DIONISIO AGUADO

M E TO D O D E G U I TA R R A
( G U I TA R M E T H O D )
P R I M E R A PA R T E
( F I R S T PA RT )

Revised and fingered by

Eyth o r Th o r l a k s s o n

The Guitar School - Iceland

-1-

LESSONS
0

1.

&

0 2

#
&

&

2
4

3
4

&

1
2
3

3
5

&

#
&

Copyright 2000 by The Guitar School - Iceland

www.eythorsson.com.

1040

-2-

2.

21

42

&

1 #

3
4

&

&

1 #

&

4
2

1
2

&

&

&
3

2
3

1040

1
2

2
0

1
4

-3-

3.

&

1
2

3
1
2

3
2

3
0

0
0

&

#
1
&

#
&

1
2

2 #
b

3
2

&

&
3

n
3

1 n

&

b
1

3
3

1040

-4-

Andantino
#

4.

# 2
4

&

II
0

&

&

&

2
4

&

3
4

&

3
1

II

II
#

3
3

1040

4
1

1.

II

2.

-5-

CORDS WITH THREE NOTES

&

&

3
2

5.

&

4
3
2

1
2
3

4
3
2

.
.
3

j
3
8

&
2

&

&

.
3

.
.

#
4

#
#

J
1040

-6-

6. & 8 . 3

j
4
j
.

j
j
.

2
3

4
4

&

.
.

&

.
.

7. &

.
&

2 1

.

J

4 2

.
.

&

2 1

. #

.

.

1040

2 0

.
.

j
4

3
2
J

j
4

3
2
J

4
3

#

1
.

.

.

.
.

.

J

3 .
8

.

4
4

.

.

1 0


.

3
3
J

.
b

. 2

4
2
3

j
4
3

-7j
#

8.

&

3
.
8

3 4

j
4

&

1
4

#
&

2
4

n .

2.

1.

2 4

j
#

9.

3
8

&

&

1
3

1
2

1
3

.
#

.
#

.
2

0
5

#
&

1
3

.
4

1
2

0
5

1040

-8-

10.

.
4 .
#

&

&

.
3

# .

# .

&

&

3
2

&

&

# .

# .

1040

0 4

3
1

-9-

11.

6
3
8

&

&

&

&

n
2

#
2

#
4

II
#

&

2
3

#
&

4
1

n
3

J
3

1040

.
2 .

II
4
1
1

- 10 1

Moderato
#

12.

&

..

#
&

4#

2
3

&

..

4
5

4
2

&

#
4

&

2
3
1

# .

b
1

2
4

.

2

1040

2.

1.

3
4

.
n

&

n
{

- 11 4

13.

3
4

&

&

4
2

1
3
4

1
3

#
&

#
#

n
1

1
3

&

&

#
1

&

n
1

&
1

#
#
1

#
n

n
0

j
#

n
#

1
3
4

1
3
4

1040

- 12 -

14.

&

3
8

1
4

&

4
2

{ {

.
.

1
2

3
2

1
2

4
3

&

.
.

2
4

.
.
. #

j
.
.
&

4
1
3

# .

.
.

&

.
.
.

{ {

..

n
.#

.
.

j
1
4

..

n
.#

3
4

3b

.
2
.
.
.

1
4

j
1
4
3

0
2

.
.

..

.
n .

15.

&

2
3

.
.

..
# .

n
3
2

1040

..

- 13 -

16.

&

6
8
2

.
I

.
1

I .
3

1
3
0

2
0

4
2

.
.

1
2

&
2

I .

.
I
1

I .

{3.

&

1
2
3

I .
3

1
3

1
2
3

J
5

4
2

&

.
I

.
1

&

.
I
1

1
3

&

3
0
J

#


.
b .
2

1
2

1040

- 14 -

17.

3
8

&

I
3

1
3

I
3

&
3

1
2

4
3

&

1
3

&

I
3

1
2

4
3

1
3

I
3

&

.
2

1
3

4
5

&

j
1
3

1
3

I 3

4
3

1
3

4
5

1040

- 15 -

18.

&

..

&
3

..

#
&

1
3

&

..

..

..
2

..

..

..

.
2

.

# .
. 3

1
3

..

1040

#
. #
n

. #
n
1

#
..

.
.
#1

3
K

0
1

#
. #
n

. #
n
1

n .

.
3

..

0
1

#
..

. 1 .
#

3
K

..

&

.
2

..

3

&

..

..

..
..

..

- 16 -

19.

&

&

&

&

&

&

1040

- 17 2

&

&
3

&

&

&

&

1040

- 18 -

20.

2
4

&

.
.

..

4
3

&

.
.

0
1

3
4

#
. 3
3

#
0

1
2

0 2
3

j
.
.

&

..

4
3

4
3

0
4

&

.
.

0
1

3
4

1 #

# .
.

&

#
3

1 0

j
2

.
.
&

#
1

1 #

1
3

3

3
4

1040

2
3

#
1

3
1

- 19 -

21.

2
4

&

2
4

&

2
4

4
3

1
2

2
1

&

2
4

&

2
4

1
2

4
3

#
2

II
#

&

2
3

# 3

1
1

1
2

1
3

&

2
1

2
3

II
#

0
# n 1
# n # n

2

2
3

0
1

1
2

1
2

1040

1
3

1
2

4
# 3 n

#
1

2
3

j
4

4
2

- 20 -

LESSONS IN THREE VOICES

j
#

23.

3
8

&

2
3

.
# #
3

#
2
&
.

2
3
.

&

1
1

1
2

4
3
2

3
2

2
3

1
2

k
.

4
2
3

1
2

24.

3
8

&

2
3

2
3

.
3 Q

&

2
3

. 1

3 Q

. J

2
3

4
2

#
&

{ {

1040

. #

2
3

4
4

4
1

{ {

1
2

k
4

0 0

2
.

.

Q

2
4

- 21 -

24.

3 .
8 3

&

&

4
1

&

3
2

&

.4

&

4
1

IX
4

.
.
.

.4

1040

VII

IX
#

2
3

2
3

4
1

VII
.
.

&

j
1

0
1

j
4

2
3

- 22 -

LIGADOS
1

25.

3
8

&

1
2

&

2
1

2
3

k
k

1
2

k
#

&

0
2

&

#
&

1
2

.4

0
0
2

j
1
2

2
3

1
2
4

1
2

1
3
4

1040

0
4

4
1

2
1

&

- 23 -

26.

