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1

Outta

My Head (Ay Ya Ya)

2

Boys

3

Rule

Breaker

No 4

Time For Tears

Little 5

6

Miss Obsessive Ragdoll

7

Bittersweet

World

8

What

I’ve Become

9

Hot

Stuff

10

Never 11

Murder

Dream Alone

Executive Producer: Ashlee Simpson Executive Producer: Joe Simpson

Management: Joe Simpson for JT Entertainment

“Outta My Head (Ay Ya Ya)”

WHAT? / Is that all you got to say / WHAT? WHAT? / You’re rubbing me the wrong way / See your lips moving / But I don’t catch a word you say / Shut up your chatter / I need for you to go away / All I hear is / AY YA YA YA / You’re talking way too much / I can’t even hear you now / All your noise is messin with my head / you’re in my head / GET OUTTA OF MY HEAD / OUTTA MY / OUTTA MY HEAD / WANT YOU / OUTTA MY HEAD / WHAT / You looking at me for / Show me / Respect or I will show you the door (get out that door) / Lately / I got a problem with the way that you behave / You’re too much / And all your pushin don’t leave enough room for me / All I hear is / AY YA YA YA / You’re talking way too much / I can’t even hear you now / All your noise is messin with my head / you’re in my head / GET OUTTA OF MY HEAD / OUTTA MY / OUTTA MY HEAD / WANT YOU OUTTA MY HEAD / All your opinions / Keep ‘em to yourself / Just let me think so / I can hear myself / Wouldn’t it be nice if I could just go solo / Take the day off / I’d be alright if you would leave me to it / Back off / AY YA YA YA / You’re talking way too much / If you tell me one more time / How I should live I swear I’ll / Bite your head off / I am who I am / And I can’t be no one

else / You’ve got nothing nice to say / Keep your comments to yourself / OUTTA MY / OUTTA MY HEAD / WANT YOU OUTTA MY HEAD / AY YA YA YA / You’re talking way too much / I can’t even hear you now / All your noise is messin with my head / you’re in my head / GET OUTTA OF MY HEAD

Written by Ashlee Simpson, King Logan, Jerome Harmon, Santi White, Kenna / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publish- ing (ASCAP), Royal Court / Music c/o WB Music Corp (ASCAP), Jerome Harmon Productions c/o Warner Tamerlane Publishing Corp (BMI), Little Jerk Inc. (ASCAP), Millenium Kid Publishing (ASCAP), Nervous People Music c/o April Music Inc. (ASCAP) / Produced by Timbaland for Timbaland Productions, King Logan for Royal Court / Timbaland Productions and Jerome Harmon for Bronze & Brains / Timbaland Productions/ Vocal Production by Jim Beanz / Background Vocals:

Ashlee Simpson and Jim Beanz / Guitar: Ray Brady / Bass Guitar: Joey Kamani / Programming, Keyboards and Arranging: King Soloman and Jerome “Jroc” Har- mon / Recorded by Chris Godbey and Jun Ishizeki at Record Plant Studios and Chalice Studios, Hollywood, CA. Assistance Engineers: Anthony Caruso and Nate Hertweck / Mixed by Demacio “Demo” Castellon for Storm Circle Entertainment at Legacy Studios, NY. Assisted by Nick Banns. Protools editing by Ron Taylor.

“Boys”

Some say I make the guys / Hypnotized / When

I bat my eyes / And walk past / They say I’m

such a tease / But that’s just me / Take it or leave it baby / Don’t mean to impose boy / I’ll let ya know / You’re hearing me say yes / I’m saying no / I’m not one of those girls / You think

that you know / (so you can talk that talk) / But listen / Boys boys boys / They gimme gimme / They gimme / They follow my voice / Boys boys

/ They gimme gimme / They gimme / Some say

that I always / Insinuate / I can get my way / It’s so true / Because my kiss is like / Kryptonite / I can make ‘em weak I’m so cruel / Don’t mean to impose boy / I’ll let ya know / You’re hear- ing me say yes / I’m saying no / You’ll never get the best of me / (Cause I get what I want and

