Beruflich Dokumente
Kultur Dokumente
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oxidisation.
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sentences'. Finally, in acknowledgement that it is not always so simple even to get started,
you are encouraged, in 'Expressing yourself', to initiate that important first flow of words.
• Information icebergs
• Brainstorming and mind-mapping
• Paragraph construction
• Topic sentences
• Expressing yourself
A vital skill in research and all academic endeavours is the ability to summarise - that is, to
reduce information to its essence without losing accuracy, by subsuming elaboration and
detail into broad main points. In the planning sheets in this section you will be able to practise
'Summarising' from your own choice of materials.
Similarly, you are frequently asked to bring your own critical faculties to bear on what you
read - not to take anything in research at face value, but to question and evaluate so as to
build up and apply a high level of informed judgement to activities and assertions in your
field. Some techniques for 'Critiquing' are made explicit, and the planning sheets offer you an
opportunity to practise these.
When you are writing about other people's ideas, it is important for you to be in control of
'Voice' - that is, to make sure that your reader knows whether they are reading directly from
the original source, or indirectly, filtered through your understanding and reiteration of the
original.
Finally, there are conventional ways of giving prominence either to an item of information, or
to its original author, and you will discover some techniques for achieving this in 'Author
orientation'.
Summarising
Summarising is a vital academic skill, useful for notetaking (from written and spoken
delivery), for critical reference to previous research or theoretical frameworks as in a review
of literature, for brief proposals or progress reports, for writing abstracts and for summarising
your own findings. The planning sheets in this section help you to summarise an existing text
to different levels of reduction, without substantially losing any essential information. You
will be able to practise 'A summarising technique', and apply this to 'The short summary,' 'The
expanded, informative summary', and 'The full summary'. You are urged to do so as often as
possible with a variety of texts in order to gain confidence and facility in this process.
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• A summarising technique
• The short summary
• The expanded, informative summary
• The full summary
Critiquing
The word 'critique' is related to other words, such as critical, and critic, which are to do with
having and stating an opinion about someone else's claim, statement or performance.
You critique (verb) the literature when you write about ideas in your field that are not your
own, both to show you know the field, and as a context for your own research or ideas.
Usually, your critique (noun) follows your summary of the original. The reader can then
appreciate your views about the validity of other writers' ideas. This summary/critique
partnership gives you the basic building blocks for a literature review.
In this subsection, you are given the planning sheet 'Starting points for critiquing' which helps
you to ask critical questions of any text. A further planning sheet shows you 'A critiquing
technique', and you have the opportunity to practise this using your own text. Lastly, some
examples of authentic text from the Health Sciences illustrate the subtle use of 'Comparing
and contrasting' to achieve a finely controlled critical tone while writing about the work of
others.
Voice
Introduction
By its very nature, the review of literature is a vehicle which conveys information and
opinion from its writer to its reader about the existing work of other authors. The writer
clearly has a commentator's role, offering the reader a stream of information which moves
between what was said by the other authors, and what was said about this by the writer. It is
vitally important, then, that the reader is able to tell 'Whose voice?' is being used at any one
time.
In a following subsection you will find further explanation and examples of how to vary the
voice in your writing. Three common techniques in academic writing are 'Paraphrasing,
reporting, quoting'; in the planning sheet 'Reducing text by paraphrasing, reporting and
quoting', you will be given the opportunity to distinguish between the 'voices' inherent in
each of these processes, and to practise each one.
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It is often the case that a 'Writer's commentary' (or a statement in the writer's own voice) is
introduced in order to intrude an opinion or make clear a position. Similarly, subtle degrees of
'Emphasis' (a planning sheet) can be placed by a writer in order to advance an argument or
direct the reader's attention. You can lead your reader to take notice of certain aspects of an
idea or piece of information which is pertinent to your own purpose.
Whose voice?
'[Students] can treat published literature like any other data, the only difference being that it is
not data they generated themselves.'
(Brown R (1994). 'The "big picture" about managing writing'. In Quality in postgraduate
education. Edited by O Zuber-Skerritt and Y Ryan. London: Kogan Page, p 97.)
When you report on your own findings, you are likely to present them something like this:
'Table 2 shows that sixteen of the twenty respondents preferred the Carlyle method.'
'The Carlyle method was preferred by 80% of the respondents (see Table 2).'
Or:
'From the results shown in Table 2, it appears that the majority of respondents were in favour
of the Carlyle method.'
In this case, your source of information is Table 2. Had you found the same results in Smith
(1988, p 17), you would naturally substitute the name, date and page number for Table 2. In
each case, this is your voice introducing a fact that can be verified somewhere else.
Note that the tense used here is past for the fact itself ('preferred'; 'were in favour of'), and
present for your part (or the source's part) in the reporting ('Table 2 shows that'; ' it appears
that'). This is because the reported fact occurred specifically in the past, whereas both you
and your sources are presenting it 'now' - that is, at the time that the reader is reading your
document. You use the two time frames to indicate the difference between what actually
happened and how it is being presented right now.
Sometimes you may need to use present perfect to refer to the recent past ('have discovered
that ...' ) or past perfect ('had realised that ... ') which refers to a time prior to a specified time
in the past.
It is also, of course, possible to present an idea in the present tense - for example, 'the sky is
blue'. You do this when the idea is generalisable and undisputable. In an academic context,
when new (not 'common') ideas are presented, the author makes a strong claim to validity by
using the present tense, and thus needs to be very sure of his/her ground, providing irrefutable
evidence in support of the statement.
