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The document provides information about the National Artists of the Philippines for Film. It begins with definitions of film and how it relates to art. It then discusses the history of Philippine film and introduces the six National Artists in the film category - Lino Brocka, Ishmael Bernal, Fernando Poe Jr., Eddie Romero, and Gerry De Leon. Each artist is recognized for their significant contributions to Philippine cinema through the films they directed, starred in, or produced.
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The National Artists of the Philippines for Film.pptx
The document provides information about the National Artists of the Philippines for Film. It begins with definitions of film and how it relates to art. It then discusses the history of Philippine film and introduces the six National Artists in the film category - Lino Brocka, Ishmael Bernal, Fernando Poe Jr., Eddie Romero, and Gerry De Leon. Each artist is recognized for their significant contributions to Philippine cinema through the films they directed, starred in, or produced.
The document provides information about the National Artists of the Philippines for Film. It begins with definitions of film and how it relates to art. It then discusses the history of Philippine film and introduces the six National Artists in the film category - Lino Brocka, Ishmael Bernal, Fernando Poe Jr., Eddie Romero, and Gerry De Leon. Each artist is recognized for their significant contributions to Philippine cinema through the films they directed, starred in, or produced.
Philippines for Film “The most notable people behind Philippine Film” What is Film? Film - is the art of making motion pictures. It is the definition of cinema that communicates ideas, stories, perceptions, feelings, beauty or experiences by the means of recorded or programmed moving images along with other stimulations. It usually includes an optical soundtrack, which is a recording of the spoken words, music and other sounds, which accompany the images. How is it connected to art? Film is somehow connected to art simple because it conveys ideas and opinions that can give us perspective in a certain subject that we could never once imagine. No matter how dark or twisted its themes may be, film will always be considered art. You can sometimes think of it as a mirror or a portal to another dimension, it can either reflect our society and how we live on it today or transport us to a whole new view or possibility. History of Philippine Film
On, 1 January 1st 1897, the Philippines experienced its first
movies with these films: Un homme au chapeau (Man with a Hat) Une scene de danse Japonaise (Scene from a Japanese Dance) Les Boxers (The Boxers) La place de Popera (The Place of L’Opera) The showing of these films was done in Salon de Pertierra on Escolta Street and shown using a Gaumont Chrono- Photograph projector. Gaumont Chrono-Photograph projector Over the years, since the arrival of cinema in the country, Filipino artists have thrived and triumphed in the fast- paced world of cinema. Without the brilliance and talents of the people behind the art, filmmaking will not be made possible. That is why the country continues to honor deserving artists in the field of cinema. Here are the national artist in the film category. Brocka’scontribution to Philippine cinema is unparalleled, with 66 films that “breathed life and hope for the marginalized sectors of society” according to NCCA. Heharvested countless recognitions here and abroad for his films that “a bounty of stunning images, memorable conversations that speak volumes on love, betrayal and redemption, and plenty all Lino Brocka pointing towards the recovery 1939 – 1991 Year of Conferment: 1997 and rediscovery of our nation”. Lino Brocka In 1975, he directed the movie “Maynila sa Kuko ng His other films: Liwanag. Which is Wanted: Perfect Mother (1970) considered as one of the classics of Filipino cinema. Tinimbang ka ngunit kulang (1974) Insiang (1976) Jaguar (1979) Bona (1980) Macho Dancer (1988) Ora Pro Nobis (Fight for us, 1989) Gumapang Ka sa Lusak (1990) Is considered to be the pillar of Philippine Cinema. Critics have hailed him as “the genius of Philippine cinema.” In 1982, he directed the critically acclaimed “Himala” starring Nora Aunor. Bernal’s contribution to Philippine cinema is both liberating and aesthetic as he pushes the artistry. According to NCCA “polishing its visuals or innovating in the medium, he manages to send his message across: to Ishmael Bernal fight censors, free artists, give justice 1938 – 1996 to the oppressed, and enlighten as well Year of Conferment: 2001 as enlighten the audience”. Ishmael Bernal His other famous works: Dalawang Pugad, Isang Ibon (Two Nests, One Bird 1977) Lagi na Lamang Ba Akong Babae? (Will I Always Be Just a Woman? 1978) Isang Gabi sa Iyo, Isang Gabi sa Akin (1978) Ikaw Ay Akin (1979) Menor De Edad (1979) Also known as “Da King” or FPJ Has been given the title the king of Philippine Movies. And one of the most admired Filipino film actor of all time. Famous for his role are Flavio in “Ang Panday” series. He is also a film producer and politician. He ran the presidential election in 2004 but lost. Subsequently, his politician rival, Fernando Poe Jr. 1939 – 2004 former Gloria Macapagal – Arroyo, Year of Conferment: 2006 declared him a National Artist for Film in 2006. Fernando Poe Jr. Some of the movies he starred in: Apollo Robles (1961) Batang Maynila (Manila Boy, 1962) Ang Alabok sa Lupa (Dusts in the Land, 1967) Ako ang Katarungan (I Am Justice, 1974) Tatak ng Alipin (Mark of a Slave, 1975) Totoy Bato (1977) Arsedillo (1971) Partida (Party 1985) Was a Film Producer behind the movies; “Aguila” and “Ganito kami noon…. Paano kayo ngayon?” His presence in Philippine cinema is one that is “devoted to the art and commerce of cinema” National Artist for Film Eddie Romero’s works, as cited, “are delivered in an utterly simple style-minimalist, but never empty, always calculated, precise and Eddie Romero functional, but never 1924 – 2013 predictable.” Year of Conferment: 2006 Eddie Romero His work “Ganito kami noon…. Paano kayo ngayon?” portrays the common Filipino in the backdrop of history and imagination. Another classic by Romero is “Kamakalawa”, a film that probed into precolonial Philippines. He is also responsible for bringing an on-screen adaptation of Jose Rizal’s “Noli me Tangere” in a 13-part series. Some of his Films also includes Hari sa Hari Lahi sa Lahi Isusumpa Mo Giliw Faces of Love Holds the sole distinction as the most awarded film director in the country for the prestigious Filipino Academy Movie Arts and Science (FAMAS) awards, the country’s equivalent to the Oscars. De Leon finished medicine but did not practice it to answer a calling to cinema. He directed the two film adaptations on Rizal’s works: Noli me Tangere and Sisa Ama’t anak was his directorial debut, but De Leon’s baptism in Philippine cinema royalty was in the film “Ang Gerardo “Gerry” De Maestro” Leon 1913 – 1981 Year of Conferment: 1982