ISSUE 1 4

Editors Letter

Please Queue Here

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Top 10 Pop Up House

The Art Of The Brick

Storm In A Teacup

VW UP!

All The Small Things

Im sure youre all wondering, What is PocketSize?. Well infact thats a brilliant question. We here at PocketSize publications dig deep in to the world of pockets and take something small to give it the impact of something big. This issue we take Barbie out on the town, hang Thumbelina off pockets and embark on a travelsize journey accross the central line. Whilst we go and party with Barbie and her crew, we hope you enjoy this issue of PocketSize.

A Week In My Pockets

Barbie

52
Thumbelina Pocket Psyche

16
Mr Porters First Birthday

68
Pocket Full of Style

72
Tech A Travel Size Journey

76
Is It OK To Steal Hotel Shampoo? Pocket Book Reviews

Leonie
Editorial Team: Editor-in-Chief - Leonie Benaiah Deputy Editor - Georgina Anderson Features Editor - Harriet Scoffin Copy Editor - Melissa Cousin Art Director - Lara-Victoria Helmrich Marketing and Advertising - Jade Kent-Williams Fashion Editor - Nadine Anderson A special thanks to our lecturers Rob De Niet, Alexia Economou, Deborah Lampitt, Rory DCS and Ben Willmott. Published by PocketSize Publications. Printed by Pyramid International.
All rights reserved. For educational purposes only. PocketSize is a magazine published by second year BA (Hons) Fashion Journalism students and has no comercial value. No part of this publication may be reproduced in whole or part without written permission from the publishers. The views expressed in PocketSize are those of the respective contributors and are not necessarily shared by the course, its staff or the University for the Creative Arts at Epsom. These parties cannot be held responsible for them.

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To Infinity And Beyond Short Film Review

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Never be lost with one of Emanuele Pizzolorussos Crumpled Cities. The Helsinki based designer has created a selection of cloth maps that can be screwed up and easily transported in your pocket. Pick from a selection of the worlds major cities, and have the street names and top attractions in the palm of your hand. No more precise folding, soggy paper or bulky books; these soft, waterproof and hardwearing maps will make your travelling adventures a little easier. 8, polomarweb.com

If you dont feel like carrying a bag around, try this handy little portable pocket. Ideal for sightseeing days and festivals, the pouch has enough room for cash and cards and can be worn around your neck, leaving you hands-free for activities. 5.99, hm.com

Sometimes nature just isnt capable of providing us with the perfect partner, so why not grow your own? Simply add water and watch your boyfriend/ girlfriend grow each day. Theyre small enough to hide away when you dont want them, great listeners and they never answer back. The perfect solution for those unlucky in love. from 2.44, amazon.co.uk

Lunch time just got easier thanks to Black and Blums lunch pot. The two watertight containers are the perfect way to transport your lunch or breakfast to work without the need for multiple large boxes. The compact vessel comes with a carry strap that also secures the pots together, and a spork, ensuring youre prepared for every culinary need. 15.95, black-blum. com

A pocketsize must have: wearable planters. Accessorise yourself, and/ or your bike with these fun and quirky miniature plantpots. Designed for you to keep a little piece of nature with you, the plastic planters act as a pocketsize, transportable vase, just the right size for a small flower clipping. In a variety of colours and styles, these unique pieces can be attatched to your bike or worn as a necklace. from 12.97, etsy. com

Struggling to travel light? Muji have come up with a clothing solution to help combat overflowing suitcases. Shrink Wrap t-shirts come packaged in a tiny square that fits into the palm of your hand, and are simply pulled into shape when youre ready to wear them. In a selection of colours and machine washable, these t-shirts are a suitcase essential. Go old school 9.95, muji.eu with this mini classic Nintendo. Clip it onto your keyring and play Super Mario whilst youre on the move. 9.99, shinyshack.com

By far the cutest item on the list are these tiny crocheted animals, all hand made by a Vietnamese family. Ranging from whales to mountain goats, the smallest pieces measure just 1cm long. For anyone with an eye for collecting, these fun and playful animals could be your latest obsession. from 9.72, etsy.com

Dont miss a chance to take notes whilst on the move with a pocketsize Moleskin notebook. At 914cm its the perfect size to carry with you to jot down any scibbles, sketches or calculations on your travels. 9.99, store.moleskine.com Always be prepared for the unpredictable British weather with a waterproof jacket that folds up into an easily transportable pouch. Squeezing it into your pocket might be a little optimistic, but it will certainly fit into your bag. Available in sizes XS-XXL, and in colours from black to viola theres one to suit everyone. 34.99, trespass.co.uk

athan Sawaya is a New York based artist who creates art and sculptures out of the most unlikely objects. At the moment his product of choice is Lego; and his latest exhibition tours are going from strength to strength across the USA. As a child, one of Nathans favourite toys was Lego, and he has since reignited his passion for the product in his choice of career, artwork. I appreciate the cleanliness of the Lego brick. The right angles. The distinct lines. As so often in life, it is a matter of perspective, says Sawaya when talking about his work. His exhibition, The Art of the Brick is the only exhibition to date focusing exclusively as Lego as an art medium. The importance of Lego to the artist is evident; at present he has over 1.5 million coloured bricks in his New York studio, and spends a six figure sum on the bricks annually.

Nonetheless, his beautiful and intricate work is still playful, and he prides himself on the fact that his work isnt too serious, describing it as just for fun. Despite his crazy day job, Sawaya is just a normal guy with grounded values and a ton of ambition. Practice and drive would be qualities he looks for in young artists. Nathan Sawayas biggest achievement would be to have his work shown at Londons very own Tate Modern, and he recognises Tom Friedman and Antony Gormley as his biggest influences.

the Car of the Year 2012 title at the prestigious What Car? awards, as well as being named Small Car of the Year the by UKs best selling motoring title Top Gear. An important new safety feature in the Up! is the optional City Emergency Braking system. It is automatically activated at speeds under 18mph, and uses a laser sensor to detect the risk of an impending collision.

By Leonie Benaiah They say youre not supposed to look in a womans bag. Now we are going to say, you would never look inside a womans pocket. ccessories are important but theyre not always needed when we have substitute. In this case the bag is the substitute and the pocket is an accessory. The amount of pointless items hanging around at the bottom of our bags - taking up space - proves the fact is that theyre just an accessory we add to our outfit; we carry them to look cool.

he Volkswagen Up! is the epitome of pocket sized technology. This city car has a series of different models, all of which are tiny in size, (reaching just over 11 ft), nippy in speed and comfortable to drive. This one litre engine car was first unveiled at the Frankfurt Motor show last year and since then it has been advertised across London and other major cities as the city car of the moment. This little vehicle is set to deceive as the workers at Volkswagen managed to fit 15 women and a full sized man inside, admitably it must have been uncomfortable, however, it proved that the Up! is obviously a little more spacious than what you may think. In fact, it is one of the smallest four-seater cars. The Up! has been awarded

So far, the Up! is the only vehicle offered with this function. Personal Infotainment Device (PID) is also included; a system developed to organize navigation, telephone, information and entertainment in your car for you. A plug in electric Up! is also expected to be launched in 2013.

Girl or boy, we all carry bags. We dont always need them and in fact, half of the time we have items in there that we really dont need. 3D glasses, cutlery, starbucks sugar and the odd bit of crumbled cookie rolling around. Never the less we insist on carrying these futile items around. This is where the pocket project comes in. Try to spend a week in your pockets. Decipher between what you do need and what can stay at home. Use nothing but your pockets.

just the makeup side of things).

The rest of my pockets are filled up with my phone, a pen, mini notepad (you never know what youll need to jot down), comb (cant let the wind interfere with my fringe), hand sanitizer, mirror and of course my trusty chewing gum. Some people might say that most of this is a waste of space, but its a basic kit.

I took on the challenge and for a week, I gave up using my bag and lived out my pockets. My bag is my best friend, it goes everywhere with me, as cringe-worthy as it may sound, it holds my darkest secrets.

My first thoughts were, How strange does it feel to be without my bag. I had nothing to clutch on to and nothing to look in to during awkward situations. My pockets jingled and jangled by my legs, this was something I was going to have to get used to.

