-1-

● Construidos como un Tanque !: Construídos en acero calibre 14

reduce la tension en la placa del circuito impreso . Su terminacion en esmalte
al horno mantendra tu Tonebone luciendo increíble por años .

● Los pedales de Distorsion poseen un circuito híbrido

propietario que combina el control de estadio solido de doble etapa
con la generacion natural de armónicos que solamente un
verdadero tubo 12AX7 puede entregar.

● Tonebone , pedales de distorsion a tubo- los mas silenciosos

en su categoría.

-2-
 ● Modo clean “True bypass”
● Dynamic rhythm distortion mode
● Sustaining lead distortion mode
● 12AX7 tube for natural overdrive tone
● Effects loop on lead solo channel

Based on America's finest tube amplifiers - the Trimode delivers!

The Tonebone Trimode gives you instant access to superb clean, rhythm
and lead tones without tap dancing.

The Trimode combines the warmth and even harmonics of a 12AX7

tube with our unique dual-stage drive for the natural dynamics
and response of a vintage tube amp.

TheTrimode has three settings: 'True Bypass Clean Mode' for the
"I recommend this to natural tone of your guitar - direct to your amp; 'Rhythm Mode' with
input drive, output gain and our unique Interstage™ drive to precision-
anyone who is looking tune the mayhem you are about to unleash; and 'Solo Mode' with its
for that NATURAL warm own input drive, output gain, and mid boost for days of sustain.
sound with sustain for Built-in effects loop on the solo channel that lets you instantly engage
days and days! Buy this a delay or pedal chain with a single foot action.

now!" 3 modes, huge tone and amazing dynamics – finally, a

pedal that sounds and feels like a real tube amp!
~ Steve Lukather (Toto)

-3-
Specifications in brief
Circuit type: Hybrid tube / proprietary circuit
Drive gain: Used in conjunction with the
drive gain control. Drive switch
selects the gain range of the
overdrive circuit.
Intermediate drive: Variable fine-tune gain for
(Intergain™) CHANNEL-1(rhythm) - more gain

Mid Boost 1 & 2: Used to fatten up the sound for

more cut and sustain during
solos. Also, fattens up the sound
of single coil pickups.
FILTER control: Balances ratio of high
frequencies between amplifier &
Classic distortion to compensate
for overly bright amplifiers.
TOP END switch: Switch sets the overall tonal
character of the Classic to best
match the amp & settings.
Brighter amps are normally
compensated w/ darker settings.
High & Low EQ controls: Unity gain to +15dB
-4-

Steve Lukather
(Toto, Columbia recording artist)
» www.stevelukather.net
Carl Harvey
(Messenja, Toots & the Maytals)
www.carlharvey.net
Steve's reputation & unique guitar sound quickly gained him respect among the music community
& was considered one of the most versatile guitarists of the 80's. His guitar skills landed him
session work with Michael Jackson, Eric Clapton, Paul McCartney and Don
Henley, among others. Steve's guitar licks can currently be heard on over
seven hundred records. The legendary guitarist is currently back recording & touring with
Toto as well as his own bands.
“… nothing has sounded like the Tonebone. It
has become an incredible asset to my sound and
I recommend it to anyone looking for that
NATURAL warm sound with sustain for days and
days! Buy this now!" ~ Steve Lukather
Carl Harvey - producing and playing on 4 Messenjah albums (2 of which were
nominated for Junos), playing on 6 Toots & The Maytals albums (2 of which
were nominated for Grammies), recording and mixing 2 Groove United
albums and most recently performing, recording & mixing the latest album from
Ojiji (of Messenjah),'Once A Lion'. Carl is now turning attention to his solo career with a
powerful debut solo album, 'The Times' which crackles with Jimi Hendrix inspired electricity and
poetry and the spirituality of Carlos Santana and Bob Marley, with a sound that speaks from his
own soul.
"Think of the Trimode as another two killer channels
added to your amp. It’s the most musical, best
sounding OD pedal I have owned in more than 25
years bar none.." ~ Carl harvey
-5-
GUITAR ONE magazine (March 2003 - pg. 62)
'Gearbox - Distortion Pedal Roundup -- Breaking Up Can Be Fun'
Tonebone Receives 'Guitar 1 Mark of Excellence' Award!
By Michael Ross

"Rumor has it that Eric Johnson is fond of this pedal, and understandably so,.
Plugging in my Strat, I was easily able to emulate Johnson's 400lb violin tone by
switching in the 7dB mid-boost... "... "For sheer versatility as well as well as
quality distortion, the Tonebone series rates a 'Guitar 1 Award'."