3
8

&

# #
#
&

4
3

#
2

&

4
3

&

1
2

n
.

#
&

# n

2
3

3
2

1040

1 2 1
#

Q.

Q.

2
1

&

#
2

1
2

- 24 -

EL ARRASTRE
Allegro moderato
3

27.

&

3 .
8

1
3

.
.

1 #

&

2#

. #

..

n
2

1
3

.
.

&

..

j
2

. #

J
1
1
3

#
&

3
1

..

3
2

J
1

&

#4

3 .

# .
2

1
4

# .
2
1

1040

#
2

&

1#

#
2

..

- 25 4

&

3
1

1n

&

3
1

&

&

&

3
2

4
3
1

&

.
.
2

#
1

4
3

j
.

j
1
2

.
1040

n .

4 3

4
4

0 n .
.
1 #

.
n .
n

n .

0 n .
.
1 #

#
1n

# .

&

1
0

2
1

4
2

- 26 -

F MAJOR SCALE
On one string

&

b c

On two strings

&

On three strings
3

&

STUDIES FOR ALL FINGERS

1.

&

&

2
3

2
3

1
3

#
&

#
#

1
3

{ H

VIII

#
#

Q
.

Q.

&

1
2

.
.

1040

- 27 -

2.

&

2
4

1
4

III
3

&

&

&

III
1

&

&

&

2
4

2
4

1040

This study can be played in different formations as shown below, both slow and fast.

2
4

etc.

etc.

etc.

- 28 -

3.

&

&

&

&
2

I
2

&
1

I
2

&
1

&

poco rit.
1040

- 29 -

4.

2
4

&

&

#
.
2

2
3

&

&

#
{ .

&

b #

&
1

1 #

#
.

1040

- 30 6

5.

&

&

&

&

#
&
3

&

&
2

#
&

1040

- 31 4

6.

&

# 2
4

&
4

&

&

#
n

0 4

1 1

II

4 2

&

# 2
4

&

# 2
4

&

# 2
4

1040

3 4 4

etc.

etc.

etc.

1 4 0

1
3

0 3 0

This study must be played with variable rhytm patterns, as shown below.

1 4 0

2 34

1 0

3 0

1 2

II

1 0 4

3 1

2 1 3

- 32 I

7.

b c

&

&

I
3

&

1
1

&

&

III

III
3

&

&

&

n
2

1040

1
3

DIONISIO AGUADO
M E TO D O D E G U I TA R R A
( G U I TA R M E T H O D )

S E G U N D A PA RT E
( S E C O N D PA RT )

Revised and fingered by

E y t hor T hor laksson

The Guitar School - Iceland

-3-

LEGATO ON ONE STRING

With different rhythm formations
Play with different accents, either on the first or the second note.

&

4 2 2 1 3 1
3 1 3 1 4 3 3 1

3 1

bc
10 3 1 3 1 4 3

3 1 3 1 3 1 2 1

Same fingering as in the previous exercise.

&bc
&bc
&

.
. . . . . .
.

.
.

. . . .
.
. . . . . . .

.
.

.
.

. .
. . .

b c

DOUBLE LEGATO

3 1

4 3

3 1

b
c
&
1 0

3 1

4 3

4 3

3 1

3 1 3 1 3 1 4 3 3 1 3 1 1 0

b
&
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com

1067

-4-

1 3 3 1 3 4 3 4

1 0 1 3

b
&
1 3 3

1 2

1 3 4

2 4 3

3 4 3 1 3 3 1 3 4 2 4 2 1 2 3 1 3 3 1 3 1

b
&
4

Same fingering as in the previous exercise.

.
.

.
.

. .
b
&
. . . . . .
.
b
&

&b

24

24

34 1 3 1 3
24 1 2 1 3 1 3

13

13

24

34

13

13

34

Let all the notes in the triplets sound equal.

2 4

b
&
2 4 3 4
1 3 1 3 2 4 1 2 1 3 1 3

b
&
1 3

1 2

2 4

1067

3 4

-5-

&

Study the next exercise with the same fingering as the previous one.

&

&

#
&

n
# n n

b
#

#
n

#

3

n
# n

Study this exercise with the following rhythm patterns.

&

&

&

b
1

.
.
.

# .

# .

etc.

.
.
# etc.

.
# .

.
.

Study this exercise als with the following rhythm patterns.

&

. .

.
etc.

1067

.
.

etc.

-6-

&

&

#



n

&

&

# n
n b
# n
2

etc.

.

. n .
#
.

etc.

. . #
1

Study the following exercises to the same extentions as the previous ones.

&

&

&

#

3

#
0

&

1067

n #

n
#
#

3 1

-7-

Do not lift the first finger while fourth finger plays the legato note.

&

Study with different accents, either on the first or the second note.

&

b
4

1
3

Work these exercises slowly to make all three notes sound even.

#
&

1 3

1 3

1 2

1 3

4 3

4 3

4 2

4 3

&

#
&

&

&

1067

-8-

&

&

&

&

&

&

&

b
1

1067

&

#
1

#
4

3
1

-9-

LEGATO - JUMPS

&

#
1

&

&

&

&

#
n

n
b
4

b
1

&

&

&

#
2

1067

n
1

- 10 -

.
&

#
&

&

#
4

&

&

n
3

LEGATO INDIRECT DOWNWARDS

#
&

#
&

# n


# n

1067

- 11 -

LEGATO WITH 4 AND 5 NOTES

2
4

&

&

2 3

2 4

2 4

&

LEGATO ON TWO STRINGS

#
&

# c

&
3

4
1

#
&

# 3
2

#
&

1067

- 12 -

Study with different accents, either on the first or the third note in each group.

&

#
1

2
2

2
1

# n
# n

2
2

&

#
n

2

&

#


2

&

n
#
n

2
#

4
2

4
1

LEGATO - CROMATIC
#

2
4

&

2
4

&

1 0

12
8

&

#
&

2
4

n
n

4 3
3 4

# n

1 0

1 2

3 2

1 4 0 4
2

# n

n # #
1

1067

2 4

3 4

n
# n

# n

# n

1 0

3 4

3 4

0 2 1

#
#

# #
1

1 0

3 4

n #
0

n # #

- 13 -

LESSONS
GRACE NOTES DOWNWARDS
Allegretto

#
#

&

3
8

j
0

#
#

&

#
#

&

2
3

# .

0
3

4
.

J0

1
. 1
#

3
2
.