When you yourself are making a statement about your own research, whether specific to a
point in time (usually past tense) or generalised as a claim (usually present tense), the voice
you use is your own, and no references need be made. However, as soon as you introduce
ideas or information from another source, your voice must be combined with that of the
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source's voice. The skill with which you manage this combination - that is, the way in which
you manipulate the various elements (idea, source(s) and voice) - is often significant in
assessing the merit and rigour of your work. So it is important.
There are three basic ways in which you can combine an idea and its source with your own
voice:
1. direct quote
2. paraphrase
3. report
Each of these can be varied in many ways, but the distinction between them is important; the
quality, depth and subtlety of your presentation may depend on the use you choose to make of
each method.
Start with an idea expressed in one or more sentences as originally stated by the source. For
example, Jones who wrote these words in 1997:
Below are some examples of how this idea may be expressed by direct quote, paraphrase and
report, combining your voice with that of Jones in ways which are endlessly variable for your
purposes.
You can choose a single sentence or phrase from the original text which, in itself,
sums up the main point being made by the author. If you quote directly in this way,
you must surround the exact original wording with single inverted commas, or
choose to indent longer passages in smaller font, with no inverted commas. In each
case, include in your reference the page number from which the extract is derived.
Jones (1996: 167) wrote, 'Physiotherapists work with a multitude of problem situations, many
of which can be characterised by complexity, uniqueness and ambiguity'.
'Physiotherapists work with a multitude of problem situations' points out Jones (1996: 167),
returning to the professional context for clinical reasoning. Many of these, he adds 'can be
characterised by complexity, uniqueness and ambiguity'.
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Physiotherapists work with a multitude of problem situations, many of which can be
characterised by complexity, uniqueness and ambiguity (Jones 1997: 167).
This process basically means repeating or rewriting a statement in your own words
from an 'inside' stance. You can restate the content in reduced form without
mentioning the author by name, but writing as if you were using the author's 'voice'.
This gives prominence to the information itself, while the author is (must be) added
simply as a reference, either by name/date or by number.
Many complex, unique, even ambiguous problem situations are familiar to physiotherapists
(Jones 1997).
That many of the problem situations encountered by physiotherapists can be imbued with
complexity, uniqueness and ambiguity, is a phenomenon pointed out by Jones (1997).
You can report the content by describing indirectly what the author wrote, as if you
were an observer reporting the author's action or intention. Use your own 'voice' as if
speaking about this author to someone else and restate the main points from an
'outside' stance. This gives greater prominence to the presence and authority of the
original writer. It also allows you to imply your own level of acceptance of the
author's point.
Although Jones (1997) claimed that many of the problem situations faced by physiotherapists
can be characterised by complexity, uniqueness and ambiguity, he did not pursue this line of
argument.
Referring to the complexity, uniqueness and ambiguity of problem situations that arise in
physiotherapy, Jones (1997) provides a professional context for the significance of clinical
reasoning.
Jones' claim (1997) that the characteristics of problem situations for physiotherapists demand
sensitive clinical reasoning, is supported by several recent research studies (refs).
Use each of these methods to suit your own purposes, especially in a review of literature,
where you should be displaying control over the way in which ideas and counter ideas are
understood in relation to each other.
The planning sheet for this subsection is a downloadable Word 6 file reduce:
Writer's commentary
(This subsection is modified from materials prepared for the School of Geoinformatics,
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Planning and Building in 1977 by D Boerema, Student Support Services, University of South
Australia.)
Note that the writer may include a comment or statement of their own (rather than
paraphrasing the work of others). For example: 'Ironically, in real life situations, the practice
often differs from the theory'.
Comment statements may begin with some of the words or phrases below:
Clearly, ...
It is clear that ...
Ironically, ...
Interestingly, ...
Unfortunately, ...
Broadly, ...
Words and phrases such as those listed below allow you to use your own voice to link the text
by showing connections between ideas or directing the reader to your 'argument'.
However, ...
On the other hand, ...
Moreover, ...
Thus, ...
Lastly, ...
Hence, ...
See the relevant planning sheet for this subsection as a downloadable Word 6 file emphasis:
• Emphasis
Author orientation
(This subsection is modified from materials prepared for the School of Geoinformatics,
Planning and Building in 1977 by D Boerema, Student Support Services, University of South
Australia.)
In this style of reporting, you refer to previous research findings, focussing on what
the researcher did or said. The researcher's name is often at the beginning of the
sentence:
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writing about it, but the researchers are not the primary focus. Therefore, what is
being discussed is the focus of the sentence:
3. Information prominence
In this style of reporting, a statement is presented first, and reference to the author
follows, which simply adds credibility or verification to the information itself.
The first model, namely the 'reflex-hierarchical model', was developed by Sir
Highlings Jackson in the last century (Horak and Shumway-Cook 1989).
(Modified from Boerema D (1997) Student Support Services, University of South Australia,
Materials prepared for the School of Geoinformatics, Planning and Building.)
In the previous section 'Writing about the work of other authors' you learned how to deal with
ideas that have already been expressed in words. Some writers find it harder to deal with
their own thoughts, since they are fully responsible for generating the appropriate expression
for good communication. In this subsection, we use a framework that is about ways of seeing:
literal, lateral, critical, speculative. You can find this explained further in 'Organising your
ideas: Conceptualising: Critical analysis'.
