The language of cinema is cinema photography. A scene’s
goals are geared to point of view (POV)- convey a feeling or mood. Elicit a specific emotion from audience. Generate an emotional theme. Play with different visual styles. The Director is the storyteller. It is about what you are capturing between the frame lines. You are the editor and chief of a lot of ideas; collaboration is important. Find a story and go out and tell it cinema graphically. Great actors making a strong performance. It is about developing style in cinema photography with your actors and production crew- design, music, colors, editing, sound design, and on-set direction . With editing, it is not just where you see it; it is also where you don’t. There must exist a rhythm for the movie narrative. What is the story about? What are you trying to convey? How will/ does it impact the audience? STORIES ARE MOSAICS. The story- make it personal; present a fresh take; look for powerful moments- back up your instincts with craft. What are your instincts, aesthetics, and voice for storytelling? Collect reels of research for stories/ themes. Research films, scenes, filmmakers, TV shows, other visual styles that you are drawn to. SCRIPT and the Shooting script is more elaborate, precise, and the overwritten version of the screen play. The shooting script is not written by the screen writer; it is written by the Director alongside the cinema photographer. Discuss the shot plan. The shooting script is a production. A shooting script is broken into shots (dolly in, close ups, etc.). The shooting script is divided into dates and times to shoot. The shooting script is essential to complex productions. Let crew members what they will need to bring/ arrange beforehand. There must be dialogue chemistry to entice the audience and push the story forward- it must elaborate on plot or reveal something about a character. Keep throwaway dialogue (e.g. “Good morning…”) to a minimum. A great dialogue movie was “12 Angry Men.” The dialogue gave the jury depth. All the dialogue was needed. It pushed the story forward and gave exposition. Gestures, expressions, and objects used to fill the void dialogue could not. There must be effective dialogue. LIGHTING- has the greatest power to evoke emotions. Lighting must be manipulated by the Director to accommodate his or her desires for the movie. *Low-key lighting pattern and avoiding dark areas in the frame. Everything looks bright with little or no shadow at all. High-key lighting has little dramatic effect itself. High-key lighting often seen in romantic comedies and musicals- avoiding dark areas in frame. Low-key often seen in horror movies and thrillers- both bright and dark areas in the frame. Low-key lighting is high contrast. High-key lighting is low contrast. To succeed the Director is involved from the early stages of pre-production all the way to the final phase of post-production. When selecting a script, consider length in number of locations, number of characters- e.g. script and 5 characters might be too much. DEVELOPMENT is first phase of movie/ screenplay. *There are no set number of scenes- e.g. 120 page script at approximately 2-3 pages per scene should have 45-60 scenes. 110-120 pages- one page equals one minute of screen time. * ”SERPICO” 131 pages. A Director must unify many story elements- plot, characters and dialogue. * SPIELBERG on characters (“larger than life”) 1- Action: Show personality and emotions through action, Show- don’t tell. Action speaks better than words. Show intellect of characters. 2- FRACTION: The items of and on the characters makes/ plays active part, e.g. jingling keys- something that identifies that character. The Director is in charge of creative decisions onward. The Director should write the shooting script- huge responsibility; must be totally familiar with the screenplay. Know what and how he/ she wants to shoot the movie. Shooting script is more detailed description of the shots and scenes of movie. The main part of the production phase and most expensive part on the film production is the “PRINCIPAL PHOTOGRAPHY”- recording of actors. Storyboarding illustrates the shots that will ultimately make up the movie. Build it conveying the information that IS important. The storyboard is a sequential series of illustrations, stills, rough sketches, captions, camera angles, blocking of actors, and size of frame. Synopsis for film or complex scene- in sequence to usually map and craft the various shot divisions and camera movements.