Beruflich Dokumente
Kultur Dokumente
P N Bhakta, DDG(E)
Lossless and Lossy Coding
LOSSLESS CODING
REDUNDANCY
SIGNAL INFORMATION REMOVED
CONTENT INFORMATION
LEVEL
CONTENT
REDUNDANCY
FREQUENCY
LOSSY REDUNDANCY
CODING INFORMATION +
CONTENT IRRELEVANCY
REMOVED
Factors affecting Coder Design
• Fidelity
• Data rate
• Complexity
• Delay
The Coding Chain
HUMAN EAR
SOURCE TRANSMIT
MNR
SPL
(in db)
NOISE
fm f
FREQUENCY
Temporal Masking
Psychoacoustic Coder
Psychoacoustic
Model
Ancillary
Psychoacoustic
data
Model
MPEG-1 Layer I & II Encoder (Mono)
0
Filter 1
Bank Uniform
PCM
Audio (32 Sub-band) 31
Quantiser
Bit stream
Encoded
Framing Bit stream
0
0
PCM
Filter 1 Huffman
Audio Non-Uniform
Bank MDCT
(32 Sub-band) Coding
31 575 Quantiser
Bit stream
Encoded
Framing Bit stream
Lo
L Lo’
Ro MPEG-1
R Stereo
Ro’
Decoder
Multi-
Matrix Channel
T3
C
T4 Encoder L’
Ls R’
T5
Rs MPEG-2 C’
Multi- Ls’
Channel Rs’
LFE Dematrix
Decoder
LFE’
Lo = L + aC + b Ls
Ro = R + aC + b Rs
a = b = 1/2
c = 1/ (1+2)
MPEG-2 AAC Encoder
Rate / Distortion
Perceptual Control Process
Model
Bit-stream Formatter
Control
Quantised spectrum
Data Coded Audio Data of previous frame
MPEG-4 GA Encoder
Quantisation and
Coding Choices
Perceptual
Model
Bit-stream Formatter
Control
• MPEG–2 .5
• MPEG–2 MULTICHANNEL BC
MPEG– 2 LSF
• Sampling rates – 24, 22.05 and 16 KHz
• Data rates – 32-128 kbps (Layer I)
8 - 80 kbps (Layer II & III)
• Channels – Mono, Dual, Stereo, joint stereo
• Layer III is useful for low bandwidth Internet
application.
MPEG–2 .5
• Sampling rates – 12, 11.025 and 8 KHz
MPEG–2 Multichannel BC