The Pocket Project entails you using your pockets and only your pockets, no cheating. But its not like our pockets are huge and they certainly arent like Mary Poppins bag (but secretly we wish they were). Trying to remember which pocket I put what in proved to me how much easier having everything in one bag was. I have to look through four out of six pockets to find my train ticket (and remember where I put it back for later). Walking around Here I go, a week in my pocket. No bag. This is all about saving space; taking things I will only need, rather than what I think I need, even though I covertly need everything. A few difficulties I found was, with this English weather the sun isnt a daily Finding a way to have my keys on me without them jangling in my pockets was a somewhat struggle. But then I remembered back to the days I used to have best friend necklaces, one had a key and the other a padlock. *Light bulb* My house key was to become my new necklace. luxury. Without my bag I found myself without my umbrella (another thing always buried at the bottom of my bag). Lucky for me I happened to be passing a Topshop as the first drip of water fell on my head. I found myself buying a small lightweight and easy to carry umbrella. Still no need for a bag. Just. the busy streets of London without a bag meant that there was no bag bumping and having to squeeze in and out of people, it was just me and my over filled pockets.

My house key is hanging from around my neck, money in a cardholder and my pockets filled out in every shape and form (check out rule three). To say the least, a maximum amount of items were stuffed in my pockets. A journey to London required all sorts of things; foundation, eyeliner, mascara and lipstick (that was

The first day in my pockets could be summed up as heavy, bulky, yet surprisingly satisfying. No achy shoulders for me.

Errand three: Back to London to return some clothes. Learning from the first day of Pocket Project I realised that I didnt need as many items that I popped into my pocket the first time round. No need for

The only problem is when coming home after a long day you are unable to chuck your stuff on the floor. Unfortunately everything has to be taken out the pockets before attempting to relax.

a notepad for when I can type on my phone, thats some space saved. As for all the makeup, realistically a top up of foundation and some lipstick is all thats needed. Debit cards in my bum pockets (rule three again), key around my neck and my phone tucked away in a secret

Today is just a normal day. Except normal would include wearing a bag when leaving the house. With several errands to run there will be no bag getting in the way. Ill be using my pockets for what Im hoping is easy access.

pocket and Im ready to go; Im left wondering what I ever used a bag for in the first place.

My pockets arent bulging, a new feeling has emerged, a light experience. I sometimes wonder how guys do it, but I guess when you think about it

First of all, some food shopping; keys around my neck, debit card in the pocket along with my phone. Food shopping without schlepping around a bag was surprisingly easier. Imagine not having a heavy bag with pointless items in it (which you wouldnt need for shopping), meaning no backache whilst pushing the trolley full of healthy food, of course.

all you really need is a purse, keys and some means of communication.

Walking down Oxford Street with nothing to hold was liberating. I dont know why I havent done this before. The constancy of my pockets was right, and I wasnt tired from lugging my bag around.

Errand two: A quick run to the post office. No bag and a package too big for the pocket only leave one solution, get a bigger pocket. Right? Wrong. There are some things that pockets cant hold. Instead I have coins clanging in my pockets and a package in my hand. Nothing else needed.

Pocket Project has taught me well. Its hard to describe how beneficial it felt to not have to worry about anyone taking my bag, or leaving my bag somewhere (as these are thoughts regularly going threw a girls mind).

When starting out your Pocket Project, think small. What do you really need? Necessities. If makeup happens to be a must have, take compacts. Something we all must remember is, most things come pocket sized for your convenience.

I saved the last errand for Friday. Its a tiring day using your pockets.

15

The 5 golden rules when using your pockets:

Count how many available pockets you have Dont have bulging pockets or you will be left looking like Mr. Jelly Find your flattest items and place them in your back pockets so youre able to sit down Only put your coins in your front pockets or its just going to end badly Valuables to be kept in a secret pocket or one close to your hands

Thumbelina, 1994

Left: Denim shirt, stylists own Santa wears Jacket, primark. Maxi skirt, Forever 21

Right: Blazer, Vivienne Westwood Santa wears Jeans, Topshop. Trainers, Nike

Photography: Leonie Benaiah, Georgina Anderson Styling: Harriet Scoffin, Jade Kent-Williams, Lara-Victoria Helmrich Make-Up: Nadine Anderson

Cargo trouser, Pull & Bear Santa wears Blouse, H&M. Jeans, Forever 21. Boots, H&M. Cuff and necklace, Accessorize Leather shorts and sheer blouse, H&M Santa wears Vest top, Topshop. Sequin blazer, vintage. Maxi skirt, Belle & Bunty

Right: Denim shorts, vintage. Santa wears Floral top, Topshop. Trousers, American Apparel Left: Blazer, Dorothy Perkins. Santa wears Blouse, Topshop. Bow tie, ASOS

Its time to give your pocket a little more flavour.

First birthdays are always important, presents from people we dont know, cake with lots of frosting and a whole load of balloons. Mr. Porter, NET-A-PORTERs male counter part, is celebrating their first birthday in style. Ten designers, sixty one designs. Contempory, classic and modern is exactly the illustration of the Porter man; the pocket square is the perfect mark for their first birthday. Limited in quantity to 50 by each designer, these pocket squares are something to get out of bed for. We hear you ask, But what is a pocket square going to add to my look?, well your answer is right here. Its the little things that pull an outfit together. The luxurious designs are the best way to look sharp this season and with designers from the likes of Richard James, YMC, Ralf Lauren Black Label, Drakes and Lavin, the choice is endless. Whatever mood you are in there is a pocket square to suit you. There is more than one alternative in folding your pocket square. Here are four simple yet satisfying ways in which to make your pocket stand out.

A fold so simple you could do it with your eyes closed. This fold shows a fine line between laid back and lazy and the puff fold is assured to keep you looking cool. Lay your square out flat on the table; pick up the square from the centre and pull to a point. Fold the pointed end up to the ruffled end and neatly tuck into the breast pocket.

An elegant fold that is folded with simplicity. A timeless classic, always fold the bottom up three quarters of the length for added rigidity so your pocket square doesnt droop. Fold your square into quarters. Locate the square so it appears diamond-shaped and fold the left and right corners into the centre. Fold the bottom up three quarters of the length of the design to add stability. Tuck into the pocket exposing the top half of the design.

over far enough to make four points. Fold the edges in to match the width of your pocket. Pull up the bottom and tuck into the jacket pocket.

Your tie and square should not match but should have equivalent matching colours. Fold it in the most interesting and precise way, its not supposed to look like a scrunched up tissue. Your square needs to balance out your suit. Compliment it, not blend in. This is a fashion item, not a hanky for your nose, dont blow on it, show it. Wear your pocket square with confidence, otherwise leave it in your wardrobe. A man can draw attention just with their pocket square; your choice of pattern and print reflects your personality.

Texture counts, the more the better. The fabric should always be perfectly ironed and notably clean and crisp.

This is a decoration for your suit, a fold that should be

The last thing you want is the square fold to look like a misplaced napkin. So dont be tempted to simply fold in to quarters. Lay your square flat on the table; fold the square over to the right. Fold over to the left ensuring the resultant rectangle is the same width of your jacket pocket. Fold the bottom up three quarters of the length of the design to add stability. Tuck into the breast pocket leaving half an inch exposed.

half along the diagonal so the points dont quite meet. Pull the two ends up and over far enough to make four points. Fold the edges in to match the width of your pocket. Pull up the bottom and tuck into the jacket pocket.

Stick with a suit made from a muted coloured fabric and make a statement with your pocket square for the most classic, slick look. Neatness counts, edges should be sharp, not sloppy.

By Lara-Victoria Helmrich
What was one to do if we were given back the technology of 2002? And what would we do without it?

at here on my MacBook Pro on a daily basis, I cant help but take the time to think back ten years ago when technology was producing laptops that weighed more than our pets and were louder than the waste disposal vans on a Saturday morning. We saved our work on floppy disks, listened to music on our Walkmans and (if we were very up-to-date) disc players. We paid a ridiculous amount of money to connect to the internet through phone lines, and had mobile phones with an aerial sticking out on the top of them. Now in 2012, technology has gone so much further than anyone in 2002 would have predicted. Our lives revolve around it, integrating it into our daily routines more than we might realise, and it allows us to do almost anything. Early in the morning it is not my pull-up alarm clock that wakes me anymore, but my iPhone. It allows me to set several alarms, saving the trouble of standing up and walking across the room to turn off all the others scattered around the room. Once Im ready to start the day, I do not open the window blinds to see what the weather is like or decide upon my daily outfit.