I know what I need) / Boys boys boys / They

gimme gimme / They gimme / They follow my voice / Boys boys / They gimme gimme / They

gimme / (I like those boys) / Use yo head / But

not that one / One track

mind / One track

that one / One track

/ One track… mind

mind / One track… mind

mind / Use yo head / But not

mind / One track

Written by Ashlee Simpson, Chad Hugo, Kenna and Jim Beanz /Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Raynchaser Music (BMI), Nervous People Music c/o April Music Inc. (ASCAP), Millenium Kid Music Publishing (ASCAP) / Produced by Chad Hugo for the Neptunes and Kenna / Additional Production by Jack Joseph Puig / Background Vocals: Ashlee Simpson / Guitar: Ray Brady / Bass Gui- tar: Joey Kamani / Drums, Programming & Keys: Chad Hugo / Keyboards: Jamie Muhoberac / Recorded by Daniel Betancourt at Record Plant Studios, Hollywood and Hovercraft Studios, Virgina Beach, VA. / Mixed by Jack Joseph Puig at Ocean Way Recording, Hollywood. / Engineered by Dean Nelson

“Rule Breaker”

I got a boyfriend / He likes to fight a lot / We got alot in common / And he thinks I rock / We like to break rules / Both got tattoos / We tend to smash things / And we like to scream like / (AAAAAAHH- HHHH) / You don’t want no problems / You ain’t got no beef / (AAAAAAHHHHHH) / You don’t want

no problems / You ain’t got no beef / I don’t wanna fight / Tonight / But I ain’t goin home for no one /

I don’t wanna fight / Tonight / I just wanna color

outside the lines / I’ve But I ain’t goin home for no one / been reprimanded ’bout a thousand times /

I’m a Rule Breaker / You know that / I’m a Rule

Breaker / Some say I’m a black sheep / Cuz I like

to sleep late / Wake up round 3’o clock / Drink until

my tummy ache / Feels like I’m a rebel cuz I keep

makin trouble / Get here on da double / For I break

a lil sun’tin like / (AAAAAHHHHH) / You don’t want

no problems / You ain’t got no beef / (AAAAAHH- HHH) / Better keep ya mouth shut / If you want ya teeth / I’m daddy’s little girl / Bundles of kisses / I’m just a princess / Little miss perfect / Everyone knows it / But that’s another day / There’s rules to break yeah / I don’t wanna fight / Tonight / But I ain’t goin home for no one / I don’t wanna fight /

Tonight / But I ain’t goin home for no one / I just wanna color outside the lines / I’ve been rep- rimanded ’bout a thousand times / I’m a Rule Breaker / I’m a Rule Breaker / Knockin down the the front do’ / Throwin rocks at windows

Written by Ashlee Simpson, King Logan, Jerome Harmon and Jim Beanz / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Royal Court Music c/o WB Music Corp (ASCAP), Jerome Harmon Productions c/o Warner Ta - merlane Publishing Corp (BMI), Millenium Kid Publish- ing (ASCAP) / Produced by Timbaland for Timbaland Productions, King Logan for Royal Court / Timbaland

Productions and Jerome Harmon for Bronze & Brains

/ Timbaland Productions/ Vocal Production by Jim

Beanz / Background Vocals: Ashlee Simpson and Jim Beanz / Guitar: Ray Brady / Drum Programming: King Soloman. Programming, Keyboards and Arranging:

Jerome “Jroc” Harmon / Recorded by Chris Godbey and Jun Ishizeki at Record Plant Studios and Chalice Studios, Hollywood, CA. Assistance Engineers: An- thony Caruso and Nate Hertweck / Mixed by Demacio “Demo” Castellon for Storm Circle Entertainment at Hit Factory, Miami. Assisted by Julian Vasquez. Protools editing by Ron Taylor.

