Beruflich Dokumente
Kultur Dokumente
and bibliographies
INTRODUCTION
This chapter draws together strands from earlier chapters. Chapter 3 examined
document representatioz, including record formats, bibliographic description and
the structure of the MARC record. This chapter examines document access
in the context of catalogues and bibliographies. Access points, called headings, in
catalogues and bibliographies use a special kind of controlled language: one that
is confined to proper names and is governed not by a thesaurus but by cata-
loguing rules. Cataloguing rules are quite different in structure and appearance
from thesauri; and whereas there exists a large range of special purpose thesauri,
in most of the world there is just one cataloguing code: the Anglo-American
Cataloguing Rules,first published in 1967, extensively revised in 1978 (AACR2),
and reissued with minor revisions in 1988 and 1998. As was explained in Chapter
3, Part 1 of AACM addresses document description. Part 2, entitled 'Headings,
Uniform Titles, and References', addresses document access.
This chapter, then, aims to give you a critical awareness of cataloguing rules
governing access points. You will learn:
r the functions of catalogues, and the conflict between the 'direct' or 'flnding
list' and'collocative' or'bibliographic' functions
o the structure of Anglo-American Cataloguing Rules
o the'cases' and'conditions' approaches to catalogue rule construction
o the principles of main and added entries
o how headings for persons, corporate bodies and uniform titles are structured
o how to make and use references in catalogues.
245
ACC]I,]SS
Mystic Meg
Mystic frieg's lucky numbers : for life, love and the loltery / illustrations by Caroline Smith. - London
:Warner, 1996. - 289 p: ill ; 18 cm. ISBN 0-7515-1875-1
-
133.335
WHAT IS A CATALOGUE?
246
ACCESS POINTS IN CAIALO(;UES ANi) BIBI-IOGILAPHIES
,,t1 0751518751#
-tB 9701 3$as 996$ben$e0$f0$q0$h0$i
1 1 1 $leng$nb$oa$pW#
,r5 00:0/0 $ab9686568#
,2r.1 0:0/0 $a0751 51 8751 $bm#
:j0 00:0/0 $a0I7U-1#
182.00:0/0 $a133.335$c21#
-31 00:0i0 $a0504391639#
'10.00:0/0 $aMystic Meg#
215.10:0/0 $aMystic Meg's lucky numbers$bfor fife, love and the lottery$eillustrations by Caroline
Smith#
260.00:0/0 $aLondon$bWarner$c1 996#
:00.00:0/0 $a2BQ p$bill$c18 cm$epbk#
:50.00:0/0 $ai4.99 : Formerly CIP#
-,-- . :-t
r'S representins
- i50,00:0i0 $aNumerology#
- .rralogues, toclar i50.00:0/1 $aDivination#
- :-r,. Otherwise. :, 300.00:0/0 $aMeg$fMystic$xSee$aMystic Meg$2100#
-:- 1)r' as a printec y00.10:0/1 $aMarkova$hMeg$xSee$aMystic Meg$2100
FUNCTIONS OF CATALOGUES
" .-. distinguishing
r .. Bibliographies -\s explained in Chapter 6, the functions of a catalogue were systematically
" .:.e records in a lefined over a century ago by Charles Ammi Cutter, whose Rulesfor a Dictionary
Catalogue (fourth edition, 1904) is one of the seminal works of the information
' :tat was used in and library profession - and remains highly readable today. Cutter's is the classic:
analysis, and is still widely accepted, at least as the starting-point for a definition
-.lo"vs: ,f the functions of a catalogue:
247
ACCI]SS
.1
Caslles and palaces map of the Briiish lsles. - Edinburgh: Barlholomew, l19B-1. - wall chad; cot.;
101 x 75 cm (fold to 26 x 16 cm) 728.810941
English madrigals / The King's Singers. - HMV C{assics. c1995. - 1 s0und drsc. - 1 leafler. *
C0mpact disc. - HIMV 5 6S009 2 782.543
Frink / Edrvard Lucie-Smith and Eljsabeth Frink. - Bloomsbury, 1994. - 138p. - ISBN 0*7475-1572*Z
730.92
Geoll Hamiltons [sic] 3D garden designer. Computer program - St lves, Cambs: GSP c1998. * 1
-
c0mpuier optical disc: 4'a tr.i. - System requi-ements: Win0ows 95 or higher. - Summary: Plant
encyclopedia and graphic editor producing plans for gardens and parks. - GSPCD125
712.6
Hamilton. Geofl Geoff Harl torrs [sic] 3D garden desrgner. - Comp-ter program. - GSD. clgg8. - 1
computer oplical disc; 4%in. - System requirements: Windows g5 or higher * GSPCDl25 712.6
King's singers Englisn madrigals / r1e King's Singers. lL0ndonl: HMV Classics. c1995. - 1 sound
-
djsc (73 min.) :digltal, st€reo.; 4%in. + 1 leaflef (6 p.: col. ill., 13 cm.). - (Hl\llV Classics; 145) . -
Compact disc. - "The principal composers in this collection are Thomas Morley and Thomas Weelkes"
- accompanying notes. - HMV 5 69009 2 782.543
Lucie-Smifh, Edward Frink : a pcrtrait / Edward Lucie-Smith and Elisabeth Frink. - London:
Bloomsbury, 1994. - 138p, [16]p of plates: ill (some col.).ports :22x23cm. * lll. on lining
papers. - ISBN 0-7475-1572-7. 730.S2
Frink. Elisabeth Erinkr Edward Luc:e-Smith drd Elsabeth Frrnk. - Bioomsbu.y 1994 - l3Bp -
lsBN 0-7475-1572-7 730.92
Morley. Thomas Englisr madrigals / rne K'ng's S ngers. * r-lMV Classics. c1995 - 1 sound disc. *
1 leaflet. - C0mpact disc. - HMV 5 6S009 2 782.543
Myslic Meg Mystic Meg's lucky numbers : ior life. love and the iottery / iilustrations by Carotine
Smith. - London :Warnet 1996. - 289 p: ill ; 1B cm. - ISBN 0-7515-1875-1
M/eelkes, Thomas Englrsn madrigars / Tre Kirg s Singe's. - HIMV Classics, c1995. - 1 s0und disc
- 1 leaf'et. Compact disc. - HMV 5 6900S 2 782.543
c-onlents of a librar-v or library sy'sterr still holds goocl, but with the reservation
lhat in recent -u-ears attitucles to retrieval have becorne access based rather than
collection basecl, so that uranl- catalogues range more lvidcly than thcir orvn
collections. Also, tnost iibrarl, catalogues norv include not only books but otherr
materials as wel1, particuiarly auciiovisual materials (films, vicleos, tapes, siides.