GRACE NOTES UPWARDS

Andante
#

#
#

&

3
4

1
I

I
3

4
5

&

1
#

4
4

I
3

3
I
4

.
2

n
n

.

2

Fine

#
#

&

1
1
I

2
4
1

1

I
2

I
3

k
4

#
2

..

0
3
4

#
&

#
#

2
1
I
2

2
1
4


3

4

3

2
1

# .

II

.
n
#
1

1
2

1
3
1

D. C. al Fine
1067

- 14 DOUBLE GRACE NOTE

Andante
#

4
1

&

&

1
2

#
2

0
0

1
3
1

4
2

1


#

4 2

II

.
.

3
4

&

&

#
#

&

3
8

#
#

#
#

{
4

&

#
#

n .

4
1

n .

I I
I

#

1

1067

1
5

II

j
2

3
2

&

&

TRIPLE GRACE NOTE

Moderato
3

- 15 ORNAMENTS WITH FOUR NOTES

&

# 3
4

.
4

2
3

&

1 4

#
Q
Q
1 Q
Q
Q
Q

3
2

q nq
3

IV
#

II

0 n

4
3

.
.

1
2

j
4

I
4
1

{3

&

0
3
1

&

&

1 #

0
3

1
3
2

II

1
1
3

0
2

2 1 4 2

1067

4
2

- 16 ORNAMENTS WITH FIVE NOTES

Allegretto
2

#
#

&

3
8

.
0

#
#

&

# .

#
#

&

0
1

3
4

&

j
#

2
2

j
#

#
#

&

j
0

 .

1
3

j
#
&

#
#

3
4

1067

- 17 -

THIRDS
SCALES

C Major
2

3
4

&

0 2

3
2
4

3
4

&

1 2 4

3
2
4

1



0

G Major

2
1

#
&

# 3


4

0
3

&

3
4

&

4 1 3

4 1 3
3

G Minor (melodic)
&

# n

n
1

1 2 4
3

4 2
2

b 3
b
4

2
4

3
1

4
2
1

1
4

3 3



3

n
b
n #
n

1
4

0
3

1
1

n #

#
4

Bb Major

&

b 3
b
4

3 4 2

F Major
3
4

A Major

D Major

3



n
2 4

4 2

3
1

4
3

n


4

3
1
4
3

1067

- 18 -

C Minor (harmonic)

&

3
b b
4

0

3
1

&

2
0
4

&

&

&

1
1

1
1

3 1
4

2

1

4
4

.
.

1
3
1

2 4

2
3

4
2

3
1
1

..

1

2

1 4

2
4
3
2
1

2
2 3

4 1

4
4

4
4

1
3

0 1

1
1

2
0

F Major (thirds)
3
4

1

3

4
4

4 4

3
4

A Major (thirds)
#

3 2 2

&

1
2

3
4

&

G Major (thirds)

n
b

n
3

1067

2
2 4
1

4
3
3
1

..

- 19 -

LEGATO - THIRDS
#
&

#
&

#
#
n

n
n

# n

# n

# n

#
#

# c

# n
# n

Legato thirds with finger changes, then one finger must fall firmely on the note
while at the same time the other finger slides from one note to the other.
2

#


# 3
4
1

&

#
#

&

n #

n
#
#

n
n

n # #

#
#

n #
#

&

n
n #

n
#
#

n
n
#

n
2

ON SECOND AND THIRD STRING

#
&

4
2

1067

2



3

.
.

- 20 -

ON SECOND AND THIRD STRING

#

3
4

&

#
#

n #

n

#
# #

n #
n #

# n
# n

&

2
n # n
# n

# n

ON FIRST AND SECOND STRING

3

&

#
2

#
#
2

1067

#
#
3

n
n

#
#

#
#

#
#

#
#

#
#

#
#

n
n

#
3

&

&

&

&
2

n
n
3

- 21 -

&

# #

#
#

n # #

#
#

#
3

n
n

# n

n
2

n # #

n # #

n #
#

n
n

#
#

n
#

# #

n #

n
#
#

n # #

n #

#
#

&

n #

&

&

&

&

#
#

#
#

n # #

&
3

#
&

#
3

n # #

n
n

n
# #

n #

n
2

1067

- 22 -

SIXTHS
ON FIRST AND THIRD STRING

&

b

4
4

4
2

ON SECOND AND FOURTH STRING

1

3

4

&

4
2

ON THIRD AND FIFTH STRING

#

&

ON FOURTH AND SIXTH STRING

#

&

ON FIRST AND THIRD STRING

4

&

#
&

3
4

n
n

Practise this exercise also in D Major on second and fourth string.

1067

#
n #

#
#

- 23 ON THIRD AND FIFTH STRING

1

&

&

#
#

#
#

Practise this exercise also in E Major on fourth and sixth string.

TENTHS
3

&

3
4

&

OCTAVES
k
#

&

2
4

#
&

1067

- 24 -

&

2 1
4

&

&

Practise this exercise also in E Major on second and fourth string.

&

&

#
&

1067

#
#

&

- 25 -

&

&

&

&

&

&

&

&

0
2

1067

#
#
4

.
3
2

#
#

- 26 Let the bass notes live while the legato notes are played.

&

#
#

1
4

&

&

1
5

&

&

1
0

1067

&

&

- 27 -

STUDIES
Allegro

&

&

&

#
2

n n

#
3

&

&

# #

#
2
4

&

#
&

n
4

#
4

#
#

1067

0
n

n n

n n

&

#
4
1

- 28 Andante

^j

^j

2
4

&

&

^j

&

.
.
.

&

0
3

# ..

.
1
3
2

^j

. 1

.
.
.

^j

0
3

3
2

0
2

^j

^j

3
2

^j

^j

# ..

.
1
3
2

II

1
2

j .

2
3

b #

III
0

&

&

j .

2
3

b #

III

1067

- 29 Allegretto
#

1
12

2
.
8 H

&

4
3

4


#
.

..

..

1
3

&

1
2

&

H.

1
3

1
2

H.

4
3

4


#
.

&

1
3

#
&

4
#

#
.

..

1
2

#
#

{ .

1
3

4
3

4
#

#
.

b n

..

..

0
0

2
4

#
#

4
3n

..

1
2

n
n

#
&

4
3

1
2

0
0

2
4

..

#
#

III
#

1
2

&
f

# n
# n

2
4

&

1
1

1
2

.
0

0
0

1067

..

