Beruflich Dokumente
Kultur Dokumente
1862 - 1928
"Most of what we call innovation or
experiment is a variation of Appia's ideas,
deduced from his original premises.”
Anti-realistic staging
Believed in simple, strong, and
suggestive sets
Horizontal elements such as
steps, ramps, and platforms
blend with actors movements
Relationship of actor, scene,
dialogue, music, and lighting
should create a unified harmony
Depth of stage is important Act I of Wagner’s “Parsifal”. A 3-D design of
the sacred forest allows lighting and cast
shadow to create a sculptural quality
important to Appia.
"Rhyth
mic
Spaces”
Platform
s of
varying
heights,
ramps,
stairs,
walls,
and
pillars,
allow
the
actor
varied
moveme
hierarchy of production
Composer-Dramatist:
Writing dictates the rhythm and action required (the
score already creates the mise en scène)
Designer-Director:
Single, highly sensitive artist carries out the hierarchy
“Projects” music into form in space
Performer:
Serve as the intermediary between music and setting
Space, Lighting, Color
Enhances meaning, not just to evoke realism
LIGHT: the soul of stage
production
Light is a “fully expressive medium
in itself”, should not just
illuminate the scenery/actors