:,
Hu
^^k
MY
J.
3 3333
05405 7316
vy/-
^^'^^^
-_
New
York, N. T. 10023
o
V3\
Books circulate
for'Bfcr
weeks
days) unless
fine will be
charged for each overdue book at the rate of cents per calendar day for adult books and f cents
fNT
SCHIRMER'S LIBRARY
OF MUSICAL CLASSICS
Vol.
Ui
839
WOHLFAHRT
Op. 45
Sixty Studies
For the Violin
BOOK
II
(Nos. 31-60)
PL.--.
->-M>vvvvvv^^ww^>->-^y^-^-^-.f-^-^-.f-^-.^^^^~.<-^^
-'
SCHIRMER'S LIBRARY
OF MUSICAL CLASSICS
Franz Wohlfahrt
lit
Op. 45
Sixty Studies
For the Violin
Edited by
^9-7cil
GASTON BLAY
IN
Book
I
TWO BOOKS
Library Vol
838
Book
II
\tiji^
\^\
G.
SCHIRMER, INC
New York
Copyright, 1905, by G. Schirmer, Inc.
Primed
In
ihc U.
S.
A.
Etuden.
Revised by Theodore John
Studies.
n Down- bow.
V Up-boAV.
.
Heninterstrich.
V Hinaufstrich
N931.Moderato.
Franz Wohlfahrt.Op.
45,
Book H.
te
r.o
4 T
ft
L^iJJjliJ.|l^
ifjjM^
^
i
[Xt
'
i
LUu
ftz'-m-^
^ jTJ^rirJtf^Lrrixj i
i^ r^
at*
^
^
i
f^asn\uj
l
JiJjJjJJJ
i^LU i
^m
rrxjir cxii
.
ixn /JT^i.
.
^
ariff:
^
-#-
F=^
^
17550
I iJTJ/^i Cirr^J:
:i jj
7^.^i Uirr
^
?
f^#
i
Printed In the U.
S. A.
-^-^^^^^^^f ^^f
N32.AUegrro.
*
7?/^
iE
4
22:
^
-
23*
A#^ff
^
t-^if^
ji'ia
TJ
j
1
i
^ 3
1
ii ^^ *. 3 ff^frf^
,l3
^ ^ #--1^ S
i
i
xn
77
i
Ie
J
-^
4
fiL
33:
~a
iy
^
ebi
P
^
4
-ry
4 o
'rrffTrrrJ rrrf
^
2
i
m
3
)9-
^
:
jru
rfr^rf
ifif
UArtr
'
^i ';'
^^3^
i
**
V
i
i
Jrr fiJJlrf'f
^
:
I
?^
It
1
-i9
^
i
^JTJ
-Jj
'U
n:
^ jJirr jJrr
1-
4^
^-
W
17550
JUiU
a'i
H^^
i^P-^
^
^
^1
hS
/"
10
'in
3 n
'J
#1^
,
'
a a
4 -P-
W=mi
rT^JjJ|Jri'rirf>j f. ? o
*
i S^=^
*rgr^r ij::Pr^irrr^r
i i
^
^
i
rii
afgcr rr7?>r
i
^
4
^
*
^^^
#-#>#-#^*
i
t^p-1
-V-
3^
TT ixnr^r
/C^
i
i JpJj
1
JJ^ rgri
1
-^m^tn
^
4
mroir r'rr^
i
^
r
2A
i i
;j
^^ ^^ ^^*o
^1
^-^-*
-s^-
:^
f frrr fp.,.HiJuiii3i
V** \,fTrrrirXj-i ft
i
i
^
X
^m
o
->r)
^^
ii
iijL,i.J^
T^
i
19-^
aza
ffiT?Tfir^^g3%:r
frrfi:
rTr
r[:^
17550
^
y
i
i
N 34. Allegro.
B^
M
1
IE
CX["'I1JJJ-J|JJJS
J^:t:=
rrr rrrJj-ji
i
m [Xfl'^Clf
tf :frCr
i
fi
rrr^rrtfrrt^.i^rrr fr:YiMrrT^
i
,fff^.
