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Photo Journalism

Photojournalism
Photojournalism is a particular
form of journalism (collecting,
editing,, presenting, of new
materials for publication or
broadcast)

Basic Elements
of
Photography

What message do I want my


picture to deliver?

Point of Interest

Each picture should have only one principal


idea, topic, or point of interest to which the
viewer's eyes are attracted.
Subordinate elements within the picture
must support and focus attention on the
principal feature so it alone is emphasized.
A picture without a dominant point of
interest or one with more than one
dominant center of interest is puzzling to a
viewer.

Simplicity

Simplicity is the key to most good pictures.


The simpler and more direct a picture is, the
clearer and stronger is the resulting
statement.
Select a subject that lends itself to a simple
arrangement.
Instead of photographing an entire area that
would confuse the viewer, frame in on some
important element within the area.
Select different viewpoints or camera angles.
Move around the scene or object being
photographed.

Rule of Thirds
A principle taught in graphic design
and photography and is based on the
theory that the eye goes naturally to a
point about two-thirds up the page.
By visually dividing the image into
thirds (either vertically or horizontally)
you achieve the informal or
asymmetric balance mentioned
above.

Rule of Thirds

Principle of Dynamic
Symmetry
Similar

to the rule of thirds.


Location for the center of interest is
found by drawing or imagining a
diagonal line from one corner to an
opposite corner. Then, draw a second
line perpendicular to the first from a
third corner.
The intersections of the lines are the
location for the center of interest.

Dynamic Symmetry

Contrast

Contrast in photographic composition is an


effective means of directing the viewer's attention
to the center of interest.
Positioning of subject elements to create contrast
gives them added emphasis and directs the
viewer's attention.
In black-and-white photography, contrast is the
difference in subject tones from white-to-gray-toblack or from the lightest tone to the darkest tone.
In color photography different colors create
contrast.

Balance
Balance

in photographic composition
is a matter of making pictures look
harmonious.
Each element in a picture has a
certain amount of value in respect to
all the other elements.
Symmetrical, or formal, balance.
Asymmetrical, or informal, balance.

Symmetrical
Symmetrical,

or formal, balance in a
photograph is achieved when
elements on both sides of the picture
are of equal weight.
Think of a seesaw.

Asymmetrical

Balance is established by equalizing the


element forces in spite of their differences.
Asymmetrical balance is introduced when
the presumed weight of two or more
lighter objects is equalized by a single
heavier object placed on the other side of
the imaginary pivot point
Asymmetrical balance is more difficult to
achieve.

Framing
Framing is another technique photographers
use to direct the viewer's attention to the
primary subject of a picture.
Positioned around the subject, a tree, an
archway, or even people, for example, can
create a frame within the picture area.
Subjects enclosed by a frame become
separated from the rest of the picture and
are emphasized.
An element used as a frame should not draw
attention to itself.

Viewpoint

The proper viewpoint or camera angle is an


important factor in good composition.
Simple ways of controlling composition.
Repositioning your subject within the frame.
Change the camera viewpoint or camera
angle.
Changing viewpoint or camera angle can
often add drama and excitement or even
bring out an unusual aspect of a subject.

Camera
Angles/Viewpoints

Low Camera Angle


Ddd emphasis and interest to many ordinary
photographs.
Used to distort scale or add strength to a picture or
to emphasize certain elements within the picture.

High Camera Angle


help orient the viewer, because they show
relationships among all elements within the picture
area and produce a psychological effect by
minimizing the apparent strength or size of the
subject.

Low Angle

High Angle

Lines

Lines can be effective elements of


composition, because they give structure to
your photographs.
Unify composition by directing the viewer's
eyes and attention to the main point of the
picture.
lead the eyes from one part of the picture to
another.
Diagonal lines represent movement, action,
and speed.
Curved lines present a sense of grace,
smoothness and dignity to a photograph.

Portrait Shot
A shot of a
person as a
subject. The
term portrait is
used in studio
photography
describing a
picture where
a person is the
main focus.

Landscape/Wide Shot
A wide shot
of a natural
object to
give a full
view of the
subject.

Macro Shot / Close-Up


A close up shot
of the subject
to show detail.
Can be used to
show text on a
page, small
details, or to
make
something
small look
larger.

Depth of Field Shot


A shot
containing two
subjects: one in
the foreground
and one in the
background.
One will be in
focus while the
other will be out
of focus.

Negative Space
Negative

Space is the space


between an object, around an object,
but is not part of the actual object
itself. It is the opposite of an
identifiable object which can at the
same time be used to help define the
boundaries of positive space.

Negative Space

Rhythm
The

concept of Rhythm is a principle


of composition. Good photos will
often have elements that are
repeated and echoed off each other
in the photo, giving a sense of
Rhythm as it is called.

Rhythm

Repetition
Echoing

or repeating a shape
throughout your photo gives you
instant composition and can say a lot
about your subject. Repetition
photography is an excellent way to
grab the attention of your audience
and draw them into the image

Repetition

The Last Rule


Rule

are made to be broken.

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