GUITARIST magazine (May 2004 - pg. 121)

'Boutique Valve Overdrives'
Tonebone receives the 'Guitarist Choice' award!
-6-

Guitar Player “Editor’s Pick
Award” – August 2006
● 12AX7 equipped tube distortion
● Clean, rhythm and lead in one pedal
● Insert loop on lead channel for effects
● True bypass clean for natual tone
● Huge chunky rhythm settings with scooped mids
Two channel tube distortion pedal combines the natural warmth
and harmonic generation of a 12AX7 tube with the control and
saturation of our unique multi-stage solid-state drive circuit.
Channel-1: optimized for rhythm with chunk rhythm
tones & scooped out mids for a thunderous wall-of-
sound.
Channel-2: produces razor-sharp cut for solos & creamy-
smooth sustaining mids.
Incredible gain with tons of overtones & four generations of
Marshall Plexi tones.
Effects loop that can automatically turn your delay on for leads.
No tap dancing!
The Radial Tonebone Plexitube takes metal guitar
one step beyond anything you have experienced so
far.
-7-
Specifications in brief
Circuit type: Hybrid tube / proprietary circuit
Drive control: Input drive gain control for both
channels.
Intermediate Ch-2 Drive: Recessed control - accessible w/
trim adjuster tweeker.
VOICING 1 & 2: Used in conjunction with the Ch-
1 and Ch-2 Contour controls
Ch-1 & Ch-2 Contour: Separate sound shaping control
per channel. Use in conjunction
with VOICING 3-position switch
MID BOOST: Fatten up the sound for more cut
& sustain during solos. Also, will
fatten up single coil pickups.
TOP END: Sets overall tonal character of
the Plexitube to best match the
amp & settings. Brighter amps
are normally compensated with
darker settings.
HIGH & LOW EQ: Unity gain to +15dB
LEVEL-1 & LEVEL-2: Balance the output level between
input drive without altering of the
tonal characteristics. Works like
master volume on an amplifier.
-8-
 Kirk Hammett (Metallica) Hammett was invited to join Metallica, and in 2002, he became the first
www.metallica.com/Band/kirk.asp inductee into the Guitar World magazine Hall of Fame. He has toured with
Metallica for more than twenty years and has been a role model for many
modern guitarists.

"This box is very deserving of the word 'hot‘ - I

definitely love my Bone!!“ ~ Kirk Hammett

Frank Gambale Graduated 'Student of the Year' (Guitar Institute of Technology (GIT) in
Hollywood) and was offered a teaching position which he kept for 4 years. In
(Chick Corea, Favored Nations, Wombat recording
1986 he was recruited to tour with Jazz-fusion violinist Jean-Luc Ponty. Shortly
artist)
after, he auditioned for Chick Corea and began a 6 year stint which
www.frankgambale.com culminated in 5 albums, a Grammy award and two Grammy Nominations.
Now, Frank tours and records with his own group, - records on his own 'Wombat' labels.
Frank also delivered one album for Steve Vai's record company, Favored Nations,
called "Coming To Your Senses," one of his strongest albums ever.
"I recently did some recording with Chick Corea where we
used the Hot British to record direct. As skeptical as I am
about direct devices for guitar sounds, the Radial
Tonebone Hot British surprised me with its variety and
quality of tone. Chic loved it and so did I. It sounds
great! Well done guys!“ ~ Frank Gambale
-9-
 Guitar Player “Editor’s Pick Award” – August 2006
having a distortion pedal with so much firepower is an almost
giddy joy, and the Plexitube's ballsy tones and versatile
tweakability earn it an Editor's Pick Award.

