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around ourselves which give us a sense of posession of the world around us and help define our place within it. Visual recognition in photographs may tell people of their place in the world, and give them an imaginary possession of it. Seeing tells people of their place within it by certifying experience with visual images. Photographs serve as a testament to the multitude of experiences we have lived and shared, both as individuals and collectively as a global people. History is embedded in them. What makes a good photograph is something very individual; our background, emotions, self identity, personal aesthetics, culture and language are all influential elements that embellish the detail of private meaning that becomes significant to the images we identify with. Photographs that take on personal meaning stimulate memories of relative, past events and emotions in our lives, times that otherwise may have faded away. The broader context of photographs that saturate society show us small slots of time and history that we never would have experienced, which is highly influential upon us. Photography is used in the advertising industry to convey a sense of glamour envy in order to sell us things. It is extensively used in the fashion and glamour industries; editorial photography is used to illustrate articles in magazines; whilst pornography relies upon the photographic image for its own survival; photographs are informants of identity and are used for methods of social control. Photographs are polymorphic entities.
What does the camera and photography represent to us? Do we shoot, take or make photographs? How conscious are we in the moments when we use the camera to intervene in the passage of time?