readings. The syllabus is subject to adjustment either by change, substitution or addition during the course of the semester. In such a case, I will provide the class with notice thereof. EM
Grading Policy
Class participation = 50%
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Academic Integrity
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The faculty expects from its students a high level of responsibility and academic honesty. Because the value of an academic degree depends upon the absolute integrity of the work done by the student for that degree, it is imperative that a student demonstrate a high standard of individual honor in his or her scholastic work. Scholastic dishonesty includes, but is not limited to, statements, acts or omissions related to applications for enrollment or the award of a degree, and/or the submission as ones own work or material that is not ones own. As a general rule, scholastic dishonesty involves one of the following acts: cheating, plagiarism, collusion and/or falsifying academic records. Students suspected of academic dishonesty are subject to disciplinary proceedings. Plagiarism, especially from the web, from portions of papers for other classes, and from any other source is unacceptable and will be dealt with under the universitys policy on plagiarism (see general catalog for details). This course will use the resources of turnitin.com, which searches the web for possible plagiarism and is over 90% effective.
Email Use
The University of Texas at Dallas recognizes the value and efficiency of communication between faculty/staff and students through electronic mail. At the same time, email raises some issues concerning security and the identity of each individual in an email exchange. The university encourages all official student email correspondence be sent only to a students U.T. Dallas email address and that faculty and staff consider email from students official only if it originates from a UTD student account. This allows the university to maintain a high degree of confidence in the identity of all individual corresponding and the security of the transmitted information. UTD furnishes each student with a free email account that is to be used in all communication with university personnel. The Department of Information Resources at U.T. Dallas provides a method for students to have their U.T. Dallas mail forwarded to other accounts.
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Copies of these rules and regulations are available to students in the Office of the Dean of Students, where staff members are available to assist students in interpreting the rules and regulations.
Disability Services
The goal of Disability Services is to provide students with disabilities educational opportunities equal to those of their non-disabled peers. Disability Services is located in room 1.610 in the Student Union. Office hours are Monday and Thursday, 8:30 a.m. to 6:30 p.m.; Tuesday and Wednesday, 8:30 a.m. to 7:30 p.m.; and Friday, 8:30 a.m. to 5:30 p.m. The contact information for the Office of Disability Services is: The University of Texas at Dallas, SU 22 PO Box 830688 Richardson, Texas 75083-0688 (972) 883-2098 (voice or TTY) Essentially, the law requires that colleges and universities make those reasonable adjustments necessary to eliminate discrimination on the basis of disability. For example, it may be necessary to remove classroom prohibitions against tape recorders or animals (in the case of dog guides) for students who are blind. Occasionally an assignment requirement may be substituted (for example, a research paper versus an oral presentation for a student who is hearing impaired). Classes enrolled students with mobility impairments may have to be rescheduled in accessible facilities. The college or university may need to provide special services such as registration, note-taking, or mobility assistance. It is the students responsibility to notify his or her professors of the need for such an accommodation. Disability Services provides students with letters to present to faculty members to verify that the student has a disability and needs accommodations. Individuals requiring special accommodation should contact the professor after class or during office hours.
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If a student or an instructor disagrees about the nature of the absence [i.e., for the purpose of observing a religious holy day] or if there is similar disagreement about whether the student has been given a reasonable time to complete any missed assignments or examinations, either the student or the instructor may request a ruling from the chief executive officer of the institution, or his or her designee. The chief executive officer or designee must take into account the legislative intent of TEC 51.911(b), and the student and instructor will abide by the decision of the chief executive officer or designee.
These descriptions and timelines are subject to change at the discretion of the Professor.
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