VINTAGE GUITAR magazine (April 2004 - pg. 158)

'Bad to the (Tone) Bone -- Radial Engineering's Classic, Hot British and
Switchbone'
By Bob Tekippe/Phil Feser/Ward Meeker

..."Wow! Talk about British Tone! We easily dialed in the famous Cream-era
Clapton sounds, to a tee.... If you want to capture that 'British tone' you'll not find
a better pedal!"

- 10 -
 ● 2-channel bass pre for 1 or 2 basses
● Built-in direct box with XLR output
● Combination power boost and effects loop
● Powerful EQ and contour controls
● Separate always-on tuner output

Bassbone - a power-packed bass preamp that

combines real-world functionality with amazing tonal
control, making it the ideal front end for live
performance and studio recording.
Designed as a bass command center, the Bassbone features 2 separate channels with
independent level controls & powerful EQ to let you perform with two basses on stage and
instantly select between them with a footswitch. With Bassbone in your rig, each bass is treated
separately - no more compromising!

Effects loop & power booster lets you introduce effects and gives you that extra kick when
needed.
Built-in Radial direct box that sends 'your sound' to the mixer the way you want it.
Separately buffered tuner out that lets you monitor and tune on the fly.

Bassbone - the ultimate command center for serious bass players.

- 11 -
 Specifications in brief

Balanced XLR output

CH-1 CONTOUR: Shape-1

CH-1 CONTOUR Shape-2

Channel-2 three-band EQ

Boost level: Unity gain to +12dB

Switching: Heavy duty mechanical switches

Ground lift: Lifts ground at XLR output pin-1

The Bassbone allows switching instruments without having to re-adjust tone & volume at the amp.

Also included is a power-booster with variable gain and a switchable outboard effect loop which can be used
individually or together. For example: introduce a flanger with boost for soloing.

Balanced output sends the signal to a mixer with all your sound settings (level, EQ, effect loop), eliminating
the need to carry a bass amplifier to coffee house gigs. There's even a bass-friendly tuner out!

- 12 -
 The Bassbone is extremely powerful, yet simple to
operate.
Two instrument inputs and two separate signal
channels with separate level and EQ sections for
each. Output can go to an amp, mixer or both. Effects
and boost can be brought in or out with the press of a
footswitch.
The Bassbone is not limited to bass either. It works
great with guitars, mandolins, dobros, banjos and
other acoustic and electric instruments.
When using only one instrument, connecting to input-1 will still allow the use of all of channel-2's
benefits and features with one press of the 'toggle' footswitch.
The Radial Bassbone comes equipped with a special 15-Volt power supply that provides
greater headroom than typical 9V supplies.
Built-in Radial direct box is equipped with a separate XLR male output to feed a mixer.
The XLR output of the Bassbone is post-everything. This means that all of the Bassbone EQ
and volume settings will be heard on the XLR output.

- 13 -
 Tony Levin
(Peter Gabriel, King Crimson)
www.tonylevin.com

Known for his innovative spirit, Tony Levin has played with Peter Gabriel, King
Crimson, Yes, Liquid Tension Experiment, Pink Floyd, John Lennon, Joan
Armatrading, Alice Cooper, Seal, David Bowie, Carly Simon, California
Guitar Trio and Paul Simon, among many others. Tony is also partly
responsible for popularizing the Chapman Stick, the NS Upright Bass and the
Funk Fingers, an instrument of his own creation. In addition to his sideman gigs
and collaborative projects, Tony has numerous solo studio albums ('Waters of
Eden', 'Pieces of the Sun'), and a live 'Tony Levin Band' album.

"When I can't take a big custom switching rack on the road; I've always had troubles with
varying outputs. Enter the Bassbone - exit the problem. I have found the Bassbone
indispensable for my small and medium touring rig. It evens the outputs of bass and
Stick, gives me boost capabilities when I need it and holds up solidly through the wear
and tear of one nighters. I've just come back from Europe and Russia, where the device
held up to the real world of touring, rough treatment and varying voltages. The
Bassbone was there doing it's job for me every night - my sound engineer is
ecstatic!"

