FRYER 2012 Architecture

TOM
FRYER
1
YSoA 2219b Craft, Materials, and Computer-Aided Artistry
Instructor Kevin Rotheroe
Semester 6, Spring 2012
Contents
2
Tom Fryer is interested in exploring the potential
of architecture and urbanism to both represent and
alter contemporary conditions.
Coming from a fine arts and design background,
Tom decided to pursue architecture following a
period of living and studying in Tokyo, a city where
both the legacy of urban thinking, and lack thereof,
is writ large. He is currently a student in the MArch
I program at The Yale School of Architecture, due to
graduate in 2012.
Tom
,
s work has been exhibited in Australia, Japan,
Italy and the United States. His work has been
published in wallpaper*, Object, Monument, Mute
and Yale
,
s Retrospecta.
info@tomfryer.com
www.tomfryer.com
203.449.3344
Architecture
Surface Translations 6
Seam 10
Move 16

Replication 20
Yale Building Project 28
The Yale Contemporary 36
Dun Laoghaire Public Baths 46
CoLocation Tower 64
Brooklyn-Queens Waterway 68

Visualization + Fabrication
Blue Murder Studios Partition Wall 72
Visualization II 74

Visualization III 76

Visualization IV 80
Architecture and Books 82

Rome: Continuity And Change 86
Inner Worlds 88
Interruption For Anna Zmyslowska 90
Writing
DIY Lesson / Oyster Magazine 94
Late Inversions / Peter Eisenman 96
MetaRegionalism / Retrospecta 2010 - 11 98
Other Works
Mute Magazine 102
Anime Lighting System 104
Atelier Van Lieshout, 2002 106
Workshopped 108
Tomato For Kenwood 110
Nelson Traveling Scholarship 112
TOM
FRYER
3
YSoA 1021a Design Studio
Instructor Peter de Breteville
4
Architecture
5
Surface Translations
1011a Design Studio
Instructor Joyce Hsiang
Semester 1, Fall 2009
1/8 = 1! Model
6
Designed for a generic site, the form uses a single fat corten surface,
which is subdivided, cut and folded to spatially amplify prevailing weather
conditions in a self supporting structure. Within the minimal structure,
precincts are generated to observe the verticality of rainwater passage,
the horizontality of wind movement, and the slow interplay of shadow
movement upon the complex surfaces.
Architecture
7
1011a Design Studio
section aa
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Surface Translations
8
section bb
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Sections
Architecture
9
1011a Design Studio
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SEAM called for a landscape treatment and kayak rental facility for
Socrates Sculpture Park in Queens.
This proposal generates a new transitional topography between the
East River and the park. The decomposition of an implied super lattice
of repeated modular forms in relation to topographic surface generates
moments of legibility, emergence, and spatial containment.
Above
Programmatic Diagram
Opposite
Pedestrian Circulation Analysis
With A. Forman
Architecture
11
1011a Design Studio
Section AA
Seam
12
View From East River Towards Park
Architecture
13
1011a Design Studio
Matrix Assembly
In Folded Steel 1 and Concrete 2
Long Span Part In Concrete 3
Seam
1
2
3
14
Architecture
Lower, Left And Right
1/64 = 1! Model in CNC Milled Foam
Top Right
Waterfront Perspective
15
1011a Design Studio
1/32 = 1! Sectional Model
Move
16
Architecture
1/64 = 1! Model
17
1011a Design Studio
Perspective - Main Courtyard
Move
18
Architecture
Transverse and Logtitudinal Sections
19
Replication
20
Using the precedent of the anomylous municipal brick vernacular found
in traditional New Haven stick frame neighborhoods, this proposal
confronts issues of privacy, membership and access in a residential
concept for at risk youth.
Tectonic / Circulation Diagrams
Architecture
21
Left
Sectional Perspective
Above
New Haven Brick Structure Precedents
Replication
SENIOR ROOMS
DINING / MEETING
ROOM
COMMON
ROOM
SUPERVISOR
APARTMENT
SENIOR ROOMS
JUNIOR ROOMS
BATHROOM LEVEL
(SPLIT)
STAIRS
KITCHEN
STUDY
22
WEST STREET
W
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A
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Site Plan
Architecture
The typical New Haven neighborhood is comprised of
wood-frame constructed houses. There are prominent
exceptions to this rule in the form of brick buildings,
of a similar scale to residential structures, but
usually conceived as club houses, meeting places,
certain small businesses.
The requirements of a home for children who are
living in close proximity to abusive parents or
relatives are unique. This New Haven prcedent is an
excellent type to be deployed for this brief. The brick
communicates the status of the home as performing
a particular service within the community, and
speaking to structural integrity.
While fostering a domestic environment, this project
negotiates the line between a public and private
program. In compensation for the opaque materiality
of the envelope, a light-filled frontal volume is
achieved with a triple height space and a frosted,
glazed street facade.
Tectonically, the structure is informed by a requisite
fire wall on the eastern lot line. From this wall, the
new envelope spans across the short dimension of
the lot, establishing a wrapping logic. Toward the
rear of the building, the envelope flares open to catch
the southern light.
23
Sections
Replication
24
Above
Exterior (Night) Perspective
Model Photos
Architecture
Architecture
25
Interior Perspective
Replication Replication
26
Plans - Ground to Fourth Floors
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27
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1012b Building Project
Instructors Alan Organschi, Adam Hopfner, Paul Brouard
1/16 = 1! model Team D approached the design of their house from the perspective of
accessibility. A spatial sequence was articulated with a shaped ceiling
that housed two light monitors. The frst foor plan capitalizes on a
simple layout that expands in both front and rear to become wheelchair-
accesible outdoor areas.
28
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Architecture
The ceiling reinforces public and private moments by spatially
compressing and decompressing. A small second foor alcove is
Provided for the able bodied inhabitants, while retaining a visual
and spatial connection to the frst foor living area.
