Billy Clayton Goodwins Theory Writing in Dancing in the Distraction Factory (1992), Andrew Goodwin came up with a six-part theory that demonstrates what music videos generally if not always include; this is made up of: 1. Music videos demonstrate genre characteristics e.g stage performance for a metal/rock video, choreography for boy/girl band. 2. There is a relationship between lyrics and visuals either illustrative, amplifying or contradicting. 3. There is a relationship between music and visuals either illustrative, amplifying or contradicting. 4. The demands of the record label will include the need for lots of close- ups of the artist documenting their image. 5. There is frequently reference to notion of looking voyeurism objectification of the female body. 6. There are often intertextual references to other pieces of media e.g t.v, film, other music videos.
Lorde Tennis Court Lorde is a seventeen year old singer-songwriter from New Zealand who rose to fame in summer 2013 with her highly anticipated debut single Royals. Tennis Court, her albums official second single is accompanied by a music video that I believe challenges the statements made in Goodwins theory and singles itself out as a unique piece of modern media. The video was released in June 2013 and directed by Joel Kefali. It was filmed as a one-shot video, with the single take lasting the entire 3:21, equal to the length of the track itself and notably breaks some of the ideas suggested by Goodwin in his theory. Music Video The first point of Goodwins theory is Music videos demonstrate genre characteristics. Lordes music is considered to be Indie-Alternative pop, and unlike most music videos from this genre, for example Sky Ferreiras Youre Not The One (pictured in the centre), Lordes video does not contain multiple locations such as clubs/bars, bedrooms or instrument-based performances, but instead, it is located in a minimal black room with a spotlight behind her throughout the entire video. Not only this, but it is filmed in one singular shot, emphasising the use of one specific location displayed through one angle.
The next point in Goodwins theory states There is a relationship between lyrics and visuals. Lorde describes Tennis Court to be about her journey from day-to-day school life in New Zealand to signing her record deal and acknowledging her new found fame. Whilst other music videos such as Avril Lavignes Mobile (pictured far right) covers the same topic of signing a record deal and gaining world wide recognition, it displays visuals of multiple road signs and highways reflecting her journey, Lordes video focuses primarily on her sat silently in a black room, plain and unreflective of the busy and overwhelming process of becoming a famous artist. Music Video The next part of Goodwins theory states There is a relationship between music and visuals. Unlike the vast majority of modern music videos, there is no lip-syncing featured in this video except for the singular Yeahs at the end of each verse. This goes against a very popular device of music videos and perhaps confuses the audience when they view it, triggering them to consider whether she is in fact the actual singer, hence making it a unique piece.
Music Video Another part of Goodwins theory states The demands of the record label will include the need for lots of close ups of the artist and the artists may develop a visual style that recurs across their work. The music video for Tennis Court challenges the popular record label demand as it uses one singular shot throughout displaying Lordes piercing stare at the camera whilst wearing black contact lenses, black lipstick and a fishnet shirt, making her appear alien-like and unusual, going against the typical formula of presenting a young female to be visually appealing. This idea is enhanced when paying attention to the fact that her Royals music video had to be re-edited for the US release to include over twice the amount of shots of Lorde herself as there were too many shots prioritising location and mise-en-scene, for example close ups of televisions and pools being replaced with close ups of her face, allowing her to be more easily accepted into modern US pop culture where image is highly valued.