“No Time For Tears”

Love sick dreamin when we first met / Ya gave

me your world with no regret’s / Never thought anything could come against / But oh what did

I know / One missed step and I’m on my own

/ Ya washed your hands clean of me / Right or wrong / Behind closed doors / I was broken

though / Tryin to keep it out of sight of the world

/ I couldn’t say / Million miles that I have gone / Signs that say to give it up / Just tear me down

or lift me up / No time for tears / No time for tears

/ No time for tears / Put myself together and hear the sounds / Oh my heart been thrown around /

I gave you my sky before I found my ground /

God, what did I know / Now / Come on / Come on / You got me wrong / Come on / Come on /

Just play along / Back to love sick dreamin when we first met / Tryin to keep it on top of the world

/ I need to say / Million miles that I have gone /

Signs that say to Ya tear me down and lift me up / No time for tears / No time for tears / I’m callin out what is done is done / Now’s that time to shake it off / Crazy cycles goin on / No time for tears / No time for tears / Get up get up get up you’ll feel better / Get up get up get up to feel better / No time for tears / Get up get up get up to feel better / Get up get up get up to feel bet- ter /No time for tears / A million miles that that I have gone / Signs that say to give it up / Tear me down or lift me up / No time for tears

Written by Ashlee Simpson, Chad Hugo and Kenna / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Raynchaser Music (BMI), Nervous People Music c/o April Music Inc. (ASCAP) / Produced by Chad Hugo for the Neptunes and Kenna / Background Vocals: Ashlee Simpson and Jim Beanz / Guitar: Ray Brady / Drums, Programming & Keys: Chad Hugo / Additional drums by Jason Neal

/ Recorded by Daniel Betancourt at Record Plant

Studios, Hollywood.and Tim Roberts at Soul Haven Studios, Virgina Beach, VA. / Mixed by Serban Ghenea at Mixstar Studios, Va. Assisted by John Hanes.

“Little Miss Obsessive”

Wa-O, Wa-O, Wa-O Your side of the bed is still mine / Wa-O, Wa-O, Wa-O Your side of the bed

is still mine / Am I the reason why you tossed and

turned last night / Everything was such a blur, it didn’t come out right / All of a sudden it’s cold and we’re falling apart / No, this can’t be, please don’t leave me alone in the dark / And I guess we’re re- ally over, so come over, I’m not over it / And I guess we’re really over, so come over, I’m not over it /

Late night you make me feel like I’m desperate / I’m not desperate, oh / A little bit possessive, little miss obsessive can’t get over it / Wa-O, Wa-O, Wa-

O Your side of the bed is still mine / Wa-O, Wa-O,

Wa-O Your side of the bed is still mine / I’ve never been a fan of long goodbyes / I’m at the finish line and you’re still way too far behind / In the morn-

ing, I got in a fight with myself / I got the bruises

to prove it / Then I swallowed your words and spit

them right back out / And I guess we’re really over, so come over, I’m not over it / And I guess we’re really over, so come over, I’m not over it / Late night you make me feel like I’m desperate / I’m not des- perate, oh / A little bit possessive, little miss obses-

sive can’t get over it, no / It’s like a fairy tale without

a happy ending / But then again maybe we are just

pretending / Why does it have to be so unfair / Tell

me that you care / And I guess we’re really over, so come over, I’m not over it / And I guess we’re re-

ally over, so come over, I’m not over it / Little miss, wa-o, Little miss, wa-o, Little miss, wa-o / Little miss obsessive / Little miss, wa-o, Little miss, wa-

o, Little miss, wa-o / Little miss obsessive / Late

night you make me feel like I’m desperate / I’m not

desperate, Oh / A little bit possessive, little miss obsessive can’t get over it, no / Wa-O, Wa-O, Wa-

O Your side of the bed is still mine / Wa-O, Wa-O,

Wa-O Your side of the bed is still mine

Written by Ashlee Simpson, Jim Beanz, Victor Valentine

and Karl Berringer / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Mil- lenium Kid Publishing (ASCAP), Victor Valentine (BMI), Karl Berringer (BMI) / Sony/ATV Songs LLC / I Bought My Swimming Pool With Your (BMI) /Produced by Jack Joseph Puig and Karl Berringer / Vocal production by Jim Beanz / Guest vocals by Tom Higginson of Plain White T’s. Courtesy of Hollywood Records / Background vocals: Ashlee Simpson, Tom Higginson and Mateo Laboriel / Guitar: Ray Brady / Bass Guitar: Joey Kamani

/ Drums: Abe Laboriel, Jr / Programming: Mateo Laboriel

/ Recorded by Aris Archontis at Archon Studios, LA and

Tal Herzberg at Chalice Studios, Hollywood / Mixed by Jack Joseph Puig at Ocean Way Recording, Hollywood. /

Engineered by Dean Nelson.