^^^
h
^m ^
I'^^^rfp
|
w**t*.i'p.y_^f|txfrfr
.ippp
t#^P^|Sf
i
rTrmf^.^^r
i
pijpyfr
(naf ^'frrij^jn'r
i
P
ff if
4 4
^ ^P
I
^^^i^
I
^ff^l^
^
17560
^ir[fJ7]i;P cjr
#f P
1
cCr
^?^f^
F^Mh
Uj"'i>^
Ctr^'^ij^^^ii
I
*-
N? 35. Allegro.
ff^^
Jjjjjjj
^ ^^W
i
ij^
^JJMiJ
'
'
I
Wi'
'I-'
'^
pjJrjijrrHjjP^JJijrrirc^fcjj
m ^ d J m '' ^^
ri^jjjJrjijJ^urrm
i
rr" ^aJJ]Uii^
i
rJJ^^^JOr' ^ccSrr"nrJiJjJjji
,, j^
I
.^jju LLTrrfir
'
^*
i
ifli'
ri rr f
rri
ri
^ ^M
?
i
i f^
^
i
i
rMTjf
i-'y
# ^ -^
*. #
* -
i>
*
[!r[[firJfi!i^ar-g
#-^-FI*
*#?
^
rjcrD-^
l
w-j-f^
^i
g
l
U]jj^\}^t\^u:li}\ij^\^
^
i
5^?t
3^
[flJI^Ij ^* -: J T
1
i^*
1
jjli^Uifc ijjii-j
;r*
ff:^
3=t
r^
ffffffr f
. ,
rffFfr-
V" 3
ITS 50
m m^
i*
N9 36. Moderate.
; ^
'
m
1
3t_ *
J''^rri ir frffir
ice
rrrf||'
irrrfirrj,ijiii^iiiirff|
^S^^^S^
^^^^
^ra
lt
i i
# ^i
ii
j^tM
1
fj^:r q::rJj
j'
j^rr fr
|
iiii
^rr
ri^ ijijjjj,iii^rr
^
,^
- ^
rv
&q^
^^^^^^
jT'rrtrrcx;
!
f'i^i^J
F
jpi,'ffirrf
17550
i
LJfcJj:]
ji3
m
rpr p
nn
;^
^^ Lif
rr^M
,
iia
N938.Moderato.
f'-;
^tt^m^
^p
-#
^^
N9 39. Moderate.
^ ^^^^Ff^
94.
:? 3>-^
i^^^ ^^
I
i
7*
W^
III
'1
rnrru
rr.
17550
.it>i
i/
iUiri
bilU
L^j
W^-ylJ
V_. J
10
N940. Allegro
jm
^T"-
h^lUta
*
j^r^im
^
^
l
u Li-
n^;j jiJ?-^
<l
EJOJ
^
^5
i
^^
wm
m
cjj
i
rjij: JL
jTItii LJ
l
Llffj^
JJ Lu
fBJh
^
i'
f eJUf
t
-
iT^
^^
=F
^^
uj'Pi jji/f
i
rif
fiTiLiLj rirM
uj
i'^
N941.Alleg:ro moderate.
^-if^p^l
If^
ii
ffr
r.rriJT|
w~z7^m
*
'
^^1
^ crrj^jTp^ JncrLr^ijjj^
c
^ ^^^
'
^*
MJ
;^n?fr , .<^rr?gf^^i^
u
^ i^a
^-r^Tw
j
rrJ
tn
i '
^^
i
i i '"CUJ
rn^ ^
^31
rr/^i J:^
rj
17660
^
#
t-
13
N9 42. Andante.
)i(f
dolce
n
y
<ft
rf
:fe*
^^
"/
^r jL^j^jg^gi'ir i
^ ^^^
fi
^/
tempo
WE^ sa
^^f
'h^t~
^V ^^
n
J
-y^
^ ^^^
fh
N9 43. Moderate.
""
^ \^v\:\n{}
n.'^pr
1
"f
"
f^f ^
'f
^ fe
#-
n
i.