3

..

#
3

4
2

2
3

# n

..

- 30 Allegretto
#

12
8

&

2
4

0
0

w.

#
&

1
2

3
4

&

2
4

00

.

0
2

2
4

3
4

0
1

2
4

2
4

2
4

0
0

3
4

w.

&

w.

w.

2
4
.

0
2

2
#

0
1

2
4

0
2

0
0

2
4

0
2

..

On fourth and fifth string

#
&

1
3

1
3

2
3

1
3

w.

#
1
3

&
4

2
3

1
3

..

On third and fourth string

&

1
2

1
3

1
3

2
3

1
3

w.

w.

1
2

1
3

On fourth and fifth string

#
&

0
2
1

2
3

1
3

0
1

1
3#

4
J

1
3

1
3

1067

2
3

..

.
.

- 31 Allegretto
6

3
4

&

&

&

&

Fine

F
4

&
3

F
4

&

b
1

#
4

&

cresc.
#

&

D. C. al Fine
1067

- 32 Andante

&

&

>

>

>

>

>

>

>

>

>

>

>

&

&

>

>

>

&

>

>

>

>

>

>

>

>

>

F>

&

>

>

>

>

>
1067

>

2
1

>

- 33 -

&

&

&
2

>

>

>

>

>

>

>

>

>

>

>

p >

>

>

>

>

>

&

>

>

>

>

V
2

&

>

#
1

1067

>

>

>

>

>

>

&

- 34 Allegro
#

&

&

4 2

II
#

&

.
3

II
#

&

&

&

&

&

VII
2

#
2

VII
4

n
2

IV
1

IX
#

II

II
1

1067

- 35 Allegro
#

12
8

&

III

a ma

.
. m
i

&

H.

ma m


a

a
H. m i
i m i H.
i
3

II

H.

# .

2


3
a

a m m a
H.
m i
i mi
H. i
p

2
a ma m a
a ma

. m
H. m i
i m
n .
i
i
i
p
p
1

&

III
#

&
3

H.

H.

2 1

H.

V
1

{ H.
1

H.

&

b.

H.

H.

2 4

V
#

III

&

III

II
2

III

b .

H.

H.

VII
#

H.

&

V
1

H.

H.

H.

III
#

&
3

H.

III

II
2

H.

H.
1

1067

.
.

{
.

- 36 Andante
II

2
4

&

..

&

..

&

1
3

&

&

4
1

. 2

4
2

#
#

1067

1
3

# 3

IIj

IIj

0

2

Vj

4


3 0
# 3 0

IV

ten.

# .

II
#

&

VII

II
#

..

II
#

V
4

2
0

1
3

- 37 Allegretto
4

10

&

&

II
#

&

#
3

II
0

IV

II

IV
4

II

V
4

V
#

&

&

&

q
1 1
3 n2 q

.

1

II
1

0
5

VII
#

VII

q
q

J
.
J .

q
1
q
2
2
3

4
J
4
.
J

1067

- 38 Andante
4

11

&

III

&

II

1 4

n 1

II
3

&

II
4

&

#
&

V
# #
&

3 2

1
0

&
3

III
#

&

3
1

II

b
#
2

n
2

4
0

1067

1
0

DIONISIO AGUADO
M E TO D O D E G U I TA R R A
( G U I TA R M E T H O D )

T E R C E R A PA RT E
( T H I R D PA RT )

Revised and fingered by

E y t hor T hor laksson

The Guitar School - Iceland

-3-

EXERCISES ON THE UPPERMOST PART OF THE FRETBOARD

Left hand must be very inclined towards the bridge,
so that little finger can reach the higest notes.

#
c

&

1 4

&

&

#
&

#
&

Copyright 2000 by The Guitar School - Iceland

www.eythorsson.com.

1072

#
&

1
1

#
n

2
1 4 2

-4-

&

# 2
4

&

&

7&

2
4

2 1
4

&
3

1072

n
4

&

&

-5-

3
4

&

m a
p i
3

&

&

&

&

&

m i

0
1

1072

1
2

m i

m a

-6-

Various combinations in C, G, D, A and E Major

Exercises number 1, 2, 3, 4, 8, 11, 12 and 18 can also be played in Minor
4

&

4
2
3
1

1
1

3
4

4
2
3

0
0
4

&

2 .
4

.
.
.

&

.
..

III

&

&

&

3
2

&

b .

4
2

3
4

3
2

1
1
3

4
3
1

.
.

IV

4
3

IV
4
1

#
3

1072

4
2
3

#
#
1

V
4

V
3
4

III
2
4

VIII

3
4

VIII

3
1

2 4

#
1

III

-7-

2
4

&

1
5

&

3
4

&

.
..

3
1


2

^
4

VIII

^ ^
0

1 4

.
3 H
4b
0

III
#

&

3
4

4
1
2

&

2
4

q
#

3
I

&

10

&

q
.
.

I # n

4
1

&

1072

b .
1

1
I

n
# 2

4
3

VII

#
4
n

4


3

3
4

-8-

11

2
3 3
41

&

0
3
4

12

&

# 3
4

4
2
3
1

2 4

4 1

3

0
4

.
.
.

.
.
.
.

VII
4

13

&

# 2
4

1
2
3

4
2
3
1

n
#

&

14

&

# 3
4

2
4

&
1

2
1

n

.
2

1
3

4
2

&
0

15

&

3
4

4


3

1072

4
3
#2

-9

16

3
4

&

1 4 2 1

3 0 4 .
.
.

2
3

&

17

2
4

&

4
2
3

&

#
#
#
#
#
1

#H

2
3

18

&

4
2
3

4
1

4
3

# 2

# 4

2
3

.
.
.

IX
4

&

II

IV
#

19

&

# 2

II

j
.

IV

harm.
8va

4
2
3
1

4
2

1
5

1072

- 10 -

STUDIES
Emphasize the melody.

Allegro

4
0

3

c

&

4
2

&

1
3
#

2
2

&

w
2

&

2
F

2
5

VIII
4

&

3
2

w
f

1072

1
5

&

- 11
w

&

III

bw

b
w

&

#

1 3

2
0

2
3

1 2

&

&

#
2 1

w
#

II
b

3 2

&

I
0

III

#
1

2
&

1
f
F

&
0

0
1

1072

2 4

- 12 II

Allegro

&

.
.

3
2

2 1

II

II
#

. 4
. 4

&

. 4

2 3

&
1

2
2

II

V
#

&

2 3

&

II

II
#

# .

n .