Not only are structured levels of analysis useful in conceptualising, but also you will find that
you can actually control your use of language in academic writing by understanding the
intention, vocabulary and expressive style commonly used at each level. A fundamental
process in communication is 'Describing and defining - literal' in which we find out what is
the focus of attention, and what type of thing it is.
The next step is to know how it works and where it fits into the whole. Language use for
this stage can be found in 'Explaining and exploring - lateral'.
At a more abstract level, the academic approach involves informed questioning and weighing
up of ideas. Writing at this level demands some subtlety; you will find some suggestions in
'Discussing and disputing - critical'. Finally, the driving force behind all research is the will to
find out whether ... . Again, the language we use for wondering, 'Certainty and speculation -
speculative', provides the academic writer with an expressive range if selected with care.
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Describing and defining - literal
In order to make a comparison, or have a critical opinion about a fact, idea or item of
information, you must first know and be able to describe exactly what it is you are focusing
on.
Your ability to describe and define an item will reflect your skills of analysis, that is, your
ability to look very closely and report on what is there and how it is made up, so that
someone else can visualise and understand the item from your description.
The planning sheet in this subsection helps you to be clear about the formation of a basic
statement in which an identified something (subject) is being or acting in a certain way
(verb), possibly with other players on the receiving end (object).
• Statements
In the table of the planning sheet 'Cause and effect', you will see how subtleties of meaning
can be achieved by selecting vocabulary appropriate to its context. In this case, the starting
point for the table is the word 'because'. You may increase your vocabulary range by
developing a similar table for any word or phrase, and entering synonyms found in any
dictionary or thesaurus.
Objective comparison
Comparison
Comparative terms of measurement must remain factual: larger than, less than, more than,
fewer than, smaller than, to a greater/lesser extent/degree.
Both of the subjects showed signs of increased self-esteem, one to a greater extent
than the other.
The bruises on Subject A were fewer and less discoloured than those on Subject B.
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Comparative terms of degree use adjectives and adverbs in conjunction with 'more':
Equipment A offered more precise calibration than Equipment B, and for this reason
was able to give more accurate results more frequently.
Academic scholarship is built on the tradition of argument - that is, an interplay between the
assertions of one idea or one author and the claims of another. This very convention has given
researchers and academics a useful language for scholarly and seemingly respectful
communication, in which they can declare themselves quite forcefully either for or against
existing or possible ideas in the process of laying claim to specialised knowledge, or putting
forward a new theoretical viewpoint. You can use either 'Evidence and generalisation' (a
planning sheet) in the form of empirical, generalisable statements or Subjective comparison
to make judgements and to argue the force of our convictions. Look also at the 'Language for
argument' subsection to find examples of how language is used to define turning points or
emphasise main components in your critical direction or your line of argument.
Subjective comparison
Vocabulary
We can use words with a range of meanings to convey judgement:
Objective assessments are made by increasing the degree of measurable meaning in the
words:
Subjective judgements are made by varying the degree of value-laden meaning in the
words:
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no better than, no worse than
The Wankel engine has many advantages over the reciprocating piston engine. Fewer
moving parts are necessary because it produces a rotary movement without using a
connecting rod and a crankshaft. Because of this rotary movement it has no vibration. In
addition it has no valves, it is smaller and lighter than conventional engines of the same
power, and it runs economically on diesel and several other fuels.
and; also; additionally; in addition; not only...but also; then; firstly; finally; in
conclusion
Words and phrases which negate what has been said - deny validity or describe a negative
state:
there is no ... no, not any, ... it is not ... rarely the case, absence of, neither ... nor,
under no circumstances, Prefixes un-... in- ... do not (+verb) few
In writing up research, you deal not only with concrete and specific events, instruments, plans
and outcomes, but also with the more nebulous abstractions, ideas, truth and falsehood.
Researchers always wish to say ‘This is the case’ but are often constrained by simply not
knowing for sure, or not being able to demonstrate with sufficient certainty to impress.
The English language provides us with a magnificent range of options in the areas of
abstraction and speculation. You are able to distinguish between 'Finite and conditional
events' using certain verb formations to examine the imaginary dimension of ‘if’, and you are
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able to use modal verbs to finely communicate the 'Degrees of will and certainty' that you
hold as the writer of your own text.
Certain/definite
Conditional/speculative
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One of many possibilities The substance could behave in this
way
Contents
Information icebergs 2
Brainstorming and mind-mapping 4
Paragraph construction 6
Topic sentences 8
Expressing yourself 9
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Information icebergs
Since humans cannot talk about everything all at once, it is useful to be able to pick out a
central and essential component to any topic so that no detail is lost and all details are
represented. This really is the art of knowing what is a main point and what is peripheral or
secondary. Humans do it all the time with words and phrases, and this very feature of the
English language allows us to derive or 'construct' immense complexity from simple
shorthand communication.
What do the following words represent to you? Your associations may well be endless.
Childcare, fabric, culture, government, recreation, school, law, hospital, retail, telephone,
tennis, media, kindergarten, disco, health, spider, drains, bowling club, lawnmower,
technology, dance, station wagon, embroidery.
Now add a further word - 'Australia'. Does this change, narrow or connect the ideas in a new
way? What happens when the key topic is 'Human behaviour'? 'My early years'? 'The village
in the jungle'? 'The mayor's report'? Whatever concept that takes the key or central position it
has a clear effect on our understanding of any subsets of information.
