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CONCEPTS
Starting point: Meaning is conceptual in nature
linguistic forms (phonological and syntactic): connected with conceptual
structures, not with the outside world.
The importance of concepts
Concepts :
absolutely vital to the efficient functioning of complex organisms like
human beings.
organized bundles of stored knowledge representing an articulation of
events, entities, situations, and so on in our experience.
If we were not able to assign aspects of our experience to stable
categories, it would remain disorganized chaos.
We would not be able to learn from it because each experience would
be unique, and would not happen to us again. It is only because we can
put elements of experience into categories, that we can recognize them
as having happened before, and we can remember our previous
reactions to their occurrence, and whether they were successful or not.
Furthermore, shared categories are a prerequisite to communication.
Concept: horse
Word-concept mapping
Concepts are linked together in a complex multi-
dimensional network (see Fig. 7.1).
The links are of specific types (e.g. is a kind of, is a part
of, is used for, etc.) and are of variable strength.
Each full lexical item directly activates a concept and
indirectly activates linked concepts according to the
strength of the link.
There is no direct link between, for instance, the word
horse and the concept ANIMAL: the word horse has a
direct link only with the concept HORSE.
The mapping between words and concepts may be any of the following:
(i) one-to-one:
in this arrangement, a word gives access to a single concept;
syzygy — SYZYGY
(iv) a many-to-many mapping is also possible, but it arises from a
combinationof (ii) and (iii) above.
The three words/expressions which map on to DIE in (iii)
above are not identical in meaning.
Since they all map on to the same concept, the differences
between them must be a property of the words
themselves, not of the concepts; these may be termed
word-specific properties.
die, horse, cry activate their associated concepts (DIE,
HORSE, and CRY) in a neutral way
kick the bucket, pass away, nag, steed, blubber, which
modulate the concept by adding emotive or other
features.
From this it follows that the meaning of a word
consists of word-specific properties plus the properties
of the associated concept.
MEANING OF A WORD = PROPERTIES OF THE
CONCEPT + WORD-SPECIFIC PROPERTIES
1. Which of the following are 'plain' words (i.e. words which map onto a
concept without 'modulating' it)?
1. guffaw 1. concept modulation: to laugh loudly, especially at
something stupid (mainly WRITTEN)
2. money 2. Plain word
3. inebriated 3. Modulation having drunk too much alcohol (FORMAL)
4. Plain word
4. tickle 5. Modulation APPROVING (especially of people)
5. slim attractively thin
6. Plain word
6. funny 7. Modulation (lat. uxor = wife): Of persons: Dotingly or
7. uxorious submissively fond of a wife; devotedly attached to a wife.
8. Modulation disappointed and sad because of having
8. Crestfallen failed unexpectedly in something
9. surprised 9. Plain word
10. concept modulation of ‘walk’
10. stroll
11. Modulation DISAPPROVING a teacher who gives too
11. pedagogue much attention to formal rules and is not interesting
12. Plain word
12. doctor
13. Plain word
13. vandal 14. Modulation: baby FORMAL
14. infant 15. Modulation INFORMAL a violin
15. Fiddle
Conceptual structure
Concept “a person’s idea of what something in the world is like”.
Concepts can relate
to single entities such as the concept I have of my mother or
to a whole set of entities, such as the concept “vegetable”.
This type of concept has structure, in that it includes certain entities
such as carrots, cabbages, lettuce, etc and excludes others such as
apples and pears.
Such concepts divide reality into relevant units are called categories.
Whenever we perceive something, we automatically tend to categorize
it. For example, when we hear a piece of music, we automatically
categorize it as rock or as classical music or as something else.
The world is not some kind of objective reality existing in and for itself but is
always shaped by our categorizing activity, i.e., by our human perception,
knowledge, attitude, in short, by our human experience.
potkovica
English grand piano: focuses on the size
French piano à queue ‘tail piano’
German Flügel ‘wing (piano)’
English focus on the size
French and German: a metaphorical similarity with animal parts is construed.
