Contoh Review Text - Pada tulisan ini kamu akan disajikan contoh review text.

Tapi sebelum mempublikasikan contoh review text ini, maka sebelumnya akan kita bahas dulu apa arti atau pengertian dari review text itu sendiri. Dari sumber internet saya menemukan arti review text adalah ulasan atau tinjauan yang bertujuan melakukan kritik terhadap peristiwa atau karya seni untuk pembaca atau pendengar khalayak ramai, misalnya film, pertunjukan, buku, dll. Setelah mengetahui apa sebenarnya pengertian review text ini, maka berikut akan saya sampaikan contoh review text kepada teman-teman semuanya, dimana pada review text ini saya mengambil contoh review film Harry Potter and the Deathly Hallows Part 2: Title: Harry Potter and the Deathly Hallows Part 2 Production year: 2011 Country: Rest of the world Runtime: 130 mins Directors: David Yates Cast: - Alan Rickman - Billy Nighy - Daniel Radcliffe - Emma Thompson - Emma Watson - Gary Oldman - Helena Bonham Carter - Maggie Smith - Michael Gambon - Ralph Fiennes - Rupert Grint Details: 2011, Rest of the world, Cert 12A, 130 mins, Dir: David Yates With: Alan Rickman, Billy Nighy, Daniel Radcliffe, Emma Thompson, Emma Watson, Gary Oldman, Helena Bonham Carter, Maggie Smith, Michael Gambon, Ralph Fiennes, Rupert Grint Summary: Harry, Ron, and Hermione go back to Hogwarts to find and destroy Voldemort's final horcruxes "It all ends," says the poster slogan. A potentially grim statement of the obvious, of course, yet the Potter saga could hardly have ended on a better note. With one miraculous flourish of its wand, the franchise has restored the essential magic to the Potter legend

which had been starting to sag and drift in recent movies zapping us all with a cracking final chapter, which looks far superior to CS Lewis's The Last Battle or JRR Tolkien's The Return of the King. It's dramatically satisfying, spectacular and terrifically exciting, easily justifying the decision to split the last book into two. Here is where the Harry Potter series gets its groove back, with a final confrontation between Voldemort (Ralph Fiennes) and our young hero, and with the sensational revelation of Harry's destiny, which Dumbledore had been keeping secret from him. When stout-hearted young Neville Longbottom (a scene-stealer from Matthew Lewis) steps forward to denounce the dark lord in the final courtyard scene, I was on the edge of my seat. And when, in that final "coda", the middle-age Harry Potter gently hugs his little boy before sending him off for his first term at Hogwarts well, what can I say? I think I must have had something in my eye. The colossal achievement of this series really is something to wonder at. The Harry Potter movies showed us their characters growing older in real time: unlike Just William or Bart Simpson, Daniel Radcliffe's Harry was going to grow up like a normal person and never before has any film or any book brought home to me how terribly brief childhood is. The Potter movies weren't just an adaptation of a series of books, but a living, evolving collaborative phenomenon between page and screen. The first movie, Philosopher's Stone, came out in 2001, when JK Rowling was working on the fifth book, Order of the Phoenix, and when no one perhaps not even the author herself knew precisely how it was going to end. The movies developed just behind the books, and it's surely impossible to read them without being influenced by the films. This is most true for Robbie Coltrane's endlessly lovable, definitive performance as Hagrid. In this final episode, Harry (Radcliffe), Hermione (Emma Watson) and Ron (Rupert Grint) continue their battle to find and destroy the "horcruxes" that the sinister Voldemort needs so he can stay alive for all eternity: these are objects in which the fragments of souls are trapped and whose vital, spiritual force Voldemort, that hateful parasite, can siphon off for his own ends. Harry and his friends track down these horcruxes, but the last one is a puzzle. As the forces of good assemble at Hogwarts for the final showdown with Voldemort and his hordes, Harry knows only that the most vital horcrux is actually in the castle, very close at hand. There are some superb set-piece scenes and now the plot has so much more zing, these scenes have a power that comparable moments in earlier movies did not have. When Harry, Ron and Hermione insinuate themselves into Gringotts Bank to steal the sword of Gryffindor, the effect is bizarre, surreal and macabre: drawing on the influence of Lewis Carroll and Terry Gilliam. It is a great moment when Severus Snape, played with magnificently adenoidal disdain by Alan Rickman, is attacked by Voldemort's snake Nagini, and we witness this only from behind a frosted glass screen a nice touch from director David Yates. London-dwelling Potter fans will, as before, be intrigued to see how the ornate St Pancras railway station is used to represent King's Cross, from where the Hogwarts train traditionally departs. Millions of tourists are undoubtedly convinced that this building is, in fact, King's Cross. It may be forced simply to change its name.

