Beruflich Dokumente
Kultur Dokumente
Images ix
Foreword xi
Sir Martin Sorrell, CEO, WPP
Index 253
MODERN MIDDLE
KINGDOM: OLD PIPES,
NEW PALACE
SNAPSHOT
The Chinese have always wanted to advance, to win the game of life, albeit
without upsetting the apple cart. This tension leads to three key interrelated
and eternal characteristics of Chinese culture that are, directly or indirectly,
relevant for practically all marketing strategies:
conference tables the size of squash courts and apartments no larger than a US
suburban bathroom.
It is impossible to “manage China” without curiosity, and more important,
the willingness to articulate and refine conceptual frameworks. If we lack the
courage to formulate operating hypotheses regarding a fundamentally alien
worldview, Westerners will be lost. What follows is my take on what makes
China Chinese. These theories are, by their nature, generalizations and not nec-
essarily bulletproof. But they have helped me navigate a strange landscape for
many years, and I believe they can help others do the same.
Image 1.1 Sean’s shy, obedient manner masks determination. One of JWT’s hard-
est working employees, his favorite t-shirt, emblazoned with a Superman logo, is a
hint of hidden determination. His style reflects an omnipresent Confucian conflict
between ambition and regimentation. (Courtesy Robin Cui)
Image 1.2 Articulated in the Book of Changes about 2,500 years ago, the ba gua
limns the cyclical interconnectivity of everything from the stars in the sky to sand
by the sea. The complexity of China’s cosmological design requires years of study
to master. (Courtesy ImagineChina)
Daoism. Dating from the sixth century b.c.e., Daoism emphasizes cos-
mological order. As I have discussed, the ba gua reveals heaven’s blueprint. It
promises disaster—bad crops, tidal waves, impotence, and indigestion—if
humans and nature are not in sync. Daoism, however, is not purely passive. It
also promises gain if life is lived according to principles of the Dao. In order to
flow, human beings, like water, must assume the shape of that which surrounds
them. Harmony with nature is a means to an end, a prerequisite for forward
momentum.
In twenty-first-century urban China, Daoist manifestations are every-
where: the enduring appeal of kung fu; the veneration of nature; the ubiquity
of bathhouses and spas that fuse over-the-top rococo style and nature; and the
admiration of round things, including double eyelids, full moons, and the num-
ber eight (8). The influence of Daoism can also be seen in Chinese medicine and
in the popularity of feng shui in office design.
Confucianism. The strongest influence in Chinese society, Confucianism,
also extols stability as the antecedent of forward momentum. Confucian
thought is rooted in a complex code of conduct that explicitly and micro-
analytically details, and addresses, the relationship between individual and
Image 1.3 Red banners sporting imperial proclamations—this one urges citizens
to build a harmonious socialist society—are ubiquitous. They are one manifesta-
tion of the government’s patriarchal role vis-à-vis the masses, reinforced by a deeply
entrenched Confucian ethos. (Courtesy ImagineChina)
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