Instead I save time by opening the weather app that even tells me what temperature outside is at that exact moment. Pushing convenience even further, the iPhones Dress Assistant will choose the perfect outfit for me, so theres no need to spend hours in front of my wardrobe pondering over which top goes with that pair of unusually coloured jeans. The power of communication takes on a whole new meaning in todays world. Instead of sending expensive text messages to let my friends know where to meet, I use Whatsapp, which allows me to send instant messages worldwide at no cost beyond inbuilt internet usage. Pre-20th century, we loved getting mail; apart from the money demanding kind, perhaps. Wed wait for days to get that four page letter from a distant cousin or the latest old school friend these were the days that gossip only came in paper form. Then came E-mail, and within a few seconds, what we were waiting for was there. We didnt have to spend ages trying to figure out the other persons handwriting either, because it was all the same.

On my way to the train station, I quickly check my phone to see what platform the train is departing from. Not that I mind asking the staff, but it simply saves time to check ahead. But what am Im doing by making the choice to use technology rather than humans in order to find out which platform to leave from, or buying tickets on a machine rather than at the counter? We tend to blame the malfunction of technology when machines are out of order, but remain reliant on them rather than queueing to speak to people who could easily correct their mistakes, or simply understand us. We use the self-checkout at our local supermarkets, and take full advantage of online banking. The fact that this consumption is contributing to huge unemployment rates tends to be forgotten by most of us but companies and employers themselves see the development of technology as a cost-effective solution, investing a one-off amount of money in a machine rather than paying employers a monthly salary. The speed of business has increased dramatically since the introduction of the internet and E-mail. We scan documents to send rather than putting them in the post, and they are with our correspondents within minutes. Small businesses that were about to go bankrupt suddenly seize the opportunity to open eBay shops or team up with internet dealers like Groupon to raise their monthly earnings.

A small bakery in Woodley, Wokingham was in demand to produce 102,000 cupcakes instead of its usual 100 in such little time. Of course the networking possibilities might be a key factor why businesses close down in the first place, but there are great opportunities to stick with the development online. To put it bluntly, almost anything we desire can be shared and done through technology. The spreading of social networks such as Facebook, Twitter and Instagram allow us to share anything we see, love and wish for with our contacts in a few seconds. We have apps for these networks on our smartphones, iPads and MacBooks, we can watch YouTube videos and share them with one click. Just recently the video about African leader of the Lords Resistance Army, Joseph Kony went viral all across the social platform and reached out to 738,892 people who might not usually be politically aware otherwise. For the current generation, social networking has a greater impact than any other outlet. Long gone are the days where people would gather round the TV for the one and only scheduled news programme, yet we are still informed about what is going on in the rest of the world. Of course the development of technology also comes with negative aspects. Many people are isolating themselves through virtual life games, online fantasy worlds and instant messaging programmes rather than integrating themselves into the real world.

When one sits in a restaurant, the smartphone has become a usual sight next to the cutlery, salt and pepper. The food is served, and voil it is being shared with friends online to show them what a great evening theyre having and what luxury food they are consuming. This leads us to the next point: showing our haves and have-nots. I am so blessed to have such a lovely husband who surprises me with a luxury cruise to the Maldives, My daughter got an A* on her maths paper that she thought she couldnt tackle, Just bought these Miu Mius. People are using technology to brag about what they have, what others may not have and what they never thought theyd get. They want to show what their children are doing, how much money they just spent on a pair of shoes, and try to show and live the ideal life online. But why is this necessary and why cant people just leave their phones in their pockets for a while? That is probably one of the disturbing things that came along with the development of technology and opportunities. Those that are less fortunate but have access to this form of sharing can actually be lead to having a feeling of less worth, or that they are not living up to others. And its tough to tear yourself away. The rates of patients being admitted into psychological treatment for internet addiction is increasing more and more. On a lighter note, better things are those that are actually useful to us and come in handy. Things like a fish-eye lense for your iPhone that enables you to create professional looking photographic effects, but is so small it fits into your pocket. Small music devices such as the iPod Nano that doesnt bother you on a run as you can simply attach it

onto a bracelet. Integrated heart rate counters in running shoes, which alert you when you are over your advised heart rate; many things have snuck into our daily activities that we dont think twice about. When I drive home from work these days, I barely see people reading proper books on the train, instead they have got their Kindles out which is storing all of their favourite books, or they play Soduku on their iPads. Is this what technology has brought us to? Having a gadget with us at all times, whether its our mobile, an e-book or a camera. Are the only technological free moments that we have are when we sleep? Only to wake up next to a ringing alarm coming from the mobile phone and repeating the technological cycle from the day before? What were we to do if someone took all these items away from us? How would we cope if we were put back to the technology of 2002 and it would stay that way? Did we miss anything back then? I suppose not, but I also dont assume anyone today would want to miss out on Facebooking their friends and Tweeting their most recent purchases. And even if it seems that we have it all now, reading this article in ten years may make us feel just how we feel about 2002 in this moment. We might look back, thinking how slow things were and how blessed we are to have flying cars, a time machine and a house which cleans its self...

Shampoos, toothbrushes, soap, slippers and even the dressing gown. Theyre there for the taking, or maybe not?

p and coming designers are the names on the tip of everyones tongues. Youthful, fresh and innovative names are making their mark within the fashion industry having stepped straight out of university. Graduate fashion week is something that the industry is fully aware of and almost as big as fashion week itself. Its as if fashion is investing in its future; critics, journalists and buyers are cottoning on to the future generation of designers, giving them the recognition they so desperately need to break into the fashion industry. With that said, there is much talent out there, however, we do see bland carbon copy collections from emerging designers who are trying to be the next Alexander McQueen. An impressive collection not only consists of innovative designs, but highgrade materials and exciting printing; this is exactly what Julian Zigerlis Autumn/Winter 2012 collection encapsulates. Zigerli presented us with a vibrant collection of whimsical pieces designed to have us contemplating over the playful laws of the extraordinary. The collection named To Infinity and Beyond is for the confident individual, who carry with them the conservation of infinity. Fresh from the University of Art in Berlin, Zigerlis latest collection is only his third, however, we can already see the futuristic ideologies in his creative garments. Pouches were inserted into the back of vest tops, gillets and jackets. Last season the young designer used graphic, intricate prints on garments for spring/summer. Like many designers (up and coming as well as more classic fashion houses), we saw an influence of sportswear. It was here Zigerli could demonstrate his expertise in technological fabrics. This time round, a collection inspired from the land of dinosaurs, amber and youth; we can only expect the most innovative of designs this season. The oversized pockets incorporated into the back of the clothes somewhat resembled a baby pouch strategically placed on a mans back. The mischievous aesthetic was supported by playful, floral prints and techno fabric vests. The designer kept a consistent light blue print in a shirt, trouser and backpack combo; fun, young and playful, a practical collection about the memory of boyhood. Menswear has always been a staple within fashion. Big fashion houses such as Emporio Armani, Burberry and Gucci have provided collections for both mens and womens fashion. The only thing that has changed in more recent years is that the menswear sector is getting more attention.

Youve paid for the room, youve used the towels, the sheets, the facilities, and the neatly lined up toiletry set sits temptingly on the side of the bath. And you take it. Obviously. Besides, you dont have to give back the aeroplane set you use on long haul flights so why should this be any different? Hotels cut deals with toiletry companies and buy the products at a price they can afford to lose because they have to assume every guest will take their allocated set. We want to have a souvenir from somewhere we have stayed, sometimes a photo just isnt enough. A rule of thumb is, if its a product the hotel cant use for the next guest, grab away.

We all remember the scene from Friends when Ross goes as far to take the light bulbs and remote control batteries from his hotel room and spirals into an animalistic-like frenzy when prompted to leave the stolen items behind. Where does the buck stop? According to the housekeeping department at Hilton Kingston, guests often take even the most bizarre of amenities such as cable boxes, paintings, ashtrays, TV remote controls and even the Bible. And how many of us have taken the complimentary toiletry set home and then never even taken it out of the plastic? I certainly have. Irrelevant of the quality, if its Travelodges own brand or a set of pricey Molten Brown smellies, it all ends up in my suitcase. But actually, most of the things taken never again see the light of day. So next time, feel free to take the toiletries and even the slippers away with you - step away from that Bible - but for one ludicrous moment lets pretend that we have some class and resist that nasty box of cheap soap.

