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INTRODUCTION
NEW DELHI
It has been recognized throughout the world for its one-of-a-kind, petal-shaped design, the Lotus
Temple, is an icon both for architect Fariborz Sahbas award-winning design and its home to
multiple religions. The architectural brilliance includes 27 free-standing marble clad petals
arranged in clusters of three to form nine sides, with nine separate entrances to a grand hallway.
This monumental structure is marked by the entry through the mesmerizing
gardens along the stretch of the road which leads to the Lotus Temple itself.
The main building is elevated on a high plinth
with steps leading to it.
It is surrounded by small ponds with water in
order to maintain the climatic conditions within
the building. This also helps in the aesthetic
appearance of the building as well.
This was based on the concept of the lotus that
grow on the water body. Hence the form also
represents the same.
This entire area also consist of other public
buildings such as the library, administration
building, etc.
SITE PLAN
CONSTRUCTION TECHNIQUES :
The construction of the Lotus temple began in stages. The architect, Fariborz
Sahba, began designing the Temple in 1976. The construction of the temple was
completed in 1986.
The Lotus temple reaches a height of more than 40m. One can see 27 giant white
petals of marble in a lotus shape, 21,000 running meters (interior and exterior) of
area in slopes and curves requiring sealing, springing from nine pools and
walkways indicative of the nine unifying spiritual paths of the Bahais faith.
The surfaces that create the shell on both sides of the ridge inlet and the outer
leaves are formed from spheres of different radii with their centers located at
different points within the building. Is a set of fields for entry blades, some of
which define and other interior surfaces defining the exterior surfaces of the shells.
The diameters of the spheres are set to meet structural consideration of variable
thickness of the petals.
Twenty-reinforced concrete structures shaped petals, covered in marble, were
arranged in groups of three, to realize their nine faces.
The surfaces that create the shell on both sides of the ridge inlet and the outer leaves are formed
from spheres of different radii with their centers located at different points within the building.
To the outer leaves, the shell is uniform, 1.33 m thick towards the bottom and towards the top
end 2.55m.
The outer leaf area entrance to the temple is 15,4m wide and 22.5m rises above the podium, the
interior has 18,2m wide at the entrance area and rises above the level 7,8m the podium.
Most of the structural load of the interior space of the temple is supported by nine arcs are deployed
around the central hall, set at angular intervals of 40 .
The shape of these arcs is created by flat, conical and cylindrical surfaces. The intersection of these
surfaces offers interesting contours and greatly enhances the beauty of the arches.
9 arches were placed one after the other until the circle was completed. Disassembly of the soffit
of each arch was made after the adjacent arcs reach the necessary strength.