Beruflich Dokumente
Kultur Dokumente
ISBN: 978-1-59668-685-4
Format: Hardcover
Trim Size: 7 7
US Price: $22.95
Canada: $22.95
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PAINTING
TITLE
red-violet
orange
violet
yellow-orange
blue-violet
yellow
blue
yellow-green
blue-green
green
40
COLOUR RELATIONSHIPS
COLOUR RELATIONSHIPS
41
CADMIUM YELLOW
PAINTING
TITLE
NEUTRALS
Vibrant, intense colours in a painting are exciting, but they are not suitable for every
subject sometimes you will want the subtle, quiet effects that come from using
neutrals.
Mixing neutrals
Your set of paints will probably
contain some brown pigments,
known as earth colours because they
are indeed derived from types of
earth. These act as neutral colours
that are ideal for providing subtle
tones in the landscape and in
buildings made from stone or brick.
You will also want to use them for
modifying brighter colours.
However, you will gain a much
wider variety of neutral browns and
greys by mixing your own from
opposite colours on the wheel. In the
mixes shown here you can see the
difference between the warm and
cool neutrals, which have been
created by following the principle that
yellows and reds are warm while
blues, violets and greens are cool.
The warm and cool range within each
of those colours further expands your
choice.
140
Hi Sharon, please
supply title and
caption for this
painting (talk about
colours used and
how you arranged
them in the palette)
red-orange
26
red
COLOUR RELATIONSHIPS
Colours are always seen in relation to each other, never in isolation. To prove this to
yourself, put a splash of the same colour on two pieces of paper, one white and the
other tinted, and you will see immediately that they look quite different. This means
that when you want to handle several colours together you will need to have an
understanding of how they will react with each other and the effect the viewer will
perceive.
The key to learning how to handle colour well is to begin by exploring a basic range
of colours to see what you can make from various mixes and dilutions theres no
better way to gain the confidence that will allow you to paint fluently right from the
very early stages of learning. Once using those pigments becomes second nature
you can then give yourself a new challenge by extending the range with some extra
colours to see what they will contribute to your paintings.
NEUTRALS
102
COLOUR MIXING
COLOUR MIXING
103