By Nadine Anderson

When speaking to designer Oscar Quiroz, he puts emphasis on how menswear is holding a bigger interest within the fashion industry, and gaining a larger following. Autumn/Winter 2012 is only the designers second collection since graduating from Central St. Martins two years ago (double check), however, already he has a strong vision in which direction menswear is heading and happily talks about the opportunities for new designers. For my first season at Fashion East I introduced myself to other designers and it was lovely to feel like a community. Fashion East is good like that. Having kick started the career of successful designers such as Gareth Pugh, Henry Holland and Marios Schwab, Fashion East is an amazing opportunity for emerging talent and Quiroz is savvy enough to take full advantage. This collection was inspired by Bolivia in South America, the earthy colours, the woven and knitted wools and alpacas to the gold trimmings and heavy duty gold zips (which were kindly sponsored by Lampo). Similarly to Julian Zigerli, Oscar Quiroz creates innovative designs focusing on fabric and abstract detailing. For instance, this season he used silk satin - traditionally a womens material to create masculine shapes like bomber jackets and double pleated trousers. Jumpers with zip pockets in the back made for a practical and stylish piece, which we are very fond of here at PocketSize. For the best part, the Oscar Quiroz label is a fun, young a quirky one, however, the designer still keeps an old school aesthetic when it comes to menswear. When we asked him which designers he admired, he replied, Growing up I loved the optimism of Moschino. Although, when I actually took a serious interest in design as a career, I was most inspired when I first saw Hedi Slimane for Yves Saint Laurent, Rive Gauche and Raf Simons back in 1999. Another Central St. Martins graduate, Kim Choong, who later graduated with an MA in menswear at the Royal College of Art presented a collection this season which reflected science fiction and broken societies within his label, Bodybound. Choong has an impressive background of work within design after working for brands such as Alexander McQueen, Ermenegildo Zegna and Matthew Williamson. This effortless tailoring aesthetic is reflected in his most recent collection. Entitled Dystopia, Bodybounds Autumn/Winter 2012 collection takes inspiration from sciencefiction scenarios like the ones described in Aldous Huxleys novel, Brave New World and in fantastical futuristic films such as Blade Runner, Tron and 2001 Space Odyssey. The collection is almost like a step into the future; a utilitarian essence is held within the garments, clothes were somewhat formal and traditional, with a futuristic edge.

A military style khaki jacket and trouser combination contrasted the sexual confidence Choong has pumped back into the rest of the collection; metallic and gold encrusted knits were teamed with metallic accessories. Studded vests and transparent PVC made for futuristic materials. The inspiration behind the Autumn/Winter 2012/2013 Bodybound collection is not as straight forward as it may seem. There are many elements to this collection that one may simply assume as the seasons trends, unless you were aware of the background behind it. Choong talks about broken societies. The utilitarian feel is prominent in certain garments, this is obviously linked to the broken societies reference. The futuristic materials, such as metallics and PVC are hinting at a future society, one which is shattered. Is this the prediction Bodybound founder and designer is making about our future? Or is he referencing the future of a completely different world? Overall, the cut chosen for the garments was highly fitted, particularly when it came to the see-through trench coats and trousers, which came in grey wool, stripes, or Prince of Wales checks.

Photography: Leonie Benaiah Styling: Jade Kent-Williams Harriet Scoffin Nadine Anderson

Nadine: Clothes - Shorts, Topshop. Hoodie, American Apparel Accessories - Gold bracelets, Topshop. Snake ring, stylists own. Double ring, ASOS.com. Phone case, stylists own Jade: Clothes - Shorts and blouse, Topshop Accessories - Black bead braclet, Topshop. Watch, Urban Outfitters. Diamonte bracelet and ring, stylists own

Jade:

As before

Harriet: Clothes - As before Accessories - Pearl ring, stylists own Gina: Clothes - White jeans, Blanco. Top, River Island Accessories - Gold ring, stylists own. Gold bracelet, Topshop

Harriet: Clothes - Denim shorts, vintage. T-shirt, Topshop Accessories - Pearl necklace (worn as bracelet), stylists own

Lara:

Clothes - Shorts, Zara. Shirt, vintage Accessories - Ring, Topshop. Bracelets, stylists own

Melissa: Clothes - Vest, New Look. Shorts, H&M Accessories - Coloured bracelets, stylists own. Aztec bangle, River Island. Ring, Topshop Gina: Clothes - As before Accessories - Bangle, Oasis

Nadine: As before

Nadine: As before Jade: As before

Harriet: As before Gina: As before

Lara:

As before

Melissa: As before Gina: As before

Nadine: As before

ur habitat has become incalculable. Natural disasters, climate changes and other unforeseen events are creeping into our life without the majority of us taking any notice of these diversifications. Spanish designer Martn Aza however, has realized that there ought to be things, which surprise us humans, when they come out of nowhere. This was the reason for him to create the basic house which was developed as a prototype to protect us from occasions such as natural disasters. His creation is perfect for outdoor enthusiasts, who spend their time in the countryside or on big adventures. The foldable house can fit into any regular jeans-pocket and inflates within a few seconds. It was designed to be a temporary housing solution and can be used to protect us from the heat, and the cold, as it is reversible. The house is made out of metalized polyester and self inflates itself when it comes into contact with body heat or sunrays. It can give an instant shelter against heavy rain and snowfall, as well as heat waves. Once inside the shelter, the material reflects body

heat to keep the user of the basic house warm. Unfortunately the material is not very stable so one would not be safe if there were hurricanes or heavy winds. Discussions were made whether to give homeless people a basic house to decrease death rates during the winter months but no agreements have yet been made especially as it will not be able to save any of them from freezing to death. Architects who are continuously innovating and trying to reduce space to create affordable shelter have called Azas invention a triumph. The designer himself states that he was influenced by the most advanced technology when designing the simple and versatile immaterial house, and says that he created a house, ideal for a life on the move without material ties. Having everything without having almost anything. One can be excited to see whether or not the basic house will remain a prototype or if it will retail and we will see many golden boxes on the streets or fields when the shelter is needed, or just for fun at festivals.

This programme received huge Miniature backlash animals with many are disgruntled quickly pet owners becoming complaining all the rage to OFCOM that in society the breeding of and a global such animals was By Jade Kent-Williams phenomenon not only cruel but which has rapidly would popularise this become not only a trend to more people who trend, but a fashion would jump on this fad after accessory. In popular witnessing the so-called stylish culture, celebrities such as aspect. Wood Green Animal Shelter Paris Hilton and Nicole Richie at their stated, We cannot condone the breeding highest point of fame began to stroll of teacup or miniature animals of around Hollywood with tiny Teacup any kind. The subsequent fragility of puppies strategically positioned in these breeds combined with on-going their Louis Vuitton. Once Paris stepped medical issues and majorly reduced life out with Tinkerbell, the obsession expectancy in no way complies with began. But how far can this fascination any animal welfare standards that we with miniscule animals go as both support. Teacups cows and horses are slowly creeping onto the market, it forces us Late last year, Callum Kendall and his to question, is this ethical? girlfriend Zoe Whitehead searched the website oodle.co.uk on the lookout for In order for an animal to have the a Teacup Chihuahua; they soon found status of Teacup a determined an advertisement from an independent breeding program must take place by the seller and bought the dog for 400 breeder. This means that every single which they named Bella. When they one of these mini animals are premature collected the dog she weighed just 270g and this can be a huge health concern. and was dehydrated and weak. Bella To be smaller means that their organs also could not walk properly but the are also smaller, that their bones are owners put this down to tiredness. much thinner and that there could be After refusing food and water and genetic problems created by their lack noticing blood in the puppys poo, of growth in the womb and not being fed Bella was taken to the vets but the by their mother up to the point as much young couple could not afford the vets as they need. Recently, ITV highlighted bills for the treatment needed. The the Teacup trend with a programme vet took Bella home to look after her entitled Super Tiny Animals which was a but by the following morning she was positive outlook on the world of microtoo dehydrated and weak to survive and pets mainly focusing on the glamorous sadly died. side of dressing up your puppy in the latest styles and new trends for the Teacup puppy.