.
1
F

V
4

#
&

# .
# .


#

n 3

.
1
3

1
f

2
. . 0

1072

II
1

1
3

- 13 Allegro
#

c .

&

3 0

2
1

..

#
#

II
4

&

3 4
#

III
4

&

#
&

Fine
III
4

&

&

..

V
4

&

#
n #

III

&

..

D. C. al Fine
1072

- 14 Andante maestoso

3
2

&

..

..

..

2
3

..

II
#

&

..

.
4

2
1

..

2
1

n .

..

3.

&

#
2
1
1

..

2
3

..

n .

II
#

&

..

2
1
1

..

2
3

0

4
1
0

4
1
0

II
#

&

.
n 4

2
1
1

3
1

&

&

2
3

n
.
2

.
n

II
#

dim.
1072

- 15 Andante
#

#
c

&

&

&

2
3

&

1
1

4

n

1 4 2 1 3

3
3
1
n
#

&

F J

4
3

1 3

4

1

n





n

V
#
&

j
3
4

4
1
3 #

&

#
c

1072

1
2

This exercise can also be played with 32nd notes

instead of the six tuplets, as shown below.
#

4
3

- 16 Allegretto
II
#

&

2
4

&

#
&

#
&

&

#
&

0
0
0

4#
1
3

II

1
3

H
0

1072

0
0
0

1
3

1
2

4#
1
3

4#

4 #
1
3
1

4 #
1
3
1

id.

a media voz

- 17 -

3
1 4

#
n

&

&
0

4
4
#
n

#
2

&

1
#

II
#

0
0
0

&

4#
1

3
1

rit.

1 #

#
&

3
1 #
2

a media voz

II
#

4#
1
3

F a tempo

4#
1
3
1

&

on fourth and fifth string

&

4
3
2

1072

- 18 -

Allegretto
3

6 24 # n
#
3
.

.
F

42
.
.

7 & 8

0

& . 3 #
2
.
3

&

42 # n
#
3
.

42
.
.

on second and third string

3 # 
2
.
.

43 # n
#
.
.

&

&

j
j
4
2 #
1
J

#
.

1 43 21
2
.
.

on third and fourth string

31 # #
4
.
.

j
j

4
.
2 1 #
J
3

# #
.
.

j
j

23
.
#
J 1
3

# n
#
.
.

# 
.
.

4
3

4
3

4
# n

#
. 1
2

1072

4
2

j
j
#

J

- 19 -

&

#
#

# #
#

on second and fourth string

&

# # #

3
2

#
2

cresc.

3
2

&
.

3#
2

3 #

dim.

j
&

1
2
4

&

j
2
3
#

#
. 3

E
E

2
3

Q .

Q .

1072

Q .

#
E
E

&

.
.
.

.
.

- 20 -

Cantabile
4

6
8

&

1
2

Q .

H .

Q.

IX
#

&

H.

&

2
3

n .

.
.

Q .

IX

cresc.

H.

VII
#

&

H .

IX

V
#

4
3

&

VII

&

#
#Q .
2

2
3

n
Q .

V
V

H .

H .

1072

Q .

n n
n

- 21 V
1 3

II

&

a media voz

V
4

&

VII

# .

# n .

1 3

1
2 .

Q.

Q .

1
2

3
4

{
# .
1

#
# .

Q.

dim.

&

III

III

&

IV

H .
1

n .

III

&

&

Q .

H .

Q .

II

VI

4 3
#

1072

Q .

- 22 -

Larghetto

2
4

&

6
1

# #

&

1
b

#
f

&

2
3

..

n
3
2

&

..

b
J

&

a media voz
V

&

.
.

3 4

#


3

1
3

1072

- 23 VII

&

#

#
#

3

&

III

# #

.
.

VII

&

VIII

&

#
2

..

&

1 4

n
f

a media
voz

a media
voz

III

&
1

1072

1
1 2

# #
#

- 24

Andante
#

10

&

2
4

1
1
3
4

1 #
4
2
3

.
..
.

1
3

0
0

#
1#

4
3

1
1
2
4

3
1
4
2

.
.
.
.

&

#


4

3
3

&

2
3#

&

2
3

2
4

2
3

n
2 b
1

1
2

.
.

1
2#

# ..

2 #

&

3
1

..

4
3

F J

I 1 2

2
1

1
3

I 1

II
#
&

0 3
I
I 1 0 1

3
1
2

1
2

1072

4
0
#

3#

1
2

.
.

4
#

- 25 -

&

..

VII

IV
4

p i

p
5

IV

&

II
4

&

#
2

IV
#

&

&

IV

V
#

&

IV

VII

3
0

V
4

&

VII

m a

m i

p i

p
1072

- 26 III

Allegro
#

11

2
4

&

.

3

.
2

#
&

..

1
0

III

#
&

2
1

pi p i

..

1
2
4

.
1

.
1

# .
&

b .

b .

3
#

#

#
&

2
1

b .

II
4

p i p i

i m p i
p

V
4

II

4
1

III

i m p i
p

II

0
0
2

3

4

III
j

.
.

III

.
.
..

n

#

VII
j
2

#
&

.
.
.

3
4

.
1

n .

2
1

4

#

#
&

n I .
0

&

4
#
b

#
3

cresc.

b
#
#
2

VII

IV

III
1

i m i m

III

. # .

i m i m
p

I
#

i m i

1
. .

aj

i m i m
p

IV
2

aj

3n

4
n


2

#
0

VIII

2
0

1072

n
n

3 4

- 27 Allegro

a m i m

a m i m

12

a m i m

0

c 21

&

a m

a m i m

0
2
3

i m

a m i m

1
4

3
#

&

2
4

1
2

3
2
4

0
1

2
1

2
3

VII
4

&
F

3
0
0

&

1
1
2
3

&

2
3

2
3

&

1
2
3
0

.
.
.

2
2
0
3
2

1
3
1
4

0
4
1

2 # n

3
#
n

#
n

2
1 n
0

&

3
4

0
#
3

1
#
4

cresc.

V
#

4
1
2
3

1
n

1 n

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FERNANDO CARULLI
( C AR U L L I B RE V IE R)

29
Guitar works for
1st and 2nd grade

R e v i sed and F inger ed

by
E y t h or T hor laksson

The Guitar School - Iceland

w w w. e y t h o r s s o n . c o m

-3-

POCO ALLEGRETTO
(Op. 246)

1.

