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Jonathan Gottschall
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“They say we spend multiple hours immersed in stories every day. Very
“Like the magnificent storytellers past and present
few of us pause to wonder why. Gottschall lays bare this quirk of our of make believe. We spin fantasies.
who furnish him here with examples and inspiration,
species with deft touches, and he finds that our love of stories is its
Jonathan Gottschall takes a timely and fascinating We devour novels, films, and plays.
own story, and one of the grandest tales out there — the story of what
but possibly forbidding subject — the new brain sci- Even sporting events and criminal trials unfold
it means to be human.”
ence and what it can tell us about the human story- as narratives. Yet the world of story has long
— SAM KEAN, author of The Disappearing Spoon
making impulse — and makes of it an extraordinary remained an undiscovered and unmapped
and absorbing intellectual narrative. The scrupulous
“This is a quite wonderful book. It grips the reader with both stories
Jonathan Gottschall country. It’s easy to say that humans are “wired”
synthesis of art and science here is masterful; the real for story, but why?
and stories about the telling of stories, then pulls it all together to ex-
world stakes high; the rewards for the reader numer- In this delightful and original book,
plain why storytelling is a fundamental human instinct.”
ous, exhilarating, mind-expanding.” Jonathan Gottschall offers the first unified
— EDWARD O. WILSON, University Research Professor
— TERRY CASTLE, Walter A. Haas Professor theory of storytelling. He argues that stories help
in the Humanities, Stanford University
and Honorary Curator in Entomology, Harvard University The us navigate life’s complex social problems — just
“A fascinating and riveting account of why we all love a story.” as flight simulators prepare pilots for difficult
The STORYTELLING A NI M AL
— MICHAEL GAZZANIGA, Professor of Psychology,
© Ross Mantle
University of California, Santa Barbara, author of Who’s in Charge? behaviors, to ensure our survival.
Drawing on the latest research in neuro-
“The Storytelling Animal is a delight to read. It’s boundlessly interest- science, psychology, and evolutionary biology,
ing, filled with great observations and clever insights about television,
books, movies, video games, dreams, children, madness, evolution, AN IM A L Gottschall tells us what it means to be a story-
telling animal. Did you know that the more
morality, love, and more. And it’s beautifully written — fittingly enough, absorbed you are in a story, the more it changes
Gottschall is himself a skilled storyteller.” your behavior? That all children act out the same
— PAUL BLOOM, author of How Pleasure Works kinds of stories, whether they grow up in a slum
or a suburb? That people who read more fiction
“Story is not the icing, it’s the cake! Gottschall eloquently tells you ‘how How Stories are more empathetic?
JONATHAN GOTTSCHALL teaches come’ in his well-researched new book.” Of course, our story instinct has a darker
English at Washington and Jefferson College — PETER GUBER, CEO, Mandalay Entertainment
and author of the #1 New York Times bestseller Tell to Win
Make Us Human side. It makes us vulnerable to conspiracy
and is the author or editor of five books. His theories, advertisements, and narratives about
work has been featured in the New York Times ourselves that are more “truthy” than true.
“Stories are everywhere. Stories make us buy; they make us cry; they National myths can also be terribly dangerous:
Magazine, Nature, and Scientific American,
© Houghton Mifflin Harcourt Publishing Company
help us pass the time, even when we’re asleep. In this enthralling Hitler’s ambitions were partly fueled by a story.
among others. Steven Pinker has called him
book, Jonathan Gottschall traces the enduring power of stories back But as Gottschall shows in this remarkable
“a brilliant young scholar” whose writing is
to the evolved habits of mind. He reveals the ways in which we are
“unfailingly clear, witty, and exciting.” book, stories can also change the world for the
trapped, for better or worse, in a world of narrative. If you are in the
better. Most successful stories are moral — they
storytelling business — and aren’t we all? — you must read this book.”
teach us how to live, whether explicitly or
— JONAH LEHRER, author of How We Decide and Imagine
implicitly, and bind us together around
Jacket design by Martha Kennedy common values. We know we are master shapers
Jacket art © Mary Evans Picture Library $24.00 HIGHER IN CANADA
of story. The Storytelling Animal finally reveals
ISBN 978-0-547-39140-3
how stories shape us.
Houghton Mifflin Harcourt
www.hmhbooks.com 1426629
0412
Storytelling
Animal
HOW STORIES MAKE US HUMAN
JonathanG ottschall
Preface xi
Acknowledgments 201
Notes 203
Bibliography 215
Credits 231
Index 233
The idea for this book came to me with a song. I was driv-
ing down the highway on a brilliant fall day, cheerfully spin-
ning the FM dial. A country music song came on. My usual
response to this sort of catastrophe is to slap franticly at my
radio in an effort to make the noise stop. But there was some-
thing particularly heartfelt in the singer’s voice. So, instead
of turning the channel, I listened to a song about a young
man asking for his sweetheart’s hand in marriage. The girl’s
father makes the young man wait in the living room, where
in its becoming”? Might the boy still be alive, out in the living
woods with the good guys, fishing trout? Or is the boy gone,
slaughtered for meat? No science can answer these questions.
But science can help explain why stories like The Road
have such power over us. The Storytelling Animal is about the
way explorers from the sciences and humanities are using new
tools, new ways of thinking, to open up the vast terra incog-
nita of Neverland. It’s about the way that stories — from TV
commercials to daydreams to the burlesque spectacle of pro-
fessional wrestling — saturate our lives. It’s about deep pat-
terns in the happy mayhem of children’s make-believe and
what they reveal about story’s prehistoric origins. It’s about
how fiction subtly shapes our beliefs, behaviors, ethics — how
it powerfully modifies culture and history. It’s about the an-
cient riddle of the psychotically creative night stories we call
dreams. It’s about how a set of brain circuits — usually bril-
liant, sometimes buffoonish — force narrative structure on the
chaos of our lives. It’s also about fiction’s uncertain present
and hopeful future. Above all, it’s about the deep mysterious-
ness of story. Why are humans addicted to Neverland? How
did we become the storytelling animal?