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EACH SESSION IS DESIGNED TO

ADDRESS EVIDENCE THAT WILL BE
REQUIRED BY THE BRIEF

SESSION 1; SET UP AND LAYOUT..

SESSION 1; SET UP AND LAYOUT..

STUDIO PLAN

SESSION 1; SET UP AND LAYOUT..

STUDIO PLAN
FIRE EXITS AND EXTINGUISHERS

SESSION 1; SET UP AND LAYOUT..

STUDIO PLAN
FIRE EXITS AND EXTINGUISHERS
HEALTH AND SAFETY

SESSION 1; SET UP AND LAYOUT..

STUDIO PLAN
FIRE EXITS AND EXTINGUISHERS
HEALTH AND SAFETY
EQUIPMENT AND SPECIFICATIONS

SESSION 1; SET UP AND LAYOUT..

STUDIO PLAN
FIRE EXITS AND EXTINGUISHERS
HEALTH AND SAFETY
EQUIPMENT AND SPECIFICATIONS
CONNECTIONS & LEADS

SESSION 1; SET UP AND LAYOUT..

STUDIO PLAN
FIRE EXITS AND EXTINGUISHERS
HEALTH AND SAFETY
EQUIPMENT AND SPECIFICATIONS
CONNECTIONS & LEADS

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE
SHELVING EQ

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE
SHELVING EQ
SEMI PARAMETRIC EQ

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE
SHELVING EQ
SEMI PARAMETRIC EQ
GROUP OUTPUTS

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE
SHELVING EQ
SEMI PARAMETRIC EQ
GROUP OUTPUTS
MONITOR FADER

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE
SHELVING EQ
SEMI PARAMETRIC EQ
GROUP OUTPUTS
MONITOR FADER
MASTER MUTES

SESSION 2; THE CHANNEL STRIP

THE 2 USES OF A CHANNEL
NOISE GATE
SHELVING EQ
SEMI PARAMETRIC EQ
GROUP OUTPUTS
MONITOR FADER
MASTER MUTES
AUXILIARIES

SESSION 3; SINGLE CHANNEL

RECORDING

SESSION 3; SINGLE CHANNEL

RECORDING
THE LIVE ROOM

SESSION 3; SINGLE CHANNEL

RECORDING
THE LIVE ROOM
THE STAGE BOX

SESSION 3; SINGLE CHANNEL

RECORDING
THE LIVE ROOM
THE STAGE BOX
ROUTING SIGNAL TO THE COMPUTER

SESSION 3; SINGLE CHANNEL

RECORDING
THE LIVE ROOM
THE STAGE BOX
ROUTING SIGNAL TO THE COMPUTER
UNDERTAKING A BASIC RECORDING

SESSION 3; SINGLE CHANNEL

RECORDING
THE LIVE ROOM
THE STAGE BOX
ROUTING SIGNAL TO THE COMPUTER
UNDERTAKING A BASIC RECORDING
DI RECORDING

SESSION 4; THE PATCH BAY

SESSION 4; THE PATCH BAY

OUTBOARD EQUIPMENT

SESSION 4; THE PATCH BAY

OUTBOARD EQUIPMENT
ROUTING TO THE COMPRESSOR WHILST RECORDING

SESSION 4; THE PATCH BAY

OUTBOARD EQUIPMENT
ROUTING TO THE COMPRESSOR WHILST RECORDING
ROUTING TO OUTBOARD EQUIPMENT AFTER RECORDING

SESSION 4; THE PATCH BAY

OUTBOARD EQUIPMENT
ROUTING TO THE COMPRESSOR WHILST RECORDING
ROUTING TO OUTBOARD EQUIPMENT AFTER RECORDING
SIGNAL ROUTING CHALLENGES

SESSION 4; THE PATCH BAY

OUTBOARD EQUIPMENT
ROUTING TO THE COMPRESSOR WHILST RECORDING
ROUTING TO OUTBOARD EQUIPMENT AFTER RECORDING
SIGNAL ROUTING CHALLENGES
SPREADING YOUR RECORDING ACROSS THE DESK

