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Winter, 2012
Disclaimer
the
In this issue:
The Cup The Proof is in the Pudding Life, Harry & Horsemanship When One Door Opens
2 3 5 8
This newsletter is an all-volunteer effort designed to reflect the horsemanship approach taught by Harry Whitney. While Harry will offer his thoughts and ideas, he does not take personal responsibility for the content of student contributions.
newsletter
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Harrys photography website has undergone a major overhaul in the past few months. There is now a shopping cart feature, new images and photos available as greeting cards! Of course, you can still view his portfolios at any of his clinics and place orders there, as well.
The
All-volunteer
horsemanship and am acutely aware that being allowed access to a master craftsman of any art is rare. I hope the following pages will inspire you to contribute to this newsletter why you come, what you learn and what you leave with after spending time with Harry. Ill close with the Harry-ism I took home from my clinic this year: Responsiveness versus tolerance has a different feel. With joy,
wanted it to be about each persons experience in their horsemanship journey. In particular, why we come to a Harry clinic, what we gain and what we take home. For me, I go to Harrys because I appreciate the art of
The Cup by: Kathy Davis Baker I am sure many of you have heard Harry talk about a horses cup running over with angst. It is not a Dixie cup, coffee cup or even a red solo cup! But, in my mind, the analogy that Harry uses about a horses cup is really important. Over the years I have asked myself., am I emptying out my horses cup, am I adding to it, or am I keeping it the same? In my daily interactions with my horses I tend to notice their mental, physical and emotional state. I ponder if their cup is really empty of angst, if their life is copacetic.
ing on the edge of tipping and like a juggler you are looking to keeping the flow within the cup and not out? How much anxiety is there in just that one moment for the person? It doesnt have to be an anxious moment but it certainly is an intense moment to work things out between the horse and the person.
Why is the cup concept so important? To me, it relates to spill over, my fear meter goes up a few notches! Recently, I stopped by to visit with some clients as they
I try to improve their state of well being in the little minu- were ending a trail ride on their farm. I noticed one particular mare who was not settled, her mind and body tia of day to day dealings. I ask myself questions like:
How does the horse feel about my approach to them in the field, how do they feel about being haltered or bridled or saddled or being ridden? How do they feel about loading in a trailer? How can I get them feeling really good about our time together? How do I empty out their cup? How do I keep it from filling up to overflowing? Or what does one do when it is teeter-
were separated and she could not stand still with the rider on her back so we could chat.
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Kathy Davis Baker is an accomplished horsewoman and artist living in Midway, TN. She can be found at: followyourblissfarm.blogspot.com
As exciting as the possibility of a new system seems when Harry For instance, when Harry says go with your horse what does
Was that too much pressure when I did that? Did I miss give us a frame of reference. So, I say, if we are all going to
Linda Bertani lives in Rogersville, TN with her husband ,Vic, her ponees Dolly and Cha-Cha and her faithful dog -friend Abby. For 5 -ish weeks every year she also houses Harry for clinics on her ranch. She can be found at: mendinfencesfarm.com
heading north, back to Virginia. I checked my rear view mirror understand perfectly, and relating those stories to the horses to make sure my partner in crime was still with me. I could point of view. see Rippa, my chestnut Quarter Horse mare, contentedly pulling at her hay net, wearing a fly mask to protect her eyes from hay dust and swirling air as we traveled. She was doing fine, I returned to my thoughts. I went to this particular horsemanship camp on the recommendation of friends. Friends I had met on the internet, mind younever in person. We For example, a student complained that her sometimes-hot horse spooked at a rock near her barn that the horse walks by every day. [The horse] has walked by that rock every day for years, and this one day, she decides to spook at it! Later that night, Harry tells us a story to illustrate his philosophy.
You are home alone at night. A storm discussed philosophy more than comes up complete with loud thunder actual method, so I knew and bright lightning, and you are feeling essentially we were on the same a little scaredglad to be safe in your page with our intentions even if house. Suddenly, a big clap of thunder not our ability. makes you jump just as the power goes out. A second later the phone rings, and you jump again, heart These people raved about Harry Whitney, a guy whose name pounding, you fumble around and find the phone. On the was I was unfamiliar withhasnt written a book and doesnt other end of the line is someone, someone breathing heavily sell his own brand of halters and leads. No showmanship, into the phone. Who is this? you shoutreally scared now! swagger or flash at all. But, he seemed to be a man who taught He hangs up. There is a knock on the back door. Who is out with depth. Indeed, several layers deeper than other more well there in this weather? Is it the caller? You decide to barricade -known people teaching horsemanship. yourself in your room. As you head down the hall in the dark, suddenly you bang your thigh hard on the edge of the hallway By the first night, I could see that this man was a cowboy, a table. You scream and jump back, taken completely off-guard cowboy like you see in the movies. He speaks slowly, and terrified considering each word. He often speaks in allegory, telling a
story that parallels his point. If you can figure out the point of the storyyou have his point on whatever the topic was. It is an engaging style; you have to be involved in what he is saying to understand. He doesnt just tell you, he illustrates his philosophy with stories. Now, Im from the northeast of the USplain-speaking, fast-talking, get to the point! This slow, The story stops there. We all just sit a minute in silence, thinking about what Harry has just said.
