MT Fuji Serenades For Hosozao Shamisen Solo

Connor Helms
Mt. Fuji Serenades for

Shamisen Solo
For Hosozao Shamisen
I make no attempts at specifying koki versus suri (nor koki-otoshi versus suri-otoshi),
the exact manner of execution is a matter of performer's interpretation. Do not pluck
notes that have both slides and slurs attached, only pick notes with just slides. All accent marks
represent digging the bachi plectrum into the bachi-kawa skin to emphasize the percussive aspect
koki-otoshi/koki-oroshi/suri-otoshi
left hand pizzicato/hajiki
uchi
plectrum scrape
kake-bachi (soto-hazushi will simply have triangle noteheads rather than dots)
ura/soto hajiki
assume ura-hajiki unless soto is specied, or refer to the tablature
Part 1: The Five Lakes

1. Purple of Lake Motosu
10 +
&4
p
q = 60
Twilight
Shamisen H
&

2
j
#
12
0
3
ura-hajiki
soto-hazushi
0
0
5
5
3
&
#
4
4
3
3
9
& #
soto-hajiki
0
0
&
12
& #
ma rest
Dawn
&

Connor Helms
Constant gradual acceleration of tempo throughout, do not accelerate

when the moon is out (you may decelerate at night sections)
Copyright 2012 Connor Helms
4
0

& #
& #
12
10
q = 70
mf
11
0
3
soto-hajiki
0
0
12
10
>
0
0
0
0
&
+ #
all on string III
10

>
12
15
#
&
12
10
12
10
12
#
5
mf
12
dig into
bachi-kawa
13
3
+
3
3
+3
+ 3
3
& # j
3
+ 3
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3
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&
14
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0
3
Noon
+
&
10
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11
10
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12
10
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16
q = 80
Dusk
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0
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&

24
q = 90
j
#
Night (do not accelerate anymore, you may decelerate)
26
ura-hajiki
soto-hazushi
#
4
soto-hajiki
3
9
28
5
3
&
29
30
4
3
& #
12
10
4
0
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0
7
0
3
& #
31
& #
27
&
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25
&

mp
mp
0
3
0
3
0
3
q = 65
1
&

II
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12
Dawn
0
0
5
II
0
6
soto-hajiki
0
5
III
soto-hajiki
0
1
3
+
+
&
+
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0
5
III
2. Lake Saiko, Sea of Trees
&

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5
Twilight
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11
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17
19
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13
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#
&
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& #
mp
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18
0
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12
13
q = 85
12
13
0
0
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19
12
13
17
0
2
&

12
13
0
0
1
0
1
7
0
10
soto-hajiki
0
13
12
12
0
3
20
13
12
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0
1
19
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0
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23
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# #
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14
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14
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5 8 12 8 12 13 12 13 17 19 12 13 17 19 17 12 8 8 12 13 12 13 5 8 12 8 12 13 18 17 0 0 13
13
25
q = 95
26
n

#
# # n
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13
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& #
mf
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10
3. +Lava in Lake Shoji
q = 70
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&
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& #

11
2
1
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#
&
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mp
10
q = 80 all on string III
12
12
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q = 100
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4. Island of Lake Kawaguichi
all on string I
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34
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35
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10
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10
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##
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11
9
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10
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7
5. Lake Yamanaka the Prodigious
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q = 55
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j

J
3
5
3
0
2
n
#
0
3
2
2
5
0
7
8
7
5
#
J
2
5
7
0
2
2
Dawn
r r
& <#> #
#J
# #

0
3
5
0

&
5
0
3
2
5
0
3
5
2
0
0
3
#J
0
2
5
7
7
3
3
5
2
3
0
7
2
2
0
0
0
0
X
3
5
7
0
0
0
3
2
2
5
2
&
2
5
# J
2
5
&

2
2
5
3
5
7
r r
#

& #

J
#
&

0
3

& #
5
2
5
2
3
2
#
2
3
5
#
2
5
# J
0
3
2
0
5
7
5
2
0
X
3
5
7
0
0
2
3
0
7
2
2
0
7
3
3
5
7
3
5
2
2
2
2
5
5
0
2
0
5
3
7
5

&
&
11
&
10
20
q = 65
Noon
0
1
5
7
5
1
3
1
5
1
0
0
0
3
1
5
1
0
0
0
1+ 1+ 1+ 1 1+ 1
1+ 1+ 1+ 1 1+ 1+ 1+ 1 1+ 1
J
kake-bachi
f
5
plectrum scrape
1+ 1+ 1 1+ 1
+ + +
+
1 1 1 1 1 1
J
19
12
1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+ 1+
&
J
J
&
13
slap ngerboard/strings with left hand,

no specic pitches intended

0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
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0
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X
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0
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0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
soto-hajiki
j
&