~ Tony Levin

- 14 -
 Justin Meldal-Johnsen
(Beck, Garbage, Tory Amos, Macy Gray, Imarobot)
www.justinmj.com

Justin first picked up the bass at age 12 and was soon playing in local LA
garage bands. By '92, Justin was recording with seminal L.A. hip hop/jazz group
Circle of Power and then touring with Gang of Four bassist Dave Allen's 'The
Elastic Purejoy' band. In '95, Justin got the call from Tori Amos to play on her
'Hey Jupiter' EP. Later, budding nuveau-pop cultural icon Beck asked Justin to
come by a rehearsal 'to jam', which turned out to be a 6-year-and-counting gig
as music director and conceptual co-conspirator. Justin has worked with such
diverse acts as Garbage, Air, Macy Gray, Blinker the Star, Jamiroquai,
Moby, Sasha & BT, The Pulsars, On, Electric Company, Amnesia, Jude,
Pet, Bill White Acre, Nelly Furtado, the Dixie Chicks and many others.

"Finally, a bass-oriented switcher and DI with good tone and lots of flexibility. My
sound man used to go crazy compensating for level and EQ differences between my
basses. But now he's in heaven. What a gem this thing is. Nice job guys!" ~ Justin
meldal-Johnsen

ALAIN CARON
(UZEB, Mike Stern, Gino Vanelli)

“Radial DI's don't change the color of my bass. They retain the
characteristic of the instrument." ~ Alain Caron

- 15 -
BASS PLAYER magazine (Feb 2004 - pg. 68)
'Radial Tonebone Bassbone‘ By Eric Murray

"The Bassbone is much more than a straightforward A/B box ... the DI, which
inherits technology from Radial's renowned line of standalone direct
boxes, sounded thick and warm in my home studio. The potent EQ was a
great tone sculptor particularly with passive or frettless
instruments..." ... "The Bassbone offers an extraordinarily useful
combination of features for a modest price" ... Anyone who uses more
then one bass at a gig ought to check this out. It could easily become
standard gear for many performing bassists.

Jazz Times magazine (May 2005 - pg. 94)

'Radial Engineering Bassbone Pedal' By Russell Carlson

"... clean signal path, smart friendly design...", "There's no wonder

why a professional player the caliber of John Pattitucci keeps a
Bassbone in his rig."

- 16 -
 ● AB-Y switcher – Class-A for exceptional audio
● Noiseless photocell switching between amplifiers
● Exclusive Drag™ control pickup load correction
● Built-in Power Boost circuit with mid control
● Transformer isolated to eliminate ground loops

The ultimate AB-Y guitar amp switcher!

Switchbone is a creative tool that is designed to allow your
guitar to drive and control two amplifiers without
introducing noise, distortion, clicks or pops. Most
importantly, the Switchbone will retain the natural sound
and feel of your instrument.

The Switchbone employs Class-A circuitry for exceptional audio performance. Our unique Drag™
control provides load correction to re-introduce the natural relationship between the amp and
guitar pickup that is invariably lost when the guitar is buffered or split to drive two amps. To
eliminate hum and buzz caused by ground loops, the Switchbone’s second output is transformer
equipped for 100% isolation. A 180º polarity reverse switch keeps both amps in phase.

Radial's acclaimed VariBoost™ power booster gives you complete foot-switchable control over
boost gain and mid boost for soloing. The innovative ‘ToggleMode™’ footswitch with large
flashing LED's simplifies switching and eliminates tap dancing. The tuner output is always on for
quick tune-ups and buffered to keep your signal path clean.

- 17 -
 Specifications in brief:
Circuit type: Class-A primary audio circuit

Drag™ control Variable pickup loading emulator

Output-1: Direct coupled

Output-2: Transformer isolated

VariBoost™ level: Unity gain to +15dB

Mid-boost: +9 dB @ 800 Hz
+5 dB @ 1 kHz

Tuner output: Buffered - always-on

Switching: Opto-coupler assisted

LED indicators: Large 3mm OD ultra-bright LED's

Pedalboard users will truly appreciate the Switchbone’s
compact size, rugged construction and attention to detail,
like the recessing of the VariBoost™ gain and Drag™ Polarity reverse: 180º (phase) reverse at Output 2
controls to prevent accidental 'bumping'. There is a
'MUTE' switch setting that turns off the signal except to Construction: 14 gauge steel, baked enamel finish
the tuner output for fast, quiet tune-ups between songs.