In the triangle below, map out all the words and concepts in the above list, together with a
key word at its apex: Some words have been entered already for the key concept 'Australia',
and you will notice that these words take up positions which reinforce the conceptual
hierarchy on the triangular shape: broad, general ideas towards the top, detailed, concrete
items towards the bottom. Try filling in the gaps with your own items appropriately placed.
Try changing the key word and see whether that effects the hierarchy. Try placing a word
from the bottom of the triangle in the key word position - say, 'Spider' or 'Drains'. Can you
see that subsets would obviously change, but that this principle of classification holds true for
words and concepts on any scale?
Australia
culture environment
kindergarten childcare
dance bowling
club
disco embroidery station
wagon spider
drains fabric telephone lawnmower
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Now consider a series of key topic words ranged along a series of triangles, as in the
Information icebergs' below. If they are separate and equivalent concepts, then they will
occupy separate triangles but could well be connected by some other association, such as a
heading that is of a higher level again. The point is that you have control of this system,
because you place the topic words and decide on the criteria for division under each one.
These divisions will not always be the same, of course. They will change according to your
purpose, so this is a most flexible and dynamic system.
Abstract
General Main points
Mapping: Looked at from above, each set of related icebergs could form a mind map.
1.1.4 1.3.1
1.1.3.1
1.1.3
1.2
1.1.3.2 1.3 1.3.2
1.1.2 1.1
1.1.1
TOPIC 1.4
1.7.1 1
1.7
1.7.2
1.5
1.7.4
1.7.3 1.6
This is a useful way of 'mapping' out what you are thinking about.
Just place the topic in the middle and work outwards towards the more concrete and specific details.
But
be sure you put the right topic in the middle!
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Brainstorming and mind-mapping
Practise planning an essay or report using listing and mind-mapping techniques. In
this planning sheet you are asked to work through a process which helps you to
identify items you wish to write about in relation to the main topic with which they
are associated. Once the idea is formed and expressed, you can accept, reject or
modify it according to your purposes, and at least you have a useful starting point.
Essay: 'Explain 'a' in the light of 'b' and 'c' (you name the elements of the topic)
Practical Report: (you name the experiment)
Report on specific ttem: (you name a single item - eg Honda Civic)
Field Report on specific event or site:(you name the event or site - eg Visit to
laboratory)
Progress Report: (you name current project - eg Building project update)
Brainstorming
Write down every thing you can think of relating to your title. Everything. (Get a friend to
help you expand the list).
Don't worry if it is ungrammatical or irrelevant. You can achieve a great deal using 'scribbles'
at this stage.
Just keep adding whatever way occurs to you to the list in. Work very fast.
Mind-mapping
Find ideas and facts on your 'Brainstorm' sheet which are linked together logically.
Reformulate your list, perhaps in diagrammatic form (see 'Information icebergs' above), so
that you can clearly visualise the relationships between points.
Think of how you can classify or group items in terms of main points and subpoints.
Now find clusters which are linked together logically and use words or lines to indicate the
connections between each group.
Arrange the structure of this 'map' in light of the main purpose of the report, turning themes
into headings and subheadings.
Some of your first ideas will be discarded at this stage. What you are left with will be well
organised and can always be added to further.
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Subject map
A subject map is a useful variation which will expand with your knowledge throughout your
course.
On a large piece of paper start with the name of your course written in the centre. Keep
adding component parts - eg subjects and their applications in real life - until you have filled
the paper. This diagram will give you a marvellous overview and understanding of your
course as a whole entity.
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Paragraph construction
Having identified the components of your written text through a process of brainstorming and
mind-mapping, use the resulting organisation of concepts to set up the best possible sequence
for your text. Use the report numbering system (see 'Information icebergs') to establish
main and subsidiary items, and introduce each paragraph with a topic sentence which
introduces the topic label from the relevant part of your mind-map. There is a pattern to a
series of paragraphs, which you will find in the diagram below:
Topic/question:..............................................................................................
What
Identify the elements/issues that will be examined
Why
Explain why this combination of elements is
significant, or why they are being examined together
in this paper
How
Prepare your reader for what is to come, by providing
a brief outline of the way you have addressed the
question, and touching on each of your main points in
turn by ascribing them a key word or phrase
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(Subheading - optional) Topic sentence incorporating the key word or phrase
Subpoint 1 ascribed to the single main point covered in this
or Main point 2 paragraph Keep this sentence short, simple, clear and
strong.
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Topic sentences
This quick exercise shows quite dramatically the contribution made to a paragraph by its
topic sentence.
1. Read the first paragraph and in lines below, give a brief account of what the paragraph was
about.
2. Then (and not until then), read the second paragraph and write a brief account of it.
Paragraph 1
They must be laid in good time and there are several ways of doing this, but first you must
clear away the debris, make sure of easy access, and have everything ready to move in fast
and on demand. You must plan carefully to incorporate the various inlets and outlets at this
stage, since you will never have the opportunity again. You will need to keep an eye out and
be patient because it may take a very long time to cure, and until it does, you are stuck with
not much to do. Eventually, you will be able to check it over to your satisfaction, and get on
with the rest of the process. If all goes well, you will have a solid base to build on, and you
can be sure that the rest will be sound and secure.
