Beruflich Dokumente
Kultur Dokumente
global intensive
- general idea - details (lexis, syntax)
Should the learners follow the text
in the textbook?
NO, if they start to read, they stop
listening!
Tapescript can be given to Ls after
the listening work has been done,
i.e. after a global and intensive
listening (to check if they
misunderstood something; to do
additional work on the text, etc.)
THE TEACHER’S ROLE
exposing students to a range of listening
experience: stories, conversations, descriptions…
making listening purposeful (realistic tasks)
helping students understand what listening
entails and how they might approach it
building up students’ confidence
making planning decisions (a separate lesson or
part of a general lesson, equipment, recordings,
timing, choosing the listening text, choosing
activities, adjusting the level of difficulty of the
activities if needed, thinking about visual aids)
Selection of materials (criteria)
Language:
• level i+1
Length
• long: many activities; higher levels
• short: may be a disadvantage (no time to get used to)
Content
The use of visual support material
The style of delivery (the way a speaker speaks)
The speed of delivery
Spontaneity
The quality of production
Selection of materials (adjustment)
the level of difficulty can be
adjusted by:
a) selection of less/more difficult texts
b) selection of less/more difficult tasks
(e.g. jumbled questions)
c) giving more/less support
Choosing the procedure
a recorded text or presenting ‘live’?
without stopping/ with pauses? (mark the
tapescript where you want to stop the
machine!)
organization of each stage
(pairs/groups/individually)
replay – how many times? who chooses?
students write down the answers, make
notes, cooperate?
correction?
During the lesson:
giving help whenever needed and
encouraging students to help each other
not treating the activities as tests!
allowing students to alter their answers
after listening for a second time
including lots of pair and group work (to
remove the feeling of isolation & anxiety)
making listening work enjoyable
leaving out part of the work rather than
rushing
giving immediate feedback
A GOOD PATTERN FOR A LISTENING
SESSION (M. Underwood, 1989)
listening strategies
Listening: principal (micro) skills
identifying the topic of conversation/
general trend/idea
(difficult in the early stages of L2 learning)
ability to make predictions about likely
development of the topic
ability to recognize and signal when not
enough of the input has been understood
to make a prediction or a response
Listening: other micro-skills
listening for specific details
checking pre-knowledge against
what was said
understanding speaker’s intention
(why)
understanding speaker’s attitude
(how s/he felt)
listening for the key words
Listening: micro-skills
noticing the role of intonation and
stress in marking the meaning
distinguishing between literal and
implicit meaning
recognition of anaphoric and
kataphoric relationships
predicting the exact words
Listening activities
PRE-LISTENING ACTIVITIES
reading, writing, speaking
make the listening realistic (i.e. do
things which listeners do in real life)
the choice depends on:
• the time availabe
• the material available
• the ability of the class
• the interest of the class & teacher
• the nature & content of the text itself
WHILE-LISTENING ACTIVITIES
to elicit messages from spoken
languge
careful choice of tasks: it is difficult
T/F, MCQ)
POST-LISTENING ACTIVITIES
extension
can be much longer