analog music console

The heart of classic analog with a modern aesthetic built with todays music studio in mind...
- High-Performance Modular Analog Console Design - Two Premium Stereo Mix Bus Analog Output Stages Red Stereo Mix Bus 1 (transformer balanced) Black Stereo Mix Bus 2 (electronic balanced) - 12, 16, 24 Channel Mainframe Sizes - Mono / Mic-Pre Input Channels (ideal for recording) - Stereo Input Channels (perfect for DAW stem returns) - More Inputs / More Efficient Footprint - Inserts and Direct Outputs (to interface your favorite studio toys) - Designed to complement DAW's and other outboard gear choices

for today's studio...

Harrison... outside the box
The Harrison 950m sports a history rich analog design incorporating many of the same high-end modular design elements found across a wide range of Harrison console models from eras past such as the 32 Series, MR Series (2, 3, 4, 5 and 7), SeriesTen, SeriesTwelve, MPC and LPC. The 950m provides a superior analog mixing platform that will cost effectively complement rather than dominate todays high performance music studio where investments in powerful DAWs and high-end specialized outboard gear are the norm.

Harrison... in today's studio

The Harrison 950m frame design is rugged and unique. It is specifically designed to minimize some common ergonomic issues found in todays studio using DAW and outboard based setups. Where do I put a keyboard, mouse or trackball and where do I put the computer monitor/s? The 950m solves those issues by providing a 2-tiered front bolster which is wide and deep enough to comfortably locate a DAW keyboard and mouse or trackball (with sufficient cable access). A generous flat top is ideal for locating DAW monitor/s and/or small speakers. The 950m module area is supported at a 15 degree pitch providing comfortable viewing access and control.

Harrison... superior sound

The Harrison 950m incorporates key high performance design criteria. Double sided PCB's, manual PCB layout techniques providing specific trace placement and robust ground plane design, linear power distribution, gold Euro-card module connectors, gold plated switches, conductive plastic potentiometers, 100% throughhole design (no surface mount components) and summing buses carried via PCBs (no ribbon cable summing buses) all combine to provide the highest possible performance in analog mixing console design.
(16 Channel Configuration)

12 and 24 channel frame sizes available...

modular design...
Insert Point (Both) 48 v (Mono Only) Direct Out (Mono Only) HP Filter (100Hz) LP Filter (10kHz) 3 Band Tone Controls High (10kHz) Mid (4kHz) Low (100Hz) Black Mix Bus 2 Compressor Oscillator Studio B Sources Mix Bus 2 Output Meters Black (Electronic Output Stage) Studio B Level Mono Mute Headphone Level Main Level 4 Mono Aux Sends Aux Send Masters Solo Listen Mono Channel ON Solo Mix Bus Masters Black (Electronic) Red (Transformers) Monitor Mute Studio A Level Talkback Microphone Talkback Level Talkback Enable Headphone Jack Mono Mute Studio A Sources Mix Bus 1 Output Meters Red (Transformer Output Stage)

Red Mix Bus 1 Compressor Monitor Sources

Pan and Balance Input Selections Input Gain Controls

Oscillator / Talkback Assignments

104mm Fader

Studio Talkback Assignments

Mix Bus Routing Black (Electronic) Red (Transformers) Input Meter

Input Channels

Master

Monitor

Studio

Output

frame details...

10.2 (26cm)

37.4 (95cm)

External Power XLR Outputs - D Sub Line I/O XLR Mic Inp

Harrison Audio LLC 1024 Firestone Parkway Nashville, Tennessee 37086 615-641-7200 Phone 615-641-7224 Fax - www.harrisonconsoles.com