“Ragdoll”

I’ve been thrown / Round once or twice / Beneath it all / Was born to fight / I hear your voice in my

head / And it’s callin me / I’ve never been a fan of

/ Happy endings / Your love must be tainted / If it’s how you paint it / You don’t know what you’re in for / You’re so rotten to the core / Why you gotta throw me around like a ragdoll / You can toss me out / You can toss me out / I’ve been sittin back keeping quiet for too long / But you can’t touch me now / You can’t ouch me now / Why you gotta throw me around like a rag doll / You can toss me out / You can toss me out / Wanna use me up till

I’m all gone / But that’s not me at all / That’s not me at all / Won’t try so hard / You can admit / Opened my heart / You never come in / Can’t find my way

/ Through your maze / And in my mouth / You put

a very bad taste / Your love must be tainted / If it’s how you paint it / You don’t know what you’re in for / You’re so rotten to the core / Don’t you see my black tears / Please don’t make me stay here / Don’t you see my black tears / Please don’t make me stay here / Why you gotta throw me around like

a ragdoll / You can toss me out / You can toss me

out / I’ve been sittin back keeping quiet for too long

/ But you can’t touch me now / You can’t touch me

now / Why you gotta throw me around like a rag doll / You can toss me out / You can toss me out

/ Wanna use me up till I’m all gone / But that’s not me at all / That’s not me at all

Written by Ashlee Simpson, King Logan, Jerome Harmon, Santi White and Jim Beanz / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP)

/ Jerome Harmon Productions c/o Warner Tamerlane

Publishing Corp (BMI) / Royal Court Music c/o WB Music Corp (ASCAP), Little Jerk Inc. (ASCAP) / Millenium Kid Publishing (ASCAP), Nervous People Music c/o April Music Inc. (ASCAP) / Produced by Timbaland for Timbal-

and Productions, King Logan for Royal Court / Timbaland Productions and Jerome Harmon for Bronze & Brains

/ Timbaland Productions / Vocal Production by Jim

Beanz and Kenna / Background Vocals: Ashlee Simpson and Jim Beanz / Guitar: Ray Brady / Bass Guitar: Joey Kamani / Programming, Keyboards and Arranging: King Soloman and Jerome “Jroc” Harmon / Recorded by Chris Godbey and Jun Ishizeki at Record Plant Studios and Chalice Studios, Hollywood, CA. Assistance Engineers:

Anthony Caruso and Nate Hertweck / Mixed by / Dema- cio “Demo” Castellon for Storm Circle Entertainment at Hit Factory, Miami. Assisted by Julian Vasquez.

“Bittersweet World”

Tragic / Everybody tryin to hide / All of those’s / Habits its / Kinda bizarre when it’s who you are / It’s tragic that it’s come to this / I bury all of my vices / Tryin to keep my head up over it / When everything’s whatever / It’s the be all end all / And right before we fade away / Call a spade a spade /

And you should know / You can tell / It’s a / Bit- tersweet world / Why can’t we all just get along

/ In this / Bittersweet world / Everybody’s reapin

what they sow / In this / Sweet world / Whatever happened to the magic / That was keepin us / The faith that was the on stardust / Now / The hypocrites pointing fingers / With three fingers pointing right back / And all were left with is /

And all were left with is / And all were left with is

/ And all were left with is / And all were left with

is / And all were left with is / The foolish pride

and the quick fixes / Ya / It’s the be all end all /

And right before we fade away / Call a spade a

spade / And you should know / You can tell it’s

a / A bittersweet world / Why can’t we all just

get along / In this / Bittersweet world / Every- body reapin what they sow / In this / Bittersweet world / With closets full of skeletons / I’m a / Bittersweet girl / Demons out to get me / As I stand alone / There’s a universal bottom line / Everybody’s in disguise / Even you and I / Be- hind the façade tryin to get by / Don’t wanna

burn / But wanna play with fire / Again / There’s

a universal bottom line / Everybody’s in disguise

/ Even you and I / Behind the façade tryin to get

by / You wanna play with fire / You’re gonna get burned / It’s the be all end all / And right before we fade away / Call a spade a spade / And you should know / You can tell it’s a / It’s the be all end all / And right before we fade away / Call

a spade a spade / And you should know / You

should know its a / Bittersweet world / Why can’t we all just get along / In this / Bittersweet world

