Beruflich Dokumente
Kultur Dokumente
there are many different kinds of each though, which produce more "jazzy"
and "ethereal" sounds....
1. Major
major7, add9, maj6 (or 6), major 7 #11, 6/9,
sus2, sus4
5 (a.k.a. "power" chord)
2. Minor
minor 6th, minor 7th, minor 9th, minor 11th
sus2, sus4
5 (a.k.a. "power" chord)
3. Dominant
7th, 9th, 11th, 13th, augmented, 7 b5, 7#5
5 (a.k.a. "power" chord)
4. Diminished
diminished and half-diminished
notice that suspended ("sus") chords can operate as both major and minor;
sus2, and sus4, this is because they do not contain a 3rd interval
(which would be major 3rd in a major chord and minor chord in a minor chord).
the same is true for a 5 (power) chord.
the most important thing to know about these 4 categories of chords is that,
what makes each unique is the triad that forms them (the triad refers mostly
to the combination of 3 fundamental intervals [the 1, the 3, and the 5])....
Major 1, 3, 5,
Minor 1, b3, 5
Diminished 1, b3, b5
and then the dominant is like a major (1,3,5) - but also adds a b7
Dominant 1, 3, 5, b7
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
so, again, here is what defines each
Major 1, 3, 5,
Minor 1, b3, 5
Diminished 1, b3, b5
Dominant 1, 3, 5, b7
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
to Determine which types of chords work within a certain key,
use the harmonized major scale...
examples:
C Dmi Emi F G7 or G Ami Bdim (G7/B) or G/B
A Bmi C#mi D E7 or E F#mi G#dim (E7/G#) or E/G#
G Ami Bmi C D7 or D Emi F#dim (D7/F#) or D/F#
E F#mi G#mi A B7 or B C#mi D#dim (B7/D#) or B/D#
D Emi F#mi G A7 or A Bmi C#dim (A7/C#) or A/C#
and thus, will be able to play any basic song in any key,