GROUP #2

Josh Bustillo Lady Munion

Nicole Cristobal Joseph Naz
Kimberly Gonzales Kaye Silverio
Anna Legaspi
 Bakit umalis nang walang
1 sabi?
Bakit 'di siya lumaban
2 kahit konti?
Bakit 'di maitama ang tadhana?
3

At nakita
4 kita sa tagpuan ni Bathala
5
May kinang 6sa mata na 'di
maintindihan
Tumingin kung saan
Sinubukan kong
7 lumisan
At tumigil ang mundo
8
Nung ako'y ituro mo
Siya ang panalangin
9 ko
 Sana'y di magmaliw ang dati kong
1 araw

Nang munti pang bata sa piling

2 ni nanay
Nais kong
3 maulit ang awit ni inang mahal
Awit ng pag-ibig habang ako'y nasa
4 duyan

Sa aking pagtulog
5 na labis ang himbing
6

Ang bantay ko'y

7 tala, ang tanod ko'y bituin
8

Sa piling ni nanay, langit ay

9 buhay

Puso kong may dusa 10

sabik sa ugoy ng duyan
May 4, 1904 – January 25, 1996

Baliuag, Bulacan
 Lucino Leocadia
Buenaventura Ramirez

father Mother
 He studied under Nicanor Abelardo at the University of the
Philippines (UP) Diliman conservatory of music and graduated at
1932 with a teacher’s diploma in Music, Major in science and
composition

 He wanted to be part of the military. He was later commissioned by

Gen. Basilio Valdez. He was transferred to PMA

 He also studied compostion for a post-graduate degree under Jeno

Takacs at the Institute of International Education in New York
 He became the music director of the UST Conservatory in
Music in 1961 and the UE school of music and arts in 1964
and faculty member of the UP conservatory in Music.

 He became the instructor and band conductor of the

Philippine Military Academy and restored the Philippine
Constabulary Band in 1945.
 1951 Band Conductor of the year, Music Lovers Society

 1961 Republic Cultural Heritage Award for Music

 1976 Award of Merit for Outstanding Contribution to Philippine Music from the
Philippine Army

1988
 Mindanao Sketches (1947)
 Pandanggo sa Ilaw (1936)
 Minuet (1937)
 Divertimento for Piano Orchestra (1959)
 Greetings (1978)

 He introduced the idea of using Philippine folk music material into a

form which was basically western
January 31, 1917 – May 5, 2004
 Maceda graduated with a music diploma at the Academy of Music of
Manila in 1935 before he was sent to Paris, France where he studied
piano.

 He also studied musicology at Columbia University, anthropology at

Northwestern University, and ethnomusicology at University of
California
 He wrote papers that enlightened Filipino and foreign scholars
about the nature of Philippine traditional and ethnic music.

 Usually performed as a communal ritual

 Maceda was professor emeritus at the University of the Philippines

(UP) and a specialist in both Indonesian and Filipino music. He
taught piano and ethnomusicology at the UP College of Music from
1952 to 1990.
 University of The Philippines Outstanding Research Award (1985)

 John D. Rockefeller Award from the Asian Cultural Council in New

York (1987)

 The Philippine National Science Society Achievement Award (1988)

 The award Tanglaw ng Lahi from Ateneo University (1988)

 Award Gawad ng Lahi from the Cultural Center of The Philippines

(1989).
 1997

 Agungan (1975),
 Ugma-Ugma (1963),
 Pagsamba (1968),
 Cassettes 100 (1971),
 Ugnayan (1974)
According to UPCE, “the multi-and inter-disciplinarity of his practice and
teaching has not been fully explored as material in creating, critiquing and
deconstructing contemporary scholarships and creations beyond the realm of
music.”

Thus, according to Santos, “Listen to my Music” reveals the deeper meanings of

Maceda’s sound structures vis-à-vis the sounds and music of other artists.

The exhibit opening at the Vargas Museum.

“It also shows the multi-disciplinarity of his musical vision through the use of
different media in exposing the profundity of his musical ideas,” he said.
August 31, 1918 – August 16, 2008
Paco, Manila
 Marcial Asuncion
Kasilag, Sr Roces
Ganancial

father Mother
 Bachelor of Arts, Majoring in English at PWU (1936)

 Studied music at St. Scholastica’s College (1939)

 Completed Bachelor of Music (1949)

