Agnes Martin

Eva Hesse in her

studio 134 Bowery
Street , N.Y., 1969

Women Artists
from Minimalism to
Post-Minimalism
 DONALD JUDD: untitled, 1969/1982,
Anodized aluminum, Walker Art Center

FATHERS OF MINIMALISM

ROBERT MORRIS: Ring with Light, 1965-96

painted wood and fibreglass and fluorescent
light, two units, each 24 inches (61 cm) high, 14
inches (35.6 cm) deep, overall diameter 97
inches (246.4 cm)
Dallas Museum of Art

“Actual space is
intrinsically more
powerful and
specific
than paint on a flat
surface.”
Donald Judd
 Eva Hesse
(b Hamburg, 11 Jan 1936; d New York, 29 May 1970)

Eva Hesse circa 1959

[Stephen Korbet]
Contingent 1969 cheesecloth, latex,
fibreglassinstallation (variable) 350.0 (h) x 630.0 (w) x
109.0 (d) cm, NGA
 Hang Up, 1966
Acrylic paint on cloth over wood;
acrylic paint on cord over steel
tube
182.9 x 213.4 x 198.1 cm (72 x 84
x 78 in.), Art Institute of Chicago
 Expanded Expansion, 1969. Reinforced fiberglass poles and rubberized cheesecloth,
Overall: 122 x 300 inches; Three units of three, five, and eight poles, respectively: 122 x
60 inches; 122 x 120 inches; 122 x 180 inches. Solomon R. Guggenheim Museum
 White Flower, 1960. Oil on canvas, 71 7/8 x 72
inches. Solomon R. Guggenheim Museum

Agnes Martin
(American, born Canada.
1912-2004)
Untitled, 1959. Oil on canvas, 12 1/8 x 23 7/8
inches. Solomon R. Guggenheim Museum

Falling Blue, 1963

 Water Flower, 1964
pen and white and red ink? with gray wash
overall: 30.1 x 30.3 cm, NGA

Praise, 1976. Rubber stamp print, edition

1000. 16 3/8x16 5/16 inches.
 Jo Baer
[American Minimalist Painter,
born in 1929]

Primary Light Group: Red, Green, Blue. 1964-65. Oil and synthetic polymer paint on
canvas, three panels, Each panel 60 x 60“. MoMA
Untitled, 1964-1972; painting; oil on canvas, 48 in. x 48 in. x 1 7/8 in., SFMoMA
 Glass Slippers. 1960,
MoMA

Bootless Boots. 1960.

Gouache and pencil on
paper, 5 3/4 x 3 1/2"

Sex Symbol. 1961.

Gouache and pencil on paper, 6 x 3 1/4“, MoMA
 Rachel Whiteread
(b London, 20 April 1963).
 Untitled (Amber Bed) (1991; Nîmes, Carré A.)

Ghost (1990; London, Saatchi Gal.)

House 1993; destr. 1994
Polly Apfelbaum
(American, 1955)

'A Kind of Bliss' Installation view,

The Drawing Room, London, 2004
Mona Hatoum
(Palestinian/British, 1952)

Paravent, Art Basel

Rachel Lachowicz
(American, 1964)

Red David (1991)

Plaster, Lipstick
23" x 13" x 7"
Anagram (1995) Homage to Carl Andre (1991)
5 chairs: lipstick and wood lipstick, wax
3/8" x 72" x 72"

Carl Andre
Equivalent
VIII 1966,
Tate
 Form Into Uniform Into Formlessness
(1996)
Digital output, enamel on aluminum,
plaster, fabric
wall: 62" x 62" floor 68" x 69"

Sol LeWitt
CUBE STRUCTURES
BASED ON FIVE MODULES,
1971-74, Painted wood.
Jac Leirner (Brazilian, 1961)

To and From (Walker) ,1991

envelopes, polyurethane cord, plexiglass

Blue Phase, 1992

Brazilian bank notes, polyurethane cord
Lung. 1987. Marlboro
cigarette packages strung Untitled (Corpus Delicti)
on a polyurethane cord, 14' 1993, Hirschorn Museum
5 1/4" (440 cm) to 15' 9"
(480 cm) wide, MoMA
 Claudia Matzko
American (born 1956)

Bronze and mineral oil,

Edition of 50, 6 x 4 in
Right Handed Crown, 1996 Lament, 1994
cast bronze hand bones Capilary tubes, wire, hardware
7 x 12 x 13 1/2 inches. 77 × 10 1/2 × 1 1/2 inches
Andrea Zittel
born in Escondido, California, in 1965

A-Z Escape Vehicle: Customized by

Andrea Zittel. 1996. Exterior: steel,
insulation, wood and glass. Interior:
colored lights, water, fiberglass, wood,
papier-mâché, pebbles and paint, 62" x
7' x 40“, MoMA
 Roni Horn
(American, 1955)

Opposite of White, v. 2
(Large) (B), Solid cast
Black glass NG4, with as-
cast surfaces on all sides
(Fire-polished top), h: 20 x
w: 56 x d: 56 in, Gagosian
Gallery, CA
 Single Raven, Iris printed
photograph, h: 55 x w: 55 cm /
h: 21.7 x w: 21.7 in

Opposite of White, Solid cast glass,

h: 14.5 in / h: 36.8 cm
Janine Antoni
[Bahamas-born American,
born in 1964] i

Gnaw,1992
installation with chocolate & lard
Susana Solano (Spanish, 1946)

Conscience, 2005,
Iron, lead and galvanized mesh, h: 27.4 x
w: 26.7 x d: 26.7 cm, McKee Gallery, N.Y.
 Meg Cranston
Born  1960,  New York

The Complete Works of Jane Austen, 1991

Vinyl balloon