2
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(Op. 246)

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Copyright 2000 by The Guitar School - Iceland

www.eythorsson.com

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(Op. 121 nr. 1)
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ANDANTINO GRAZIOSO
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(Op. 211 nr. 10)

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- 20 -

RONDO
(Op. 241)

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&

rit.

D. C. al Coda

CODA

&

&
1

1009

- 22 -

RONDO
Poco Allegretto

2
4

26.

&

&

&

&

#


#

4
2

&

#
&

n
#

n
# #

&

2 #
0

1009

- 23 -

#
&

#
#

#
&

&

&

j
#

&

#
&

#
&

1009

- 24 -

ANDANTE
(Op. 121 nr. 19)
1

27.

2
4

&

1
2

2
3

..

&

..

&

&

j
#

&

j
#

2
3

..

#
1

2
3

..

n n
n

#
&

..

..

2
1

Fine
1009

- 25 -

&

&

4#
3

..

1
3

..

3
4

1
3

j
&

n #

&

&

&

n

..

n

..

1
3

3
4

1
3

D. C. al Fine
1009

- 26 -

RONDO
(Op. 241 nr. 10)

Poco Allegretto
j
#

28.

&

6
8

&

&

&

3
2

4
1

0
1

fi
.

j
#

&

&

.
p

&
.

&
.

1009

3
1

- 27 -

&

&

0
1

n n
n

&

.
.
# ..

.
.

&

U
1
2

&

.
.
# ..

CODA

&

4
2

2
1

D. C. al Coda

rit.

&

#
&

4
3

1009

.
.

4
3

.
.

.
.

- 28 -

ANDANTE
(Op. 121 nr. 19)

29.

&

j
# 2
4

&

&

4
#

&

&

U
1

dolce
1009

&

&

- 29 U
#

&

Fine

j
#

&

&

&

3
2

&

&

#
&

1
3

1009

rit.

3
2

D. S. al Fine

-2Allegro

a m i

&

a m

a m
i

&
3

a m

1 4 2 0

3 1

p i m

&

0 4

nH

2 0

a m i m

a m

n 1 0
n

# #

p i m

i m i m

p i m

# n

#
n

#
#

&

a mi

&

a m n
i

a m #
i

&

p i m

VIII

III

&

#H

a m i m

H
1

p
3

i m

1 4 2 0
4

4 0

III

&

&

VIII

III

III

p
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.

1007

-3-

4
4

&

H
3

&

&

VIII
1

VII
1

&

II

2 1

0 2

bH

&

2 3

H
3 2

IV
3

VI

&

VIII

&

VII

Andante

&

2
1

H
3

V
3

&

H
1

2
1

H
2

1007

3
4

-4Andantino
3

#
c

&

H .

&

H.

II
4

H.

H.

H .

#H .

II
#

#
3

&

{ {

H.

H.

II
#

&

H.

H.

#H .

&

&

H.

&

&

H.

H.

H.

H.

VII
#

H.

H .

V
3

VII

H.

II
4

#H

H
2

1007

H.

3
4

-5Allegretto
3

#
&

# 2
4

3
1

m a

m a

m a

&

m a

m a

&
1

i m a

a m

m a

{ {

i i

m a

i ma
H

i
p

&

&

&

&

a
i m

2 0

2 4

#
&

#
0

m a

p
1007

i
0

pJ
5

-6Moderato
#

2
4

&

&

j
j

3
1

VII
#
&

m a

p i

2
3

1
3

4 1
j

J
4

1 1
1
1
a
3
i m

p
J
3 p
3

1 2
3

1
2

2
3

4
4

#
&

&

&

#
1
2
1

III

&
3

1
2

3
n a 2

m
p i
J

n
n
0

1 #

1#
2

3
4

p i
p
J

#
1

III

3
4

n
3

#
b
1

VII
k

j
#
&

1
3

III

2 1

3
J

3
1

0
n
3

1 n #
1
2

2
3
4

1007

-7Moderato

&

&

&
2

a m

#
n

&

&

&

&

&

4


#

1 #
b b

#
3

n

4 2 0

.
.

1007

1
3

b
4

1
1
4
3
1

Lento

0
1

b
1

&

# 0 4

# b

&

i m

# n

3
1
3

i m

i m
0

sigue

-8Allegro
1

&

a m i

3 0

m i

3 0

ami

#
n

i m

4
3
# n

4
3
# n

J3

m a m
H .i
p

4 1

&

2 0

&

3 0

a m i a m i3 a m i0
2
p
p
p

&

a m i

a
i

&

&

m i

&

III

&

3
5

&

&

1
2

4
1

1
2

1007

3 0

#
2

H.

1
1

4
4

-9Moderato

&

# 2
4

II
#

&

&

{ {

IV

&

&

n
3

n
0

1007

&

4
4

&

4
3

&

IV
4

II
3

- 10 Allegretto grazioso
4

#
c #
1

&

#
#
1

2 0 2 3

2

1 3 0 4 2 0 3

2 0
2

3

&

&

3 4

0 1 #

1
3

2
#

&

2
1

1
3

#
1
2

&

VII

1
4
#

1
#

IX

1
3

0 2 4

0
1

#
#

4
#

VIII
1

0 1 3 4

Fine
1

4
1

1 4 3 1
4 2

0 0 3 2 0

3
#
3

0

&

n n
n

2 3

&

# 3
n

2 3

0
1

VIII
2

&

0
1

# 0
1

4 #
3

4
0

#
2
3

&
.

