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The document discusses several prominent Filipino composers who were awarded the title of National Artist of the Philippines for Music. It provides biographical details and lists notable compositions for Antonio Buenaventura (1904-1996), Levi Celerio (1910-2002), Ernani Joson Cuenco (1936-1988), Felipe Padilla De Leon (1912-1992), Francisco Feliciano (1941-2014), and Antonio J. Molina. The composers made significant contributions to the development of Philippine music and helped promote Filipino culture and identity through their works.
The document discusses several prominent Filipino composers who were awarded the title of National Artist of the Philippines for Music. It provides biographical details and lists notable compositions for Antonio Buenaventura (1904-1996), Levi Celerio (1910-2002), Ernani Joson Cuenco (1936-1988), Felipe Padilla De Leon (1912-1992), Francisco Feliciano (1941-2014), and Antonio J. Molina. The composers made significant contributions to the development of Philippine music and helped promote Filipino culture and identity through their works.
The document discusses several prominent Filipino composers who were awarded the title of National Artist of the Philippines for Music. It provides biographical details and lists notable compositions for Antonio Buenaventura (1904-1996), Levi Celerio (1910-2002), Ernani Joson Cuenco (1936-1988), Felipe Padilla De Leon (1912-1992), Francisco Feliciano (1941-2014), and Antonio J. Molina. The composers made significant contributions to the development of Philippine music and helped promote Filipino culture and identity through their works.
Elements of Music Pitch Texture Volume or Intensity Form Tempo or rate Melody Duration Harmony Timbre Rhythm PITCH
The relative highness and lowness of a tone. VOLUME OR INTENSITY
• The loudness or softness of a sound. It ranges
from very soft (pianissimo) and soft (piano) to very loud (fortissimo) and loud (forte). The volume is louder when a singer belts out compared to the volume when he simply whispers. TEMPO OR RATE
• The speed of a composition or any of its
sections. Ballads have a slow tempo, whereas dance songs have a fast rate. Terms such as allegro (fast), vivace (lively), moderato (moderate speed), andante (moderately slow), adagio (slower than andante), lento (slow), and largo (very slow) are related to tempo. DURATION • The length of time during which sound is produced. Some sounds are longer than the others. TIMBRE • The quality of sound that makes it distinct from other sounds. Thus, a listener can distinguish the voices of Regine Velasquez, Java, Janno Gibbs and Ogie Alcasid; likewise, he can recognize the sounds of a flute, a guitar, a drum and a piano. RHYTHM • The consistent patter or succession of identical or similar sounds. This is illustrated by the succession of similar sounds in a song, as follows: introduction, stanza one, chorus, refrain, stanza two, chorus, refrain, coda, and conclusion. MELODY • The series of consecutive tones that vary in pitch and duration but form a line of individual significance and expressive value. It is an orderly succession of tones or musical sounds. It is the one remembered by a listener or the one he whistles or hums, especially so when he does not know the lyrics. HARMONY • The simultaneous sounding of two or more tones. When three or more tones are sounded simultaneously, there exists a chord. TEXTURE • The number of tones expected to be apprehended simultaneously. It is either monophonic (sounding of a single melodic line without an accompaniment), polyphonic (simultaneously sounding of two or more melodic lines of relatively equal interest), or homophonic (sounding of one main melody supported by a subordinate one, as in the performance of a folk singer with a guitar accompaniment) FORM • The overall organization of the composition. It is associated with shape, structure, and coherence. All the musical elements are put together to