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Its not about the table, Harry tells us, you are not afraid of the table. Its about what happened BEFORE you hit the table, how you were feeling right before you ran into the table. The room is again silent. Then, one of us looks at the student with the rock-shy horse and says to Harry, Its not about the rock. [The student]s horse was feeling overwhelmed inside way before she startled at the rock. Right, says Harry quietly, the trick is, to be able to see what the horse is feeling BEFORE she spooks at the rock. Make sure she is comfortable internally before you add pressure. Harry continued, say that you told someone your storm story. Oh, that person thinks, shes afraid of the table, I can help fix that. They take you to the table to show you it isnt a scary table encourage you to stroke the table and stand by the table and eat off the table. Youd think they were crazy! Its NOT about the table. I can feel this lesson sinking deep into my body. I own this realization nowwe figured this out together. I have this concept internalized more completely than if Harry had just TOLD us not to worry about the rock. I now understand how the horse felt when she came upon the rock. There is, I realized, more to this cowboy and his story-telling approach than mere entertainment. The following day I have an epiphany. Im in the round pen, working my horse on
fluidly and easily to him, relaxed and happy to slow dance with this tall, gentle cowboy. Sure looks easy, I think nervously. My turn againwe start out okay but cant get the last part right. I explain to Harry some of the challenges I face in distinguishing my left and right sides. He smiles at my nervous chatter. Dont worry, he says, youll get it. I relaxhe sure seems confident in me. He stands behind me while I try the maneuver again, and at the crucial moment, he gently puts light pressure on the top of my arm to guide me at a precise point. My horse effortlessly executes the turn and I am amazed at how easy that wasjust that one tiny direction at that one precise point in time. I practice the maneuver several times left and right. Harry is satisfied that I understand and gives me a compliment on how quickly I picked up the technique. Later that day, Harry is working with a nervous, suspicious horse that was recently given to him because she was too difficult for her owner. He narrates his thoughts while he works with the horse. He is trying to convey to her that working with people does not have to be a bad experience this is a big, broad concept. Harry is NOT trying to teach her any specific task, but he is using specific tasks to teach her this broad concept. Today he wants her to choose to stand near him and his tack and allow him to rub her with the saddle pad while standing at liberty. She is not only
There is, I realized, more to this cowboy and his story-telling approach than mere entertainment.
highly suspicious of HIMshe is line. Harry is teaching me how to bring my horse in to me, and even more suspicious of the tack. It takes quite a while to then send her back out the other way, by using very subtle cues, convey that she doesnt need to worry but Harry doesnt lose not leaping in front of her or snaking a rope at her feet or waving a stick in her face like many other not-to-be-named guys out there teach. Harry considers those techniques to be the equivalent of shouting, a rude way to communicate with a super-sensitive being like a horse. Save the shouting for when you really need itan emergency. He is instructing me on what to do, and although we are sort of ending up there in the endits clumsy and awkward and I feel self-conscious in front of all these other people. My horse is doing her best but judging by her responses I am not being clear to her. Harry comes in the round pen and takes her leadline. He executes the maneuver he had been trying to communicate to me perfectly with my horse, who responds patience. He stays right there in the lessontalking us through each ear twitch and why he is reacting the way he is. Finally she chooses to stand with him and he pets her all over and she then walks around right at his side. In my view, this is very different from a lot of other not-be-named guys and how they get this attachmentthere was no overwhelming pressure, no chasing, no driving up her fear so we could see her lick and chew as her fear let down a notch. Anyone can put a lot of pressure on a horse in order to get a lick and chew as she lets down when you release that pressure. Harry wants to meet the suspicious horse without adding a lot of pressure, getting her to come down and relax with him and feel better without having to feel worse first. Continued page 7
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maintenance. My first move in home ownership was changing open, and then repeated that I really needed to address the
some of the supports if they started to tip over. Busy with every the door was a main topic of conversation with anyone who
it open, sometimes it would fly open as soon as it was unlocked. wonder about the door as often. He told me that was all well No matter, the home had a fresh new coat of paint and the new and good, but did I notice that the deck was sagging? roof looked quite nice. As life events began to happen, I noticed that the dead bolt would no longer work. Then, the regular lock also began having issues, then, the side door began to also get sticky then
Kelly OBrien lives in Davisburg, MI with her horses, dogs and creaky farmhouse floors. She is studying for her graduate degree at Michigan State University. She can be found at: foxgloveranch.org
Mailing address
Betweenthereins.blogspot.com