Beruflich Dokumente
Kultur Dokumente
By Emma Brookbanks
and Hannah Green
REPRESENTATION OF SOCIAL CLASS
MISE EN
SCENE
Houses / Setting
SMITHY ’ S HOUSE :
The brown colour make it dull and
Small semi-detached house almost dirty especially the mould
with one garage which is under the windows this shows their
of a basic nature which lack of motivation to maintain a smart
reflects the basic and low image, implying their poor attitude
class of smithy’s family. towards appearance.
Costume / Personality
SMITHY
Smithy’s costume is
very simple which The character
consists of a blue has left his
button up shirt and top button
beige trousers, the undone which
simple combination gives the
mirrors the simple impression that
personality and mind he is laid back
of smithy. and untidy
Stacey’s costume is a
simple dressing gown,
this shows that she has Stacy’s hair is a
some level of class as simple bob style and
many normally just walk she is also blonde,
down in pyjamas. Also it despite Stacey having
shows us that she does a huger level of
not feel the need to class than smithy’s
dress up. family she is
prevailed as a blonde
which allows her to
fall into the typical
stereotype of being a
‘dumb blonde’.
Gwen , Stacey ’ s Mum
Gwen’s costume is
almost outdated, the
floral apron creates
a homely feeling
along with her knee
length floral dress.
Both these items
present Gwen as a
sweet and kind Gwen is wearing a
person, and that she simplistic watch
is that of a high which indicates
class nature. that she is
organised and
simple. Her hair
appears to have a
Gwen is portrayed as a semi-perm which
stereotypical housewife could indicate her
and mother figure who is families class to
defined though her actions be between the
and attire. This is shown other two.
also through the use of
props as she is catering
and preparing food like a
mother does.
Brin , Stacey ’ s Uncle
Brin’s costume is a very
smart beige suit with a
white shirt and a pink Brin has the prop of a
tie. The suit itself bible, this shows the
allows the audience to audience that he
relate the character as attends church or at
a smart sophisticated least has a religious
man. However the beige perspective, religion
colour also indicates today isn’t as
that he is a man with a strongly believed in
simple mind. it is and it is often
apparent that he is of a attended by those whom
higher class, but it is have a higher class,
contradictory with his so this is a strong
colour scheme. confirmation of Brin
social class being
reasonably high.
DIALOGUE / SOUND
Tone /Regional
SOUND
Diegetic Non diegetic
Within this 4 minute clip Within this 4 minute clip non
diegetic sounds are emphasised diegetic is common as it
in a clear way to allow the introduces the new setting.
audience to feel a sense of Several different soundtracks
reality in what they are are used within the 4 minutes
viewing. but they all carry the same
For example when Rudy is theme, cheerful and upbeat.
looking through her phone the The texture of the soundtracks
director has focused on that are light, with minimal use of
sound to indicate to the instruments.
audience that it is a vital The most regular instrument
prop within the frame. which is used within the tracks
is an electric guitar, which is
used in many different styles
which presents different styles
within the programme which may
reflect the different classes
which is portrayed within the
clip.
SMITHY ,Gavin
and Stacey ’ s dialogue .
Shots /Angles
EDITING , CAMERA SHOTS / ANGLES
The first shot we come across is an establishing shot
of the outside of smithy’s house, which is later
followed by an establishing shot of Gavin’s house.
There are many shot reverse shots to illustrate a
conversation and to make it clear who is talking, this
technique dominates the short clip as it is mainly
conversation taking place, many medium shots are also
used to demonstrate the conversation.
The other frequent type of camera movement is
tracking, this enables the narrative to move along
quickly like when smithy pulls up in the car, the
camera tracks the car.
The editing within the clip contributes to the
division of social class and regional identity
through juxtaposition.