Annie Gleed, the Veterinary surgeon said, Bella had collapsed and was dehydrated. She looked very poorly. We tried hard to save her, but she didnt really stand a chance. If people are looking to get a new puppy, they should visit getpuppysmart.com which is a website run by the RSPCA and gives lots of tips. If you are spending so much money on a new puppy, you need to make sure you know what you are getting. This was a really sad case. Stories like this should hopefully make any potential pet owner wanting a puppy of the Teacup variety very aware of the dangers attached to this growing trend. If a puppy is Teacup it probably means that its premature and has not got much of a chance at life. Unfortunately a huge issue with the Teacup craze is that they are rapidly becoming disposable with people realising that their animals will soon grow to full size and consequently have to give them away to animal shelters. Many Teacup animals do not stay small, particularly the Pot-Bellied pig which was popularised by such television shows as The Only Way is Essex as the latest tiny pet for those wanting something small but something a little different and fashionable. Glamorised as a Teacup pig, small Pot-Bellied piglets are actually just a result of poor breeding and they do not stay so compact. They soon grow very large which is a concern for such pet owners who want to keep their piglet like a dog inside the house and realise that they are now dealing with a fully size farm animal, who has a range of needs and wants and also an ability to become aggressive. This often leads to pet owners abandoning their pig as they cannot take care of such a large animal anymore and they definitely cannot keep their pet in their house.

The latest fad in the world of tiny animals is the Teacup stingray, a very unique species which is different from other types due to its small eyes, flattened body and pointed tail which is at least half the length of their bodies. With a white under body and the rest olive green, these petite sea creatures are certainly strange and natural life forms that initially start off very small. Yet like most teacup animals they begin to grow and can actually grow up to an enormous 30 inches. They are becoming big pets in America with a demand for them as not even just a pet but a home accessory, with bigger tanks needed to house them as pet owners soon realise they do not stay Teacup size. The Teacup stingray at its largest of 30 inches is a huge pet to keep and in order to house this enormous sea creature, a 300 gallon tank with superb filtration would be required. This not only needs a huge amount of space but is also very expensive. Any animal that large will of course necessitate eating a lot more and this too becomes very costly with the amount of seafood and worms needed to feed the animal. This is once again an example of curious pet owners being misled by breeders as a result of their desire for this miniature trend spinning out of control. One of the most curious cases of the Teacup phenomenon is that of the Teacup cow, one such animal that is being bred smaller by US farmers with the idea that miniature cows could save the world, calling it sustainable beef farming.

Professor Richard Gradwohl, a farmer from Seattle, is accountable for 18 new breeds of tiny cattle which are less than 96.5cm tall. Usually when breeding cows farmers will make them as large as possible, over-feeding them in some cases to ensure that they would get more money for more meat. But after Gradwohl had to give up 60 acres of his land he decided that he would miniaturise his cows in order to raise ten smaller cows on five acres of land, rather than two of the bigger variety. He stated, When I started frittering around with miniature cattle, everyone thought I was nuts, but this meant that he could make three times more beef but would be feeding his cows up to three times less than before, saving himself a lot of money.

Gradwohl believes that he is contributing to society due to the worry that the amount of methane cows produce could be one of the causes of greenhouse gases. But with ten tiny cows making the same amount of methane as one normal sized cow, he believes that he is helping out humanity. His business is certainly being taken notice off and he now ships cattle, semen and embryos all over the world. This desire for Teacup cows seems that farmers are attempting to play God and are experimenting with the lives of cows in order to save themselves a bit of money. By beginning to breed animals smaller, farmers are playing games with biology and forces the question, is this selfish as it is primarily to make more meat and save themselves money through food prices and land? By breeding smaller cattle will this lead to breeding smaller pigs which means that the lives of animals are completely controlled? What happened to Mother Nature? Sooner or later these tiny pets will either grow too big for their owners to handle or their health concerns too big for them to survive. Where will the demand for miniature animals stop? The eggcup puppy?

By Melissa Cousin
Were all aware that little is practical. But theres an ongoing fascination with micro-scale objects and the creative sphere is no exception. We investigate the work of miniaturists and how it coincides with humans gravitation to everything teensy.
t starts when were children. Toy cars, dollhouses and hours on end wed spend with Lego; making something that only slightly resembled a real life object. But the dedication was there. We have a natural attraction to small scale items - building them, collecting them or just admiring sets in glass cabinets. Its almost as if it creates a parallel universe. Scale model kits, Mechano and endless train sets are available for the average miniature enthusiast. But does the pleasure simply come in building objects that are otherwise out of reach? If you cant afford a Mini Cooper, whats second best? Make one. A tiny one. Or buy a model version to construct and display on a mantel piece to stare longingly at. The earliest dollhouses were handmade and displayed in cases, showing the typical idealist view of a home. Luxuriously furnished and intricately detailed which wasnt achievable for most families in real life. Its hard to believe they were once just to be looked at, not touched and certainly off-limits to children. Nowadays its a common hobby, and along with the air of aspiration with miniatures that comes in the form of a four-poster bed or Lego Chanel lipstick (yes, they exist), they allow endless creativity and imagination. Perhaps this is what pulls in artists and admirers alike. Slinkachu, a street-based artist takes miniaturist work to the extreme and the most innovative direction. It consists of reworked toy soldiers that are strategically placed and photographed in various London locations.

Interestingly, he doesnt even consider himself a miniaturist, saying hes interested in little things, but not for miniatures sake. Surely theres a fine line between the two, and his work certainly screams miniature so far. Stretching the obsession with pint-sized objects comes the Art-o-mat converted cigarette vending machines that dispense tiny original works of art. They have yet to reach the UK, but you can find them dotted around the US and Canada. Available to purchase for only a few dollars, art lovers have an alternative to saving up or breaking the bank to own their favourite painting, photograph and illustration. With their retro look and authentic features they have become extremely popular. So is the vending machine art culture the next big thing in a world that is continually getting smaller? It gives art collectors a whole new opportunity, as well as giving up and coming artists another outlet to share their work.

The figurines, together with litter and everyday items, display emotion and life-like scenes; from a tennis ball floating in a puddle appearing as a desert island to an orange peel as a skate park. It sounds odd, and the concept certainly leaves you wondering if there can be any end to it. The thought that perhaps nothing is ever what it seems, or the size that it should be, can be a frightening one. People are lonely and intimidated by big city life. Their world is full of dangerous things at a 1:87 scale, he said in a recent interview. I look at my installations as small slices of drama from everyday life. And they are not easy to find theres a high chance youll never come across one as they are just so tiny, most are hidden away on less busy streets. They reflect real life moods, situations and emotions. It could be the concept of seeing our own lives shrunk down that we find so alluring.

Theres always a buzz in relating to things, and if you can identify theres an instant attraction. Take Legoland, the resort filled with model replicas of worldwide landmarks and scenes - all built from original Lego pieces. Its become so much more than a childrens toy, more an all ages experience with the wow factor - all because the content is so familiar. New York Citys skyline and Londons Big Ben are known for their size their large size. So what more exciting than seeing a hand-built version that barely reaches your knee? Its contrast and extremes that make us stop and stare. The thought of an architect initially sparks images of magnificent skyscrapers and beautifully designed grand structure, but an exhibition named Lego Architecture at the National Building Museum proved that 2 centimetre bricks can create something just as mind-

It displayed 15 models of world famous, impresive work to discover new ways to build and design to capture each building and piece, he explains. This is a major attraction to building kits like Lego and Mechano. While there are specific sets to construct one figure, buckets of building blocks are available to buy and build to your hearts content. All you need is imagination and some patience to discover that such things really are limitless. Slinkachu and his street art, however, may not be as free as it seems. I dont want to get to the point where Im repeating myself or just putting little people on a rock and taking the picture, he says. I want to build more, and play with scale more. As with any form of art, there is a choice to play it up and dramatise or keep it simple. Slinkachu wants the freedom to both while still maintaining its original concept.

Youd think anything the size of a pinhead is as small as you can get. But not according to Willard Wigan, sculptor of intricately detailed figures that are so small that cannot be seen by the naked eye. He claims that he must enter a meditative state before painting the models to reduce any shaking or trembling of the hand. To work in this scale, you cant blame him.