14
0
0
0
0
0
0
0
0
0
0
0
.
+
+
lis+s
+
+
+
+
+
+
+
g
1
1
1+ 1+ 1+ 1+
1+ 1+ 1+ 1+ 1 # 1 1 1
1+ 1+ 1 1 1 1 + + > >
&
to undetermined pitch
s.
ss.
g li
g lis
15
12
12
16
+
+
j
> >
&

3
1
5
1
0
0
0
3
1
5
1
0
0
0
3
1
5
1
0
0
0
3
1
5
1
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
&

21
17
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
5
7
5
r r
& # #
#J

mf
18
q = 75
Dusk
0
2
&

0
3

&
20
5
0
#
2
22
3
2
3
5
#
2
5
0
3
2
0
# J
#J
#
2
23

&

24
7
0
5
7
0
0
7
3
3
5
#
2
#
7
#
2
J
0
0
2
3
0
3
2
0
0
0
0
5
3
0
5
7
mf
2
0
0
2
0
7
0
0
10
5
0
3
0
0

J
f
0
0
2
0
0
X
3
5
7
2
2
#
&
& #
mp
21
&
5
0
19
5
0
2
2
10
3
0
0
J
3
0

&
25
22
0
0
0
0
0
mf
0
Night
+ + + + + + # + + + +
&
J
26
&
27
&
28
q = 85
R.H. pizz (tsuma-biki)

0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
5
7
5
n## # n

n
0
0
0
0
0
0
0
0
0
X
X
X
0
0
0
X
X
X
0
0
0
0
0
0
0
0
0
7
8
7
X
X
X
7
8
7
X
X
X
0
0
0
0
0
0
0
0
0
X
X
X
X
X
X
0
0
0
0
0
0
0
0
0
7
8
7
X
X
X
7
8
7
X
X
X
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
X
X
X
X
X
X
12
mp
& # # #
mp
2
mf
4
2
0
0
# #
0
0
& n # #
mf
0
2
0
mp
7
8
7
# # #
4
12
7
8
7
15
4
Part 2: Climbing the Mountain
q = 54
with plectrum
1
15 o
&4
f
2
2
0
2
3
2
0
5

& #
23
3 +
+ 3
j

2
mf
4
2
0
3
>
3
2
mf
& # # #
q = 65 +
mp
0
2
# #
2

n

5
& > # >
12
& # # >
2
0
& # # #
mp
5
3 +
+ 3
3
& # #
+ +

10
+
+
+
+ #
#
&
# #

11
# + n + +
&
n
&

#

24
12
+ +

3
0
+
+
13
& # # #
14
+
+
+
+
#
#
&
#
15
+ + # + + n

n
&
+ +
12
10 10 10 10
10
10
16
#

&
12
7 10 7
&
17
12
q = 75
I II III
7 10 7
0
5
10 12 3
10 5
mp
12
12
18
+
+
+
+
+
+
#

&
mf
19
+
+
+
+
+
+
+
+
+
& #
0
3
0
3
& #

25
20
0
3
>
+
+
+
+
+
+
+
+
+
&
#
21
0 0
0 0
0 0
0 5
0 0
2 5
0 0
0 5
0 5
0 3
0 7
0 0
0 0
0 0
0 7
0 5
0 0
0 5
0 5
#

#
& #
22
7 3 7 3 7
0 7 3 7 3 7
0 7 5 7
2 7
0 7 5 7 2 7
0 7 3 7 3 7
0 7 3 7 3 7
0 7 5 7 2 7
0 7
3
3+
+
+3 3 + + 3
23
3
##
&
#