We get passionate, but somehow touchingly innocent screen kisses between Harry and Ginny (Bonnie Wright) and, of course, between Ron and Hermione. In the midst of the battle, Neville declares that he is going to find Luna (Evanna Lynch) for a snog: "I'm mad about her! About time I told her, since we're both probably going to be dead by dawn!" But these love stories are always subordinate to the all-important battle between good and evil. The crucial moment of the film is where, I admit, I have a quibble: it is gripping and even moving when Harry realises what his destiny is, and sets out to fulfil it. Yet the exact rationale for his ultimate survival may be a little obscure, and perhaps even Potterdiehards may suspect that in the film there is a touch of having your cake and eating it. Well, no matter. This is such an entertaining, beguiling, charming and exciting picture. It reminded me of the thrill I felt on seeing the very first one, 10 years ago. And Radcliffe's Harry Potter has emerged as a complex, confident, vulnerable, courageous character most likable, sadly, at the point where we must leave him for ever. Wait. I've got that darn thing in my eye again...

Smartly directed, entertaining football drama that wears its clichs with pride. The Background Goal! is the first part of a planned trilogy of football movies, unashamedly aimed at promoting the sport in the States. It was partly funded by FIFA and the film-makers secured unprecedented access to both the training grounds and the players themselves, giving the movie an impressive level of authenticity. The plot may be constructed entirely from clichs, but theyre good ones and they work, thanks to strong characters and a decent script by veteran screenwriting duo Dick Clement and Ian La Frenais. The Story Kuno Becker stars as Santiago Muez, a young Mexican immigrant who lives with his family in Los Angeles, working two jobs and playing football in the park whenever he can. However, everything changes when hes spotted by has-been talent scout Glen Foy (Stephen Dillane) and offered the chance to try out for Newcastle United, provided he can get himself to England. Naturally, Santiago decides to follow his dreams, against the wishes of his moody father, with whom he has issues. Once in rainy Newcastle, Santiago is given a month to prove himself worthy of playing alongside the likes of Alan Shearer and cocky new star Gavin Harris (Alessandro Nivola). The Bad The clichs come thick and fast, as Santiago tries to adapt to the rough-and-tumble of the English game (never having played in rain or mud before), falls for the team nurse (Anna Friel) and tries to avoid the debauched lifestyles of his teammates. Beckers more of a footballer than an actor and he struggles in some of his big emotional scenes (Remember when we played Ful-HAM?), but he has a likeable screen presence that carries the film. The Good The supporting cast are superb, particularly Marcel Iures (as Newcastles manager), Stephen Dillane and Anna Friel, despite her wobbly Geordie accent. However, the best performance belongs to Alessandro Nivola, as the egotistical Harris, who surprises us with an unsuspected depth of loyalty and friendship and gets all the best lines. There are also plenty of cameos by famous footballers, some of whom (Beckham, Shearer) even get to speak. Where Goal! really scores, however, is in the impressive football sequences, with shots from Premiership games cleverly spliced together with footage of the actors filmed in close-up. Director Danny Cannon gives these scenes a real level of authenticity and the matches themselves are adrenaline-fuelled and exciting, even if we can tell how its all going to end.