1
3

#
# #
3

#
1

0
1

1
3

#
.

# 0

0
2

1007

D. C. al Fine

- 11 Allegretto
j
#

10

&

# 3
8

&

3
4

3
2

1
3

2
3

3
2

&

VII
4

1
3

2#
1

1
2

1
3

3#
1

1
2

1
3

&

2
3

1
3

&

3
4

1
3

&

1
2

&

#
&

1
3

1
3

0
1

2
4

1
2

3
4

3
1

1
2

1007

3
0

1
2

1
3

1
2

1
2

3
2

1
2

j
#

1
3

3
4

j
1
3

- 12 Agitato
i m a

11

&

2 2 0 #
n
4

i m a

mj

4 0

i ma

mj

&

a
1

&

mj

3 0

m i

&

b #

0
3

p i m

b
#

#
0

&

p i m p

p i m

4
2

#
n

III

mj

p m i

p i m
1007

mj

mj

p m

a m i

i m i

3
2
J

mj

a m

a m i

a m i

p i m

mj

a m i

p i m

j
&

&

2 4

# 1

i m a

mj

j
1

p i m

a m i
2

m
j

p i m

mj

p i m p

mj

p i m p

p m i

- 13 Andante mosso
m i

m i
#

12

&

# c

&

II

III

&

VII

IX
#

VIII

VII

III

II

&
0

&

II

II

&

&

&

#
&

n
#

#
&

n
0

4
2

#

1

1007

1
2

4
1

V
4

H
0

- 14 Andantino grazioso
3

3
#

13

2
0

m a m i m
m
4
i
i
i

&

#
3

&

0
1

&

m a m i m i m a m i
1

{ {

0
1

i m a m i
i m a m i

3
0

pF

&

&

2 3

II
#

&

#
3

&

#
&

4
4

F a tempo

poco rit.

dim.

cresc.

&

i ma mi m
0

4 0

4 0

2 0

2 0

1007

#
1

4 0

rall.
p

- 15 -

Allegretto moderato
i m
1

2 1 0 1

# 2
0
4

14

i m

&

&

i m i m
#

&

i m i m

m i

a
4

&

#
4

i m

i m i
3

m
1

p i m

#

1

2
3
#

3 2
2

aj

i m i m

a m

0 3

i m i m

2 1 0 1

p i
a m i

m i m

1 2
2

aj

3
#
2

2
3
#
1

0 2

IX
0

i m i m

3 2 0 2

i m a m
#

1

1 0


0

p
2

4 2 1
3

# 0 2

&

&

3 2

&

&

m i

i m

0 3 2 0

n0 2 4

i m

1 4 2

&

3
2
0 n
#

1 4

1
1
2

1007

VII
j

1
n 0 0

V
#

4 0
2

3
#
# #

m i m

m i

m i m

1
#

i m

aj

i a m

aj

4
n
1

1
0

4
0

4
2
3

- 16 -

Allegro moderato
2 0

15

&

H
3

H
&

&

#H

#H

4 0

2 3

>

2 0

#H

>

>

>

0 2

#H

>

>

H
0

&

&

0 2

VII

0 2

3 1

X
3

#H

&

III

&

3 1

VIII

VI

III

>

1007

H
F

- 17 1

&

IV

&

III

1 4

1
4

2 1

3 4

1 4

3 0

cresc.

3 4

1007

VIII

dim.

1
1
2

3 0

sf

sf

III

2 0

&

1 0

sf

&

>

III

&

3 2

>

sf

&

4 0

3 2

#H

III

>

>

>

#H

#H

cresc.

&

>

>

>

- 18 Andante

16

F m

&

3
1

i
p

&

3
1

i
p

#
1

#
3

#
2

2
0

cresc.

4n

i
p

1
3

1
3

a

#
1
2

m
i

2
3

i
p

0
1

i
p

i
p

dim.
1007

1
1

2
3
5

i
p

2. a

i
p

m
i

1. a

m
p

i
p

i
p

VI

2
1

a tempo

i
p

1
3

i
p

m
p

&

VIII

m
p ritenuto

&

V
1

dim. J

F m

II

&

a
4
1

m
p

a
b

1
3

m
i

1
b c
2

&

a
1

2
4

2
3

i
p

- 19 4

Moderato

17

&

&

&

3 4

#
0

4
3
2

1
2
3

4
1
3
0

4#

2
3

# 0

.
f
>

1007

>
j

0
1
3
2

>
j

b
1

4
1

J
F
>j

3
1

J
>j

2.

1.

&

0
1
2

&

&

&

dim.

cresc.

&

0 3

F
1

i m

&

m
i

m
m i
i

2
4

>

>> > >

4
2
3

- 20 Allegretto
2

18

6
8

&

II
#

&

m i

4
.

m i

.
1

m i m

4 2 1

#
.

#
.
3

{ {

m a

m i

a m i

m i

p i m

i m

m a
m a
i

II

m i

H
1

m .
i

&

# a

2
4

#
H

p i m

&
f

i m

H .

m i

m
1

#
.

&

p i

p i

IV
#

IV

i m a

m a

p i m

m i

a m i

H.

III
#

n m

m i

nH . i

&

n
1

H.i

m a m i

H. i

&

4
2

0
2

# .
.
n

&
3

#
&

0
1

# H
F

m a

m a

m a

.
1

i m a

a m i
4

m i

a i
0

0
2

.
.
.

1007

4
2 a
3

0
2

II

p i m
.
.
.

m a

i a m

i m a
#

#
#

cresc.

m .

p i

n .

a m i

H .i

m a m i

.
.
.

. rall.

m i
0

Vj

i m a

m
0

1
1
2
3

- 21 Allegro moderato
0

19

3
4

&

3
4

II

&

#H .

H.

&

&

&

H.

# .

H.
.

VII

# .

3 0

H.

2 0

H.

Q #
1

II

&

H.

H.

H.

Q
#

H.

H.

1 2

.
1

I
#

&

H.

.
0

#
&

nH .

b .

Q
#
# .

#Q

nH .

VII

1007

b .

nH .

&

4
3

0
0
0

- 22 Allegro brillante
#

20

12
8

&

pi

0 3

i .i m

am

f Jp
#

&

&

a i

&

H.

i m
ma

H .i

1 0

a i

&

n .

a i
#

&
H.

&

w. i
p

m a
m i

i
m
i m

i m a

m a

m a

a m
i

p w.

m a
m
i

m a

m a

w.
4

m a m
a

i .i
p

J
1

f J

a 2i

Jp

a m

p i

p w.

n n

cresc.

n n

J
#

m a

m
a i
m
i

&

0 4

J
3

p f p w.
#

p i

Jp

&

n .

&

p cresc.

H.

4 0

F w.

3 0

m
ai
i m

H.

3
1

i . m

a
a
. m
m . i

H.

Jp
3

4
3

# .

m i

2
3

0
m

a
2

F p w.

m a

a m
4
. m
m

i
p
p
p
Jp
1

m m
2
ma

i .

i
p i

p
p
Jp
1

p
4

i m
H. m 3

a m

p
1007

H.

a i
2

H.

i m a
.

.
.