The upper foor, designed to be rented by the owner, is a generous
apartment arranged in a T-shaped plan to create a long living area/
kitchen and a bedroom (extending perpendicular to the living area) that
generates the dormer.
29
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Architecture
Sectional Progression
AA BB
CC DD
33
instructors Adam Hopfner, Paul Brouard
Semester 2, spring 2010
Build Out
http://www.architecture.yale.edu/sites/BuildingProject/bp10/
34
First Year MArch I Participation: May - June 2010
Completion (BP Interns): July - August 2010
Architecture
35
Instructor Mimi Hoang
Perspective - York Street
Yale Contemporary Art Museum
36
The design for the Yale Contemporary divides the programmatic
agenda into two distinct branches. The museum contains an
archival sequence that houses temporary exhibitions in addition to a
contemporary sequence that houses the permanent collection. These
sequences of the two programmatic spaces alternate across a central
atrium via a set of crossing staircases.
The exterior of the building is massive folded concrete form that
invites exploration and interaction from the street. The atrium occurs
at the apex of the fold, where the concrete breaks to expose the
programmatic crossover space above the atrium. Circulation becomes
event, with visitors moving beneath the belly of museum, up into its
broken interior, or through the site from York to High Streets.
Architecture
37
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YSoA 1021a Advanced Design Studio
Above
SpatIal Sequencing Diagram
Right
Preliminary Sketch Model in Plywwod and Plexi
38
The two sequences, contemporary (permanent) and archival (always
changing) defne two distinct types of space, The conservatorial
requirements of exhibiting pieces from the archive call for spaces with
artifcial light and climate control. They are neutral and changeable.
The contemporary sequence inhabits the interstices between the
archival galleries, and are therefore articulates the structure of the
building, using less refned materials and fnishes, and requiring more
robust systems to support the extreme loads of modern sculpture.
Interior Perspective, High Street Contemporary Gallery
Architecture
39
Perspective - Rear Courtyard
40
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Ground Floor Plan
Architecture
41
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Floor Plans
Architecture
43
Unfolded Section
44
YORK STREET CONTEMPORARY GALLERY
ARCHIVAL GALLERY 4
LECTURE THEATER
LOBBY / CONTEMPORARY GALLERY ATRIUM
ARCHIVAL GALLERY 1
vessels.
maritime form in
precolombian america
Transverse Section
Architecture
Yale University holds one of the most important
private collections of art in the world. Using the
renaissance notion of the wunderkammer (cabinet
of curiosities), this museum proposes a radical
program for the display of contemporary artworks
by displaying them alongside pieces from the Yale
collection.
The contemporary sequence uses generous, open
plan spaces to exhibit works on loan by prominent
artists at the cutting edge of practice today.
The archival sequence curates fully self-contained
exhibitions from the yale archive in a series of more
intimate, contemplative spaces. These shows also
act in concert with the contemporary curation,
allowing the public to view works in parallel, across
architectural space.
45
1101a Advanced Design Studio
Instructors Yvonne Farrell, Shelley McNamara
The scheme proposes the removal of the existing baths and an
occupation of the new topography, the newly exposed edges, corners
and surfaces of which are used to reconnect the severed seafront
paths and establish a new type of promenade. Bluffs are inhabited,
stairs traverse granite faces and paths carve and ramp over the
surface of the land.
Structures fnd a protective expression here, clamping to the rock
against the power of the wind and the sea, cradling and enfolding their
occupants as they enter and exit.
Dun Laoghaire Public Baths
46
Top
Concept Collage
Above
Excavation Study Model
Right
1:500 Site Model
Architecture
47
LONG SECTION
Both Pages
Site Plan
48
Architecture
49
above
long section
opposite
street level entry
LONG SECTON
50
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Architecture
51
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Above
Plans - Changing Pavilions
Opposite
Sections - Changing Pavilions
52
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Architecture
53
Perspective - Main Pool Deck
54
Architecture
55
1:50 Concept Model Collage (MidTerm)
56
Pathwalking is a linear activity, as is swimming laps. As the interface
between these two modes of movement, the pavilions on the site seek
to achieve rapid repositionings of bodies in space.
The transition from the relatively protected, clothed state to the
exposed mode of swimming is sudden but made comfortable by simple
amenities - ample sunlight, control of air via operable devices, heated
foor slabs and a shielding architecture that mediates the exposed
windward fringes of the site.
Charting a position between preservation and performative
intervention, the remnant landscape is engaged as a key component
of the site, where an uncurated selection of local fora self-organizes
to form a site-specifc and opportunistic garden. It is a landscape that
is inaccessible but monitored; advocating observation of an
experimental condition.
Architecture
57
Perspective From Sea
58
Architecture
59
1/16 = 1! Sectional Model
60
Architecture
Perspective - Changing Pavilion Interior
61
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CoLocation Tower
2211a Structures and Facades for Tall Buildings
Instructors Kyoung Sun Moon
On-Screen Presentation
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Colocation describes the physical adjacency of servers to a dedicated,
custom data cable to achieve an extremely high rate of data transfers,
in order to yield the profts that a microsecond can engender. The
colocation of high end fnancial services with high speed data transfer
represents a new typology in the evolution of very tall buildings. The
main issue with such systems is cooling.
Perspective from Lake Michigan with Steve Dinnen
63