^^^=5 5=fe
iSi
V-
-^
t^
F^E
*'i-
#__
?:^
Yffrrfp
17550
ns5o
14
^ iJJ. Ji.^JJJi
N9 44. Tempo
di
marcia.
i^J^iH
JTO'i^j;^,^
/-
ji^^
'
raj^jfff
J ?iii 7j J?iiJiJ'i?iiiJ^^i?3/^'fl5
^^
2
i
e;
^<^*
4-
if
d d
if
m=zB.
^?
^^
1-
-#-
3t^E
P^ S^
=S3:a
J^J^S'irffl^^Qj5jgJT3i
O
17550
^^
i r^JJ^irTj** ^* J^ * ^ j r^
'ff
_*
'
^i^
f7f fTr ^
>
ururiitljl l ^
^f
^g
>
2,
^t^^^ggti^/LiTiCj/
ryf/T^ J '^J
^ jlj ^
r rji
^^
|r"rr-/f
^ririrtjr
gi
ii
mmj
,^
15
&&&
#'*-
iy^
''
^^
m^
N945.Mo(ierato.
Z2I
m
13550
^f^^
"zr
::z:
rjj
[^
sz
^
^ p
t?
16
**
N946.AUegTo,
%
i
m
i
I
i
*|:
^#
[rF
rijrrr[cr^rr
"3-r^
ts^
E;rxrD';c^ ffl[^j]]jg
tf:
S m,n^i^w
[
*?*^
i
f7iir7rft!rrr
*|g"*4
.SrrTrfr^nafeftfrrf^
jgrr^^
2/
y E?rSr^ ir|rPf[j^[^iiT
f
|
&jt
p^^^^
rfr^r
rf^
Pt
| mpjJtfictrJ^a
jPrrTOI
^4U^
^^^^^^ # .3^
f
^^
rrrrfr ^=
^
17550
tt
s Sr^^^JjJJjfflljJJCDUr^Ji j^JCP ^ ^^ Vj
a . PS
'
i
l
<^
'
ji^'j
N9
47.
Andante cantabil^.
d 9 d TT^
^^^^^
l
^-
SI
^ ^ ^
m 1.^
17
t^*
'i|
.^ S j_iJ^^IRp i
fT?r>
-i
^
j.
-4'jJT]'^!^
* m
A.
J'J
IE?
^^.^'JT^ij
i
jWj
4--^
_ ~y~*'
El
i=*
rrrrr r'[
J
^
<i
'
F^^
I
-^
S^
m ^ m
^
^P^^=^
x^
a tempo.
^
i
r" J
j.i,j
jp>^irpcrri r,j;J^
i
il^^f
1^
^'
j)j
^P
8,^
,vy.
&
'3
-^
re*
I
P==^ [xij'
nn-rr L M,.n^
i
r7[^ du
I
tif;
-L
[;77rp
r-
^
I
i
^
17550
^ m
2z:
fes
^^^
PF^
^^#
f^
E^
u*
18
N9 48. Allegretto.
ii4jyjti-''yjt^\ ijmmij1^ \
ItVkJt
'^j
\
ipbims^mm^^% m Fr>PftrpOr
>
^ m
m
I
:}xi
* r^.t^.r
N 49. Allegro.
^3E
JJjJjjT] ^ f m^^
ii
^m
w
iJ
I
-^
^H^'
w^
i
i^ W^
j| J
* ^ * J
nii J jp^ J
i i
t| ,
nrrii;tifrr; [iyrrju'jrjr
i
f
nsso
'''
[irrxrcxrcxfi^^^Lirrjij^Ji
^'^JJ'Q
rgj
19
,^
'
'i
j^'
^
J''
filz
iiilJJTi^Trji:?^JTjj;^2fflh?^^
frF^fg
:r^:JKrr[:r^^
^
^
'ii
pf^f..>
s
^ijjjiijnii^^^j
i
'i
T'^rrf^,.