#
2 7 5 7 2 7 5 7 2 0
0 7 5 2
0 7 5 2
5 2 0
4 4 4
4 4 4
5 2 0
4 4 4
4 4 4
4 4 4
2 5 2 0 2
5 7 5 2 0 2 7
2
2 2 0 2
2
2
# #

& n
##
24
3+
+ 3
3
&
#
#
3+
+ 3
j

3
0
12
mf
# #

n
0
>
27
& # # >
2
0
26
& # # #
25 q = 85
2
2
0
2
3
2
0
5

& > # >
26
28
0
2
29
+
+
+
+
+
+
+
+
+
+
+ + + + + +
& # #
0 0
0 0
0 0
0 5
0 0
2 5
0 0
0 0
5
2
0 0
5
0
0 0
0 0
5
0
0 0
5
3
0 0
0 0
0 0
0 0
0 0
0 0 0
5
0
&

30
5
0
12 10 8 6 5 3 0 0 0 0 0 0 0 0 12 10 8 6 5 3 0 0 0 0 0 0 0 0 0 0 12 10 8 6 5 3 0 12 10 8 6 5 3 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0 0
0
0
0
0 0 0
0 12 0
0 12 0
5
0
0 0 0
5
0
0 12 0
5
0
0 0 0
5
0
5
0
0 12 0
0 0 0
5
0
5
0
0 0 0
0 12 0
0
0
0
0
0 0 0
5
0
0 12 0
0 0 0
5
0
5
0
0 0 0
0 12 0
0
0
0
0
+
+ +
+

+
31
& ###

2 5 2 0 2 5 2 0 2 5 2 0 0 0 0 0
2
2
2
0
0
2
2
2
0
0
+
+ rit. +
+
+
+
+ a tempo
&
32
5
0
5
0
5
0
34
5
0
12
5
0
5
0
mf
12
3 +
+ 3
j

mp
17
mf
mf
4
2
# #
0
3
>
35
0
0
& # # >
& # #
#mp
5
0
33
3 +
+ 3
3
&
#
#mp
2
2
0
2
3
2
0
5

& > # >
27
36
mp
mf
0
2
37
+
+
& # n n
12
38
++ + + + + +

& #
0 2 0 0 2 0 0 2 0 0 2 0 0 2 3 0 0 2 3 0 0 2 0 0 2 0 0 2 3 0 0 2 3 0 0 0 0 02 0 0 02 0 0 02 0 0 02 0 0 02 0 0 02 0 0 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0

& #

39
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 0
2 0
0 2
0 0 0
0 2 3
0
0 1
0 3
0
+ + + + + +

& #
> > > >
40
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
5 0
0
0
0
0
0
0
0
0
0 1
0
0
+ + + + + + + + +

& #

0
0
0
0
0
0
0
0
0
0
0
0
1
3
5
3
1
0
0
0
1
3
5
3
1
0
0
0 1
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0 0 2 3
0 3
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0 0
0
41
42
+
+
+
& #
> > > >
5
3
0
0
0
0
0
0
0
0
0
0
0
0
#
>
#
>
#
>
#
>
0
2
0
0
2
0
0
2
0
0
2
0
>
12
10
0

MT Fuji Serenades For Hosozao Shamisen Solo

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Copyright:

Verfügbare Formate

MT Fuji Serenades For Hosozao Shamisen Solo

Hochgeladen von

Copyright:

Verfügbare Formate

Connor Helms

Mt. Fuji Serenades for

left hand pizzicato/hajiki

assume ura-hajiki unless soto is specied, or refer to the tablature

Part 1: The Five Lakes

Constant gradual acceleration of tempo throughout, do not accelerate

Copyright 2012 Connor Helms

all on string III

Night (do not accelerate anymore, you may decelerate)

2. Lake Saiko, Sea of Trees

3. +Lava in Lake Shoji

q = 80 all on string III

Night all on string III

4. Island of Lake Kawaguichi

5. Lake Yamanaka the Prodigious

slap ngerboard/strings with left hand,

R.H. pizz (tsuma-biki)

Part 2: Climbing the Mountain

& > # >

> > > >

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