Look inside the switchbone and you will be amazed at all the circuitry actually required to give the Switchbone it's functionality and
make it work as well as it does – Switchbone is truly an engineering marvel!

- 18 -
 Setting up is easy – the two Switchbone amplifier outputs,
Out-1 and Out-2, connect directly to each amp 's instrument
inputs:
Out-1 is direct coupled and Out-2 is transformer isolated.
Use the isolated output if you have an old amp with no
ground lug on it's AC cord.
The Switchbone's ground lift switch can come in handy to
eliminate hum or buzz that may be present due to a ground
differential between the two amps.

Connecting the Switchbone's power adapter turns the unit on.

Plug in your guitar and you are ready to go. The LED indicators will show you the currently selected
output(s). The TOGGLE footswitch switches between them. The BOTH footswitch selects both
outputs, and the flashing LED shows which output will still be on when you hit the BOTH switch
again.
… Simple and effective.

- 19 -
Allan Holdsworth (Soft Machine, King Crimson, Guitar Player mag. hall of fame)

"The Radial Switchbone sounds great! It is the best ABY box that
I have used and the transformer isolation makes it easy to combine
any two amps without noise.“ ~ Allan Holdsworth

Johnny A (Favoured Nations recording artist)

"For me, the key to a great pedal is it's ability to be transparent when
not engaged. The 'Switchbone' gives my rig plenty of options when
called upon, but also stays out of the way when not! The Switchbone
is Amazing!“ ~ Johnny A

LYLE WORKMAN (Beck, Todd Rundgren)

"The Switchbone is a must have for anyone needing a AB-Y pedal to
switch between two amps. It assures that both amps are properly
grounded AND in phase, and sounds better than any other AB-Y box
I've ever heard. The variable boost sounds great and is a Godsend to
have on board... This pedal is a complete winner.“ ~ Lyle
Workman
- 20 -
GUITAR PLAYER magazine (June 2004 - pg. 159)

'Radial Tonebone Switchbone'

Switchbone receives the 'Guitar Player 'Editors Pick' award!

VINTAGE GUITAR magazine (April 2004 - pg. 158)

Switchbone™..."We were able to switch between amps with no ground
loops or hum. We tweaked the Drag control, and were pleased to hear it
deliver as promised... this could well be the best A / B pedal on the
market."

- 21 -
 ● Master control for pedal boards
● 2 separate effects loops + SlingShot™ remote
● Exclusive Drag™ control pickup load correction
● Built-in VariBoost™ variable gain power boost
● Class-A circuit for highest quality audio

Take control of your pedalboard!

The Loopbone is a compact, easy to use switcher that allows
the guitar player to insert, remove and combine two effect pedal chains with footswitch ease.
The Loopbone incorporates Radial's superb VariBoost™ variable gain power booster for a
clean signal increase or as post-effects boost for soloing.

100% discreet components and our highly acclaimed Class-A circuit.

Drag™ control pickup load correction circuit that allows the restoration of a proper 'amplifier'
impedance load which is lost when you plug a guitar into effect pedals or other buffered devices.
'always-on' tuner out circuit that allows 'on-the-fly' tuning without adding noise or load
Slingshot™ remote switching. Slingshot allows switching of amp channels or other features

- 22 -
 Specifications in brief:

Circuit type: Class-A primary audio circuit

Input impedance: 1meg Ohm at input jack

Drag™ control: Variable load matching network

Output impedance: 10K Ohm

Boost level: Unity gain to +15dB

LED indicators: Large 3mm ultra-bright LED's

Switching: Opto-coupler assisted, 5msec Rise

time

The Radial Loopbone combines several innovative features into one rugged, compact unit
that easily fits on a pedalboard. Controls and switches have been optimized for maximum
flexibility and ease of use while eliminating unnecessary clutter on stage.

- 23 -
 Radial's design philosophy acknowledges that for a
device to be useful, it should be easy to use – even if the
internal workings are complex. The Loopbone is a good
example of how this doctrine can be implemented by
reducing the number switches and clutter to an absolute
minimum.

Plug in your guitar, amp and effects and you are ready to go. The LED indicators will
show you the currently selected FX loop(s), and the Boost circuit status – on or off.