etc.); onl1. occasionally are there separate catalogues for these. Calalogr"res rlid
not ancl clo not normally iist the contenls of books or serials. For serials nonnal1l'
only the titlc of thc serial as a whole is catalogued, and other indexes iclentif,,'
the indiviclual articles.
248
ACCESS I)OIN]S IN CATALO(]T]ES AND BIi]LIO(;RAPHIES
249
ACCESS
r Authors are given a single uniform heading irrespective o{ the way in which their names appeaf -
catalogued items.
o To avoid the possibility of one heading being used for more than one author, additional dis: -.
guishing features may be appended t0 headings most commonly, unused forenames and dates :-
birth and death.
r Uniform titles are used to bring together works where different editions, translations e{c. na.:
appeared under various titles.
c Descriptive detail may be expanded io include relerence ts related works.
. . . on a given subject. . .
Nearly all catalogues offer a subject approach. 'On a given subject' is a del:. -
fully simple phrase, implying that the subject of a published item car.
adequately summed up in a single word or short phrase. This might :._
sufficed a century ago, but it is ill equipped to express the complexitir.
current publishing and scholarship. However, such is the weight of trad:
that it is largely through Cutter's influence that the subject approaches avail..'
in library catalogues today are simplistic, crude and superficial. (Notice. as
that AACR2 does not deal with the subject approach.)
250
ACCI.]SS POIN]S IN CAI'ALOGL]ES AND I]IL}LIOGRAPHIES
. :'.'i to characterize rather than to identify, and some library catalogues exclude
'r. as a rnatter of policy.
. . :cr had annotations in mind when he wrote this. A century ago, libraries
.:--: their stock on closed access, and every item had to be individually
f: ::arr names appear in "-.'-rested. Under these conditions, suitably annotated catalogue entries were
o- -:r additional distin- :sidered well worth while in giving readers some better idea of what they
| ': ''rames and dates of ::-c reeuesting, and so saving the time and shoeleather of library clerks
- -''lrrying to and fro in the stacks. Open access and plastic jackets have removed
& :-arslations etc. have '.: necd to annotate catalogue entries routinely. The practice survived sporad-
..11r- into the 1960s, but is now confined to special subject lists in libraries, and
' catalogue entries for videos, CD-ROMs and similar non-browsable materials.
-\ccess to items of information by the names of the persons responsible for
...tir intellectual content has a long and complex history. The need for a code
- practice was powerfully established a century and a half ago by Antonio
tnizzi, who as Keeper of Printed Books in the British Museum Library had to
'
. , -rsuade the trustees of the need for the complex rules he was proposing
'iect'is a delight.
. , introduce. This he did by sendirig each of them off separately with copies of
r:--r(1 item can b.
:-: his might .:e same books, to catalogue them; and on their return he pointed out to them
- har-e
.-.(rw each of them had done it quite differently.
' -- : complexities rr,
The problems of personal names, as of corporate bodies, are, as Pan\zzi toTd
* .:qht of traditior.
ris trustees, essentially two: agreeing on the name to be used, and establishing
i^: -r aches available
its entry element and other factors affecting its filing position in an alphabetical
: . (Notice, again.
,ist. (In these respects the rules governing the author approach are the standard
ihesaural rules of vocabulary control extended to proper names.) These prob-
lems are as real today as they were in Panizzi's day, though societal and
technological changes have emphasized different aspects of them. With personal
u. - :_rose or poetr]'.
narnes, the problems addressed by Panizzi and his successors as compilers of
rr- rks written in
catalogue codes for a full century were predominantly historical: what name to
h: - ..re less helpful
use for a nobleman: how to enter classical writers; whether to use the vernacular
: i: (and other)
or latinized form of name of writers like Linnaeus, and so on. We today tend to
be more occupied with the problems of reconciling all the varied traditions of
contemporary personal names in the global society. In the case of factors
affecting filing, technology has removed many of the old problems. With ke1'word
access, the liling element of Muhammad Ali or Chiang Kai-shek is no longer an
item uniquell., issue.
