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A characteristic feature of the Vedic religion is that male deities like Varuna, Surya and Agni
were given prominence and goddesses like Prithvi and Usha occupied a subordinate position.
ARYANS AND THE VEDIC AGE
• Although a large number of gods are referred to in the
Vedas, yet the Vedic religion cannot be considered as
polytheistic (having belief in more than one god). All
these gods represent various phenomena of nature and
were the manifestations of one Supreme God who is the
Creator, Preserver and Destroyer of the universe. They
called Him Ishwar, Brahma or Vishnu.
In the beginning, the class system was not rigid. But in the
later Vedic period it became rigid when the Brahmins and the
kshatriyas became powerful and the vaishyas were made to
pay tributes. The sudras became miserable and began to be
treated as untouchables.
ARYANS AND THE VEDIC AGE
• The caste system, in those days had some advantages. It reduced friction
within the society. Marriages within the caste reduced maladjustments in
family life. It ensured continuity of occupation as the sons usually
followed the fathers occupation. This reduced unemployment and
brought about perfection of several arts and crafts. Furthermore, since
the caste system was based on the principle of division of labor, the
Aryans were able to establish and maintain a sound economy.
Samhitas - The Samhitas are in verse form and they constitute the hymn
part of the Vedas. SRUTI= BASED ON HEARING, SMRITI= BASED ON
MEMORY.
The Upanishads They are the concluding parts of the brahmanas and are
also called the Vedanta, which means the summing up of the Veda. The
word Upanishads means to sit close to. It suggests that this sacred
material was originally secret. The most important ones appeared
between 800 and 600 B.C.
The nucleus of Tamil culture was the region just south of Madras city,
which even today is called Tamil-nad, the Land of the Tamils. Kharavela
the king of Kalinga speaks of defeating the Tamil confederacy, which
was doubtless that of the 'three crowned kings', the Cholas, Pandyas,
and Cheras (also known as Keralas) and their feudatories. Kharavela
established a trading relationship with the Pandya kingdom.
Post Mauryan-South India
• Megasthenes mentions that the Pandya kingdom was founded by the
daughter of Herakles. Perhaps this reflects the matrilineal society of early
south India, which survived on the west coast in Kerala until half a century
ago. The queen of the Pandyas is credited by Megasthenes with an army Of
500 elephants, 4,000 cavalry, and 13,000 infantry.
The historical records of the time are contained in the Sangam literature -
anthologies of poetry similar to the Vedic sources. Tradition has it that many
centuries ago three successive assemblies (Sangams) were held at the town
of Madurai. All the poets and bards of the south gathered at these
assemblies and their combined compositions constitute the Sangam
literature. According to the mythological the first assembly, was attended by
the gods, but the poetry composed at this session has not survived the
winds of time. At the second assemby, the Tolkappiyam, the earliest Tamil
grammar, was supposed to have been written. At the third assembly the
Eight Anthologies were compiled, consisting of over 2,000 poems composed
mainly by bards and these have survived.
Post Mauryan-South India
• The Cheras, the Cholas, and Pandyas appear to have
been continually at war with each other, which give
ample scope to the poets for heroic ballads and verses.
The three kingdoms are said to have, even, participated
in the battle at Kurukshetra of the Mahabharata age.
Eventually the Tamils built a navy and attacked Ceylon in
the Second century B.C., and finally managed to occupy
northern Ceylon for a short while, as they were defeated
by the Sinhalese king Dutthagamini in the latter half of
the second century B.C.
Post Mauryan-South India
• A number of Chera kings are mentioned but there is
little information about them. One of them, however,
founds great reference in south Indian literature, Nedun
Jeral Adan, who, it is claimed, conquered all the land as
far as the Himalayas clearly a poetic conceit, as there is
no reference to such heroic act appears. He is also said
to have defeated a Roman fleet, which may have been
an attack on Roman trading ships. The early Chola kings
(first to fourth century A.D.) figure prominently in the
Tamil literature.
Post Mauryan-South India
• Karikala, who is also referred as the 'man with the
charred leg', fought and won the battle of Venni against
the combined forces of the Pandyas, the Cheras, and
eleven minor chieftains. The Cholas gained supremacy
over the others and this in turn gave them access to both
the east and the west coasts of the southern tip of the
peninsula. This proved to be remarkably useful, for ports
could be built on both coasts and the overland route as
well as the sea route from the west coast to the east
could be used, as was the case with the Roman trade.
Post Mauryan-South India
• Another hero king of the Cholas was Nalangilli, who was
remembered for the Vedic sacrifices which he frequently
performed. Vedic ritual must have fascinating and attractive
to the Tamils, used as they were to far more earthy cults such
the worship of Murugan, the god of war and fertility to whom
offerings of rice and blood were made accompanied by
orgiastic ritual dancing, led by the chief priests; or the simple
worship of 'hero stones' commemorating those who had
performed great feats in battle. For the Tamils this was the
period of evolution from tribal chieftainships to kingdoms.
