sryejoutatag eIpeN * ALINUAGOW NI auniino IvIuaivW sv AWOWAW GNY NoILaa0uad as sastiag aulThe Senses Still Perception and Memory as Material Culture in Modernity EDITED BY C. Nadia Seremetakis TH UNIVChapter reprinted, Try: Sect Essays fn VAR. 1950 1984 ed Lacie Ta 4 she 1-235, by permission ofthe publisher. The University of Chicago Press, Chicago 60637 The University of Chieage Press Copyright © 1984 by Westview Press, sights reserved. Originally Chicago Press Eh inted inthe Unite States of America 1 009 9% 97% 6 5 48927 ISBN 0226-74877-4 (pbk) ping-in-Publcation Data ture in modemity / edited by 88d) Contents Contexts, C. Nadia Seremetakis Part I: Marks of the ‘The Memory of the Sen: ‘Transitory, C. Nadia Ser Intersection: Benjamin, Bloch, Braudel, Beyond, C. Nadia Seremetakis ‘The Memory of the Senses, Part If Still Acts, C. Nadia Seremetakis ‘The Cinema Screen as Prosthesis of Perception: A Historical Account, Susan Buck-Morss (On the Move: The Struggle for the Body in Sweden in the 1930s, Jonas Frykman From Desert Storm to Rodney King via ex-Yugoslavia' ‘On Cultural Anaesthesia, Allen Feldman Conscious” Ain’t Consciousness: Entering the “Museum of Sensory Absence,” Pati Implications, C. Nadia Seremetakis About the Contributors