.: undisputed. lltrhile the author approach is traditionally associated with library catalogues,
provides for listings other than author indexes or catalogues also involve the arranging of
r elements as entries according to the names of persons or organizations. Telephone direct-
.:sually) notes ories are an obvious example. and there are many trade directories and similar
zJl
ACCESS
Two early sets of cataloguing rules have been mentioned so far:. Panizzi's British
Museum Rules of 1841, and Cutter's Rules for a Dictionary Catalog, first pub . .:::
lished in 1876. Other significant codes of rules have included the Anglo-American
Code of 1908 (AA1908), and the American Library Association Code of 194! r -: a'
GrA1949).
These codes were all based on the'cases' approach whereby speciic proce- _:
dures were ordained to deal with specific problems (see Figure 9.5), and : ::
cataloguers faced with a problem that was not specifically covered by a rule had
to proceed as best they could by analogy - there were even published special
interleaved editions of the rules for cataloguers to add their marginal glosses.
I
The futility of the 'cases' approach was exposed in detail in 1953 by Seymour
Lubetzky. He proposed instead a simpler set of 'conditions' or principles to guide
the cataloguer. These were debated in detail by an International Conference on
Cataloguing Principles held in Paris in 1961 - a landmark in the history ot
Early codes. such as AA190B and A1A1949. provided rules on specific problems case by case, as the
following extracts from ALA1949 show: 46. Married women. Enter a married woman under the latest
name unless, as specified below, she has consistently written under another name...
A, When a woman uses her husband's lorenames or initials in place of her own . . . enter under her
ownname...
B. Omit the name of an earlier husband in the heading unless it continues t0 appear in the lorm of
name which the author customarily uses. (An exception t0 an exceptionl)
C. Enter a married woman who continues t0 write under her maiden name under ihe maiden name...
D. Enter a woman who remarries but continues to write under the name of a former husband . . .
E. When a divorced woman resumes her maiden name, enter under the matden name . . .
names consisting ol a combination of the surnames of husband and wlfe are trequently
:-: t
iJnoflTr.O
What was not appreciated was that all these specifics. and many others (rule 47 has twO pages 0n
Saints: followed by Popes. Patriarchs. Cardinals. Ecclesiastical princes. Bishops. and more besides) are
simply instances of the condition ol a name that has changed. The circumstances are irrelevant. and
need not be listed. AACR2 recognizes the condition of having to ch00se am0ng different names (rule
22.2\, and despatches the problem in just ten lines.
252
ACCESS POIN]S IN CAIA],OGUES AND BIBLIO(;RAPHIES
r :tis era of maclrr . - .:r's?l bibliographic control. The code which eventually emerged - the Anglo-
::.:';hed, alphabetica_ --: :ican Cataloguing Rules of 1967 (AACRI) - is based on the 'conditions'
- -'- : ,ach. The Anglo-American Cataloguing Rules received a thorough revision
- -,', 8 (AACR2), and was reissued with minor revisions in 1988 (MCMR) and
: This last is available in print (AACR2R2) and CD-ROM (AACR2e). A
- ,iise AACR2 is also published. AACR2R2 incorporates a number of correc-
-.s and changes authorized by the
Joint Steering Committee of AACR since
:: .:tr: Panizzi's Brrt:. . 1988 revision. (The acronym becomes more and more unwieldy with each
w.- . Catalog, first pu,- ---'.'rssive issue. We shall refer simply to AACR2.)
, ,re Anglo-Americ.
F , =:ion Code of 1!,=,
S-RUCTURE OF AACR2
m. .::by specific proc:- -.:oughout this section, Concise AACR2 equivalent rules are given in italics.
-.. Figure 9.5), a; - . -.:s section will be easier to understand if a copy of AACR2 is to hand.
'.
ll? , :red by a rule ha, fte rules follow the sequence of cataloguers' operations, and proceed
- published spec:. ,:'rrughout from general to specific. The sequence is:
L . ::targinal glosses.
lj_ .. 1953 by Seymc,u. t Description:The first step is to create a description based on the chief source
:s ' :rrinciples to guic.- of information (e.g., title page) of the item being catalogued. The description
fl :ral Conference r :. ivill normally contain enough information to explain the access points
!n]: -.. in the historl, , (headings) under which it is filed.
t Choice of access points thus follows description. An access point may be a
person, a corporate body, or a title. A work is likely to have more than one
F -. :ase by caSe, as the
access point, typically two or three.
|t __;an under ths latest
l- o Headings. The cataloguer may have to choose between different names, or
i'
t,
- entsr under her variant forms of the same name, or between different entry (filing) elements
for any of the chosen access points.
b,t ::t.ar in the lorm of o References. Finally, references are needed for the guidance of catalogue users
t who approach the catalogue under a name or flling element other than the
I _-: maidan nrma
IE: : ' one that has been used.
h
i
hF
t
CHOICE OF ACCESS POINTS
b': ,,;ife are frequently
I
Ibr .