/ Everybody’s reapin what they sow / In this /

Bittersweet world / With closets full of skeletons

/ I’m a / Bittersweet girl / Demons out to get me

/ As I stand alone

Written by Ashlee Simpson, King Logan, Jerome Har- mon, and Kenna / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Royal Court Music c/o WB Music Corp (ASCAP) Jerome Harmon Productions c/o Warner Tamerlane Publishing Corp (BMI) / Nervous People Music c/o April Music Inc. (ASCAP) / Produced by Timbaland for Timbaland Productions, King Logan for Royal Court / Timbaland Productions and Jerome Harmon for Bronze & Brains / Timbaland Productions / Vocal Production by Jim Beanz / Background Vocals: Ashlee Simpson, Jim Beanz and Kenna / Guitar: Ray Brady / Bass Guitar: Joey Kamani / Drum Programming: King Soloman. Programming, Keyboards and Arranging:

Jerome “Jroc” Harmon / Recorded by Chris Godbey and Jun Ishizeki at Record Plant Studios and Chalice Studios, Hollywood, CA. Assistance Engineers: An- thony Caruso and Nate Hertweck / Mixed by Demacio “Demo” Castellon for Storm Circle Entertainment at Metalworks, Canada. Assisted by Lake Curry. Pro- tools editing by Ron Taylor.

“What I’ve Become”

I walk alone inside these walls / And its not

easy bein me / Seems like every time I escape

/ There’s another follow – ing / Me I’m runnin /

Yeah they’re comin / I can feel them shootin me

/ Without askin / Lights are flashin / But I guess

that / It’s what I’ve… / Become / Let me live as who I am / Never wanted nothin / But you to / Let me breathe as who I am / I’ve just begun /

I’ve just begun / I’ve just begun to find my way / I’ve just begun / I’ve just begun / I’ve just begun to find my way / In the chase I know I’m wanted

/ Hey look I’m no victim / It’d be nice to make / Some mistakes without observations / Or opin-

ions / Of distortions / Deceiving what you’re be- lieving / It’s a shame that all these / Blessings can be a curse / It’s what I’ve… / Become / Let me live as who I am / Never wanted nothin / But you to / Let me breathe as who I am / I’ve just begun / I’ve just begun / I’ve just begun to find my way / I’ve just begun / I’ve just begun / I’ve just begun to find my way / There’s not a pill to take / To save me from this heartache / But I have no regrets / I’m hoping for a better day / Oh what I’ve become / Let me live as who I am

/ Never wanted nothing / But you don’t let me

breathe / As who I am / I just begun / I just begun

/ I just begun to find my way / I just begun / I just begun / I just begun to find my way

Written by Ashlee Simpson, Kenna, King Logan, Jerome Harmon and Jim Beanz / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publish- ing (ASCAP), Nervous People Music c/o April Music Inc. (ASCAP) / Royal Court Music c/o WB Music Corp (ASCAP), Jerome Harmon Productions c/o Warner Ta - merlane Publishing Corp (BMI), Millenium Kid Publish- ing (ASCAP), / Produced by Timbaland for Timbaland Productions, King Logan for Royal Court / Timbaland Productions and Jerome Harmon for Bronze & Brains

/ Timbaland Productions / Vocal Production by Jim

Beanz / Background Vocals: Ashlee Simpson and Jim Beanz / Guitar: Ray Brady / Bass Guitar: Joey Kamani

/ Drum Programming and additional keyboards: King

Soloman. Programming, Keyboards and Arranging:

Jerome “Jroc” Harmon/ Strings arranged by Stevie Blacke / Recorded by Chris Godbey and Jun Ishizeki at Record Plant Studios and Chalice Studios, Holly- wood, CA. Assistance Engineers: Anthony Caruso and Nate Hertweck / Additional Production , Programming and Mixed by Demacio “Demo” Castellon for Storm Circle Entertainment at Legacy Studios, NY. / Assisted by Nick Banns. Protools editing by Ron Taylor.