…………………………………………………………………………………………
…………………………………………………………………………………………
Paragraph 2
The construction of any building starts with its foundations. They must be laid in good time
and there are several ways of doing this, but first you must clear away the debris, make sure
of easy access, and have everything ready to move in fast and on demand. You must plan
carefully to incorporate the various inlets and outlets at this stage, since you will never have
the opportunity again. You will need to keep an eye out and be patient because it may take a
very long time to cure, and until it does, you are stuck with not much to do. Eventually, you
will be able to check it over to your satisfaction, and get on with the rest of the process. If all
goes well, you will have a solid base to build on, and you can be sure that the rest will be
sound and secure.
…………………………………………………………………………………………
…………………………………………………………………………………………
…………………………………………………………………………………………
…………………………………………………………………………………………
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Expressing yourself
Practise using your own words in good English to express your thoughts.
2 Start writing immediately. Write only for yourself. Do not be concerned about grammar or
structure, at this stage. Think of this as brainstorming - in sentences rather than
diagrammatically. You can re-order the thoughts later, but now it is important to give
words to what you are thinking. Write only until you feel you have no more to say right
now.
3 If you have trouble with this stage try talking onto a voice recorder, then use any portions
of the recording that you feel expresses your idea well, or closely.
4 Practise looking (or listening for) your most clearly expressed ideas. What is it that makes
them clear? What makes them communicate? Try this feature again next time.
5 Read over what you have written. Keep the best and cross out the rest. Re-order the points
if necessary. Go from step 2 again to fill in any gaps in the logical sequence of your idea.
6 Now you are ready to finally structure, edit, polish your writing according to its purpose.
For example:
Personal journal entry informal, unstructured
Academic journal article formal, logical structure
Report formal, informative sequence
Essay formal, critical argument
Thesis different chapter, different purpose
Review of literature formal summary, critique and
juxtaposition
This is also a useful series of steps to go through if you are preparing a talk or presentation.
Either write or use a cassette recorder.
The value of this exercise is that, by putting your own words to an idea you reach a more
thorough understanding of the idea, and can more easily express it again when required.
A variation
Try the above steps using your own language, if other than English. Take notice of the
differences in the process for each language. What exactly do you do in your mind when
looking for words in each language? Once you have an idea of your own thinking methods,
you will have better control over using words to express yourself in both languages.
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Summarising
Contents
A summarising technique 2
The short summary 3
The expanded, informative summary 5
The full summary 6
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A summarising technique
Summarising in an academic context nearly always means reducing someone else’s text or idea to a
brief account, without losing the intention or the structure of the original. Try the step-by-step
technique which follows and you should find that your notes and other summaries are more useful to
you in the end, with less time wasted and greater accuracy and internal logic.
1. Select and read any piece of writing of 1-3 printed pages long.
http://www.journalsonline.tandf.co.uk/link.asp?id=yq062x9j4mm757n3
2. Briefly list the six most important main points from the passage. Check
back for accuracy.
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
3. Read the text one more time trying to gain its full meaning.
4. Put the original passage away, and, using only your list, write a short
version in your own words using only the space provided below. Check
back for accuracy.
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
...................................................................................................................................................................
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The short summary
The text below can be found in full by clicking on the title. Either read it directly from the screen or
print a copy. Follow the step by step directions as a way of achieving a short summary which still
represents the main points from the original.
http://www.journalsonline.tandf.co.uk/link.asp?id=3w9bmpymnlakktjc
(The principles below can be applied to original texts of any length and any degree of complexity).
....................................................................................................................................................................
......................................………………………………………………..
Step 2
If there appear to be more than six, then join some together under a new, broader heading
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
· ...................................................................................................
Step 3
.......................................................................................................
.......................................................................................................
.......................................................................................................
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Step 4 The short summary in prose
Put away the original and combine the single statement from Step 1, the six dot points from Step 2,
and the conclusion from Step 3 in a paragraph of continuous prose (in your own words).
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The expanded, informative summary
Is a six point skeleton too brief to represent the original? Using the appropriate lines below, enter first the main
points that you identified in the previous planning sheet, The short summary, then add a little detail to each
point in turn. Remember only to use information from the original text, and in the same sequence.
Point 1 ................................................................................................................
· ..................................................................................................
· ..................................................................................................
· ..................................................................................................
Point 2 ................................................................................................................
· ..................................................................................................
• ..................................................................................................
· ..................................................................................................
Point 3 ................................................................................................................
· ..................................................................................................
· ..................................................................................................
· ..................................................................................................
Point 4................................................................................................................
· ..................................................................................................
· ..................................................................................................
· ..................................................................................................
Point 5................................................................................................................
· ..................................................................................................
· ..................................................................................................
· ..................................................................................................
Point 6................................................................................................................
· ..................................................................................................
· ..................................................................................................
• ..................................................................................................
Writing up research
4 Specific writing skills
27
The full summary
In summarising, you should not add any comment or opinion of your own; keep your own views for
critiquing. However, you can control the reader’s interpretation of the content of your summary to a
certain extent, even without your own opinion, by conscious insertion or omission of your voice and
by varying the degree of ‘author orientation’ (click on highlighted items to find out more about this).
Using your entries from the previous planning sheets, The short summary and The expanded,
informative summary, (relevant parts repeated below) combine your single statement from Step 1 of
The short summary with the six expanded dot points from The expanded, informative summary,
and write them out as several paragraphs of continuous prose. Add a conclusion in your own words,
which reiterates the author's own conclusion, or the major, most distinctive general statement in the
article.