-:
13S tlvo pages 0n
:rore besides) are
The concept of the access point belongs to manually searched indexes, and is
arguably irrelevant to databases with search systems allowing ke1'word access.
lE" :. :r'e ilrelevant, and In manual indexes where every access point requires physical space, it is econ-
p : ":rent names {tule
omically only possible to list a work in a limited number of places - very seldom
nrore than five or six. The general principle is to provide access points under
the significant persons and corporate bodies, and under titles, shown in the
mJ- : :: ln description.
253
ACCESS
One of these access points is traditionally designated the main entry, and a.,
other approaches are by definition added entries. The original concept of mai:
entry was partly administrative, partly intellectual. Administratively, the mari
entry in a card catalogue might carry 'tracings'- notes at the foot, or on th.
reverse, of the card, showing where the added entries were filed, so tha
the catalogue could be properly updated whenever a work was discarded or it.
catalogue entry amended. Intellectually, main entry was selected on the basi:
of the author 'chiefly responsible for the creation of the intellectual or artisti.
content of a work' (21.1A1). This principle is extended to works of corporar.
bodies. For the great majority of items, the main entry consists of a singl:
personal author, which in a catalogue entry is followed immediately by the titlr
- which follows our normal everyday practice of citing a work by its author ani.
title.
The idea of main entry is thus a deep-rooted one, even though there is
general acceptance that it has little relevance to modern cataloguing practice
and survives largely through being built into the structure of the MARC recorcl
In most libraries, however, the main entry heading determines the shelvinl
position of an item, as some kind of abbreviation (e.g., a Cutter number) forms
part of the shelfmark.
Most of Chapter 21 (i.e., 27.1-27.28) (21-28) is concerned with establishinE
Main Entry and distinguishing it from Added Entries. Do not overlook section.
29 and 30 (29), which deal speciflcally with added entries, as the rules for mai:
entry include instructions for added entries only where these are specificall-
covered by the rule.
Main entry under a personal author or corporate body has to be justified r'-.'
criteria of responsibili[' for the existence of the work; otherwise main entrl':r
under title.
254
ACCESS POIN']S IN CATALOGUES AND BIBLIOGRAPHII'S
:ain entry, and alr studiously avoided. Instead, works are described as 'emanating from' one or
" concept of mair: ;nore corporate bodies - the desperate verb, with its connotations of spiritualism
=tively, the maiir :lnd drains, warns of the many hair-splitting and sometimes arbitrary distinctions
:r ioot, or on thc .hat are inevitably associated with corporate bodies. The general intention of
::,: filed, so thai :u1e 21.18 (main entry under corporate body) is clear enough: works dealing
-. cliscarded or its .r'ith the policies, procedures, operations or resources of the body, or which
c:rd on the basis iecord or report its collective thought or activity. The specific rules on the
*..-tual or artistic rther hand are fraught with provisos and special cases, making their consistent
.:ss of corporate application very difficult in practice.
i.:sts of a single Here, as throughout AACR2, the examples are essential reading. They show
:-.:eli, by the title now the problem or condition set out in the rule is applied to individual cases.
:'. its author ancl
WORKS OF UNKNOWN OR UNCERTAIN AUTHORSHIE OR BY UNNAMED GROUPS:
- :.,ough there is
?' {r-ling practice. 21,5 (23C)
:.. \IARC record. \lain entry is under title. The second example under 21.5A (A Memorial to
r-:s the shelving Congress against an increase of duties on importations/by citizens of Boston
i=. r'lmber) forms and vicinity) illustrates the definition of a corporate body: the group acted as an
entity, but is not identified by a particular name. (Some earlier codes tried to
''::h establishing invent a name: Boston. Citizens.)
.-..rlook sections
:: :ules for main
WORKS 0F SHARED RESPONSIBILITY: 21.6 (25)
:.: j.re specificalll'
Shared responsibility is where two or more persons (or occasionally corporate
bodies) have performed the same kind of activity. In cases where principal
responsibility is indicated (usually by layout or typography), main entry is
straightforward. Otherwise, an arbitrary rule is applied: if there are two or three
- re justified on contributors, main entry is under the flrst named, with added entries for the
r-:: rllain entry is second and/ or third. If there are four or more authors, main entry is under title,
rvith an added entry for the flrst named person or body only.
Citation practice is to name two authors, e.g., Aitchison, Jean and Gilchrist,
A1an. Headings of this kind are not authorized by AACR2 and are not found in
rnodern catalogues. The main entry would be under Aitchison, Jean with an
added entry under Gilchrist, Alan.
255
ACCESS
entry for the editor. If, however, a collection does not have a collective title, then
main entry is made under the heading appropriate to the first contribution.
Homer. Odyssey
for an adaptation that has a different main entry heading and title.
The rule for added entries consolidates and expands on all the above. 'Make an
added entry under the heading for a person or corporate body or under a titie
if some users of the catalogue might look under that heading or title rather than
under the main entry heading or title.'Added entries are to be applied judiciouslr
and sparingly - the rules are almost as much concerned with when not to make
an added entry as when to make one - there is though a splendid catch-all at
256
ACCI.]SS POIN1S IN CAIALOGUES AND BIBI,IOGRAPHIES
lective title, ther -, l!lD: 'If . . . an added entry is required under a heading or title other than
i,..,ntribution. ': ,se prescribed in 21.30, make it.'