Bosnian/Croatian/Serbian?
English: pavement the focus is on the material,
French: trottoir ‘pavement’, derived from trotter ‘to
rush, to trot’ focuses on the function
German Bürgersteig ‘part of the road for civilians’
stresses the people who use it.
Bosnian/Croatian/Serbian?
Translate the following English words into
Bosnian/Croatian/Serbian and find out whether these objects are
seen in the same or the different way in the two languages:
1. washing machine 1. (E: focus on function,
2. brewery washing) – veš
mašina/mašina za
3. mother tongue
rublje-veš (B/C/S: focus
on object of washing)
2. (E: focus on the
production process,
brewing beer) – pivara
(B/C/S: focus on the
final product)
3. maternji jezik (same)
The classical approach to categories
The classical approach to categorization, which goes back at least to Aristotle,
but is still often taken for granted, defines a category in terms of a set of
necessary and sufficient criteria (or conditions, or features) for
membership.
So, for instance, the criteria for some X to qualify for inclusion in the category
GIRL are:
X is human
X is female
X is young
If any of these criteria are not satisfied, then X is not a girl (i.e. the criteria are
individually necessary); if all the criteria are satisfied, then X is a girl (i.e. the
criteria are jointly sufficient). (The above set of criteria can be taken as a
definition of the meaning of girl.)
Classical approach to
categories:
Everything is neatly packed
in boxes (categories)
Categories are strictly
separated
Something is either in one
box or in another
All members of a category
have equal status.
Some problems of the classical approach
1 Lack of plausible analyses
There are many everyday words whose meanings cannot be captured by means of a set
of necessary and sufficient features.
Traditional view:
Category: bird
Sufficient and necessary
criteria: beak, feathers
All members have equal status
Cognitive linguistic view: members of a category are radially
distributed around the best example the prototype
When we are asked to draw a picture of a chair, we are most likely to draw a picture
of a kitchen chair and not an armchair. The choice of a prototypical chair also relates
to its functions: It is a type of chair which we sit on, not one we lie on. Also the shape
and the material plays a part. Therefore a prototypical chair has four legs, a seat and
a back so as to be able to sit on it firmly and comfortably. A rocking chair or a swivel
chair is somewhat less prototypical than a kitchen chair. However, all these items are
chairs, so that alongside prototypical members of a category and less prototypical
ones, we also have more peripheral or marginal members such as the armchair or
wheelchair, and even dubious cases such as the highchair.
A stool is definitely not a member of the category of chairs: It lacks most of the
properties of a kitchen chair: It has no back, it does not have four legs, it is higher
than a usual chair and it is usually not made of wood. But the boundaries between a
chair and a stool are far from absolute, and what some people call a stool is a chair
for others. In general we find that the center of a lexical category is firmly
established and clear, while its boundaries are fuzzy and tend to overlap with the
boundaries of other lexical categories.
If lexical categories were not firmly established but ad hoc or haphazard, they
might look like the category of “animals” as jokingly put together in the following
quotation from an imaginary Chinese encyclopaedia:
„On those remote pages it is written that animals are divided into (a) those that
belong to the Emperor, (b) embalmed ones, (c) those that are trained, (d) sucking
pigs, (e) mermaids, (f) fabulous ones, (g) stray dogs, (h) those that are included in
this classification, (i) those that tremble as if they were mad, (j) innumerable ones,
(k) those drawn with a very fine camel’s hair brush, (l) others, (m) those that have
just broken a flower vase, (n) those that resemble flies from the distance.“
(J. L. Borges. 1966. Other Inquisitions. New York:Washington Square Press, p. 108).
This category of “animals” with its imaginary members makes no sense because it
lacks systematicity.We can still imagine that there is some cultural reason for
putting together the members (a), (b) and (c), but we would certainly not expect to
find (d) as a specific member and even less so the remaining imaginary members.