Jose Garcia Villa (August 5, 1908 February 7, 1997) was a Filipino poet, literary critic, short story writer,

, and painter. He was awarded the National Artist of the Philippines title for literature in 1973,[1] as well as the Guggenheim Fellowship in creative writing by Conrad Aiken.[2] He is known to have introduced the "reversed consonance rime scheme" in writing poetry, as well as the extensive use of punctuation marksespecially commas, which made him known as theComma Poet.[3] He used the penname Doveglion (derived from "Dove, Eagle, Lion"), based on the characters he derived from himself. These animals were also explored by another poet e.e. cummings in Doveglion, Adventures in Value, a poem dedicated to Villa.[1]

Biography
[edit]Early

life

Villa was born on August 5, 1908, in Manila's Singalong district. His parents were Simeon Villa (a personal physician of Emilio Aguinaldo, the founding President of the First Philippine Republic) and Guia Garcia (a wealthy landowner).He graduated from the University of the Philippines Integrated School and the University of the Philippines High School in 1925. Villa enrolled on a Pre-Medical course in the University of the Philippines, but then switched to PreLaw course. However, he realized that his true passion was in the arts. Villa first tried painting, but then turned into creative writing after reading Winesburg, Ohio by Sherwood Anderson. [edit]Writing

career

Villa was considered the leader of Filipino "artsakists", a group of writers who believe that art should be "for art's sake" hence the term. He once pronounced that "art is never a means; it is an end in itself." Villa's tart poetic style was considered too aggressive at that time. In 1929 he published Man Songs, a series of erotic poems, which the administrators in UP found too bold and was even fined Philippine peso for obscenity by the Manila Court of First Instance. In that same year, Villa won Best Story of the Year from Philippine Free Press magazine for Mir-I-Nisa. He also received P1,000,000 prize money, which he used to migrate for the United States. He enrolled at the University of New Mexico, wherein he was one of the founders of Clay, a mimeograph literary magazine.He graduated with a Bachelor of Arts degree, and pursued postgraduate work at Columbia University.Villa had gradually caught the attention of the country's literary circles, one of the few Asians to do so at that time. After the publication of Footnote to Youth in 1933, Villa switched from writing prose to poetry, and published only a handful of works until 1942. During the release of Have Come, Am Here in 1942, he introduced a new rhyming scheme called "reversed consonance" wherein, according to Villa: "The last sounded consonants of the last syllable, or the last principal consonant of a word, are reversed for the corresponding rhyme. Thus, a rhyme for near would be run; or rain, green, reign." In 1949, Villa presented a poetic style he called "comma poems", wherein commas are placed after every word. In the preface of Volume Two, he wrote: "The commas are an integral and

essential part of the medium: regulating the poem's verbal density and time movement: enabling each word to attain a fuller tonal value, and the line movement to become more measures." Villa worked as an associate editor for New Directions Publishing in New York City between 1949 to 1951, and then became director of poetry workshop at City College of New York from 1952 to 1960. He then left the literary scene and concentrated on teaching, first lecturing in The New School|The New School for Social Research from 1964 to 1973, as well as conducting poetry workshops in his apartment. Villa was also a cultural attach to the Philippine Mission to the United Nations from 1952 to 1963, and an adviser on cultural affairs to the President of the Philippines beginning 1968. [edit]Death On February 5, 1997, at the age of 88, Jose was found on a coma in his New York apartment and was rushed to St. Vincent Hospital in the Greenwich area. His death two days later was attributed to "cerebral stroke and multilobar pneumonia". He was buried on February 10 in St. John's Cemetery in New York, wearing a Barong Tagalog. [edit]Personal In 1946 Villa married Rosemarie Lamb, with whom he has two sons, Randy and Lance. They annulled ten years later. He also has three grandchildren. [edit]Works As an editor, Villa first published Philippine Short Stories: Best 25 Short Stories of 1928 in 1929, an anthology of Filipino short stories written in English literature English that were mostly published in the literary magazine Philippine Free Press for that year. It is the second anthology to have been published in the Philippines, after Philippine Love Stories by editor Paz MrquezBentez in 1927. His first collection of short stories that he has written were published under the title Footnote to Youth: Tales of the Philippines and Others in 1933; while in 1939, Villa published Many Voices, his first collection poems, followed by Poems by Doveglion in 1941. Other collections of poems includeHave Come, Am Here (1942), Volume Two (1949), and Selected Poems and New (1958). In 1962, Villa published four books namely Villa's Poems 55, Poems in Praise of Love, Selected Stories, and The Portable Villa. It was also in that year when he edited The Doveglion Book of Philippine Poetry in English from 1910. Three years later, he released a follow-up for The Portable Villa entitled The Essential Villa.Villa, however, went under "self-exile" after the 1960s, even though he was nominated for several major literary awards including the Pulitzer Prize for Poetry. This was perhaps because of oppositions between his formalism (literature)formalist style and the advocates of proletarian literature who misjudged him as a petty bourgeois. Villa only "resurfaced" in 1993 with an anthology entitled Charlie Chan Is Dead, which was edited by Jessica Hagedorn

Among his popular poems include When I Was No Bigger Than A Huge, an example of his "comma poems", and The Emperor's New Sonnet (a part of Have Come, Am Here) which is basically a blank sheet of paper. [edit]Writing

style

Villa described his use of commas after every word as similar to "Seurat's architectonic and measured pointillismwhere the points of color are themselves the medium as well as the technique of statement". This unusual style forces the reader to pause after every word, slowing the pace of the poem resulting to what Villa calls "a lineal pace of dignity and movement". An example of Villa's "comma poems" can be found in an excerpt of his work #114: He also advised his students who aspire to become poets not to read any form of fiction in order for their poems "(not become) contaminated by narrative elements", insisting that real poetry is "written with words, not ideas".[5] [edit]Awards Villa was granted a Guggenheim Fellowship in creative writing by American writer Conrad Aiken, wherein he was also awarded a $1,000 prize for "outstanding work in American literature", as well as a fellowship from Bollingen Foundation.[4] He was also bestowed an Academy Award for Literature from The American Academy of Arts and Letters in 1943.[9] Villa also won first prize in the Poetry Category of UP Golden Jubilee Literary Contests in 1958, as well as the Pro Patria Award for literature in 1961, and the Heritage Award for poetry and short stories a year later. He was conferred with a honoris causa doctorate degree for literature by Far Eastern University in Manila on 1959 (and later by University of the Philippines), and the National Artist Award for Literature in 1973.[3] He was one of three Filipinos, along with novelist Jose Rizal and translator Nick Joaquin, included in World Poetry: An Anthology of Verse from Antiquity to Our Time published in 2000, which featured over 1,600 poems written by hundreds of poets in different languages and culture within a span of 40 centuries dating from the development of early writing in ancient Sumer and Egypt.[2]