The specific rules at 21.30 cover:
'fwo
o or more persons or corporate bodies involved. These include collabor-
ators, editors, compilers, revisers, etc.; performers; and other related persons
or bodies, such as the addressee of a collection of letters, or a museum
ivhere an exhibition is held. Corporate bodies warrant an added entry unless
they function solely as distributor or manufacturer. Even so, an added entry
is made for a publisher whose responsibility for the work extends beyond
that of publishing.
o Two or more persons or bodies sharing a function. Entries are made under
a1l of them if there are no more than three. If there are four or more. an
added entry is made only under the first.
o Related works (which may need a name/title heading).
r Other relationships if needed, unless the relationship between the name and
the work is that of a subject. The example given is that of an art collection
from which reproductions of art works have been taken.
r Titles (with a few exceptions); today's automated catalogues will provide
these automatically.
c-=
t-
.d works are r And if thought appropriate: translators, illustrators, series title, and analytical
*-ork. These added entries (entries for separate works contained within the item being
n: :dances, sce- catalogued: a collection of plays for example) guidance is given on this.
r.. ,rmbers from
r ':th an added HEADINGS FOR PERSONS
l; .:-title'addecl
L': - the related Chapter 2'2 (3I-43) is set out step by step. First, a choice may have to be made
between different names by which the same person may be known. Second,
once the name has been decided, the entry element must be decided. Finally,
it may be necessary to make additions to names, to clari{y the person's identity
or to distinguish the name from other similar names.
: ',.. 'Make an
\{any people use more than one name. They may be a completely different
r --nderatitle names, as with authors who change their names on marriage, or who use
r-.ratherthan pseudonyms, or are known to their friends and to posterity by a soubriquet or
gn - rudiciously nickname, as with the Venetian painter Jacopo Robusti, whose father was a dyer
F: :^trt tO make and so was called Tintoretto. Or the names may be variants, as with Tony (for
F - catch-all at Anthony) Blair, or ovid (Publius ovidius Naso), or w(illiam) Somerset
257
ACCESS
Once the name has been established, it is time to decide on the order of the
components of the name in the heading. The general rule is to follow nationa-
usage, unless a person's preference is known to be different. In most cases the
surname is the entry element. Problems occur with compound surnames (Llovc.
George) and names with prefixes (if Van Gogh, why not Van Beethoven?)
AACR2 lists the commoner national usages; the International Federation o-
Library Associations (IFIA, 1996) publicat\on Names of Persons may be consultec;
for others.
The section tails off in an entertaining miscellany, including persons who arc
to be entered under a title of nobility (Lord Byron becomes Byron, George
Gordon Byron, baron); under a given name ([,eonardo, da VincD; or under
initials etc., or under a phrase: the lottery winner's friend Mystic Meg's name
should surely have been inverted according to 22.llB; and the 1920s book
Memoirs of a Flaf/er/by One, is solemnly entered under the heading One.
In some instances AACR2 calls for additions to names. They may be needed for
identification purposes (Francis, of Assisi, Saint; Moses, Grandma; Elizabeth I.
Queen of England; or even Beethoven, Ludwig van 6piriD). Often though ther'
serve the collocative function, distinguishing names that would otherwise be
identical (Smith, John, 1924- ; Smith, John, 1837-1896); Murray, Gilbert (Gilber:
George Aime); Murray, Gilbert (Gilbert John). There are also a number o-
258
ACCESS POINIS IN CA]ALOG[II'S AND BIBI-IOC;ITAPHIES
.trSo11 is commOnl-, .:cciai rules for narnes in certain languages, which cover a small number
:. Ilerson issued i:- - -\siatic languages only. Names of Persons examines a wider range.
---. or her languag-
l.eonardo, da Vinci
x Vinci, konardo da
259
ACCESS
CORPORATE BODIES
Before rules for headings for corporate bodies are given, AACR2 has a shor.
chapter on geographic names. Geographic names are not used as such, but ma',
constitute, or be added to, a heading for a corporate body. Speciflcally, they arr
used:
o Persons are unique and indivisible. A corporate body may have subordinate
or related bodies whose names require the parent body's name for proper
identification. (This can include government departments.)
o A person who changes their name remains the same person. Change oi
name in a corporate body normally denotes a change of purpose or scope.
so that the body under its new name is a different body from the old.
Rule 24.1 (43), the General rule -'Enter a corporate body directly under the
name by which it is commonly identified'- was quite revolutionary when intro'
duced in 1967. The examples are worth studying by anyone involved with
manually searched indexes, since 'directly' is rigorously applied and often con-
flicts with telephone books and other everyday reference tools. Thus Colin
Buchanan and Partners flles under letter C, not at any inversion of the name
under B; the University of Oxford is to be sought under U and not O; and so
on.
The name by which a body is 'commonly identified' is to be determined if
possible from items issued by the body in its language. \44ren this condition
does not apply, reference sources (including works written about the body) are
to be used.