SESSION 4; THE PATCH BAY

OUTBOARD EQUIPMENT
ROUTING TO THE COMPRESSOR WHILST RECORDING
ROUTING TO OUTBOARD EQUIPMENT AFTER RECORDING
SIGNAL ROUTING CHALLENGES
SPREADING YOUR RECORDING ACROSS THE DESK
MIXDOWN / BOUNCING

SESSION 5; MULTI CHANNEL DRUMS

SELECTING MICS

SESSION 5; MULTI CHANNEL DRUMS

SELECTING MICS
MIC PLACEMENT

SESSION 5; MULTI CHANNEL DRUMS

SELECTING MICS
MIC PLACEMENT
SETTING LEVELS

SESSION 5; MULTI CHANNEL DRUMS

SELECTING MICS
MIC PLACEMENT
SETTING LEVELS
ROUTING MULTI CHANNEL SIGNALS

SESSION 5; MULTI CHANNEL DRUMS

SELECTING MICS
MIC PLACEMENT
SETTING LEVELS
ROUTING MULTI CHANNEL SIGNALS
RECORDING DRUMS

AFTER THESE SESSIONS

AFTER THESE SESSIONS

YOU SHOULD BE READY TO RUN A FULL SCALE RECORDING
SESSION..

AFTER THESE SESSIONS

YOU SHOULD BE READY TO RUN A FULL SCALE RECORDING
SESSION..
AND TO PRODUCE A COMPREHENSIVE REPORT!

AFTER THESE SESSIONS

YOU SHOULD BE READY TO RUN A FULL SCALE RECORDING
SESSION..
AND TO PRODUCE A COMPREHENSIVE REPORT!
DOES EACH INDIVIDUAL SESSION SEEM A LOT OF INFORMATION
TO EVIDENCE..?

AFTER THESE SESSIONS

YOU SHOULD BE READY TO RUN A FULL SCALE RECORDING
SESSION..
AND TO PRODUCE A COMPREHENSIVE REPORT!
DOES EACH INDIVIDUAL SESSION SEEM A LOT OF INFORMATION
TO EVIDENCE..?
THROUGH WRITTEN POSTS, DIAGRAMS, PHOTOS, VIDEO AND
AUDIO?

AFTER THESE SESSIONS

YOU SHOULD BE READY TO RUN A FULL SCALE RECORDING
SESSION..
AND TO PRODUCE A COMPREHENSIVE REPORT!
DOES EACH INDIVIDUAL SESSION SEEM A LOT OF INFORMATION
TO EVIDENCE..?
THROUGH WRITTEN POSTS, DIAGRAMS, PHOTOS, VIDEO AND
AUDIO?

NO
BUT

STUDIO PLAN, FIRE EXITS AND EXTINGUISHERS, HEALTH AND

SAFETY, EQUIPMENT AND SPECIFICATIONS

STUDIO PLAN, FIRE EXITS AND EXTINGUISHERS, HEALTH AND

SAFETY, EQUIPMENT AND SPECIFICATIONS, CONNECTIONS &
LEADS, THE 2 USES OF A CHANNEL, NOISE GATES, SHELVING
EQ

STUDIO PLAN, FIRE EXITS AND EXTINGUISHERS, HEALTH AND

SAFETY, EQUIPMENT AND SPECIFICATIONS, CONNECTIONS &
LEADS, THE 2 USES OF A CHANNEL, NOISE GATES, SHELVING
EQ, SEMI PARAMETRIC EQ, GROUP OUTPUTS, MONITOR
FADER, MASTER MUTES, AUXILIARIES

STUDIO PLAN, FIRE EXITS AND EXTINGUISHERS, HEALTH AND

SAFETY, EQUIPMENT AND SPECIFICATIONS, CONNECTIONS &
LEADS, THE 2 USES OF A CHANNEL, NOISE GATES, SHELVING
EQ, SEMI PARAMETRIC EQ, GROUP OUTPUTS, MONITOR
FADER, MASTER MUTES, AUXILIARIES, THE LIVE ROOM, THE
STAGE BOX, ROUTING SIGNAL TO THE COMPUTER,
UNDERTAKING A BASIC RECORDING, DI RECORDING,
OUTBOARD EQUIPMENT, ROUTING TO THE COMPRESSOR,
WHILST RECORDING, ROUTING TO OUTBOARD EQUIPMENT
AFTER RECORDING, SIGNAL ROUTING CHALLENGES