Post Mauryan-South India
• The king remained primarily a war leader whose function was to protect
his kingdom or tribe. Village councils and local assemblies are
mentioned but not adequately defined. These were to develop into a
powerful force in later Tamil culture, as also the temple, which became
the centre of activity in each village. Yet the Tamils did not remain at a
pastoral-agrarian stage for long. They rapidly moved towards a more
complex politico-economic structure; this was in part due to the
increasing impact of Aryan culture which brought with it the familiar
pattern of hereditary kings, taxation systems, etc., but much more
significant was the fact that south India was absorbed into the
commercial development of the sub-continent which was taking place
at the time. The emergence of Satavahana power, straddling across the
northern Deccan, provided lines of communication between the north
and the south, and trade within the sub-continent increased. Roman
trade with the East and west coasts and its concentration in the south
helped in ending the isolation of the southern kingdoms.
Influence of India over the world (2nd
century B.C.)
• Indian culture & merchandise was known all over
the world even before the birth of Christ. Indian
merchandise such as clothes and spices were in
great demand all over the human world. Whereas
Indian culture & religion influenced both east and
west to a great extent. Some aspects of Indian
religion became fashionable in the west, among
them asceticism (Paul of Alexandria and St
Anthony), idol worship, and the use of the rosary
Influence of India over the world (2nd
century B.C.)
• A number of Indian kingdoms sent embassies to
Rome. Perhaps the best known was the one which
sailed from Broach in about 25 B.C. and included a
strange assortment of men and animals - tigers,
pheasants, snakes, tortoises, a monk, and an
armless boy who could shoot arrows with his toes -
which were all regarded as appropriate for the
Roman emperor. It took the mission four years to
reach Rome and the animals were presented to
Augustus by 21 B.C.
Influence of India over the world (2nd
century B.C.)
• Communication with the west was not the limitations of Indian
influence, for in this century there was a phenomenal growth
in Sino-Indian relations and the introduction of Indian culture
to south-east Asia : all of which began through trade. During
the second and third centuries B.C. some goods of Chinese
origin were in use in India whose names clearly derive from
Chinese language itself: e.g., Chinese cloth, china patta, and
bamboo, kichaka, which is related to the Chinese Ki-chok.
Contact of a more sustained nature began in A.D. 65 with the
first Buddhist missionaries who arrived in China and
established themselves at the famous White Horse Monastery
at Lo-Yang.
Influence of India over the world (2nd
century B.C.)
• In the process the inhabitants of the central Asian oases at
which the missionaries halted were converted to Buddhism
and monasteries grew up at places such as Yarkand, Khotan,
Kashgar, Tashkend, Turfan, Miran, Kuchi, Qara-shahr and Tun-
Huang. Manuscripts, paintings, and ritual objects were brought
from India and for many centuries these monasteries
maintained a close and lively interest in the development of
Buddhism both in China and in India. In fact, much of the more
significant knowledge of later Buddhist history has come from
excavations at these sites. By the third century A.D. Chinese
Buddhists were travelling to India to study Buddhism.
Influence of India over the world (2nd
century B.C.)
• Voyages to south-east Asian ports became more
regular with the increasing contact with China, since
the sea route to China touched these ports. Legends
about the origin of kingdoms in south-east Asia often
trace the story back to Indian princes and merchants.
The Kalingans are said to have colonized the Irrawady
delta in Burma, and various parts of Java. An Indian
Brahman Kaundinya, married a Cambodian princess,
introduced the Indian culture to Cambodia.
Literature between 2nd century B.C. to 2nd
century A.D.
• In ancient India literary outputs were not restricted to
just Law Books and Grammars only, poetry and drama,
also, being extremely popular. Contemporary poetry got
newer depths in Tamil Nadu. One of the outstanding
poem of that era being Shilappadigaram (The jewelled
Anklet). It is set in the city of Kaverippattinam. Kovalan,
a young, wealthy merchant falls in love with a royal
courtesan and neglects his wife, who is devoted to him.
The poem ends tragically with the death of all three,
but husband and wife are reunited in heaven.
Literature between 2nd century B.C. to 2nd
century A.D.
• A second poem, Manimegalai, was written as a
continuation of the first, the heroine being the daughter
of Kovalan and the courtesan, and an ardent Buddhist.
Drama (nataka) was mastered through the Sanskrit plays
of Ashvaghosha and Bhasa. No two playwrights could
have been more vivid. Manuscripts of Ashvaghosha's
plays originally written in the first century A.D. were
found in a monastery in Turfan (central Asia). Both plays
deal with Buddhist themes, one of them being a
dramatized version of the life of the Buddha.
Literature between 2nd century B.C. to 2nd
century A.D.
• Ashvaghosha faithfully followed the rules laid down by
Bharata in his 'Study of Dramatic Arts', Natyashastra -
the Natyashastra having a position in Sanskrit literature
similar to Aristotle's Poetics). But Bhasa writing a couple
of centuries later made little use for these rules. Bhasa's
plays are either based on incidents from the epics, the
Mahabharata and the Ramayana, or are historical
romances most of which depict the amorous exploits of
king Udayin of Avanti. Bhasa wrote for the limited
audience of the court circle, whereas Ashvaghosha's
plays could well have been performed at religious
assemblies, before a wider audience.