260
ACCESS POINTS IN CATALOGUF]S AND BII]LIO(;RAPHIF]S
.fhe
rules for variant names broadly follow personal authors. For the most
:3rt they prescribe what most people would intuitively choose:
i1-aR2 has a shor
Unescri
:-- -:S SUCh, but mar
not United Nations Educational, Scientific and Cultural Orsanization
c" -riically, they arr
Society of Friends
not Quakers, or Religious Society of Friends
rdditions, in24.4 (45), are prescribed for names which do not convey the idea
,f a corporate body. Study the examples: Bounty (Shipl and Apollo 11
l,-;..n.".1. Spacecrafi) help to illustrate the breadth of definition of a corporate body. Ships
1-, ,:>tve nature. The rave a name and may act as an entity - the Bounty's logbook is a famous
r :: 24 (Corporate ixample. (Spacecraft, one assumes, qualify only if they are manned?) Rock
-{roups and the like often require this kind of
. :e international parenthetical qualifier, and one
r -,--r-S smaller than iould endlessly argue the toss over whether Spice Girls conveys the idea of a
.'orporate body as opposed to, say, Oasis.
: .:ti-s chapter: 'an The rule prescribing additions for bodies with identical or similar names takes
:;- .--rllar name attcl rs firmly into the field of the bibliographic catalogue. In the main, it is place
@'- :!t. the principa. :emes that are to be added. If the mind balks at some of the detail, such as the
:resumed documented existence of three different Red Lion Hotels in three
-:derent British towns all called Newport, it is as well to remember that much
ii ..:\-e subordinat. : the cataloguing envisaged by these rules can be quite specialized - the local
T' . .3lne for prope: .:udies departments of public libraries, for example.
[: Omissions, 24.5, do not require much attention; in the main, they codi{y
-rr>,)n. Change r - -- )mmon-sense omissions of initial articles, citations of honour, and terms indi-
lrr , .:l)ose Or SCOpr. --ating incorporation etc.
" .- the oid. There are a number of special rules prescribing additions for specific types
i body: governments and conferences are the most important of these.
\dditions for Governments, 24.6, are needed when governments at different
l'els share the same name, as with New York city and New York state. In the
; . .:ctly under th. -'ase of conferences,24.7 (46), AACR2 comes very close to prescribing a 'struc-
r. ..rr\r when intrc,- .LLred' form of heading. We are instructed to omit from the name any indications
r :: involved witl. f number, frequency or year(s). These are to be tacked on to the end of the
r :. and often con- reading, together with the date and location of the conference. The resulting
. is. Thus Colin readings take the following pattern:
r- -:. 'n of the nantr
International Congress of Neurovegetative Research (20th: 1990: Tokyo,
. not O; and s,
Japan)
- . determined il How cloes one retrieve such a heading? With ke1'r,vord access ail is well; but in
i- - this condition nanually searched indexes, the siightest error in transcription ('Congress'mis-
:' .i the body) art reurembered as 'Conference', or even the substitution of 'on' for 'of') can make
headings of this type well-nigh irretrievable. Experienced searchers facecl with
261
ACCESS
this type of situation will have other search strategies to hand: a ke5,'word search
if one is available, or the subject approach, or better still access to Boston Spa
Conferences.
These are to be entered directly under their own name whenever possible, 24.1!
(47): that is to say, when the name does not necessarily imply subordination
Thus the Bodleian Library belongs to the University of Oxford, but it is to be
entered directly under its name, even though the format may be inconsistent
with other university libraries.
Bodies to be entered subordinately, 24.13 (48) include:
study
. a name that includes the entire name of the higher or related body.
262
ACCI'SS PO]NTS IN CAIA],OGTIES ANI) I]IBI-IO(;R.APHIF-S
-.r: a ke).word sea:.. ",., but because of their complexity the full AACR2 devotes a section,
r--ar'ss to Bostott :: --',,-')4.26, to them.
I'ational governments have three traditional areas of responsibility: the legis-
. r:e. for which the agency is the country's legislative body, e.g., Parliament,
, :-.gress; the executive, which consists of the government and its various
- : artrnents, ministries, etc., and also its armed forces; and the judiciary, or
,,:-.'er possible, 2-i -_ ::ts of law Governments also have ambassadors and other agencies to repre-
:..riv subordinati, - .::.: their interests abroad. Much of the complexity of headings for governments
:' :'d. but it is to ,. -:rves from the tendency of modern government to pervade and regulate more
-.,.r' fs inconsistr: :.. . more areas of everyday life. 'fhe range of government agencies today is
.
- .,-1r that AACR's general rule,24.17 , and default condition is that a body created
: iontrolled by a government is to be entered directly under its name, with a
':.r:rcnc€ from the agency as a subheading of the name of the government,
.. Division, Cor:
--. -1S:
, the higher boc.
I proper identi- Heading: Arts Council of Great Britain
Reference: Great Britain. Arts Council ses Arts Council of Great Britain
263
ACCI'SS
Change of name in corporate bodies can give rise to more insidious compli-
cations:
with similar references under the three other bodies. In such cases an explana-
tory reference is often recommended, giving the dates between which each
name applied. Rule 26.3C has some even more complex examples.
Uniform titles are filing titles supplied by the cataloguer, and are used optionally.
