Beruflich Dokumente
Kultur Dokumente
26. Words aren't any good for understanding. They're nothing like the things to which they sign.
the hole in the middle moves the cart. 54. We mould clay into a pot; the emptiness inside makes it useful. 55. We build walls to make a house; the space is where we live. 56. Adapt what is; make use of what is not.
67. Listen for it - you won't hear it; it's not faint. 68. Grasp at it - you won't catch it; it's not there. 69. On their own, these three cannot reveal it. With their concert, a single act blooms. 70. It's not radiant. It's not dull. 71. Like an endless thread's length, it refuses definition, returning to non-thing-ness. 72. And so we arrive at odd names... The unformed form; a nothingness; void. 73. Ever-elusive and inexpressable, it is an un-image-inable mystery! 74. There is no face to meet, and no back to follow. 75. Take from its history, and master this moment. 76. Discover ancient patterns re-beginning. Like footprints of the Tao.
82. Who can allow their own waters to clear? Who can not rush and trust action to rise by itself? 83. The man who is walking this path isn't trying to attain it. So far as there's no sense of arrival, he carries on.
there's nothing meaningful. 96. The Master understands this well. 97. He succeeds when people say, "We do it on our own."
109. Is there really such a difference between "good day to you, sir" and "hi"? 110. Does it matter? 111. Must everyone walk a single course? How ridiculous! 112. People seem enchanted, as if we're attending a feast. I'm still anchored in the blank wonder of a baby before it can speak. 113. Most seem absorbed in daily increase. What about the daily decrease? Hack away at the unessential: I must be a fool my mind is so empty! 114. Some like to shine. I don't mind being unseen. 115. Others seem settled and certain. I admit doubt and suspense. 116. Many seem fixed in their grooves. My path seems endlessly free. 117. And onward this goes... It doesn't rest, nowhere is safe. 118. While they try to trap the tides, I ride Her waves.
139. Those who try to seem bright do not shine. Those who try to seem faultless make problems. 140. Only unapparent virtues need proclaiming. Only doubtful truths need defense. 141. The Tao needs no overstatement. The Master needs no pretense.
153. This way... The Master can go the whole day, and is not overwhelmed. 154. Even as things appear glorious, he remains undistracted. 155. But how lightly can great leaders take their actions? 156. When too light, they become detached. When too entangled, they become lost.
creates ravines... 169. New space into which he keeps growing. 170. He who sees the figure and keeps the background frees his potential... 171. His progress does not become trapped. 172. He who knows the formal and keeps the free discovers great valleys... 173. Vast landscapes: raw power to be shaped. 174. Like the uncarved block... 175. Once fixed into shape for a purpose, this power has dispersed. 176. Practically speaking... 177. The Master's rise through new heights finds no rut when no finished fixed structure's been cut.
183. Thus... The Master departs any template. He doesn't impose a particular style of unfolding.
and so remains simple. 212. Watch as all things play its parts without its controlling... and see it grow on. 213. Thus... The Master does not overvalue his own contribution. Thus his power to contribute remains in ascent.
yet nothing isn't done. 226. When powerful men sustain this path, things ripen on their own. 227. Though things are moving, fixed ideals spring up all over. 228. These are ready to be submerged by the formless course of the uncarved block. 229. The formless course of the uncarved block obeys no preference. 230. Free from notions of how to be stable, the world rearranges itself.
vii.
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