Step 1
....................................................................................................................................................................
......................................………………………………………………..
Point 1
Point 2
Point 3
Point 4
Point 5
Point 6
Conclusion
28
The summary that you have just completed is probably a direct reiteration of the ideas from the
original, without the presence of the author. In this you have at least two choices, and the ‘author
orientation’ you choose will depend on your purpose for the summary (click on the highlighted items
to find out more about this). You may use the summary as an ‘information prominent’ piece of text,
or you may rephrase it as either strong ‘author prominent’ or weak ‘author prominent’ text.
Practise by going through the same steps as before, but this time give the piece strong (or weak)
author prominence.
29
Critiquing
Contents
Starting points for critiquing 2
A critiquing technique 3
Comparing and contrasting 6
30
Starting points for critiquing
Whenever you wish to form a critical opinion about something (a television show, a movie, a journal
article, a text book, a research study), try asking yourself the following questions:
Write a paragraph about any topic, in which the primary aim is to answer as many of the above
questions as you can. Write in continuous prose, and clearly indicate the subject matter with a
clear topic sentence.
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31
A critiquing technique
Like some forms of summarising, critiquing is a form of indirect reporting - that is, you observe
something and you relate or explain it to someone else as if they are hearing about it for the first time
through you. In the case of critiquing, your readers are given the added dimension of your
interpretation and opinion, so they do not get a 'neutral' report as they would with a summary.
Depending on the 'voice' you use (paraphrasing, reporting or quoting), and the degree of 'author
orientation', you can imply a great deal about your own position by selecting from a wide range of
verbs to write about other authors. (See the planning sheets for 'Voice' in the downloadable Word 6
file and on the Web under 'Academic writing skills: Writing about the work of other authors: Voice'.
Jones (claims, asserts, agrees, suggests, states, theorises, argues, denies, refutes) that ...
See how, in the above statement, these words give a subtly different flavour to how you introduce
Jones and his ideas.
The following is an extract from the Review of Literature chapter in the thesis of 1 Nualnetr (1996)
Age-related decreases in total number of muscle fibres were demonstrated in both type 1 (slow-
twitch) and type 11 (fast twitch) fibres (Lexell et al 1983 and 1988). However, a reduction in
muscle fibre size with increasing age appears in type 11 muscle fibres, whilst type 1 fibres are
much less affected (Essen-Gustavsson and Borges 1986, Jakobsson et all 1990, Larsson et al
1978, Lexell and Taylor 1991, Scelsi et al 1980, Tomonaga 1977). After seven years of their
longitudinal study of older subjects, Aniansson et al (1986) showed 14 per cent to 25 per cent
reduction in the type 11 fibre area, and no significant change in the type 1 fibre area. They also
found that muscle strength losses were accompanied by decreases in type 11 fibre area. It
should be noted that the muscle examined by the majority of these studies was the vastus
lateralis. It therefore remains to be determined whether the same changes in muscle
morphology occur in other muscles.
Try each of the following verbs of indirect reporting in a sentence about one or more of the authors
in Nualtr's paragraph. Or you may prefer to enter some authors from your own readings whose
statements you find more appropriate to the given verbs.
Nualtr (1996) points out that, while most previous studies had examined the vastus lateralis muscle,
the effects of ageing on other muscles was still open to investigation.
Aniansson et al (1986) affirm that no significant change occurs with ageing in the type 1 fibre area.
1
Nualnetr N (1996): The effects of exercise on balance in older women: fallers and nonfallers, Unpublished
PhD thesis, School of Physiotherapy, Faculty of Health and Biomedical Sciences, University of South Australia.
32
……………… adds that ..............................................................…………………….............
Some of your comments may involve direct reporting rather than indirect reporting. For this use
verbs transitively, that is, give them a direct object.
What difference in tone and inference do you see between these and the indirect reporting
statements above?
determines. ............................................................................
clarifies.................................................................................
33
challenges..............................................................................
questions...............................................................................
outlines.................................................................................
presents................................................................................
analyses................................................................................
Locate and identify in your own readings as many verbs of direct and indirect reporting as you can.
34
Comparing and contrasting
It is part of the critiquing process to assess and point out the similarities and differences that
you have discovered between writers in relation to theory, hypothesis, techniques, results,
equipment, research design and other features of research and reporting. When you find
commonality of experience, it is useful to be able to show that a number of researchers have
found the same thing. This adds considerable strength and credibility to your reporting of the
experience itself. On the other hand, polarisations within your field are likely to be based on
differences in approach and experience amongst researchers. You can use techniques of
contrasting to explain the details and implications of any such differences, as you will find in
the following examples and planning sheets.
The following is an extract from the Review of literature chapter in the thesis of 2 Nualnetr
(1996):
Age-related decreases in total number of muscle fibres were demonstrated in both type 1
(slow-twitch) and type 11 (fast twitch) fibres (Lexell et al 1983 and 1988). However, a
reduction in muscle fibre size with increasing age appears in type 11 muscle fibres, whilst
type 1 fibres are much less affected (Essen-Gustavsson and Borges 1986, Jakobsson et all
1990, Larsson et al 1978, Lexell and Taylor 1991, Scelsi et al 1980, Tomonaga 1977). After
seven years of their longitudinal study of older subjects, Aniansson et al (1986) showed 14
per cent to 25 per cent reduction in the type 11 fibre area, and no significant change in the
type 1 fibre area. They also found that muscle strength losses were accompanied by
decreases in type 11 fibre area. It should be noted that the muscle examined by the majority
of these studies was the vastus lateralis. It therefore remains to be determined whether the
same changes in muscle morphology occur in other muscles.
