Beruflich Dokumente
Kultur Dokumente
Advert
Audience
Intertextuality
Target Audience
Primary audience:
affluent, heterosexual young women.
Secondary audience:
affluent, heterosexual young men who would buy the
product for their girlfriends/wives.
Psychographics/ demographics?
Age group 15-24. 25-34. 35-44. 45-54. 55+
Gender
Sexuality
Fans of
mise-en-scene
Camera
female subject
Psychographics
The mise-en-scene consists of three key places; the beach, the picturesque
town and the bar, all conventionally desirable places. This offers the utopia
of 'abundance' (Richard Dyer), which may be lacking in the audience's lives.
This would appeal to Aspirers (people who want to appear rich and attractive)
In this case, women (and teenagers) would want to aspire to be beautiful and
carefree like the subject in the advert.
Young women and older women could gratify with the subjects aura and
swagger as she strolls through the town, gaining a sense of personal identity
(Blumler and Katz) and that they too could achieve this sex appeal.
The female subject is the only woman represented in the advert, surrounded
by handsome on-looking men seemingly hypnotized by her beauty. This may
gratify some young women, who could make a personal connection with that
image.
The video features a range of Diors latest fashion - gratifying the audience
through information.
Background/ foreground
upbeat and fast paced music (non-diegetic sound)
reinforcing the ideas (ideology)
The lyrics
Narrative
The upbeat and fast paced music (non-diegetic sound) sets the
adverts tone, helping the audience to believe wearing the
perfume will shape them to become sexy, youthful and
carefree, just like Daphne Groeneveld.
The text has attempted to position the audience to buy the Dior
Addict perfume, so they too can be empowered with a sense of
desirability which will result in all men giving them attention.
The female subject is the lead throughout the advert; she is always
foregrounded to the background of the beach, the town and the men. This
positions us to think of her beauty as elevated above all other desirable
things, and makes her body image stand aloof to the rest of the image and
other subjects, reinforcing she is dominant
The female subject also walks uninvitingly onto their table, subverting
womens stereotype as being passive (John Berger), positioning the
audience to see her as confident and empowered (creating positive
associations for the product for aspirers and succeeders).
The lyrics: big money, big fame No no no I dont need it, suggest
you do not need money or fame to attract the male gaze, but rather
positions the audience to think that if you wear the Dior perfume you can
be sexy and achieve this happy lifestyle.
Stuart Halls Reception Model (1980) theory; auidences have contrasting responses
to the same texts; preferred, negiotiated and oppositional.
The bar scene in particular reflects how Daphne Groenevled is positioned for the
male gaze (Laura Mulvey), given the slow motion edited and numerous quick paced
close up shots of her rubbing her hands from her thighs to her breasts. This would
appeal to male audiences (preferred reading, sexual arousal), however to some
women this would cause offense as it suggests they are merely being positioned as
an object of sexual desire.
Furthermore, the fact the female subject required the assistance of the two men in
the bar to help her get onto the table reflects she was unable to achieve that as a
independent woman and relied on males for help.
The narrative suggests the female subject is alone at the start on the beach, yet
after she uses the perfume she suddenly becomes active and desirable. Oppositional
responses to this adverts narrative could suggest without male attention women are
passive and have nothing to do and are bored and unemployed
Print Adverts
HW
Pick a PRINT perfume advert and analyse
Appeal
Position
Respond
How are women represented.
Two points for each include effect/ purpose/ theory/
debates/ Terminology/