Beruflich Dokumente
Kultur Dokumente
By:
Saba Mansoor Farooqui
FOLK MEDIA
Folk media is a genuine means of communication and a true carrier of culture amongst various people It inspires people to perceive the message or information more effectively Traditional folk forms in India can be effectively utilized for social developmental communication. In this presentation, we will be discussing about tamasha as folk media in detail.
TAMASHA
INTRODUCTION
Tamasha(Drama) is the specific mode of fiction represented in performance. Tamasha is a traditional marathi folk art form, often with singing and dancing, widely performed by local or travelling theatre groups within the state of maharashtra India.
HISTORY
Tamasha was a pure commercial entertainment, with the star performer being a female artiste and still is an extremely lively and robust form of folk theatre in Maharashtra, dating back to 400 years The most celebrated patron of this folk form was Baji Rao II ,the last of the Peshwas who introduced professional women singers into it for the first time
Ram Joshi is considered as the main proponent of the tamasha He was familiar with the Sanskrit puraanas ,the recitation and the singing of the kirtaniyas and also with the popular form of common theatre Dramatists often worked on pre-existing mythological or historical themes that were familiar to the audience of the age . (eg.dashavatar-the ten incarnation of vishnu) .
TYPES OF TAMASHA
DANGI TAMASHA :
KEERTANA
Keertana is a kind of concentrated drama, a mono drama It is exploited by the Central and State Governments to educate the masses of family planning, development activities, democratic values and national integration
All India Radio and Doordarshan, too, use the Keertana forms for broadcast beamed at industrial workers and rural audience
LAVANI
Lavani ,traditional song and dance which particularly performs to the enchanting beats of a dholak The performance lasts the whole night and the groups of singers treat the crowd with great honour They generally perform on social matters like society ,religion and politics
CONCLUSION
The Tamasha needs no elaborate stage props or costumes or place and time but are suggested through gestures ,movements and dialogues The popularity of the Tamasha is not restricted to Maharashtra Various movies, such as:
Group project by
Narinder Kapur (17) Nikita Shenoy (42) Shrutika Nath (48) Vineeta Wadhwa (51) Shefali Patel (56) Mittal Harbada (58)
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