The average champagne or wine drinker would just clumsily attempt to push the cork back into the bottle after opening and pouring, whereas a Design Within Reach project resulted readers using it to create miniature chairs, along with foil and cage. You may recognise some designs from the original pieces and others were sourced from imagination alone. Add it to the things-to-try-when-bored list.

Some may have been uninspired by the childrens stop action film Coraline that was unsuprisingly released in 3D. But what if they knew the tiny clothes were knitted by hand? If you give it a second, or third thought, it becomes rather impressive. It requires super small needles and a very steady hand. She and Willard Wigan the perfect collaboration?

Miniatures seem to have a habit of creating an optical illusion effect. These rooms are just the average life-size, right? Wrong. So wrong that upon seeing the images on his website, customers have placed orders with the belief they would receive the full-sized pieces. The detailed interiors and working lights are extremely convincing, Peter Tucker, a former psychologist, certainly knows how to trick the mind.

This might be a you have to see it to believe it kind of thing maybe the pictures dont quite do them justice, or reflect just how small they are. From old packaging and business cards, the artist constructs replicas of buildings even goes as far as to making small wedding chapels from the invitations. Recycling at its very best.

A trip behind the lens of Barbies day out.

Photography: Leonie Benaiah Styling: Georgina Anderson

Theresa wears Stella McCartney dress, 3.1 Philip Lim trousers

Theresa wears Jill Stuart dress. Barbie wears 3.1 Philip Lim top and trousers

Barbie wears Chloe dress, Louis Vuitton overcoat

Barbie wears Chloe dress, Louis Vuitton overcoat. Theresa wears Marc Jacobs blouse and skirt

Theresa wears Stella McCartney dress. Kelly wears 3.1 Philip Lim top

Barbie wears Chloe dress.

Barbie wears Jill Stuart dress

68

By Georgina Anderson
hat stomach twisting, gut wrenching feeling, the soft folds of a comforting material, the secret darkness that exists beneath the fabric our pockets. Somewhere we retreat to at times of discomfort or uneasiness. A mysterious habit typical of human nature, a silent motion that speaks volumes. The pocket has existed for thousands of years. It began as a separate, fabric pouch which could be concealed beneath a coat and reached through a slit in the outer garment. Over time it became an addition to the belt and eventually evolved to become a part of our physical clothing. But what is the link between a purely practical item integral to many garments we wear today and something we consider a symbol of security? Neil R. Paterson, leading British hypnotist agrees that, When a person constantly puts their hands in their pockets, they are showing signs of insecurity and anxiety. Similarly, a person may habitually fold their arms in front of them or clasp their hands in front of them. The comfort drawn from these actions is the act of hiding some part of us from public view, thus providing some element of security imagined or otherwise. And its the point about hiding a part of ourselves which is the key to this whole meaning. When a teenager feels fat, they cover their body in excessively baggy clothing. When a person feels ugly, they slather their faces with heavy make-up. Its a sheild. Both physically and psycologically. These material barriers act as a trigger in our subconscious minds for us to feel okay infront of others. The more we use these barriers, the more reliant we become of them. Without them, our mind and body feel naked or unprotected and open to potential criticism, whether the criticism itself exists or not. The origins of these insecurities are important to analyse. Most frequently, using our pockets is a result of social vulnerability. According to Worldbank.org, an association which aims to combat poverty by researching psycological issues, it stems from, ...insecurities related to social status resulting in exclusion, discrimination and lack of protection. As humans, we are very social animals and the threat or fear of exclusion from a social situation is always in our subconscious mind.

Equally, a common human trait is to try to protect a part of our body when we feel uncomfortable. For example, when we feel timid or lacking in confidence, we automatically sink into ourselves, hiding our chest and often wringing our hands. Its simply a coping mechanism until the situation passes. Our hands particularly are a very expressive part of our body. They aid communication in speech and help to bring accross our thoughts and oppinions. When we hide them, we are concealing a part of our identity or personality which we may not feel content on sharing in an unfamiliar scenario.

She says, In actual fact, there is evidence to suggest that when lying, a person is much more likely to excessively use the hands to subconsciously distract from what they are saying. It could be in the form of over consists of body language. How we listen, react and respond can often be shown in body movement and placement without the aid of speech. Therefore, when a person feels dejected, a common placement is to cross arms, fidget, or indeed, put their hands in their pockets.

...hiding a part of us It is commonly misconstrued that a person from public with their hands in their pockets is untrustworthy. view...
The signals are often misread that said person has something to hide or may be lying. Body language expert and speaker Patti A. Wood, insists that in reality the person is more likely to be feeling anxious or nervous, especially if they are in a large group of unfamiliar people, sales pitching or public speaking.

To return to the original use of pockets, they have been used to carry small tools and personal items around for centuries. This still continues today and what we now carry in our pockets tends to include some of the most important and practical pieces to us, such as a mobile phone, keys and money - all necessary daily items. But on a more personal note, many people carry lucky charms around with them. Its another symbol of comfort and confidence and each piece is personal, making it unique. Individually, all these objects hold great importance and without even one of them, our lives would become a little more complicated and a little less convenient. Whether for practical or personal use, pockets are a sacred and individual place we store our most essential possesions.

59

...a bulky

is unatt ket rac poc tiv e on even the most Adonis-like of men...
The pocket is still very much present in the majority of mens garments and practicality is paramount. So why is it that womens clothing has evolved not to include those all important pockets? Due to the typically desired hour-glass figure, womens garments tend to be more form fitting and streamlined, attempting to create a slimmer and more aesthetically pleasing sillhouette. The addition, and therefore use, of pockets in such clothing would distort the figure and add unecessary bulk. The male figure is naturally different. Its slimmer and straighter so can afford to have layers added. Having said that, a bulky pocket is unattractive on even the most Adonis-like of men so tailors are skilled in concealing pockets within seams and folds and consider pocket useage in the design of garments unlike in womens clothing. Of course a strong case can be made by the fact that the majority of women carry handbags instead, but in a lot of instances, bags are counterproductive: they take up a whole hand, weigh on your shoulder or your elbow down, they get easily left behind and lost and most importantly, they get stolen. If you only need to take with you the bare essentials, pockets are the most practical option but it seems that designers only think men have these thoughts. Its a continuous cycle of designers assuming women dont need or want pockets because they buy handbags, but the handbags were bought in the first place to compensate for a lack of decent pocket. During the First and Second World War, womens clothing had an abundance of pocket detail for a functional purpose.

Fast forward to a 50s housewives, and as pockets fell out of favour, women began to carry small purses and clutch bags to hold necessities. Its only in more recent times since the power boom of the 80s which has seen women wanting it all at home, at work and apparently in their handbags too. But pockets are making a come back. Burberrys A/W 2012 womenswear collection shows a magnitude of exaggerated, utilitarian pockets on jackets, trousers and even pencil skirts. Chloe produced oversized felt coats and wool dresses with large envelope pockets attached to the front and concealed pockets in the sides of capes and tapered bloomers. To argue a definite explanation for the pocket debate would be foolish. And to try to distinguish between why each sex adopts the same actions would also be neigh on impossible. What is clear though is that our pockets are a place of safety and comfort. They are there when nothing else can help to shield us and

protect our most important possessions. They are both a style choice and the epitome of practicality in one yet are often overlooked and forgotten. Of course, it may not even be this complicated. Perhaps it is as simple as cold hands.

Therefore, this could suggest another take on the question. When putting our hands in our pockets, are we simply protecting our most vital items? Biologically, the act echoes that of the human nervous system when blood retreats from the limbs to conceal the vital organs such as the heart and lungs. This most commonly happens when the body is under trauma as a result of, for example, a temperature drop or serious accident. Does this indicate that our mind could in some way mimik this survival technique? The action of using our pockets is a habit of both sexes but in recent decades womens clothing has focused on being more streamlined, with less pockets and therefore becoming less practical. Womens garments are often designed with an aesthetic slit for a pocket and no actual pocket inside in an attempt for the garment to sit flatter against the body. Meanwhile in menswear, tailoring is still at the forefront of trends.

...our pockets are a place of safety and comfort.