The front panel Drag™ control potentiometer adjusts to exactly match the pickup load
you would get if your guitar was plugged directly into your amp.
The VariBoost™ gain can be pre-adjusted to give you zero to +15dB of boost when you
step on the footswitch.

- 24 -
 Audley Freed
(Cry of Love, Black Crowes)

First gained recognition as guitarist with the acclaimed rockers

'Sidewinder' and 'Cry Of Love' before hooking up with the Black
Crowes. A first-rate player, Audley can jam on almost any style of
music and holds his own beside veterans like Leslie West, Warren
Haynes and Jimmy Page, who did some 30 shows with Audley and
the Crowes. Currently, while the Crowes are on hiatus, Freed is
staying busy with bands like Chris Robinson's (from the Crowes)
project bands and 'Gov’t Mule'. » www.blackcrowes.com

"Having the Loopbone in my pedalboard makes everything easier. This pedal is so

versatile I can use it in lots of different ways for different situations. The Drag™
control is just what the doctor ordered to fix my sound with certain pedals“
~ Audley Freed

- 25 -
BETTER GUITAR web zine (June 2005) 'Radial Loopbone‘ By
Mark Starlin
Loopbone receives the 'Better Guitar Great Gear' award!
"...The Drag™ control lets you adjust the buffered signal to
reintroduce a load on the pickups sound. Simply set up your FX
loops and adjust the Drag until your signal sounds the same
through the FX loops as it does when you are playing directly into
your amp with no pedals. ...the more I used the Loopbone, the
more possibilities I began to envision."

VINTAGE GUITAR magazine (August 2005 - pg. 179) By Bob Tekippe

'Switcher's Paradise-- Radial Cabbone, Headbone and
Loopbone add incomparable versatility'
"This go-round with the Radial 'Bone' pedals reinforced what we
found in our previous tests; they deliver as promised, giving a
player extremely usable switching and effects options that simply
haven't been previously available. By combining the Loopbone
with either the Cabbone or Headbone, the options are numerous.
Giving your rig the ability to achieve the perfect amp and
efffects setup, as these pedals do so well, is priceless."
- 26 -
HEADBONE
• Switch 2 heads using one speaker cabinet
• Slingshot™ remote control with any
footswitch
• Digital micro-controlled relays for failsafe
switching
• Choice of direct or buffered input
• Models for tube amps (VT), solid-state
(SS) or both (TS)
DRAGSTER
• Drag control™ load correction
• Pickup impedance load for wireless
systems
• Regains guitar's full natural tone
• Compact & light aluminum construction
• Bracket for guitar strap or pedalboard
Click here for Tonebone Smartsheets
- 27 -
CABBONE
• Speaker cabinet switcher for all amp
types
• Footswitch toggle between two speaker
cabinets
• Digitally controlled relays with ramping
overlap
• Slingshot™ remote-control switching
• SafeMode™ failsafe protection
BONEYARD
• Slanted for easy all-pedal access
• Super-stick velcro-friendly carpeted top
• Pre-drilled top w/ cable access matrix
• Below deck cable & power supply hide-
away
• Optimally sized for stage use w/ mic
stands
• Furniture grade w/ durable PVC edging
Some of our users:

Eric Johnson 5 year winner of Guitar Player magazine's 'best guitarist” Classic / Trimode
Kirk Hammett Metallica Hot British / Plexitube
Frank Gambale Recording artist (Chick Corea) Hot British / Plexitube
Vivian Campbell Def Leppard & Whitesnake Tonebone Tube Distortions
Neal Schon Journey, Santana Tonebone Tube Distortions
Vinnie Moore Alice Cooper, UFO Classic / Trimode
Allan Holdsworth Soft Machine, King Crimson & Guitar Magazine Hall of Fame Switchbone
Steve Lukather Toto, Columbia Recording Artist Classic / Trimode
Johnny A Favored Nations Recording Artist Switchbone
Lyle Workman Beck, Todd Rundgren Switchbone
Nathan East Eric Clapton, Fourplay, Toni Braxton, Lionel Richie, Phil Collins Bassbone
John Patitucci Wayne Shorter, Chick Corea, 2 Grammy awards - 9 nominations Switchbone
Victor Wooten Flectones, Soul Circus, Bass Extremes Bassbone
Benny Rietveld Santana, Miles Davis, John Lee Hooker Bassbone