- 23 Andantino
#

21

2
4

&

II

1
1
3

pf

2 4

3 4

2
1

2 4

&

1
1

&

2 3

&

1
3
2

3 n

4#
2

0 2

1
1

pf

1
1

24

34

1
1

II

j
#

2 3

II
2

2 3

0
3
0

1
2

0
4

4
1

(n )
3

n n
n

Fine

1
4
2

24

4
3
0
1

0 2

0
0

3#

il basso marcato
4
3

&
1

14

&

1 b
3

14

3 0

1 3

&

24

4
3

&

34

#
1

24

0
3

4
0
J

2 4

&
f

#
2

# n 1
1
1 b
2
1
1

4
1 2 #
1

0
b
#
3

2 4

34

4 b
3

4
#

14

III I

24

0
2
4

2
2

1

1 #

cresc.
24

24

4
j

1 #
2

F
1

34

II

1
0

2
3

4
0

1 #

F
3

#
2

rall.

dim.

D. C. al Fine
1007

- 24 Allegretto

22

6
8

&

V
4

i #m

&

i m

i m i m

a m
i

m i m i

m
i m i m i

m i

VII
V

&

a
%

I
#

F
4

&

4 1

{ {

m i
m i

a m i m

&

J
F p

m i

m i

m i m

m i m a i

m a

a m
i p

#
4

#
1

#
2

.
3

p i

1007

i
. p p

p
2

3 4

m i

m i

m i

m i

1 4

VIII

# #
#

i
4

m i m a

i
3

p
p
p

cresc.

m a

m i

i m a m

a m i

I
#

0
4

III

p i

p p

#
#
1

a m a m i

m a

&

&

# #
#

4
2
# n

4
1
2

&

m
3

VII

m i

4
2 1
1
# 0

m a

p i

m i m i m
0

i a m i

m
3

m i m i

m
m a

.p
1

0

#

a
m

2 4

&

# p
. p

i m
i

m i m i

m i

m
2

a m

m
. p i

&

m i
1

i
. p p
p

D. S. %

- 25 Allegro
#

23

12
8

&

w.

m a m

i m

i m

m
4

&

m
i m a

a
0

# .

i m

m
0

4
# n

i m
i m

# .

i m i m i

m i

m i

i m i

4
n # 2 0 2
3 0 2
#
n

m
i m i

m i m

i m a

1
.

4
1

0
#

2
1

2
2

Fine

i m i

i p

i m

2
0 2 3 0 1

#

m i m
i m i
.
.

w.

&

w.

m a m

i m

3 4

i m
i m

i m a

# n

1
4
0

0 2

#

i
m
m i
.

i m

m
2

&

a m

w.

n 0
1
#

&

w.

i m
#

# #
2 0
1

.
.
3

a m i
#

VIII

n #

&

&

.
.

1 0
2 0
0


.

# .
.

&

i m a m

&

i m a

# .

# .

m
1

# .

#
# .

n
n .

1007

n .

m
i 4
a m i
#

p i m

p i

i
2

i m a

m a

m i m

1 #
2

m
4

# .

&

i m a

i m a m

cresc.

1
2

i m a

i m a

VIII

3 1

VIII

2 1 2 4

2
n n
n .

4
2

m i m

m i m i m a

i a
#
m

poco rit.

D. C. al Fine

- 26 Andantino con espressione

4
# # # # 6 2 4 2 . 1
2
24 &
8
.
pf

0
3
1
2

2

K

# # # # #2 40
3
&
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3
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0
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1

2

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4
4
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2 3
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&

####

Animato

11
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f
IV

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4
&

3
1

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21
4

k
j
4

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i
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m
1 # 1 4 3 0 i
4 3 1
1
F pJ
i m i m i
5

1 4 4
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&

####

1 n
3

.
3

cresc.

4
k
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3
1
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1

0
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1

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1 p

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IV

4
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2 1

dim.
p

k
4 2 4 3 . 1

2

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1007

4
0
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1
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- 27 3
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&

0
0
1
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0 3
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n .
3
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1
2

3
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1

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3

1
1

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sf

VII

a
m
m i p i mp
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1
2
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0 3

a
a
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II

4
2
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1 4
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2
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1
2

3
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n
1

3
1
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3
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1
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1
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0
2

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2
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1.
#

0
0

1

dim.
mi
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0
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.
4

1
3
3

4
m

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0
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1
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rall.
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.
j 0 .
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0

0
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- 28 Allegro brillante
#

25

pi

p
c

&

i m pi

3 0

mi m i

ma m

pi p

i ma

im

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3 0

&

20

&

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&

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pi

n n

m
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aj

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n #

1007

a
p i ma m

p i m i

n
a
a m

m a i a ma i a

# n n

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pi

2 1

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n 1 3

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- 29 ma m

i a pa
#

&

4 3

a p
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&

1 0

i a
a mi

p i ma
1

1
2

&

1 0

mi

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1
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1

1
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pi m a

m a m

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a
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1 K
p

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0 2
0

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1

2 0

1007

pi m a

3 2

1
1
2

ma i m

mi

i
1

>

2 0

4 1

1
0 2 p

i ma m

m i

p im i

pim a m m i

mi

3 2

a mi

p i m

p im

mi

p i ma

pa m i

a m
m
H i

ma

V
#

&

i p i
p

4 1
4 1 1

m
m
m

a
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im

aj

m iam
i pa m i

mi

m i a

m
1

&

4 2

IV
#

m i m
mi

pi ma

a m a m

m a

p a

a ima
p
m pi m a mi

&

p i ma

&

a m

II
#

pi

m a
#

i m pi

F K

&

f
#

2
3
1

>
1
1
3
4

MATTEO CARCASSI

5 guitar pieces
A n d an te
La rg h etto
Rondo
C e n e re n to la
Sc h w eiz e rlie d

Guitar solo

The Guitar School - Iceland

www.eythorsson.com.

-3-

ANDANTE

&

6
3

#H

II
4

&

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&

nH

&

#H

&

#H

&

H
3

cresc.

1 #
2

# #
#

nH

cresc.

bH
1

4
3

dim.

3
0

#H
p

dim.

Copyright 2000 by The Guitar School - Iceland

www.eythorsson.com.

1068

-4-

LARGHETTO
#

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6
8

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0
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2
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1068

-5-

IX
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1

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dolce

D. C. al Fine

1068

-6-

RONDO
IX
Allegretto
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2
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1068

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1
21

-8-

CENERENTOLA
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1068

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- 10 -

SCHWEIZERLIED
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2
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1068

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- 11 -

(Var. 2)

2
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1
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1
3