They have two functions:
1. To bring together entries for different editions, translations etc. of the same
work, appearing under different titles.
2. To provide identification for a work when the title by which it is known
differs from the title of the item in hand
264
ACCI'SS POINTS IN CATAI-O(;UES ANI) BII]LIOGRAPHIES
Maugham, W. Somerset
W, [Selections] The Somerset Maugham pocket book
Sacred scriptures. Uniform titles for the more logical arrangement and
retrieval of the Bible and other sacred scriptures are well established. The
method is reminiscent of subject retrieval with its fixed citation order:
used optionalll: Bible. Testament. Book or group of books. language. Version. Year.
For example:
.-tc. of the saurt Bible. N.T Corinthians. English. Authorized.
Bible. trnglish. Revised Standard. 1959.
rch it is known
Music. Music, especially classical works, often requires a uniform title as the
international nature of music publishing often results in editions of works
- - :ally to manuallr having title pages in a variety of languages. They are best explainecl by
examoles:
265
ACCI]SS
DISCUSSION
Showing the relationship of an item with others is complex and in some respects
controversial in the context of cataloguing. A catalogue in its basic flnding lisr
function focuses on the individual item. Two works by the same author are
clearly related to the extent that they are products of the same brain. Queen
Victoria, after meeting the author of Alice in Wondeiland, expressed the desire
to be given a copy of his next book, and was presented to her disappointment
with a mathematical treatise. AACR2 has relaxed the bibliographic unit of author-
ship to the extent of allowing both Carroll, l,ewis and Dodgson, Charles
Lutfwidge as headings. Within the description, relationships may be shown in
many ways. One kind of relationship that must be shown is one that the author
considers important enough to incorporate into the title or statement of responsi-
biliff: this covers many works of mixed responsibiliry 2l.B-21.27, as well as
those falling under the rule for related works, 21.28. Any edition statement
implies a relationship with another edition; any series statement is a clear
indication that the item has siblings. The Notes area is a catch-all for relationships
which cannot be expressed within the body of the description - that is, which
do not appear in the chief source of information. Rule 1.7 has several examples
of notes indicating continuations, translations, adaptations, and the like. The
266
ACCIISS POIN'I'S I N T]ATALOGUES,LNI) ]]IBI,IO GIL\PHII']S
fi ::rt is a clear
fifru I :.relationships
OIIfl: - :rat is, which
' .ial examples
mn]l" le lihe. 'lhe
267
ACCESS
danger of this is the implied invitation for cataloguers to turn themselves in:
literary detectives, and the question to be asked is, does this information ad_
ani,thing to the usefulness of the catalogue? is the fact that The Second Ser is .
translation of Le deuxiime sexe something that a person needs to be told in th.
catalogue, or can they be left to discover it for themselves? If the cataloguer ca:
find the information within the item. then so can the reader.
AACR2 maintains an uneasy compromise between the direct and bibliographic
functions of catalogues. The various rules that point to either function are a.
follows.
o Parts of a full Description, such as Series (1.6) and edition and history notes
(I.7BT) link the description to related works.
a Persons known by more than one name (other than a pseudonym) are to be
entered under a single uniform heading, which may differ from that appearing
in the chief source of information (22.2).
o Additions are prescribed to headings for persons in order to distinguish
identical names: these may be dates (22.77), fuller forms of the name (22.1,8)
or distinguishing terms (22.19).
o \44rere variant names of a corporate body are found, one of them is chosen
as the basis for the heading (24.2-24.3).
o Additions are prescribed to names of corporate bodies to distinguish two or
more bodies having the same name (24.4[en24.11).
o Uniform titles provide 'the means for bringing together all catalogue entries
for a work when various manifestations (e.g. editions, translations) have
appeared under various titles' (25.1).
268
ACCESS POINTS IN CATA],OGT I'S AND BIBI,IOC}RA]'HIES
:> i(l turn themselves i: .' : iclates of birth, expansion of forenames), even where these are not
- ,cs this information a_ - r:ately required to distinguish identical headings. (It is cheaper to do this
,-- :hat The Second Srx i. _
- amend an existing heading when a conflict does arise.) On the other
.... needs to be told in:: ,he accuracy of any given catalogue is only as good as its authority flle,
:--.':s? If the cataloguer c- ' :. particular the diligence with which this is applied. Failure to recognize
:- a cler. .' .,jsting heading, the addition or omission of a distinguishing clate, or the
:.: lirect and bibliograpr-. - ,:st variation in spacing or punctuation, will in most retrieval systems result
: : either function are .. ' : S?11l€ person appearing under more than one heading. Not surprisingly,
' -'- is a well-established lobby against the application of any kind of rules to
- ... While this is mainly to be found among the abstracting houses, it has
. .r€n suggested, with increasing plausibiliry as the technology improves.
- .: is possible to create working catalogues based on records derived directly
- :- sourc€ of informati .
- ' . uptically scanned title pages - the ultimate negation of the collocative
. - - .:on. In 1953 I.ubetzl'y asked the question, Is this ruie necessary? The
'. ,i which he or she ., ,:rrion of the future may well be, Are any rules necessary?
r-: rf information (22).