“Hot Stuff”

AWWWW…. / Here she comes / Sunday school girl wantin some / She’s wearin that / Better expect that boys attack / Woooop / Truce / I want some of that / Happy juice / What kinda of sorta / Peo- ple in hell would die for John Walker / Wait a sec / Everybody down / Hit the deck / People say you’re goin out / Your mind / To think you’re hot stuff / Gotta think you’re hot stuff / But what’cha gonna

do / About it / Anyhow / You think you’re hot stuff /

I know I’m hot stuff / Okay 1

what I can do / I can bring my leg up all the way

/ Can she do it… can she do it / Piece-o-cake /

Show off (HUH) / She just wanna take her close off

/ I got dat that get you /

HIIIIYAAAAHHH / One to anotha / You will discova

/ That’s the way it is / People say you’re goin out /

Your mind / To think you’re hot stuff / Gotta think

you’re hot stuff / But what’cha gonna do but talk

/ About it / Anyhow / You think you’re hot stuff /

I know I’m hot stuff / People say you’re goin out

/ Cha mind / To think you’re hot stuff / (Hot stuff)

/ Gotta think you’re hot stuff / What’cha gonna do

but talk / About it / Anyhow / Got to think you’re hot stuff / I know I’m hot stuff / Whatcha gonna do

when yaaaahhtt… / Zip it / Chad… Flip it / Feels like I’m in candyland / I’m goin down da shute

again / With unicorns and fairy wings / I think I’ve had too much to drink / People say you’re goin out

/ Your mind / To think you’re hot stuff / Gotta think you’re hot stuff / But what’cha gonna do but talk

/ About it / Anyhow / You think you’re hot stuff / I know I’m hot stuff

(UGH) / FIIIIYAAAHHHH

/ Everybody look

2

Written by Ashlee Simpson, Kenna, Chad Hugo and Jim Beanz / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Nervous People Music c/o April Music Inc. (ASCAP),Raynchaser Music (BMI),Millenium Kid Publishing (ASCAP),nd Kenna / Guitar: Ray Brady / Bass Guitar: Joey Kamani / Drums, Programming & Keys: Chad Hugo / Recorded by Daniel Betancourt at Record Plant Studios, Hollywood. / Mixed by Serban Ghenea at Mixstar Studios, VA. Assisted by John Hanes.

“Murder”

Dey say I get away wit murda / I took a dose of

your medicine / Ya tell me to leave / But I come back again / I don’t see what all the fuss is about

/ Cuz I’m okay / Soon you will see that I got ability to get my way/ Don’t keep me in the dark / Cuz I’ll find the light / Finda the light / Don’t keep me in the dark / Cuz I’ll finda the light… / I was alone

/ Until I found Johnny / And he was a good boy /

Until he got behind me / (No she didn’t yes she did)

/ I got a monkey on my back /He helpin me get it

off / He helpin me get it off / Don’t keep me in the dark / Cuz I’ll find the light / Finda the light / Don’t keep me in the dark / Cuz I’ll finda the light… / I’m your sunshine / Concubine / You make it so easy / For me to cry / I’m your sunshine / Concubine / My tears turn black in the moonlight / They say I get away with murder / I got away with it / I got away with it / Away with it….

Written by Ashlee Simpson, King Logan, Jerome Harmon and Jim Beanz / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Royal Court Music c/o WB Music Corp (ASCAP), Jerome Harmon Productions c/o Warner Tamerlane Publishing Corp (BMI), Millenium Kid Publishing (ASCAP) /Produced by Timbaland for Timbaland Productions, King Logan for Royal Court / Timbaland Productions and Jerome Harmon for Bronze & Brains / Timbaland Productions / Vocal Production by Jim Beanz / Background Vocals:

Ashlee Simpson and Jim Beanz / Rap: Izza Kizza. Cour- tesy of Mosley Music / Interscope Records. / Guitar and

Guitar Production: Ray Brady / Bass Guitar: Joey Kamani

/ Keyboard Production: Jerome “Jroc” Harmon / Drums

/ Programming Production: King Logan / Recorded by

Chris Godbey and Jun Ishizeki at Record Plant Studios and Chalice Studios, Hollywood, CA. / Assistance Engi- neers: Anthony Caruso and Nate Hertweck / Mixed by Demacio “Demo” Castellon for Storm Circle Entertain- ment at Legacy Studios, NY. Assisted by Nick Banns. Protools editing by Ron Taylor.