 Attended the Eastman School of Music in Rochester, New York, studying

theory with Allen I. McHose and composition with Wayne Barlow.
 Kasilag taught at the University of the Philippines’ Conservatory of Music
 Worked as secretary-registrar at Philippines Women's University.
 Was appointed Dean of the Philippines Women's University College of Music
and Fine Arts.
 Made an international tour as a concert pianist, but eventually had to give up
a performing career due to a congenital weakness in one hand.
 Patnubay ng Sining at Kalinangan Award in Music, 1954
 Presidental Award of Merit as Woman Composer, 1956
 Presidental Award of Merit and Gold Medal for Leadership and Outstanding
Contribution to Music and the Arts, 1960
 Republic Cultural Heritage Award in Music for the Toccata for Winds and
Percussion (1960) and Misang Pilipino (1966)
 Honorary Doctor of Music from Centro Escolar University, 1975
 Honorary Doctor of Laws from the Philippine Women’s University, 1980
 1989
Concertos Orchestral works

 Violin Concerto no. 1 (1983)  Ang Pamana (The Heritage) (1966)

 Violin Concerto no. 2 (1994)  The Legend of Sarimanok (1963)

Works for Stage

 Dularawan: Salakot na Ginto Choral music

(Image Play: The Golden Salakot)
 Misang Pilipino (Filipino mass) (1966)
(1969)
 De Profundis (1977)
 Her Son, Jose, operatorio (1977)
 Kasilag was instrumental in developing Philippine music and culture.

 She was also a former president of the Cultural Center of the Philippines

 Head of the Asian Composers League

 Chairperson of the Philippine Society for Music Education

 One of the pioneers of the Bayanihan Dance Company

 She is credited for having written more than 350 musical compositions, ranging
from folksongs to opera to orchestral works
May 10, 1936 – July 11, 1988
Malolos, Bulacan
 Feliz Maria
Cuenco Joson

father Mother
 He earned his Bachelor’s Degree in Music, Major in Piano at the
University of Santo Tomas Conservatory of Music in 1956. He got a
scholarship grant at the UST in the same year and studied the cello
under Professor Modesto Marquiz, finishing in 1965. In 1968, he
completed his Master’s Degree in Music at the Sta. Isabel College.
 From 1960 to 1968, he was a cellist at the Manila Symphony Orchestra.
He also played for the Manila Chamber Soloists from 1966 to 1970. His
career as a musical director began in 1960, when he was discovered by
Joseph Estrada. In 1963, Cuenco was sent as a delegate to the
International Music Conference in Tokyo, Japan. He was also a music
teacher at the UST until his death on July 11, 1988.
 Metro Film Festival Awards, 1971

 CCP Centennial Honors for the Arts, 1999

 1999
 Nahan
 Kahit na Magtiis
 Pilipinas

 Cuenco's songs etched a mark in the heart of the

Filipinos due to his styles of incorporating Kundiman
elements in his ballad love songs.
February 11, 1913 – March 31, 2002

Angono, Rizal
 Elpidio Soledad
San Pedro Diestro

father Mother
 San Pedro graduated from the University of the Philippines
(UP) College of Music with a double major in Composition
and Conducting

 The Juilliard School (1947)

 He became a professor of theory and composition at the
University of the Philippines’ College of Music

 He taught at the Ateneo De manila University virtually all

the major music conservatories in Manila, and at the
College of Music of the University of the Philippines,
Diliman where he retired as a full professor in 1978. He
later received the title Professor Emeritus from the
University in 1979 .
 1991
 Tanglaw ng Lahi Award ( Ateneo De Manila )” 1982”

 Signum Meriti ( De la Salle University ) “1983”

 Clead award Music ( Asean ) “ 1990

 Lucio San Pedro is a master composer, conductor, and teacher whose music
evokes the folk elements of the Filipino heritage He was the conductor of the
much acclaimed Peng Kong Grand Mason Concert Band, the San Pedro Band of
Angono
 The Devil is Bridge ( 1937 )
 Malakas at Maganda Overture (1938)
 Prelude and Fugue in d minor
 Easter Cantata
 Sa Mahal kong bayan (1950 )
 Rizal Valedictory Poem
 Dance of The Fairies
 Triumphal March
 Lahing Kayumanggi
 Angonian March
 Sa Ugoy Ng Duyan
December 26,1849
Quiapo, Manila
 Juan Simeon
Molina Naguiat

father Mother
 Colegio de San Juan de Letran

 Faculty member at University of the Philippines

Conservatory of Music
 Centro Escolar Conservatory of Music Dean
 Founder of CEU String Quartet
 National Artist for Music 1972
 Conductor of the Year (1953) from University of the Philippines Music
Lovers Society
 University of the Philippines Alumni Award

1972
 Hating Gabi
 Dos Cruces
 Malikmata

 Considered one of the “Triumvirate of Filipino

Composers”
 Influencer of mysteriously exotic chords.
Thank You!!!