come up with the cohesive whole called form. Jose Palma’s lyrics of the Philippine National Anthem titled “ Lupang Hinirang” were arranged into a march by Julin Felipe. All the notes and all the other components of the song constitute its form. Antonio Buenaventura (May 4, 1904-January 25, 1996) Antonio Buenaventura (May 4, 1904- January 25, 1996) • National artist of the Philippines for Music in 1988 • Maestro of the UE School of Music and Arts. • Among the student of Nicanor Aberlardo, who ran a boarding school for young musicians. • Collaborated with Francisca Reyes-Aquino in a research on Philippine folk songs and dances. Antonio Buenaventura (May 4, 1904- January 25, 1996) • Among his compositions are : • By the Hillside • Triumphal March • Ode to Freedom • Concert Overture • Mindanao Sketches • Symphony to C Major LEVI CELERIO (April 30,1910-April 2, 2002) LEVI CELERIO (April 30,1910-April 2, 2002)
• National Artist of the Philippines for Music in
1997 • A Filipino composer and prolific lyricist with over 4,000 songs to his credit. • Featured in the Guinness Book of World Records for being the only man who could play music with a leaf He composed Christmas Songs: • Pasko na Naman • Maligayang Pasko at Manigong Bagong taon • Ang Pasko ay sumapit • Misa de Gallo He composed Love songs: • Saan Ka Man Naroroon? • Kahit Konting Pagtingin • Gaano Ko ikaw Kamahal • Kapag puso’y sinugatan • Ikaw • Oh Maliwanag na Buwan • Dahil sa isang Bulaklak • Sa Ugoy ng Duyan • Sapagkat Kami’y Tao Lamang He composed Folk Songs: • Ang Pipit • Alibangbang • Tinikling • Alembong • Tunay na Tunay • Galawgaw • Itik-Itik • Caprichosa • Waray-waray • Ang tapis ni Inday • Pitong Gatang • Dungawin mo hirang • Ako ay may Singsing • Umaga na Neneng • Ikaw Kasi He composed Nationalistic Songs: • Ang Bagong Lipunan • Lupang Pangarap • Tinig ng Bayan Ernani Joson Cuenco (May 10, 1936-July 12, 1988) Ernani Joson Cuenco (May 10, 1936-July 12, 1988) • National Artist of the Philippines for Music in 1999 • A prolific Filipino composer, film scorer, musical director and music teacher. • UST music graduate in piano and cello, he taught in the same university for decades until his death. • Outstanding works that resonate with the Filipino sense of musicality, include Nahan, Kahit na Magtiis, Diligin mo ng hamog ang Uhaw na lupa, Pilipinas, Inang Bayan, Isang dalangin, Kalesa, Bato sa Buhangin and Gaano Kita Kamahal Ernani Joson Cuenco (May 10, 1936-July 12, 1988) • He played with the Filipino Youth Symphony Orchestra and the Manila Symphony Orchestra from 1960 to 1968 and the Manila Chamber Soloists from 1966 to 1970. Felipe Padilla De Leon (May 1, 1912- November 2, 1992) Felipe Padilla De Leon (May 1, 1912- November 2, 1992) • National Artist of the Philippines for Music in 1997 • He was a Filipino composer wo wrote the patriotic song “Awit sa Paglikha ng Bagong Pilipinas” (Hymn of the Birth of the New Philippines) known by its first line “Tindig aking inang bayan”. Intended to replace “Lupang hinirang” (Philippine National Hymn) as the national anthem, it was sung by the members of the HUKBALAHAP • However, it expressed sentiments against the Japanese at that time. • It was again used during the Martial Law period as the secondary national anthem. Finally it assumed the title “Tindig Uring Anak - pawis”, sung by the members of the New People’s Army. FRANCISCO FELICIANO •(9 February 1941 – 19 September 2014) was a Filipino composer and conductor. He was a National Artist of the Philippines for Music FRANCISCO FELICIANO National of the Phillipines for music in 2014. Feliciano “contributed to the awareness of people globally, to view the Asian and Philippine culture, as a rich source of inspiration and a celebration of our ethnicity. He elaveted the Filipino artistry into one that is highly esteemed by t6he people all over the World. His major works are “Ashen Wings,” “Sikhay sa Kabila ng Paalam,” “La Loba Negra,” “Yerma,” “Pamugun,” and “Pokpok Alimpako,”(NCCA). ANTONIO J. MOLINA