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LAMBERTO V.

AVELLANA
“THE BOY WONDER OF THE PHILIPPINE CINEMA”
 THE FIRST DIRECTOR WHO UTILIZED THE MOTION PICTURE CAMERA
WHICH INFLUENCED FILMMAKING TECHNIQUES.

 ESTABLISHED BARANGAY THEATER GUILD TOGETHER WITH HIS WIFE.


 SAKAY – THE FIRST FIL HE DIRECTED AND WON BEST PICTURE OF
1939.
AVELLANA’S AWARD WINNING FILMS

BADJAO ANAK DALITA KALDERONG PILAK


LINO BROCKA
 AWARD WINNING DIRECTOR WHO USED FREEDOM OF EXPRESSION
IN HIS WORKS.
 SOCIAL ACTIVIST THAT GAVE HOPE TO THE MARGINALIZED SECTOR
OF THE SOCIETY THROUGH HIS PRODUCTION
BROCKA’S FILMS

WANTED: PERFECT MOTHER TUBOG SA GINTO TINIMBANG KA NGUNIT


KULANG
BROCKA’S FILMS

ORAPRONOBIS MAYNILA: SA KUKO NG BONA


LIWANAG
MAKAIUSAP KA SA DIYOS
ISHMAEL BERNAL
“GENIUS OF THE PHILIPPINE CINEMA”
 HIS WORKS WERE REFLECTIONS OF THE EXISTING REALITIES OF THE
PHILIPPINE SOCIETY AND THE STRUGGLE OF THE FILIPINO PEOPLE.

 SYMBOLIC DETAILS WAS THE SIGNIFICANT ELEMENT IN HIS WORKS


BERNAL’S FILMS
HIMALA NUNAL SA TUBIG
BERNAL’S FILMS
PAHIRAM NG ISANG UMAGA BROKEN MARRIAGE
MANUEL CONDE
 STARTED AS AN APPRENTICE IN FILIPPINE FILMS AND ASSISTANT
DIRECTOR FOR SARSWELA FILM “GILIW KO” OF THE LVN PICTURES.
 DIRECTOR OF IBONG ADARNA.

 ESTABLISHED MC (MANUEL CONDE) PRODUCTION.


 PRODUCE MOVIES WHICH MIRRORS AND CRITIQUES THE FILIPINO
TRADITION, CUSTOM, VALUES, AND CULTURE.
 DIRECTED AND STARRED “GENGHIS KHAN” AND “SIGFREDO” WHICH
FOCUSES WORLD HISTORY AND LITERATURE.

 HE INTRODUCED LOCAL CINEMA TO AN INTERNATIONAL AUDIENCE.


CONDE’S FILMS
SIETE INFANTES DE LARA SI JUAN TAMAD GOES TO CONGRESS
CONDE’S FILMS
SI JUAN TAMAD IKAW KASI
GERARDO DE LEON
 MEDICAL PRACTIONER
 THOUGH HE FINISHED MEDICINE, HIS PRACTICE DID NOT LAST LONG
BECAUSE HE FOUND HIMSELF “TOO COMPASSIONATE” TO BE ONE,
THIS ASIDE FROM THE LURE OF THE MOVIES

 HIS FIRST DIRECTORIAL JOB WAS “AMA’T ANAK” IN WHICH HE


DIRECTED HIMSELF AND HIS BROTHER TITO AREVALO.
 IN THE 50S AND 60S, HE PRODUCED MANY FILMS THAT ARE NOW
CONSIDERED CLASSICS INCLUDING “DAIGDIG NG MGA API,” “NOLI
ME TANGERE,” “EL FILIBUSTERISMO,” AND “SISA.”
DE LEON’S FILMS
NOLI ME TANGERE EL FILIBUSTERISMO
DE LEON’S FILMS
DAIGDIG NG MGA API SISA
RONALD ALAN K. POE
 POPULARLY KNOWN AS FERNANDO POE JR.
 LEGENDARY ICON IN THE PHILIPPINE CINEMA.

 AN ACTOR, A WRITER, A DIRECTOR AND PRODUCER.


 STARRED “ANG BATANG MAYNILA”, “MGA ALOK SA LUPA”, “ANG
PROBINSYANO”, “AKO ANG KATARUNGAN”, “TOTOY BATO”, ETC.
POE’S WORKS
ANG PROBINSYANO PAKNERS
TATAK BARBARO ANG PAGBABALIK NG PANDAY

ISANG BALA KA LANG


EDDIE ROMERO
EDGAR ROMERO Y SINCO
 A SCREEN PLAYWRIGHT, A PRODUCER, AND A FILM DIRECTOR.

 ANG MAESTRA – HIS FIRST SCREEN PLAYS.


 BECAME THE ASSOCIATE DIRECTOR FOR “MAMENG INIIBIG KITA”
AND “HINDI KITA MALIMOT”.
 KAMAY NG DIYOS – HIS FIRST MOVIE AS FULL FLEDGED DIRECTOR
UNDER SAMPAGUITA PICTURES IN 1948

 ANG PRINSESA AT ANG PULUBI – HE WON BEST DIRECTOR IN THIS


FILM IN 1951.
 ESTABLISHED EDDIE ROMERO PRODUCTION
ROMERO’S WORKS

ANONG GANDA MO HINDI KITA MALIMOT MAMENG INIIBIG KITA


ROMERO’S WORKS
BANTA NG KAHAPON ISUMPA MO GILIW SO LONG AMERICA
ROMERO’S WORKS

ANG ASAWA KONG


BUHAY ALAMANG AMERIKANO
WON BEST SCREENPLAY IN FILIPINO MOVIE WRITTEN BY LUCIANO B. CARLOS. WON BEST
KAMAKALAWA
ARTS AND SCIENCES (FAMAS) SCREENPLAY AWARD IN THE SOUTHEAST
ASIAN FILM FESTIVAL.