Beruflich Dokumente
Kultur Dokumente
Transducers:
Microphones and Loudspeakers
Transduction means converting
energy from one form to another
Acoustic transduction generally
means converting sound energy into
an electrical signal, or an electrical
signal into sound
Microphones and loudspeakers are
acoustic transducers
Acoustics and Psychoacoustics
Acoustical to
Mechanical to Mechanical to
Acoustical Mechanical
Acoustical Electrical
Propagation
( Nerve Electrical to
( reflection,
Signals ) Psychological
diffraction,
absorption, etc.)
Microphone Principles
Concepts:
Since sound is a pressure disturbance, we need a
pressure gauge of some sort
Since sound exerts a pressure, we can use it to
drive an electrical generator
Since sound is a wave, we can measure
simultaneously at two (or more) different positions
to figure out the direction the wave is going
Microphone: Diaphragm and
Generating Element
Diaphragm: a membrane that can be set into motion
by sound waves
Sensitivity: how much motion from a given sound
intensity
Generating Element: an electromechanical device that
converts motion of the diaphragm into an electrical
current and voltage
Sensitivity: how much electrical signal power is
obtained from a given sound intensity
Microphone: Technical
frequencySpecifications
Frequency Response: The microphone should have a wide frequency range and flat
response.
Dimension: The size ( diameter ) of the microphone is to be chosen according to the
highest frequency range of interest and the dynamic range of sound pressure levels (SPLs),
and usually reduces with higher frequency and SPL to be measured. The larger the
microphone the higher the sensitivity.
Equivalent noise dBn(A): The level of sound pressure required to produce output
voltage corresponding to the inherent noise voltage
Dynamic Range: The range from dBn to the maximum SPL.
Sensitivity: in terms of output mV per unit input Pa pressure fluctuation
Type of polarization: prepolarized / externally polarized
Directivity: the variation in relative sensitivity of the microphone as a function of the
angle of incidence.
Stability: a very important feature as to how stable is a microphone in terms of its
sensitivity and frequency response or fluctuations in terms of temperature and humidity,
etc.
Calibration chart
Classification of Microphones
A. General Categories
a. Passive Microphone (Generator Type) – does not require
external power source
b. Active Microphone (Amplifier Type) – needs an external
power source for its operation
B. According to Impedance
a. High Impedance Microphone – greater than 1000 ohms
b. Low Impedance – 1000 ohms and below
C. According to Method of Coupling
a. Pressure Type
b. Velocity Type
c. Contact Type
Classification of Microphones
D. According to Elements Used
a. Dynamic
i. uses the principle of electromagnetic induction
ii. electromagnetic moving coil microphone
iii. a medium-priced instrument of high sensitivity
(Faraday’s Law indicates that a voltage is produced)
Classification of Microphones
D. According to Elements Used
b. Ribbon
i. Velocity microphone
ii. Ribbon moves as if it is part of the air that experiences
rarefactions and condensations
Classification of Microphones
D. According to Elements Used
c. Capacitor
i. Condenser type or electrostatic microphone
Currently the best for ultra sensitivity, low noise, and low distortion
(precision sound level meters use condenser mics • Difficult to
manufacture, delicate, and can be too sensitive for some applications
Classification of Microphones
D. According to Elements Used
d. Crystal ( Piezoelectric Microphone )
Piezoelectric generating element: certain crystals produce a voltage
when distorted (piezo means “squeeze” in Greek)
Diaphragm attached to piezo element
Rugged, reasonably sensitive, not particularly linear
e. Carbon
i. Uses principle of variable resistance
f. Magnetic
i. Operated on the magnetic reluctance due to the movable core
Classification of Microphones
E. According to Directional Characteristics
a. Unidirectional or Cardioid
one direction
b. Bidirectional
figure of 8; front and back pick-up
c. Omnidirectional
all directions
Characteristics of Microphones
1. Frequency Response – frequency over which the
microphone will operate normally
Magnetic 60 – 10,000 Hz
Crystal 50 – 10,000 Hz
Condenser 50 – 15,000 Hz
Carbon 2000 – 3,000 Hz
2. Sensitivity – ability that would be covered by the
microphone
3. Dynamic Range – range of sound intensity that
would be covered by the microphone
Special Types of Microphones
1. Line Microphone
capable of picking up sound from a great distance
at an angle of 45 degrees and is highly sensitive
2. Differential Microphone
used in noisy places, good up to 3 inches distance
Microphone Coloration
Most microphones are not equally sensitive at all
frequencies – The human ear is not equally sensitive at
all frequencies either!
The frequency (and directional) irregularity of a
microphone is called coloration
Acoustic Exciters (aka
Loudspeakers)
Diaphragm attached to a motor element
Diaphragm motion is proportional to the electrical signal (audio
signal)
Efficiency: how much acoustical power is produced from a given
amount of input electrical power
Loudspeakers: Mechanical Challenges
Large diameter diaphragm can produce more acoustic power,
but has large mass and directional effects
Diaphragm displacement (in and out) controls sound intensity,
but large displacement causes distortion
Result: low frequencies require large diameter and large
displacement
Loudspeakers: Its Enclosure
Enclosure is a key part of the acoustical
system design
Sealed box or acoustic suspension – enclosed
air acts like a spring
Vented box or bass-reflex – enclosed air acts
like a resonator
Horns and baffles
Loudspeakers: Its Enclosure
Types of Loudspeakers
those in which the vibrating surface (diaphragm) radiates
sound directly into the air
Types:
Conical Horn
Parabolic Horn
Exponential Horn
Hyperbolic Horn
Types of Loudspeakers
http://www.montana.edu/rmaher/ee417/transducer
_tutorial.pdf