^
ji
,ij
^^ j
i
'rff^fr
li
f^^i^njijn
i
^''>i.i.ir
Jrjjffl
^]jj]jam
r
i
i7Jr:i'rc^
iiji
jiU' rrrir^^
i
-i
t
ffi
aJcliJi 1:^^
1-
i^rny *
^
a
^ ^^
f'^'^^JfLTj
unj
^^
ff
f*
,
ITKiO
20
N9 50. Allegro.
iE
w:>
^^w
fe ^3^
t
d" J
1
*f
#-"^
1
ST
$^ d_y *
.i'^
f'
dd
^
i
M.
m.
fil
l=i=i
^^
dy
^ttp
i-^
*
==^ I
1
CT rmr^TrDl
^^^^
iicLif-''-'^^ia
^
rcr[rTHj''cgr
J a"V<
^teife
VJ
gi
f^
^yvJ-'TOj^
/ta
^^
DT]
I
^.ss
fe:
:
^^ M F^
_
clrrinr'cltfar^ffl^c
*
-^^t^:^^r-z.- 'JPd^
^Jl d -'
_jiri>
ftrt^
mSB
^Tppff
IB,
7P|
^ ^
17550
21
N? 51. Moderate
'^mf:f:mf:f:M.EM.
'#*.*:
***
tf:A*r
*A^
'^m^S:
*a*
m.
17660
? jTjP
i^^
N9 53. Andante.
seen
176k
23
N9 54.
Alleg:ro.
^TTTTriMrmf
ITUO
24
N9 55. Allegro.
,4
^
-^ t^ t^
niiiiirti'PiinrnmiMim
i
i^
^
r
^-^
j^^iM iT
^
# o
frlTTl'm
^
o
t3
-^ ir
^?
13
^>
i^ *F '^ ^^ "^ *
1 %^
.0
I
ffi
w
^r^Lg,
m^
3
t
^-^
m
ir
1
4*3
iF
W
a3
3a
gi8
#^^#
'
0*
^^^^^^^:t^
-ML^
J^-^^J^
yjuvi
fe
U/JiJiC^L^
i
n^ mf%
^i
If
%sf^
?)
}\
SF -^ m,^i
l^mJi-
i^
M ^
17&&0
25
N<?
56. Andante.
17550
N9 57. Moderate
assai.
m
4
10^
3ZX
8
^ ^^^^^^^
\
X
3
1
^ ^
1
mh^ ^
8
1
iE~T~
^^
d*^
\
W
i
\0
nut-
:_^- P^-#-
|tFi
^ JBra
J
i'r
ftrrfrtr
3'^!
rri 'i-
mi A N
ij
rrnfrg
ffl
#^^ r =:it
^ ^TOy ^^
N9 58. Andante.
-
^
ill
kl>^ rrrr n
*:='
rrrrcfr/icij^
te*
P^
i^.f;rttfrimf%
^4 *i^ 'J
^^
^f f r
1
^
i
<>-
r^:r.;iC:rc:r^iJ_J7^
i
I'.
175SO
1=?
^injjjhjjTTTr
^ ^^^
'
'
I
.^j jjj j
N? 59.Moderato assai.
27
|H^^^^
j^
f
^^S
w
'
f^imm^Lmmm^,
-t:
^
--^^*'
y
-
.
lFi
^"^
--^^^*'
^Mt^^
~i,.^
^'^g
"""^
W mmmm
f
^
1
/^- i
^^
^.
-~.^
_i,
u y
t"
*"
.-^i
28
fuoco.
3
r
i
i
i^
Uvur B^ 3 ^^
1
f f
^,
4
1
n
i
f^
s
^
I ^.i::
1
bt
ttrf
fi ff
r r r
O^S
?
m
f
>JL k
{T^-.
2
\0
I:
1
4
E
:zJi^:
te f f
Ie
!>^rT
i
iy
*:
rxAjpAAJ:
IS
^
^
^
fc
'
i
l
fcj'
[^p ^
^
5=
ti^n?
^tt
==p=p^i=fe=;=
fr^
^^
**
:|^
-f-r
m 9^0
i:
^m
1
w* i
9ir-0-
a
? V
T-^a
lZTE
1
^
m
3
99 ^ m
i'r^UfV^ ^
^ e
'
^
ir
-^^ ^L
^ ^
S
4
lj
l J ^J
W"
-0
VTft'if^bfflbiii^
17550
IBIZE
S
'^
0-
^e":
13
29
3
tfc=
3
I . . t
t-^TTi
C .L,-T7T
^ ^
.
