An Autism Spectrum Disorder

Asperger syndrome (AS) is a neurobiological disorder that is part of a group of conditions called autism spectrum disorders. The term "autism spectrum" refers to a range of developmental disabilities that includes autism as well as other disorders with similar characteristics. They are known as spectrum disorders because the symptoms of each can appear in different combinations and in varying degrees of severity: two children with the same diagnosis, though they may share certain patterns of behavior, can exhibit a wide range of skills and abilities.

As a result, general terms such as "low-functioning," "high-functioning," "autistic tendencies," "pervasive developmental disorder," and others are often used to describe children whose behaviors fall within the spectrum. Kids with AS share many of the same symptoms as those with "high-functioning autism."

It's estimated that more than 400,000 families are affected by AS. Because milder cases are being identified more frequently, the incidence appears to be increasing. However, like other autism spectrum disorders, AS is often difficult to diagnose and treat.

About Asperger Syndrome

The disorder is named after Hans Asperger, a Viennese pediatrician who, in 1940, first described a set of behavior patterns apparent in some of his patients, mostly males. Asperger noticed that although these boys had normal intelligence and language development, they had severely impaired social skills, were unable to communicate effectively with others, and had poor coordination.

According to the Asperger Syndrome Coalition of the United States, the onset of AS is later than what is typical in autism or at least it is recognized later. Many kids are diagnosed after age 3, with most diagnosed between the ages of 5 and 9.

AS is characterized by poor social interactions, obsessions, odd speech patterns, and other peculiar mannerisms. Kids with AS often have few facial expressions and have difficulty reading the body language of others; they might engage in obsessive routines and display an unusual sensitivity to sensory stimuli (for example, they may be bothered by a light that no one else notices; they may cover their ears to block out sounds in the environment; or they might prefer to wear clothing made only of a certain material).

Patch Adams (1998) - Movie Synopsis & Plot

Hunter "Patch" Adams wanted to be a doctor; he wanted to help people. He learned of his gift in a mental hospital, where he had admitted himself. He realized that the conventional way of treating those injured, both physically and mentally, was not always the best approach; humor was. Just to laugh, to relieve and forget about the pain for just a few minutes, strengthened the patients. And so he became a student and the Medical College of Virginia, awaiting the day when he would be able to treat people on his own. To his dismay, he found out that students were not to interact with patients until the third year. Nevertheless, he began visiting the hospital frequently, doing goofy things to please the patients, both young and old. His ways did begin to create a new life within the patients, but that didn't matter; he was not supposed to be there. The Dean of the college, unpleased with Patch's behavior, tried multiple times to have him expelled. He saw Patch's ways as unorthodox and unproductive, even if they did no harm. Still, Patch's highly above average grades kept him in school. Even while in school, Patch was looking beyond becoming just a doctor. He wanted to start his own hospital, the Gesundheit Institute, a place that was free and used less medicine, more humor. Most thought his dream was impossible, but some believed. However, his dream wouldn't come true unless he graduated, and when the College finds out he was treating patients without a license, his entire career is placed in jeopardy. Based on a true story.

ADAM AND ASPERGERS SYNDROME

Somewhere above the clear skies of a disquieted New York skyline, some hundreds of billions of miles away there are stars and galaxies, clusters of light and unknowable beauty speeding away not only from us but from themselves. Eventually it will get to the point where all is inevitably lost, and the skies will be filled with an overwhelming black; nothingness and desolate loneliness for a heaven and a barren, sun-scorched planet for a home. "That's kind of sad" says one character. "Sad?" repeats the nonplussed hobbyist-cosmologist before turning off his home-brew planetarium. Somewhere within one of these small gatherings of light lies New York itself, and in its central park dwell two harmless furry creatures known as Racoons. In the middle of a giant city, these little guys don't necessarily belong but they just happen to be there anywaycoming out at night and playing in their own peaceful isolation when the city closes one eye for the night. This somewhat romantic dualism of being torn apart from where you should be and ending up in world quite different from where you naturally belong is the glue that binds pages of Adam's story together. Brought into melancholic focus through characters, relationships, the nuances of ordinary life and a vast array of simplistic but nevertheless heart-warming sentiments through photography and music, Adam is a humbled and interesting take on love seen through the eyes of a fellow who like those racoonsisn't quite where he ought to be. A gifted an ostensibly neurotic figure, Adam (Hugh Dancy) is a smart, intelligent and insightful guy-next-door type who day-to-spotlessly-repetitive-day tries to overcome his disability in order to fit in with those he shares his city-life with. As is found out late into the first act of the feature, Adam is affected by Asperger's syndrome; a condition which often means that he cannot by any means tell what other people are thinking simply by reading their faces, body language or figurative words. Instead Adam relies on honesty and literal meaning; without this, he is lost, and to many this in turn makes him out to be a nave child-like inconvenience. All this comes into play most dramatically however when a new neighbour, Beth (Rose Byrne), moves in above Adam's apartment. Unable to quite go about his attraction to Beth in conventional manners (at one point directly asking if she was "sexually excited because I was."), romantic life it seems isn't about to blow any sympathy points in Adam's direction. After a series of quirky encounters involving Adam's love for space and a particularly intense sequence where he avoids going out with Beth out of fear, the relationship takes its turns and develops slowly but surely into an engaging piece of alternative romance. The result is an interesting look into a convoluted form of love from a different perspective that questions the sometimes trivial dos and don'ts of adult relationships when brought to Adam's plate. In a way, the movie echoes recent features such as The Science of Sleep by Michel Gondry and last year's Lars and the Real Girl in that it pushes the "disability" of its lead character to be the

central point of its narrative rather than fleeting romance. Sure enough, Adam is by no means a sainthe's simply different, and Mayer does well to always restate Adam's humanity despite his disability; this is no mawkish weepy or over-sentimental caricature painting. Like those features mentioned above however, Adam hits the proverbial nail on the head when it comes to dishing out moments of pathos anyway; there's light-hearted, whimsy comedy here; genuine, well-developed characterisation; and romance with drama that feels slightly romanticised but not at the extent of its characters and themes. Indeed, it's not hard to imagine audiences being more than slightly moved by Adam and Beth's somewhat troubled circumstances and this is much to the film's credit in that it plays as a character-piece but feels like a traditional romantic drama without sacrificing the former's traits. Of course with a feature such as this, it would be easy to pile on the sentiment too heavily resulting in a mawkish and tawdry handkerchief-fest steeped in melodrama but thankfully this is not the case. Instead, Adam is cemented in place with an extremely engaging performance by leading man Hugh Dancy offset with a warm, feminine portrayal by Byrne. The chemistry between the two is as palpable as director Mayer obviously intended, which is kind of refrained in between the back-andforth nature of Adam and Beth's perceptions of each other. So while not falling for the traditional, formaliac techniques of your average romance, Meyer nevertheless crafts something genuine and real for his characters. At times their romance is sweet and whimsical, at others frantic and awkwardsuch is one of Adam's biggest strengths. This of course will disgruntle some audiences upon which the story's conclusion should bear no redeeming fruit, but for those looking for something a little different there nevertheless remains a certain bittersweet sense of integrity about the story that remains consistent right through to the end. It's by no means a perfect tale, no, but for what it's worth, there's undoubtedly a whole lot of interesting qualities to Adam's plight here that take on a life of their own in the truest sense of the phrase. Heart-warming with a dry sense of humour always steeped in refrained melancholy, Adam is an impressive and oft moving tale brought to life with memorable performances and a bittersweet account of love and its entwined complexities.