The Conclusion In short, the film-makers deserve credit for attempting to bring a serious football film to the screen and it will be interesting to see where they go with the next two instalments will they go for the hat-trick and make the same clichs work three times in a row? At any rate, Part Two is already being filmed and sees Santiago at Real Madrid, while the third part is set during the 2006 World Cup. For now, though, Goal! is an enjoyable drama that should appeal to football fans and non-football fans alike. Worth seeing.

Director Danny Cannon Starring Alan Shearer, Alessandro Nivola, Anna Friel, Ashley Walters, David Beckham, Gary Lewis, Kuno Becker, Sean Pertwee, Stephen Dillane

The Dark Knight

Please do not show this to children (or mentally healthy adults). It is not a moral guide for children to pattern themselves after, which is the purpose of this genre. It is the opposite. It depicts the hero as a morally confused individual unworthy of childrens aspirations and it corrupts or kills the two other lead characters. It represents standing up for what is right against evil, as useless and even harmful. It promotes the sort of moral confusion and cowardice that allows psychopathic monsters like Hitler, Lenin & Stalin to take power and murder millions of people. They are a focus for a coalition of sociopaths who want to rule and terrorize everyone else in toThey can gain power ONLY when most people are too morally confused by their propaganda and/or too cowardly to take a stand against them. They have no power unless people give it to them. We need to evolve past this orc ontinue to suffer atrocities on large scales. This movie promotes the wrong response and leaves us vulnerable to allowing monsters to take power. Destroying childrens heroes, and their models for who they decide they would like to emulate, should never be allowed. If the makers of this movie wanted to deal with dark and morally negative stories they do not need to degrade and destroy well known and well loved childrens heroes to do so. This movie was reprehensible.

Goal 2: Living The Dream review

Running time: 115 minutes Starring: Kuno Becker, Alessandro Nivola, Anna Friel, David Beckham, Rutger Hauer, Stephen Dillane Rating 3 out of 10 Goal 2 begins where its predecessor left off: as a marketing exercise aimed to attract as many football fans from around the globe into the cinema. The first film, which saw the precocious footballing talent Santiago Munez (Kuno Becker) save Newcastle's skin, took $27m in box office receipts worldwide, and the second part of the trilogy will be looking for an equally good return. Whether football fans looking for a good time will be satisfied remains doubtful however, as this is a film of one unrelentingly boring and trite half. A 00-0 draw in the rain between two second division teams would be likely to provide more excitement. The flimsiest of plots see the wunderkid brought to the attention of Real Madrid's manager (Rutger Hauer) and when an offer is made for his services he is keen to join the likes of Zidane and Beckham. But how will he persuade his unWaggish wife Roz (a Geordified Anna Friel) to leave her nursing studies and commit to a life of fame and fortune? The answer is that he just goes anyway, and finds that the lures of the Galacticos offer more than a foggy night in the North East. His cocky teammate Gavin Harris (Alessandro Nivola) shows him the sights and sounds of Madrid and he recieves more tempting offers from a sultry TV host. Amidst all of this he discovers that he may have an unknown halfbrother living on a rough estate thanks to the convenient fact that his mother moved there since Santi was born in Mexico. He spends a good half of the film mooching about and avoiding this issue until he inevitably and tardily brings it to its obvious conclusion. But let's not forget the football: thanks to the wizardry of modern technology and the cooperation of Real, Santi scores several more goals - usually in injury time - and propels

his team to the Champions League final against Arsenal (handily taking place in Madrid's own ground). David Beckham observes the 'shut up and look good' maxim of acting in what is clearly a mini-audition for his forthcoming Hollywood adventures, where we will no doubt see him persuading Santi to join him at LA Galaxy. Anyone over the age of six is once again likely to start fidgeting at the sheer silliness of it all: this one's not even so bad it's good.