.raphic entities uncl: .-: OUT-OF-DATENESS OF CATALOGUING RULES
.; (22.28).
- name by which ir - -:i of cataloguing rules, like any other code of practice, depencls on there
".{ a well-established set of procedures that can be codified with general
-r:cntert. Codes are thus inevitably backward-looking, and liable to be over-
.'r by events the moment they are published. AA1908 was implicitly designed
.. printed book catalogues in mind, and was published just at the time when
r...ion and history not., ..- l catalogues were taking over. Both editions of AACR have been sirnilarly
-.:ctecl. The MARC recorcl format is built round cataloguing rules govt'rning
: . -seudonym) are to l,-. : production of card catalogues, and was first implemented in 1968, the year
-':r' the publication of AACR1. AACR2 and MARC are virtually two sides of the
-
-:r iiom that appearin. - :,rB coir, and AACR2 is essentially a code designed for manually searched
I - 'rder to distingui.. :cxes with their immensely long, static lists - and was published just as the
' :-t OPACs were coming into use. Twent-v years on, not only do we still lack a
, - ..- of the name (22.1r
,., of rules designed explicitly for machine searchable bibliographic databases.
: :.e of them is chosr-. :: there is no consensus on the desirability or otherwise of developing AAC[{2
- that direction. 'I'he awful contemplation of having to restructure MARC and
, , distinguish fwo , : ,,:,end millions of existing MARC records is a powerful deterrent to raclical
-.i'ision.
- .r1l catalogue entrir:
l'here is movement for change, however, and already much groundwork has
-. translations) :rn (lone in redefining the principles of AACR according to the entity-relation-
har'-
.rip model. Other themes can lle identifiecl: for example the need to resolve the
-,,ntent versus carrier' question: whether cataloguing should be based on
:.r' app21s1t. On th. ,t item in hancl (or on screen), or on the more generalized concept of the
nrake additions r -.',
rrk. Whatever the future may hold, AACR2 has without doubt been highly
269
ACCESS
SUMMARY
Baughnran, B. and Svenonius, Il. (1984) AACR2: main entry free? Cataloging and Classificati
Quarteily.5 (1),1-15.
Boll, J. (1990) 'fhe future of AACM (in the OPAC environment). Cataloging and Classificatt, ,
270
ACCESS POIN1S IN CAIALO(}T]ES AND I]IBI-IOGRAPHIES
- .',:rSai bibliograph:- , :ison. O. 1\{. A. (1992) The role of the nane main-entr1' heading in the online environment.
:- -:.llr'; the separatir - > t ri als Librarian, 22 (3 / 4), 371-91.
.r,vell, R. with Vlaxwell, N{.(1997) X'laxrcpll's Handbooh fur,4,4CR2R: l)xplaining and Illustrating the
i-,:qSi ancl Lubetzkr : .:,ttglo-Atnerican Catalogwing Rules an.d 1993 Amendments. Chicago: Arnerican I-ibrary Association.
:: lr is the first trui,. .r. P (1996) Future Libraries, Fuhrre Catalogres. l-ondon: Librarv Association.
t r ,fld, having bet- .qLrft, M. (1988),4 Topography of Cataloguing: Showing the Most Itttportant l-andmarks, Commun-
'ations and Perilous Places. [.ondon: Librar-v Association.
Ir: ,' rcles in use tocla..
:
r'gott, M. (1990) 'lhe Catakryuer's Way through AACR2: From l)outment Receiqt to l)ocumert
:_ _'ation media. It :. Petrieual. London: Library Association.
r. ital'' never do _ t. iranr, S. and l-azinger, S. S. (1991) The no-main-entry principle and the automated catalog.
'--atalogittg and Classification Quarterly 12 (3/4), 51-67.
.iraglia, R. P (ed.) (19f12) Origins, Content, and Future of ,A,4CR2 Reuised. Chicago: I'rnerican
Library Association. (f'articularly: ()orman, M. AIter AACR2R: the future oI the Anglo-Anerican
uataloguing Rules, pp. 89-94; also responses, pp. 95-13i).
anson, E. (1990) Choice and fornr of access points according to AACR2. Catabgi.ng and. Classi-
. ,cation Quarterly,ll (?'/ 1) , :15-G
,ihs..J. (ed.) (19911) llze Principles and Future ofAACR: Proceedings ofthe Internation.al Conference
r.. :rpplied to classe: ,n the Princi|les and Fuhtre Detelopment of .4,4CR2, Toroilto, Ontorio, Canada, Ottober 23-25,
1997. OIIawa: Canaclian Library Association. For later clevelopments, see the .loint Steering
:': :. ,gUeS afe enCUlI. Courrnittee's \Yeb,site: <http://w-ww.nlcJrnc.caljsc/index.htm>.
in .leir rules remail. :nke, il. C. (1993) Discarding the main entry in an online cataloging environment. Cataloging and
f :.,iteS of catalogu,. Classilication QuarterlJ, 16 (1), 53-70.
r . ,: time, yields th-
n : .'.tnctions remains
- ,,.:tdamental to thr
r:- =;h generally.
and Classificatiot.
and Classificatiot:
tttentation, 36 (2t
:tr(!hook. Littleton.
lernment Printing
:r literature revierr.
! 0ngress.
271