- 28 -
Some more of our users:

Adrian Belew Aerosmith Al Caldwell Alain Caron Alan Meyerson Alice Cooper
Alison Krauss Allan Holdsworth Amanda Marshall Amy Grant Anna Nalick Ani DiFranco
Annihilator April Wine Audio Analysts Audioslave Audley Freed Bad Religion
Bare Naked Ladies Barry Manilow Beach Boys Beck Bela Fleck Ben Harper
Benny Reitveld Berklee College Billy Idol Billy Joel Billy Ray Cyrus Billy Sheehan
Black Eyed Peas Bob Daspit Brett Simons Brian Henchcliffe Bruce Springsteen Brian Kobayakowa
Bryan Adams Buddy Guy California Guitar Trio CBC CBS Television Celine Dion
Charley Pride Cheap Trick Chick Corea Chuck Rainey Cirque de Soleil Clair Brothers
Clay Aiken Clearwing Productions Clint Black Craig Anderton Creed Colin James
Dave Bottrill Dave Larue Dave Martone Dave Natale David Rideau David Torn
Def Leppard Destiny's Child Dixie Dregs Donna Summer Dwight Yokum Effanel Music
Eighth Day Sound Eric Clapton Eric Johnson Faith Hill Flecktones Floggin Molly
Foo Fighters Frank Gambale Fred Mollings Garbage Gary Moore Gary Stokes
Gino Vanelli Glen Pearce Good Charlotte Goo Goo Dolls Grand Ole Opre Grant MacAree
Guns & Roses Gwen Stefani Hoobastank Hootie & the Blowfish Hot Hot Heat House of Blues
I Mother Earth Jag Tanna Janet Jackson James Murphy Jason Audio Jerry Douglas
Jet Jethro Tull Jewell Jimmy Haslip Jim Warren Joe Nichols
Joe Perry Joe Satriani Joe Walsh Joey Lomas John Billings John Hyatt
John Patitucci John Meyer Johhny A Johnny Garcia Joni Mitchell Journey
Juanez Justin Niebank Justin Meldal-Johnson Khaliq Glover kd Lang Kenny Loggins
Kenny Chesney Kenny Wayne Shepherd Kim Mitchell Kirk Hammett Kyle Cook Klondike Sound
Linkin Park Lisa Brokop Lyle Workman Manowar Marc Ford Marilyn Manson
Mark Egan Mark Howard Mark Frink Mark Messner Mark Ribot Marcus Miller
Marillion Maroon 5 Masque Sound Matchbox 20 Melissa Ethridge Metallica
Michael Rhodes Michael W. Smith Michael Wagener Mini Driver Montreal Jazz Festival Motorhead
Nathan East National Arts Center NBC Television Neal Schon Nelly Furtado Nickelback
Nine Inch Nails North Mississippi Allstars Oak Ridge Boys Offspring On Stage Audio (OSA) Our Lady Peace
Pat Metheny Paul Bushnell Pearl Jam Peter Gabriel Phil Keaggy Prince
Radiohead Randy Bachman Randy Travis Rascal Flatts Red Rider Ric Fierrabracci
Rob 'Cubbby' Colby Robert Cray Rob Nevalainen Robert Randolph Robert Scovill Rocky Mountain Sound
Roscoe Beck Sammy Hagar Santana Sarah McLachlan Seal Shakira
Sheryl Crow Simple Plan Solotech Montreal Sonny Landreth Sony Broadcast Corp Sound Art Manitoba
Steve Jenkins Steve Lukather Steve Miller Steve Stevens Sting Styx
System of a Down Ted Nugent The Doves The Eagles The Rolling Stones Three Doors Down
Tom Cochrane Tom Coster Tom Size Tom Wait Tony Levin Toots and the Maytals
Tragically Hip Trey Gunn Vanessa Williams Victor Wooten Victoria Jazz Festival Vinnie Moore
Vivian Campbell Weezer Whyte Stripes Westbury National Will Lee Yellowcard
Yellowjackets XM Sattelite Radio Zakk Wilde … more added every month!
- 29 -