Beruflich Dokumente
Kultur Dokumente
Presented by:
Ihsan Ibadurrahman G1025429 Mohd. Ridzuan Mat Zin G1126649
Introduction
Advertising has evolved along with the advancement of technology. We can see an advertisements almost everywhere and anytime. In Malaysia Ads can be found in various places: mass media, buses, LRT, Handrails of escalators, billboards, and wallpaper The languages, pictures, colors and other elements are used in order to catch our attention towards it. The term advertising comes from the Latin verb advertere which means to direct ones attention to something (El-Daly, 2011).
Linguistic Analysis
What information is given about the products? How is the product presented in terms of words and images? What symbols are used to promote the product? What associations are made with the product? What is the relationship between the product and people?
Social Analysis
Who is the main audience for the product? Why should the product be purchased? What evidence is given to support the ads claims? What values does the ad reflect and/or promote How is the ad designed to make one feel?
Cultural Analysis
What are the most salient messages found in advertising? How does advertising create particular identities? What stories do advertisements tell about the world? What influence does advertising have on cultural behavior? What type of lifestyle(s) does the ad promote?
Cook (2001) mentions that culture is an inseparable component in the task of discourse analysis in advertisement because it is needed to describe the phenomenon occurred in the text and context of a discourse.
Methodology: Procedure
The 10 participants were each given an ad to analyze, and answer a three page questionnaire based on the ad. [link] It roughly take 15 minutes to complete The 10 Selected ads were taken from
3 from Malaysian newspaper: Sunday(2) and The star (1) 5 from Magazines: Mens Fitness (1), Galaxie (2), Digital camera (1), Cleo (1). TV Commercials: YouTube (2)
Data Analysis
The responses from the questionnaires are analyzed to see if there are any emerging patterns from the 3 different dimensional approaches. Only the most salient points from the responses are taken into consideration. The answers are also cross-checked with the information gathered from the book, the internet, and researchers own opinion about the product.
Maybelline ColorSensational
The use of very strong words printed in bold; SEXY.SOFT.SENSUOUS.STRIKING which are alliterations of the initial S and correspond to the name of the product itself; SENSATIONAL. The use of four coloured rose petals with honey oozing from them depicts the perfect lips that they are trying to portray. These petals have also been neatly arranged in order, with the honey each trickling down to the words it corresponds to
Menara 238
The ad uses parallelism to sell the product; BIG BOYS NEED BIG SPACE FOR BIG PRESENCE and BIG IMPRESSION, the capitalized FOR and NEED are not enlarged to give more prominence to the aforementioned parallelism. The rhetorical device is particularly effective to reinforce the quality of the product (El-Daly, 2011). The beautiful view of Kuala Lumpur seen from the window of the room is used to attract the potential buyer.
Hyundai ELANTRA
All the positive words are used to project good image of the car; small car fuel efficiency, spaciousness, premium touch, dynamic design enhance with the word IMPOSSIBLE. This clearly conveys that the dream car has become a reality and is available now. Out of all 28 words used in the ads, only one is a verb: Imagine. The inclusion of awards in the ad further promotes the good quality of the car.
Guinness
The ad attempts to promote two things; the beer and the St. Patrick festival 2010. In trying to accomplish these two goals, it uses many symbols such as the smiley, the St. Patrick flower symbol and fireworks. The use of green background color conforms that of St. Patricks celebration, which is culturally known to symbolize the green Ireland. The ad promises to bring laughter and joy to the life of people regardless of their race as can be seen from the picture.
McDonalds Fillet-O-Fish
There is an emphasis on the word EASY used repeatedly throughout the ad as a parallelism to reinforce the quality and the efficiency of getting the product. The same also applies to the fish symbol which is used to portray the product. People who eat the burgers are portrayed as happy people, smiling, enjoying life and are content with what they have. The fast-paced music resembles busy urban people living in a bustling city, wanting to have something easy and quick so that it doesnt distrub the pace of their life.
Discussion
One of the most salient feature of language used in the 10 ads is parallelism which serves to foreground the linguistic units, and thus render the quality of the product more effective (Cook, 2001; El-Daly, 2011). The analysis of Ads entails not only human cognitive process, but also features specific to a given culture. A prime example of this is the Guinness St. Patricks ad which uses the green color and the symbol of the leaf in promoting the event. As pointed by Cook (2001), ads can make people feel dissatisfied with what they have and thus consume more. This is done by the use of clever words (real watch for real people) or pictures such as the picturesque view of Petronas building of the Menara 238 ad, which can be deceiving.
Conclusion
From the 10 analyzed ads, it can be concluded that in discussing adverts, we cannot separate text with its context, which involves: substance, pictures, music, paralanguage (font color and size), intertextuality and inter-discursivity (Fairclough, 2001). Such complexity means that advertising always holds more to be analyzed, leaves more to be said. (Cook, 2001: 5) We should be vigilant of the persuasive power of ads which results in commodification, where we buy the product not because we need it but want it. (Govindasamy & Khan, 2010) By critically analyzing the discourse in adverts using the three dimensional approach proposed by Esposito (2011), these persuasive power in creative language use could be demystified.
References
Cook, G. (2001). The Discourse of Advertising (2nd ed.). London: Routledge. Creswell, J. (2009). Research Design. California: SAGE Publication. El-daly, H. M. (2011). Towards an Understanding of the Discourse of Advertising: Review of Research with Special Reference to Egyptian Media. African Nebula, Issue 3, pp. 25-47. Esposito, J. (2011). A Critical Approach to the Analysis of Advertisements. The Linguistics Journal, Vol. 5, pp. 197-219. Fairclough, N. (2001). Critical discourse analysis as a method in social scientific research. In R. Wodak. & M. Meyer, Methods of Critical Discourse Analysis (pp. 121-138). London: Sage. Govindasamy, S., Khan, M. H. (2007). Selling the Global Popular: Reading Adverts in Malaysia. In P. Krish, Discourses on culture and identity : an interdisciplinary perspective (pp. 47-70). Selangor: Pearson Malaysia. Van Dijk, T.A. (2001). Multidisciplinary CDA: a plea for diversity. In R. Wodak. & M. Meyer, Methods of Critical Discourse Analysis (pp. 121-138). London: Sage.