Below you will find some examples of further commentary on the situation described
above by 3Nualnetr (1996).
Paraphrasing:
According to a number of authors (Essen-Gustavsson and Borges 1986, Jakobsson et all
1990, Larsson et al 1978, Lexell and Taylor 1991, Scelsi et al 1980, Tomonaga 1977),
the effect of ageing on type I muscle fibres is insignificant when compared to the
reduction in muscle size found occurring on type II fibres. This is supported by the
similar findings of Aniansson et al (1986).
Reporting:
2
Nualnetr N (1996): The effects of exercise on balance in older women: fallers and nonfallers, Unpublished
PhD thesis, School of Physiotherapy, Faculty of Health and Biomedical Sciences, University of South Australia.
3
Nualnetr N (1996): The effects of exercise on balance in older women: fallers and nonfallers, Unpublished
PhD thesis, School of Physiotherapy, Faculty of Health and Biomedical Sciences, University of South Australia.
35
Lexell et al (1983 and 1988) amongst others, reports that (claims that, suggests that,
shows that ... etc) type I muscle fibres are less affected by ageing than are type II fibres
which show a comparatively significant reduction in muscle fibre size with increasing
age.
Quoting:
4
Nualnetr (1996) points out the gap between (or contrasts) what is widely known and what is
still conjecture in the physiology of ageing. Having described a number of studies on age-
related effects on muscle fibre, she warns:
It should be noted that the muscle examined by the majority of these studies was the
vastus lateralis. It therefore remains to be determined whether the same changes in
muscle morphology occur in other muscles.
Note the use of words such as 'however', 'therefore' 'whilst' in the above passage. These and
other connecting words and phrases such as 'but', 'because', 'whereas', 'on the other hand',
'by contrast', help to indicate a change of direction of thought or opinion, and so can be used
to denote contrasting ideas. Words and phrases such as 'and', 'also', 'as well', 'in addition',
'moreover' are often used to move further in the same direction, and implies similarity of
feature or intent.
4
Nualnetr N (1996): The effects of exercise on balance in older women: fallers and nonfallers, Unpublished
PhD thesis, School of Physiotherapy, Faculty of Health and Biomedical Sciences, University of South Australia.
36
5
Nualnetr (1996) links the fact of age-related effects on muscle types by first
showing what
5
Nualnetr N (1996): The effects of exercise on balance in older women: fallers and nonfallers, Unpublished
PhD thesis, School of Physiotherapy, Faculty of Health and Biomedical Sciences, University of South Australia.
Age-related decreases in total number of muscle fibres were demonstrated in both type 1
(slow-twitch) and type 11 (fast twitch) fibres (Lexell et al 1983 and 1988).
She goes on to contrast the extent of age-related effects on each muscle type, thereby
isolating and highlighting the very feature on which the remainder of the paragraph is
focused.
However, a reduction in muscle fibre size with increasing age appears in type 11 muscle fibres, whilst type 1
fibres are much less affected (Essen-Gustavsson and Borges 1986, Jakobsson et all 1990, Larsson et al 1978,
Lexell and Taylor 1991, Scelsi et al 1980, Tomonaga 1977).
Voice
Contents
37
Voice
Contents
Emphasis 2
Read the passage below and try reproducing the ideas using the three different techniques
described under ''Academic writing skills: Writing about the work of other authors: Voice:
Paraphrasing, reporting, quoting' on the Web. Repeat this exercise as often as you like with
any text from your own body of literature.
38
In a three-year study of schools in the mid-west of the
USA, Newmann et al. (2001) found that students whose teachers used authentic
classroom tasks (defined as requiring construction, rather than reproduction of
knowledge, disciplined inquiry, and value beyond school) out-performed students
not given such work, and that the size of the effects (as measured by standardized
effect size) was substantial. In reading, writing and mathematics, the standardized
effect sizes were 0.43, 0.52 and 0.64 respectively, with significant aptitude-treatment
interactions favouring high-achievers in reading and low-achievers in mathematics.
In another three-year study of two secondary (11–16) schools in England, Boaler
(2002) compared two schools. One school (Phoenix Park) used a ‘reform’ approach
to the teaching of mathematics, emphasizing higher-order thinking, and students’
responsibility for their own learning, while the other (Amber Hill) used a ‘traditional’
approach emphasizing practice of test items. Although matched in terms of
prior achievement, students at Phoenix Park outperformed those at Amber Hill in
the national school-leaving examination (the General Certificate of Secondary
Education, or GCSE) by, on average, one third of a grade, equivalent to a
standardized effect size of 0.21.
These studies are useful in pointing out that attention to higher-order goals in
teaching can result in higher attainment, even when such attainment is measured
principally in terms of lower-order goals. However, since these studies were not
based on direct experiments, there is always the possibility that, in Newmann et al.’s
(2001) study, the teachers using more authentic activities were just better teachers,
and that the choice of authentic activities was incidental to their success. Similarly,
in Boaler’s (2002) study, it could be that the teachers teaching at Phoenix Park were
just better teachers, drawn to the school by its progressive ethos.
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Reporting
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39
Emphasis
You can develop your own argument in the choice of language used to report on findings or
viewpoints of various authors.
