THE PRICE IS RIGHT
!
COME ON DOWN!
The Commodity Model:
Audience as Value
Content
• Introduction
• Commodity Model (Present)
• Commodity Model & Limitations
• ‘Evolution’ of Commodity Model
• Case Study: MediaCorp TV & MOBTV
• Conclusion
• References
Relationships
Audience – Media:
Foundation of economic power
Audience is an asset/property
Advertiser – Media:
Provide financial support
Advertiser – Audience:
Capture audience’s awareness
Government protects local media’s economic
interests by ensuring that the broadcasters are
still working on an advertiser-supported system.
Dallas Smythe
Zz.
• Audience Commodity
• “all non-sleeping time is working time”
• Work time is devoted to the production of
commodities, producing and reproducing labour
power.
• Time away from work, but not asleep is sold as a
commodity to advertisers.
• By consuming media, audience performs labour
for the advertisers and media.
Commodity Model
Broadcaster
Ratings $$$
Audience Advertiser
Commodity Model & its Limitations
• Maxwell (1991) and Streeter (1996) argue that audiences do not
produce any commodity or sell labour power, but some are paid
by ratings firms to produce the ratings commodity.
• “Media capitalists buy in the ratings commodity and
replace audiences’ labour power with constructed
audience image”.
• Advertiser support needs to be consistent with public
interest as broadcasters are required to “give people
Commodity Model & its Limitations
• In reality, the broadcasters cater to the advertisers,
instead of to fulfill the public’s wishes.
• Broadcasters are expected to maximise their
audiences and sell them to anyone who is willing to
pay.
• Broadcasters are trusted with the responsibility of
public interest and compelled to provide programmes
Commodity Model: New Media ENV
• Commodity model exists in a world whereby media is
financially supported by advertisers.
• With the introduction of new media, the concept about
commodity value of audience will change.
• One approach - the value of audiences to advertisers
(ratings).
• Other approach - ability of audiences to pay fees (direct
payment).
• In both cases, the audience will still be the key source of
MediaCorp TV & MOBTV
• MediaCorp’s Revenue = Mainly from advertisers.
• MediaCorp introduced MOBTV
(MediaCorp Online Broadcast Television).
• Audiences are able to pay directly for programme viewing.
• MOBTV subscription fees = Revenue to MediaCorp.
Commodity Model: New Media ENV
Broadcaster
$$$
Ratings $$$
Audience Advertiser
Conclusion
• Model evolves to suit the conditions of the new media
environment.
• Sustainability of the commodity model is constantly
challenged, esp in a technologically advanced
environment.
• Money is still an independent variable.
• Definitions and concepts of audience value and media
environment are subjected to changes.
References
Kellner D and Durham M, (1991), Media and Cultural Studies, pp 230-321
Webster, J. G, (1991), Audience Models in Communications, Policy
Chang, De Li, Making identical audience commodities across countries by global
sports: NBA and global advertising in Taiwan and the US
http://lass.calumet.purdue.edu/cca/gmj/OldSiteBackup/SubmittedDocuments/archivedp
Cynara M. Medina, Ugly Betty and The Latino /A Commodity Audience, Downloaded on 9
March 2009,
http://www.allacademic.com//meta/p_mla_apa_research_citation/2/5/9/6/3/pages259631/p259631
Glass G, (2006), Audience Labor: The Asymmetric Production of Culture
http://www.geof.net/research/2006/audience-labor
Gould, Stephen J. ; Gupta, Pola B. (2006), Journal of Advertising, "Come on down":
how consumers view game shows and the products placed in them.
http://www.accessmylibrary.com/coms2/summary_0286-15385145_ITM
Thank You!
Presented by:
Adrian Ng
Bertrand Tay
Charine Tan
Ken Chua
Nicole Lee
Pearlyn Hoon
Vernia Lim
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