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THE HEALTHY
VOICE
A P R E S E N T A T I O N B Y : L I B B Y, K H R Y S T A L L E ,
JOANA AND JOHNSON
Many think that being a good singer is down to pure luck in your genetics,
however, a solid technique and strong knowledge of the principles of voice
production and health in general can really help any aspiring singer to
improve. Throughout this presentation we will start to introduce you to the
main principles in voice production, and how knowing how each component
works can help you to make the best choices with your singing.
Breat
h
Contr
ol
Articulators
Vo
ca
l
Fo
Breathing
Th
e
Lar
yn
x
Reso
nator
s
The
Healt
hy
Voice
Physical Wellbeing
PRINCIPLES OF
VOICE
PRODUCTION
BREATHING IN SINGING
Breathing is really important in singing because without breath, without air, we have no voice. Breathing
controls your voice and if you cant control it properly, it makes it difficult for you to sing to the best of your
ability. The best way to breathe whilst singing is by using diaphragmatic breath.
When you breathe in your belly expands and when you breathe out your belly goes in. You must keep your
shoulder relaxed. (Dont let them rise and fall).
THE LARYNX
The Larynx is the voice box, the organ in the neck that plays a crucial role in speech and breathing. This
box contains our vocal folds.
The openings for air through the Larynx are known as the glottis and epiglottis, located below and behind
the tongue. They play a necessary part in closing off the glottis during swallowing.
The Larynx has three important functions:
1.
2.
3.
Production of sound for speech (helps your voice to be loud, clear and more powerful.)
Doing voice warm ups can improve your voice and clarity of speech.
The tongue trill is a good exercise to use, in which you place your tongue behind your upper teeth and exhale
and trill your tongue with a r sound. This warm up can help as it increases the vibration of your vocal folds
and engages the movement of your Larynx. Due to this, when you sing, you may notice your voice becoming
much louder and more clear.
They widen from the front to the back of the larynx, where they are attached to the arytenoid cartilages,
which appear as a pair of bumps in the posterior wall. They are spaced widely during inhalation but close to
each other during voice production and swallowing.
The voice is created when the air in the lungs is pushed out between the contracting vocal cords. The air
pushing out between cords produces vibrations of the cords, resulting in the production of sound. The
intensity of the airflow being produced by the lungs determines the frequency at which the vocal cords can
vibrate. For example, a less-forceful air flow will not aid a fast enough vibration to produce sufficient sound.
The vocal cords form the opening to the trachea, and are protected from the entry of food or other particles
by the epiglottis (a flap of cartilage which bends to close the opening each time the tongue moves back to
allow swallowing.)
T H E R E S O N AT O R S A N D A RT I C U L AT O R S
ARTICULATORS
Head
Reso
nanc
e
Mout
h
Reso
nanc
e
Nasa
l
Reso
nanc
e
Ches
t
Reso
nanc
e
Adds a richer, and darker tone
quality to the voice. Much
stronger than Head Resonance
T H E R E S O N AT O R S A N D A RT I C U L AT O R S
The soft palate plays a large role in sound resonance. It is important to know how to move it and
coordinate that movement with your tongue muscle, as overall it will improve the sound quality of
both sung vocal sounds and speech.
You need the soft palate to lift for a correct resonant tone. If it soft palate doesnt lift, you will make
a sound that has too much resonance in your nose - a nasal sound
If your soft palate drops, it can make a seal against the back of your tongue - all the air and sound
is transferred out of your nose. Therefore in order to create an open resonant sound you must lift
the soft palate when singing
Some of you may have trouble finding the soft palate, as it can feel hidden in your throat. If you
have trouble locating your soft palate, fake yawn. If you can feel the back of your throat opening
up this is most likely your soft palate being lifted. When singing open vowel sounds such as an
Ah or O, your soft palate should naturally lift to create an open and resonant tone with no strain
on the vocal folds.
HOW TO
MAINTAIN A
HEALTHY VOICE
Explain
Analyse
Do not smoke
Describe
Explain
Analyse
THANK YOU
L I B B Y, K H R Y S T A L L E , J O A N A A N D J O H N S O N