The following lists a range of verbs used for reporting on previous literature:
add, affirm, agree, argue, assert, challenge, claim, clarify, conclude, deny, describe,
determine, disagree, doubt, elaborate, emphasise, feel, find, indicate, maintain,
outline, point out, present, question, refute, remark, report, show, state, stress,
suggest, warn
You (as writer) agree with the You (as writer) disagree with
viewpoint of the author the viewpoint of the author
Quoting
................................................................................................……………………
...................................................................................................………………………………
40
significant
Contents
Statements 2
41
Statements
A statement can take the form of an equation where a verb or verb group substitutes for the
equals sign:
Water is wet
By morning some of the horses had jumped over the gate into the next
field
The elephant is referred to as a gentle giant by some
people
the supraspinous
However, once fossa region
had been
use of the arm aggravated,
the ache in that area
did increase
as well.
See how the components of the following sentences fit into the syntax groupings:
Analyze three more sentences in the same way, and add appropriately to the spaces below.
commonly exists,
the specific inquiries
and tests should be tailored to each patient’s unique
presentation.
42
Postural sway is the term used
and
subsequent
corrections
during
standing.
43
Explaining and exploring - lateral
Contents
Cause and effect 2
44
Cause and effect
The table below simply represents the variety of meanings, uses and nuances that can be
derived from the word most strongly associated with the notion of cause and effect, the word
because … . This is not intended as a reference list, though you may use it as such if you are
looking for alternative vocabulary. In a more general sense, you are invited to think about all
these words, and the subtlety of their meanings in relation to each other. You will find, for
instance, that cause actually means contributor, and effect actually means outcome. Each tells
the same story from a different angle or perspective. Knowing your perspective will always
help you to achieve precision in writing. More than this is the ability to explain not just what
something is, but, at a lateral level, how something happens, which is a fundamental skill in
all research.
Words in the table below were derived from the entries for ‘because’ and related words in a
number of dictionaries and thesauruses. The sheer number of related words should encourage
you to write with ever increasing variety and range. Try building up a similar table using any
other word, especially one that you use very frequently. The exercise of looking through a
few dictionaries will certainly benefit your repertoire of vocabulary and should give you
more choices for more subtle nuances in your writing.
Because ...
nuance noun adjective verb adverb context phrase
cause cause causative cause causatively because
contributor to causality reliable be the cause of originally due to
the result origin original shape derivatively as a result of
eg source influential give rise to contributively owing to
principle derivative initiate intentionally since
because of influence derived generate determinedly therefore
gravity, apples key intentional affect subsequently when ... .then
fall to the derivation intended bring about if ... then
ground intention contributive trigger since ... then
production originate
contribution make
responsibility make happen
precipitation influence
input lead to
intend
produce
create
contribute
induce
deduce
promote
engender
be responsible
for
determine
precipitate
effect effect dependent on result from naturally because
result of consequence reliant on arise from consequently owing to
prior act or derivative grow from necessarily resulting from
condition result stem from eventually due to
eg outcome be shaped by reliably caused by
development culminate in conditionally depending on
because the train product proceed of course
was late, I output emanate from it follows that
missed my repercussion follow from therefore
appointment ramificaton depend on as
implication since
attribution attribution attributed to account for accountably because
ascribing cause attribute attributable to attribute unaccountably according to
45
eg ascription explained by ascribe imputedly hence
reference to impute derivatively thence
because of the explanation refer therefore
accident, she interpretation derive from on account of
never drove reason why assign as cause due to
again indicates in view of
shows owing to
points towards as a result of
be associated as a consequence
with of
correspond to with reference to
correlate with in respect of
in light of
from this point
response response conclusive answer conclusively because
reaction to impact, reply inconclusive respond satisfactorily in response to
stimulus defence defended reply evidently as a result
eg explanation contradictory acknowledge interpretively in conclusion
contradiction satisfactory explain apparently in reply
because you said acknowledgeme interpretive interpret empirically in defence
that, I’ll begin to nt apparent solve in
think differently discovery empirical discover acknowledgement
solution, clue inquire of
inquiry, query query in light of
satisfaction satisfy considering
support allow while
evidence acknowledging that
resolution
reaction
46
reason for ground(s) intentional induce intentionally therefore
generating an stimulus motivated prompt instigate determinedly as
effect intention persuasive provoke for this
eg motivation enforceable encourage attract reason
inducement inclined activate actuate by reason of
because she was influence biased act on on account of
interested, she inspiration work on due to
took up encouragement operate on owing to
astronomy incentive determine
concession bias
purpose incline
dispose
predispose
persuade
enforce
concede
47
Discussing and disputing - critical
Contents
48
Evidence and generalisation
There is nothing stronger than empirical proof to make a claim on an idea. However, it is
almost impossible to find evidence of absolute strength, which is why the word ‘proof’ is
seldom used except in mathematics. Nevertheless, as well as ensuring that sources of
authority are correctly and strategically acknowledged through the referencing system, we
do have some linguistic devices for implying strength or weakness in any piece of reported or
experiential knowledge:
You often use present tense to give authority to statements and to act as ‘given’ or
background knowledge which cannot be disputed without even stronger counter-evidence.
A sentence in the simple present tense may be:
tied to a specific situation: This water is cold.
common knowledge: Water is wet.
generalised from evidence which can be produced: Water freezes at 0o C
49