-X^^^O# S
f
:g=:
^ r E
>
tJ
Lj"^ t^
*<
*:
S
*
*9
eS
*
!
m^^^
i ?^^
i 1
tir
lES
If
^?-
t ^^ 1
i
t:
Ie4
g
#-^^ 1 1
Jfc
1
4
.s
P ""#
f P P
-1
tt
S
9-
m
#)t
\>
^ M
1
f f
r
^^
ie-
Z^
-JJ
m m
*
USBO
T9^
4
C-
tzt
^
m.
^i
F P
#-3-^
te
iit ^
s
#
^
^;
-=
4-
^^
J'
II
-7
'9
TWO
Is
given brackets:
[487]
MAZAS,
F.
SEVCIK,
Op.
2.
-Continued
School
I
Op. 36. 75 Melodious and Progressive Studies (Hermann). Bk. I: 3a Special Studies [487] 1.00 1 .00 Bk. II: 27 Brilliant Studies [488] ea. 1.25 Bk. Ill: 18 Artists' Studies [489]
The
of
Bowing
Technic
75
Y
Y Y Y y Y Y Y
Preparatory Trill Studies (Svedenski). Op. Part I: Exercises in the 1st Position sp. f. e. [1413]; Part II: Exercises in the 2nd, 3d, 4th, ea. 1.50 5th, 6th Positions [1414]
Op.
8. Shifting and Preparatory Studies (Mittell) [848]
9.
ea.
1.00
Scale75
RIES, H.
Op. 28. 30 Elementary Studies. 2d and 3d Positions [449]
In the 1st,
.75
Tenths
(Mittell) [849]
75
RODE,
12
P.
In the 24 Major and Minoi Keys
1
SITT, H.
Op.
25
32.
24 Caprices.
(Berkley) [231]
Bk. Bk.
Y i
X
Etudes (Lichtenberg)
P.
[1433]
75
Positions [872]
Bk. Ill:
[873]
.75
ROVELLI,
Op.
3, 5.
Scale-Studies.
.
.75
SCHOEN, M.
Op.
32.
TARTINI, G.
of Violin-Playing [108]
.
The A-B-C
.75
50 Variations on a Gavotte, 75
SCHRADIECK, H.
TOURS,
60
75
:
B.
(Butera).
1.50
A A
A A A
A
Chord Studies
Scale-Studies
(Sveednski) [1397]
[364]
The School
ercises for
WICHTL,
Op.
10.
Positions [515] Bk. II: Exercises in Double-Stops [516] Bk. Ill: Exercises in the Different Modes of
ment including
sp. e. [1392]
Bowing
[517]
WIENIAWSKI, H.
A
A A
A
SCHUBERT,
L.
Op.
Method.
Bk.
8 Etudes-Caprices. With a 2d Violin in 18. Bk. I [184]; Bk. II [185] score (Lichtenberg).
ea.
.75
WOHLFAHRT,
SEVdiK, O.
Op.
1.
ft
F.
.75
(Mittell).
A A
A A A t
Part Part
II:
Exercises in the 1st Position [844]. 1.25 Exercises in the 2d to 7th Position
[845]
For Easiest Elementary Method Op. Beginners (Smith), sp. e. [1404] Op. 45. 60 Studies (Blay). Bk. I: 1st Position ea. [838]; Bk. II: 3d Position [839]
38.
.60
1.25
Part III:
Shifting
Op. Op.
54.
74.
40 Elementary Studies [926] Bk. I: 50 Easy Melodious Studies. Bk. II: 3d Position [928]. ea.
75
.75
Part IV:
Any
may
G.
A-IOIS
193.
ACalCN COPVnlGHT,
mV^t^V^^V^V^^^t^i>-^W
BY G. SCHIflMER. INC.
SCHIRMER, INC.
NEW YORK
i>^>>^y-.f-<f-.f-.f-.f-<f-^-<f-^-.f-.f-^-.f-.f-.f-.f-