By Jade Kent-Williams

The designs featured are very individualistic, ranging from Aztec print, camouflage and a bone print. How do you choose such designs? As I ask her she looks up and down and I can see that she is carefully thinking about this question. Theres no great decision process, I look for fabrics which I like and which I think will look good as pockets. Its clear that Farrington has created The Pocket Co. in order to fit her needs as a designer and to make clothes which she herself would wear. The way she dresses clearly influences her and when asked about her personal style and style icons she tells me that she is excited to answer this question. My personal style is based around the fact that I wear whatever I want! I like to take inspiration from all over the place, from famous people, people I see on the street and bloggers I follow. I dont have one icon in particular; I dont think that would be much fun! It is fortunate to see a young designer believing that she can dress any way she wishes to and that she combines a wide range of inspiration to create her particular look. Most of the time I shop on the high street at stores like Topshop, Urban Outfitters, Primark, American Apparel, H&M, Miss Selfridge, etc. I also enjoy vintage or small, oneoff stores and I like to shop online on ASOS and of course Ebay!

I wear streetwear brands too, such as Carhartt, St Ussy, Penfield, The Hundreds, Nike, Supreme, HUF, etc. Occasionally I buy more expensive, sometimes designer items too - I love my Vivienne Westwood jewellery and shoes and my Nike trainers. I have lots of favourite designers, Alexander Wang, Vivienne Westwood, Acne, House of Holland, Mulberry, Ashish - just to name a few. The Pocket Co is based more on streetwear fashion however, and doesnt take much inspiration from high end designers. Her personal style is a mixture of classy and quirky, she wears a large variety of accessories, her wrists covered in bangles and her fingers adorned with bulky rings. As far as my personal style goes, Tumblr and Lookbook are great sites for inspiration, and if you find a person whose style you love then following their blog can be great too. I also like to people watch, especially when I visit different cities! For The Pocket Co, I dont particularly look for inspiration, like I said earlier I just choose fabrics and patterns which I like and turn them into garments.

annah Farrington is becoming well known, well known in a world where blogging has taken over and allows for young entrepreneurs to put themselves out there in a world which is willing to stand up and pay attention. Farrington uses her blog HANNAH. to not only promote herself as a stylish individual but as an upcoming designer who has designed plain t-shirts with an interesting pocket. Using an array of fabrics and designs all completely emphasising the pocket, the company is called The Pocket Co. and was established in 2011. As Farrington steps into the quaint little caf which we decided to meet in I immediately notice her charismatic, striking face and auburn hair popping out

under a maroon bobble hat. Dressed in Disco Pants, leopard print flats, an Aztecinspired bomber jacket and one of her own t-shirts with a leopard luxe pocket, she is smothered in accessories and greets me with a hug, a kiss on the cheek and a huge, Hello, so wonderful to meet you! She looks at me very interested, her eyes bright and using her hands to express herself. The first thing I have to ask her is why she decided to use pockets in her designs as the main feature. Farrington looks down at her own t-shirt and fiddles with the pocket, A printed pocket is, in my opinion, a great and simple way to make a plain garment more fun! Thats why I decided to emphasize on pockets and obviously gave me the name - The Pocket Co.

I question how she began as a designer and any struggles which she has come across. I made a couple of pocket t-shirts for myself and both friends and (Tumblr) followers were constantly asking me where I got them from, so I decided to start making them on a larger scale and selling! Farrington grew up in a quiet village in Blackburn, she tells me, Its only an hour by train to the city of Manchester. Fashion wise, Manchester is a really diverse city in terms of style, and you get all sorts of interesting people here! I still live at home however I do spend almost every weekend in Manchester. Hannah Farrington has many goals in mind for her future and she lets me know that she wants people to know that she has many strings to her bow and that having a good life is determined by how many things you can get involved in. Her main goal in life is to go to University in September. She wants to stay in her favourite city of Manchester and study law in September. She also plans on expanding The Pocket Co. but when I ask her what the exact plans are she remains quiet with a small smirk on her beaming face; I can tell that she is being secretive. There are more products and designs on the horizon, but youll have to wait and see! Farrington is very big in the blog world with both a Tumblr and a Blogspot and she uses such blogs to promote herself and her style with her Lookbook as well as any photographs which she finds and sees as

inspiration. She has gained many followers through her blogs and one of the best things about her blogs is that she uses both as a marketing tool to promote her clothing company. I dont think that The Pocket Co. would have got as much exposure if I didnt have a blog, or at least not as quickly. I also sometimes get to work with other companies as a blogger, the perks of which include free gifts and finding out about new and upcoming brands and designers! Farrington is slowly finding her footing in the fashion industry and hopes to make her way up the career ladder aswell as juggling a career in Law as well as a clothing company to earn money on the side. Aside from blogging I dont really have much fashion experience. Id like to get more involved in real life events in the future though but blogging is a great way to start! She goes on to tells me that there are some things which she doesnt like about the industry. I dont like fashion snobs! You dont have to have money to be well dressed! She proves this by mixing streetwear and high street which isnt too pricey and still manages to look effortlessly cool and stylish. Hannah Farrington and her clothing range The Pocket Co. are building up a profile for those that are seeking someone different to aspire too and a clothing range which provides for their needs as a consumer to look different and a streetwear brand which can still be glamorous and stylish.

77

veryday, roughly 3 million people make a journey across the London Underground, winding there way across 408km of railway lines. Crammed amongst strangers, with Kindles hitting you on the back of the head and mystery crotches in your face (if youre lucky enough to get a seat), we make our daily laborious journeys. Its easy to see why we forget about the little wonders at each stop, so I decided to embark on a PocketSize journey on the central line. Travelling from Notting Hill Gate to Mile End, I made it my mission to explore and observe what we all take for granted; the sites and people that lie at each stop.

Of course the first place that comes to mind when visiting Notting Hill is Portobello market, but if you veer off down the side streets youll uncover a new range of quirky hangouts. The first place that caught my eye as I was heading down Pembridge Road was Arancina, a Sicilian pizzeria. In the window of the shop was a vintage orange Fiat 500, I have an obsession with the new models so seeing this original miniature car, combined with pizza, was a winning combination. After seeing the pizzas displayed in the window I thought they were made to take away, but on further inspection inside is a restaurant. Serving dishes ranging from lasagne to salad, all homemade with fresh Sicilian ingredients, Arancina is the perfect pit-stop for re-fuelling with some fresh, rustic food. They also provide a catering service, say goodbye to sausage rolls and cheese and pineapple on sticks and treat your friends to a traditional Italian feast. If youre looking for somewhere a bit unusual to spend a few hours, take a trip to The Museum Of Brands, Packaging and Advertising. Head down Lonsdale Road, off the main street of Portobello. Whatever youre into the museum has posters, packaging, adverts and original items of fashion, toys, games and food. Taking a trip down memory lane will give you much more satisfaction than stumbling through the crowds of bargain hunters at the market.

A stop youve probably been to a million times before, when youre forced to battle your way through stressed out shoppers who are desperate to get in/ out of the over crowed shops. However this time shopping wasnt on my agenda, there was only one thing that was on my mind, food. On Oxford Street this usually means Garfunkles, McDonalds, random pizza stands or Starbucks, but if you venture down side streets youll uncover culinary gems, such as Meat Liquor. Located underneath a car park, this no fuss restaurant is decked out with animal murals, graffiti, exposed light bulbs and loose wires...

