Beruflich Dokumente
Kultur Dokumente
Rabindranath Tagore (1861-1941) was the youngest son of Debendranath Tagore, a leader of the Brahmo Samaj, which was a new religious sect in nineteenth-century Bengal and which attempted a revival of the ultimate monistic basis of Hinduism as laid down in the Upanishads. He was educated at home; and although at seventeen he was sent to England for formal schooling, he did not finish his studies there. In his mature years, in addition to his many-sided literary activities, he managed the family estates, a project which brought him into close touch with common humanity and increased his interest in social reforms. He also started an experimental school at Shantiniketan where he tried his
Upanishadic ideals of education. From time to time he participated in the Indian nationalist movement, though in his own non-sentimental and visionary way; and Gandhi, the political father of modern India, was his devoted friend. Tagore was knighted by the ruling British Government in 1915, but within a few years he resigned the honour as a protest against British policies in India. Tagore had early success as a writer in his native Bengal. With his translations of some of his poems he became rapidly known in the West. In fact his fame attained a luminous height, taking him across continents on lecture tours and tours of friendship. For the world he became the voice of India's spiritual heritage; and for India, especially for Bengal, he became a great living institution. Although Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty and odd volumes of poetry are Manasi (1890) [The Ideal One], Sonar Tari (1894) [The Golden Boat], Gitanjali (1910) [Song Offerings], Gitimalya (1914) [Wreath of Songs], and Balaka (1916) [The Flight of Cranes]. The English renderings of his poetry, which include The Gardener (1913), FruitGathering (1916), and The Fugitive (1921), do not generally correspond to particular volumes in the original Bengali; and in spite of its title, Gitanjali: Song Offerings (1912), the most acclaimed of them, contains poems from other works besides its namesake. Tagore's major plays are Raja (1910) [The King of the Dark Chamber], Dakghar (1912) [The Post Office], Achalayatan (1912) [The Immovable], Muktadhara (1922) [The Waterfall], and Raktakaravi (1926) [Red Oleanders]. He is the author of several volumes of short stories and a number of novels, among them Gora (1910), Ghare-Baire (1916) [The Home and the World], and Yogayog (1929) [Crosscurrents]. Besides these, he wrote musical dramas, dance dramas, essays of all types, travel diaries, and two autobiographies, one in his middle years and the other shortly before his death in 1941. Tagore also left numerous drawings and paintings, and songs for which he wrote the music himself. From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969
This autobiography/biography was written at the time of the award and first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.
Bahinabai Chaudhari (Devanagari: ) (1880 3 December 1951) was a noted Marathi poetess from Maharashtra, India.[1]
March 10, 1929 (age 82) Vengurla, Sindhudurg District, Maharashtra B orn Nationality Field Indian Marathi Poetry Maharashtra Bhushan - 2008, Sahitya Academy Awards Award - 1980, M.P. Literary Award 1956, Maharashtra State Award - '53/'55 Mangesh Keshav Padgaonkar (Devanagari: ) is a Marathi poet from Maharashtra, India. He was born on March 10, 1929 in Vengurla, Sindhudurg District in Maharashtra. He is married to Yashoda Padgaonkar and has three children, Dr. Ajit Padgaonkar, Abhay Padgaonkar and Anjali Kulkarni.
Contents
[hide]
Dharanrtya (1950) Sharmishtha (1960) Kavyadarshan (1962) Utsav (1962) Salam (1980) Gajhala (1981) Bhatake Pakshi (1984) Tujhe Gita Ganyasathi (1989) Bolagani (1990) Nava Diwas (1993) Sutti Eke Sutti (1993) Jipsi (1994) Mira (1995) Triveni (1995) Udasabodh (1996) Kabira (1997) Vatratika(1999) Vidushak (1999)
Moru (1999) Suradas (1999) Kavita Manasanchya, Manasasathi (1999) Radha (2000)
[edit] References
1. ^ "The South Asian Literary Recording Project". Library of Congress, New Delhi.
http://www.loc.gov/acq/ovop/delhi/salrp/mangeshpadgaonkar.html. Retrieved 2010-0101. 2. ^ "Dharmadhikari & Padgaonkar bags Maharashtra Bhushan award". Times of India. http://www.mumbaipluses.com/newbombayplus/index.aspx? page=article§id=1&contentid=20081126200811261150445277d302924§xslt=& comments=true. Retrieved 2009-12-02.
Hathaway on November 28, 1582. William was 18 at the time, and Anne was 26 and pregnant. Their first daughter, Susanna, was born on May 26, 1583. The couple later had twins, Hamnet and Judith, born February 2, 1585 and christened at Holy Trinity. Hamnet died in childhood at the age of 11, on August 11, 1596. For seven years, William Shakespeare effectively disappears from all records, turning up in London circa 1592. This has sparked as much controversy about Shakepeare's life as any period. Rowe notes that young Shakespeare was quite fond of poaching, and may have had to flee Stratford after an incident with Sir Thomas Lucy, whose lands he allegedly hunted. There is also rumor of Shakespeare working as an assistant schoolmaster in Lancashire for a time, though this is circumstantial at best. It is estimated that Shakespeare arrived in London around 1588 and began to establish himself as an actor and playwright. Evidently, Shakespeare garnered envy early on for his talent, as related by the critical attack of Robert Greene, a London playwright, in 1592: "...an upstart crow, beautified with our feathers, that with his Tiger's heart wrapped in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes fac totum, is in his own conceit the only Shakescene in a country." Greene's bombast notwithstanding, Shakespeare must have shown considerable promise. By 1594, he was not only acting and writing for the Lord Chamberlain's Men (called the King's Men after the ascension of James I in 1603), but was a managing partner in the operation as well. With Will Kempe, a master comedian, and Richard Burbage, a leading tragic actor of the day, the Lord Chamberlain's Men became a favorite London troupe, patronized by royalty and made popular by the theatre-going public. When the plague forced theatre closings in the mid1590s, Shakespeare and his company made plans for the Globe Theatre in the Bankside district, which was across the river from London proper. Shakespeare's success is apparent when studied against other playwrights of
this age. His company was the most successful in London in his day. He had plays published and sold in octavo editions, or "penny-copies" to the more literate of his audiences. It is noted that never before had a playwright enjoyed sufficient acclaim to see his works published and sold as popular literature in the midst of his career. While Shakespeare could not be accounted wealthy, by London standards, his success allowed him to purchase New House and retire in comfort to Stratford in 1611. William Shakespeare wrote his will in 1611, bequeathing his properties to his daughter Susanna (married in 1607 to Dr. John Hall). To his surviving daughter Judith, he left 300, and to his wife Anne left "my second best bed." William Shakespeare allegedly died on his birthday, April 23, 1616. This is probably more of a romantic myth than reality, but Shakespeare was interred at Holy Trinity in Stratford on April 25. In 1623, two working companions of Shakespeare from the Lord Chamberlain's Men, John Heminges and Henry Condell, printed the First Folio edition of the Collected Works, of which half the plays contained therein were previously unpublished. The First Folio also contained Shakespeare's sonnets. William Shakespeare's legacy is a body of work that will never again be equaled in Western civilization. His words have endured for 400 years, and still reach across the centuries as powerfully as ever. Even in death, he leaves a final piece of verse as his epitaph: ..
commanded during the Civil War the first troop of African-American soldiers. Higginson later published Army Life in a Black Regiment in 1870. On of the four poems he received from Dickinson was the famous 'Safe in their Alabaster Chambers.'