FOLK

DANCE
 It is sometimes defined as
dance perfomed by
agricultural people who live
in close-kinit communities.

It is usually thought to be
simple dances composed of
repetitive,easy-to-learn steps.
It is define as being passed
fron generation to
generation, with no known
choreographer.

Recreational or ceremonial
dance performed usually by
members of the community
to which the dance is
traditional.
IMPORTANCE OF
LEARNING FOLK
DANCE
 It keeps the people
connected to their ancestry and
their traditions.

It also preserve the cultural

unity of the people.

Helps the culture to be alive.

It helps to preserve the

Philippine culture and pass it on
to the next generation
CLASSIFICATIONS OF
FOLK DANCE
 CORDILLERA DANCE
Cordillera means knotted
rope given by the Spanish
Conquistadors.

They are pagan people,

living a simple lives to
appeae their Gods.

Their rituals celebrate their

daily lives.
 Banga
Tribe: Kalinga
Means “pots”

Performace of Kalinga
of the Mountain
Province of the
Philippines

This dance illustrate the

languid grace of the
tribe knows as fierce
warriors.
 Bendayan
Origin: Bengute Province,
Northern Luzon

Dance to celebrate
the arrival of succesful
head hunter.

It is a circle dance

The circles slowly giving

way to other formations
an interpretation.
Lumagen or Tachok
Tribe: Kalinga

The lumagen is performed

when they gather to
celebrate a happy
occasion.
- First born baby boy
- Wedding
- Budong (peace pact).

Danced by Kalinga maiden.

Imitates birds flying in the air.

 Manmanok
Tribe: Bago

The three Bago tribe

roosters compete
against each other for
the attention of Lay
Lein.

They use blankets

depicting colorful
plumes to attract her.
 Uyaoy / Uyauy
Tribe: Ifugao

The Ifugao people are

said to be the “Children
of the Earth”.

This Ifugao wedding

festival dance is
accompanied by gongs
and is performed by the
affluent to attain the
second level of the
wealthy class.
MUSLIM MINDANAO DANCE
Aside from the colorful
contributions of its regional
tribes, Mindanao is home
to the largest cultural
minority in the Philippines.

They are known for their

mysticism, royalty, and
beauty which are evident
in their music and dances.
 Burung- Talo
Origin: Tausug

A form of self defense.

The dance like

movements show a
fight between a hawk
and a cat.
 Asik
Tribe: Maguindanao
Origin: Lanao Del Sur

A solo slave dance

performed by the
umbrella-bearing
attendant to win the favor
of her sultan master.

The girls wears long metal

fingernails and dances and
poses in doll-like motions.

Asik usually precedes a

performance of Singkil
 Tahing Baila
Tribe: Yakan

Yakan dances for a bountiful

fish

Catch where they imitate

their movements
 Pangalay sa
Agong
Origin: Tausug – Sulu

A variation of the
Tausug’s traditional
dance,
Pangalay, two warriors
vie for the attention of
a lass both using gongs
to show their prowess
and skill.
 PAGAPIR
ORIGIN: LANAO DEL SUR

It depicts a royal
manner of “walking”
among the
Maranao people
who live mainly
around Lake Lanao
SPANISH INFLUENCE DANCE
Nearly 400 years of
Spanish rule left an
unremovable mark on
the Philippines.

Spain brought with them

all aspects of their
culture to the Islands, this
includes the Catholic
faiths, clothing and
dance.
 DANZA
ORIGIN: CUBAN

It became popular in
the late 19th century,
also known as
habanera or danza
habanera.
JOTA CAGAYANA
ORIGIN: CAGAYAN VALLEY

Iit
was brought by the
Spaniard from Southern
Spain found its way into
many places in the islands.

Though Filipinized in many

ways that one, It still
displays the fire and fury of
its European origin.
JOTA ISABELA
ORIGIN: ISABELA

This Ilocano
dance was first
peformed by the
Ilocano settlers of
the woodlands of
old Isabela.
PANTOMINA

Originally a
wedding dance
from the
province of
Albay, the dance
is now popular at
any social
gathering
PAYPAY DE
MANILA
The young ladies
carry scented fans,
or “paypay” and
flirt with young men,
with canes and
straw hats, once
more giving
evidence of the
Kastilian influence
 RURAL DANCE
The annual fiestas to
celebrate the patron
saints of the barrios
symbolize the mixture
of pagan and
Catholic beliefs.
These fiestas are
marked with
celebrations of Holy
Mass, music, dance
and song.
 ITIK - ITIK

The people liked the

dance of the young
lady whose dance was
like a duck and they all
imitated her.

There are six separate

foot sequences in the
series of Itik – Itik steps.
 BINASUAN
ORIGIN: BAYAMBANG,
PANGASINAN

The glasses that the

dancers gracefully, yet
carefully, maneuver are
half-filled with rice wine
gracefully who whirl
and roll on the floor.
 MAGLALATIK

It is a war dance
depicting a fight
between the Moros
and the Christians over
the latik.
 PANDANGGO SA
ILAW

This particular pandanggo

involves the presence of
three tinggoy, or oil lamps,
balanced on the head and
the back of each hand.
 SAKUTING
ORIGIN: ABRA

It was originally performed

by boys only.

It portrays mock fight using

sticks to train for combat.

The stacatto-inflected music

suggests a strong Chinese
influence.
 TRIBAL DANCE

Like their Northern Luzon

counterparts, these groups
honor pagan gods for fruits
and trials of daily life.
What distinguishes them from
other tribes in the Philippines is
their intricate craftsmanship in
metal, clothing, and jewelry.
 KADAL TAHAW
TRIBE: T’BOLI
ORIGIN: LAKE CEBU, SOUTH
COTABATO

A bird dance performed

by the T’boli during
planting and harvesting
which simulates the
flights and hops of the
tahaw bird.
BAGOBO RICE CYCLE
TRIBE: BAGOBO
ORIGIN: DAVAO DEL SUR

The dance portrays the

step-by-step cycle rice
culture; from planting,
harvesting to thanksgiving
rituals for a bountiful rice
harvest.
IGAL / PANGALAY /
JANGGAY
TRIBE: BADJAO

It is the dance they’d

adopted from the Samal
group of Sulu. This dance
was usually and commonly
performed by female
Badjao.

This was accompanied by

drums or gabbang played
by male Badjao.