“Never Dream Alone”

In the cold / In the cold winter / Under the full moon like a midnight sun / In the cold winter / Underneath the stars / Fall asleep with my hand on your heart / I won’t let it skip a beat / In the cold / In the cold winter / Hey love / I won’t hurt you / Night will come and go / No I won’t hurt you / No never dream alone / Dreams / Dreams in a vivid slumber / We’re connected / When I hold my breath / You’re the only one who knows how to wake me / And underneath the stars / Fall asleep with my hand on your heart / You won’t let it skip a beat / In the cold / In the cold cold winter

Written by Ashlee Simpson and Kenna / Published by Big A Nikki c/o EMI April Music Inc. c/o EMI Music Publishing (ASCAP), Nervous People Music c/o April Music Inc. (ASCAP), Jerome Harmon Productions c/o Warner Tamerlane Publishing Corp (BMI) / Produced by Kenna and Ashlee Simpson / Additional Produc- tion: Jerome Harmon / Arranged and vocal production by Kenna / Background vocals: Ashlee Simpson / Strings: Love Sponge Strings / Guitar: Ray Brady / Bass Guitar: Joey Kamani / Programming, Keyboards Piano and Arranging: Jerome “Jroc” Harmon / Re- corded by Jun Ishezeki at Record Plant Studios, En- gineering by Jun Ishizeki / Hollywood / Mixed by Jack Joseph Puig at Ocean Way Recording, Hollywood. / Assisted by Dean Nelson.

Every morning I wake I am thankful for another day. Without the sincere hearts around me, I would not be who I am today. Thank you for believing in me. I am truly blessed to have the incredible family, friends, and fans that I have. I love you all from the bottom of my heart! Koopatroopa I love you too!

Thank you: Dad, Mom, Jess, Peter, Nana and Papaw, Jim Beanz, Raymond Edward Brady, Joey, King, Jerome, Mr Chad Hugo, Kenna, Timbaland, Richard Channer, Nicole Finn, Jack Joseph Puig, Ron Fair, Jimmy Iovine, Steve Berman, Jordan Schur, Brenda Romano, Paul Orescan, Chris Lopes, Troy Marshall, James Love, Erin Alexander, Pliler Family, David Levin, Mary Phillips, Jessie Holiday, Ken Paves, Annie Jagger, Travie, Tom, Myth Buster, Justin Siegel, Lenora Foster, Susan Novak, Rhett Usry, DJ Poet, War- ren, Wentz Family, Lisa Frank, Jeff Harleston, Anne Kulli, Nicole Ehrlich, Jeanne Venton, Esther Collins, Jennifer Bowling, Dave Anderson, Christine Thompson, Jeff Mann, Candace Berry, Tom Balla, Ingrid Erickson, Jurgen Grebner, Tomoko Itoki, Kam Sangha, Aaron Foreman, Scott Kamins, Victoria Torchia, Hylah Hedgepeth, Fiona Dearing, Tracy Kies, Gary Ng and all at IGA.

Mastered by Chris Gehringer and Ted Jensen at Sterling Sound, NY.

Executive Producer: Ashlee Simpson

Executive Producer: Joe Simpson

Management: Joe Simpson for JT entertainment

A&R: Justin Siegel & Jack Joseph Puig

Marketing Director: Paul Orescan

Photography: Ben Watts

Design: Dan Fraga for Cloud Creative

www.ashleesimpsonmusic.com

www.geffen.com

www.ashleesimpsonmusic.com www.geffen.com GEFFEN B0010231-02

www.ashleesimpsonmusic.com

www.geffen.com

www.ashleesimpsonmusic.com www.geffen.com GEFFEN B0010231-02

GEFFEN

B0010231-02