CoLocation Tower
Data Circulation Diagram
64
Architecture
Perspective - Changing Pavilion Interior

65
Systems Diagram and Programming Top
Perspective - Sky Lobby
Bottom
Perspective - From Street Level
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This project develops a formal and programmatic response to the
requirements of colocation, for the Chicago Spire site. There, prevailing
winds are exploited to cool the server banks, with the core of the tower
reaching beyond the envelope, creating an intake for air from outside.
After the servers, the air is moved through 40 foor tall chimneys
to generate electricity. The modularity of server systems and their
frequent upgrades necessitate a dedicated vertical transit corridor that
accesses two opposing facades and their associated winds.
Perspective - From Lake Michigan
Architecture
67
4226a Ecological Urban Design
Instructors Alexander J. Felson
Top Left Sectional Study Of Brooklyn-Queens Expressway
Top Right Strategic Mapping
Opposite Gateway Underpass Reconnecting Hope Street, Brooklyn
To be Published in
Retrospecta 2011 / 2012
Brooklyn-Queens Waterway
68
This project proposes the transformation of the Brooklyn-Queens
Expressway into a peak event stormwater infrastructure. The
anachronistic highway is rebuilt as an elevated expressway above
the old road, which is transformed into a storm water canal. This
canal seeks to mitigate peak storm effects in the lower catchments
of Brooklyn, particularly seeking to dissipate the impact of future tidal
storm surges.
At the same time, the canal deploys architectural and ecological
devices that will reconnect neighborhoods severed by the BQE, provide
green space in a highly urban environment, and initiate ecological
urban experimentation sites.
with Christine Dang-Vu, Brian Tang and Dinah Zhan
Architecture
69
YSoA 2211a Structures and Facades for Tall Buildings
Instructor Kyoung Sun Moon
70

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