Nestled between Notting Hill and Marble Arch, this stop is one thats over-looked by myself and the majority of London locals and tourists. However Lancaster Gate is the home to one of Londons most unusual attractions, the Hyde Park pet cemetery. You have to book an appointment a week in advance to enter the area that is the burial site for over 300 animals, which was started in 1880 by the Duke of Cambridge. Members of Victorian upper class society would lay there beloved animals to rest, until 1915 when the grounds become over crowded with dogs, cats, birds and even a reported monkey, and had to be closed. I hadnt made a booking so only got up to the railings where the miniature gravestones are covered in moss and buried in shrubbery. Located on the corner of Bayswater Road and Victoria Gate, this is definitely something youre not going to find on the majority of London maps. Exiting the station at Marble Arch youre positioned between the countries busiest shopping street and the peace and quiet of Hyde Park. I decided to avoid the chaos of Oxford Street and walk down Bayswater Road as Id heard that Londons smallest house was nearby. After about 5 minutes walking I passed Tyburn Convent, the home to Benedictine nuns who maintain a constant 24 hour vigil. Londons smallest house is now part of the convent and is sandwiched between towering Victorian buildings that almost swallow up the tiny door. Built By Harriet Scoffin in 1805 the house consists of a corridor and bathroom measuring just over 106 cm wide. It is believed it

...The eatery carries on the trend of a non-booking system, so my friend and I were lucky to get a table pretty quickly. The atmosphere was relaxed but had the liveliness of an American diner, the extreme styling of the restaurant is a tad OTT, but somehow it works. was initially constructed as a watch house for St Georges graveyard, as body snatchers were a problem at the time. Its amazing to think that amongst the 21st Century development of Oxford Street, a tiny piece of history remains, and is overlooked by us everyday. Also at Marble Arch, as I wandered round for spot to have lunch in the sun, I spotted the jelly baby sculptures. They were meant to be displayed until April 2011 but for some reason, theyve remained in there position looking over the park. Made by Italian artist Mauro Perucchetti, the colourful family of resin bears stand up 3.2 metres tall; fun and light-hearted they brighten up the West End. When it comes to ordering you can be as adventurous or safe as you like, Im a seriously fussy eater so opted for a plain hamburger with a side of chilli cheese fries. After about 20 minutes our food arrived on a paperclad tray, with a roll of kitchen paper replacing napkins. In-keeping with the unconventional serving methods, our drinks were served in jam jars. Our bill comes to roughly 30 each, a little pricey, but the fabulously naughty burgers leave you extremely satisfied, and the unique atmosphere is worth the extra cash. Its definitely worth paying Meat Liquor a visit, this place shows Oxford Street has more to offer than you initially think.

As soon as I exited the station at Bank I could tell I was in the financial district. Businessmen breezed past in their 3 piece suits, carrying a briefcase in one hand whilst precariously balancing a Starbucks and iPhone in the other. I decided to take a walk to the Barbican centre, which only took about 15 minutes. Journeys such as that highlight how lazy I have become when it comes to travelling on the tube, Ill regularly hop on for one stop when I could easily just walk. When I got to the Barbican I checked out the events schedule for the next couple of months, and one that caught my eye was Song Dong: Waste Not. Running until June 12th the exhibition by the Chinese artist showcases 1000s of items that were collected by his mother, which he has turned into an installation to reflect on his life. Pans, toys, blankets and toothpaste tubes are a few of the items featured that mark a personal and poignant meditation on Dongs childhood and family life. This exhibition is a celebration of things we take for granted in life, and highlights how important they can truly be to us. Tickets are free once youve paid the 10 admission fee to the centre, so take out a couple of hours and appreciate the simple things in life.

When you think of Bethnal Green, fresh open spaces arent what spring to mind, but wedged between council estates and kebab shops on Hackney Road lies Hackney City Farm. Aside from the resident goats, sheep, cows, pigs and Larry the donkey, the farm also offers gardening and craft workshops. The farm prides itself on being eco-friendly and is partly fuelled by solar heating and bio-diesel. Release your inner country bumpkin and see a different side to the East End, escape the smog filled streets and experience something different in the city.

The next stop I decided to explore is somewhere Ive never been to before, and judging by the deserted station its the same case for many people. I had no idea where to head for so approached one of the guards by the ticket machines. Whenever Ive had to approach an attendant in the past when my ticket wont let me through the barrier or my bags trapped in the gates, I dont usually get a very friendly response. Barry however, was a different story. The 60-something year old was more than happy to talk to me when I asked if he could give me any pointers of where to head to in the area. Although his initial response was youre wasting your time here, youre not going to find anything to see , he then proceeded to give me a snapshot of his life story growing up in the local town. I spent about 15 minutes talking to this man, although I drifted in and out of concentration listening to his anecdotes. I left with a sense of fulfilment from taking the time to speak with someone I would usually breeze past. I didnt even make it out of the station, but the conversation I had with Barry highlighted its not just places that provide you with interesting facts, its the people we walk past everyday that quite possibly hold the best stories we are yet to hear.

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The Routemaster Pocket-Book

The iconic design of the Routemaster bus is synonymous with London town. As the new Routemaster takes to the road, this book tracks a history of the first red bus since its 1956 inception including the original line drawings as well as some modern illustration interpretations. 18.2 x 12.2 x 1.4 cm
5.91, amazon.co.uk

Bella's Pockets
From a tiny horse with a broken leg to a vial of fairy dust, Bellas Pockets is released this month to chronicle all the bizarre objects author Lisa Bauso found in her young daughters pockets. The poignant photographs capture the imagination and curiousity of childhood and give a rare glimpse into the secret world of a young girl. 20.1 x 20.1 x 1.5 cm
12.47, amazon.co.uk

Pocket Dickens
To commemorate Charles Dickens 200th birthday this year, Penguin have re-released his wellloved classics in irresistible small hardbacks. The collection includes David Copperfield, Great Expectations, A Christmas Carol, Little Dorit and Oliver Twist. It doesnt even matter if you havent read them, theyll look cute on your bookshelf and impress intelligent guests. 18 x 11 x 4.8 cm
6.29, amazon.co.uk

Boulangerie
This handy travel book explores the 225 best bakeries in gay Paris, giving a brief history and detailing their signature breads and patisserie. The book also contains detailed directions of how to get to each eatery and 50 tried and tested recipes from some of Paris most famous patissieres. 15 x 10.2 x 2.3 cm
14.95, amazon.co.uk

Mr. Men Complete Collection The original, pocket size children books now come in their very own boxed library including characters from the very first Mr. Men Mr. Tickle and Mr. Greedy published in 1971 to the 47th character, Mr. Nobody added to the collection in 2010. You dont have to have small children to own the collection; the nostalgia is surely enough. 22.2 x 16.2 x 14.8 cm
From 49.99, amazon.co.uk

The publishing world is teaming with miniature libraries, tiny books and pocket media. Georgina Anderson looks at the best new releases - and a couple of retro ones too.

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Last months London Short Film Festival saw the best of short filmmaking and directing talent awarded for their work. Weve reviewed the winners and revealed an insight into what makes them a cut above the rest.
Music videos can be bland. Why would you want to solely watch an artist playing their music to a staged crowd or see an overly attractive model act out their lyrics when you can create an engrossing, quirky recording that inspires while it entertains? Prano Bailey-Bond has clearly been thinking the same thing. Set in an eerie location with the effect of candlelit surroundings, we see human dolls illustrate Cool Runs new single with haunting choreography that will certainly get a firm grip on your attention.

House

Director Kevin Gaffney says his work negotiates the representation and manipulation of memory, identity space and time. With clear influence from the work of Andy Warhol and David LaChapelle, this chilling 5 minute film combines these elements to create a story of three female characters (all of which played by himself) who portray a desperate attempt to communicate with the world. He launches the viewer on a captivating journey through static movement, electric colour, eye-opening costume and an alarming

An Oral Fixation

Kumar Satkunarasas amusing perception of growing up and getting old is undeniably smart. Throughout the four minutes youll find yourself either nodding along, sniggering or shaking your head at the matter-offact way he captures how he sees the not-sosweet essence of human existence. Fast-paced and sketchy, using hand drawn animation along with a rough, separately recorded narration adds a little innocence to an otherwise brutally honest film with a hint of pessimism. As stated by Satkunarasa it may leave you wondering if anyone ever really grows up or whether they just get older.

Life and Stuff

A man reading out a letter to his wife. A moving image of another playing alone on a deserted golf course. Put the two together and you have a puzzling concept, but director Sirdjan Keca says the film simply uses the City of Dubai and its surrounding desert as a set for exploring displacement, longing and desire. With just the right balance of close-ups and extreme wide shots it takes everything we feel and experience combined in a cold but emotional, heartfelt take on individual stories of loss and meltdown.

Mirage

Of this, men shall know nothing. In an old-style black and white silent format, Fritz Stolberg won the award for Best Experimental Short. And that is primarily what achieves in being. With layers of spellbinding composition and a dramatic, soulful soundtrack, it takes viewer stimulation to a whole new level. Based on a painting of the same title by Max Ernst, it provides a poetic and complex tribute to the work.