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Speech choirs perform spoken-word pieces instead of singing. There are two main types - conventional speech choirs simply speak or read literary pieces with no costumes or props, while theatrical speech choirs incorporate costumes, props, and choreography. Speech choirs are typically 12-100 members reciting poems or passages while standing and directing attention to the conductor. Costumes can be simple matching outfits or more elaborate theatrical costumes.
Speech choirs perform spoken-word pieces instead of singing. There are two main types - conventional speech choirs simply speak or read literary pieces with no costumes or props, while theatrical speech choirs incorporate costumes, props, and choreography. Speech choirs are typically 12-100 members reciting poems or passages while standing and directing attention to the conductor. Costumes can be simple matching outfits or more elaborate theatrical costumes.
Speech choirs perform spoken-word pieces instead of singing. There are two main types - conventional speech choirs simply speak or read literary pieces with no costumes or props, while theatrical speech choirs incorporate costumes, props, and choreography. Speech choirs are typically 12-100 members reciting poems or passages while standing and directing attention to the conductor. Costumes can be simple matching outfits or more elaborate theatrical costumes.
-Instead of singing, speech choir perform spoken-word pieces. - It is a powerful art that is experiencing a revival. - brings out the beauty of harmony and unison, hence providing speakers and listeners alike with an experience that is both exciting and intense in the interpretation of literary piece. A. Conventional Speech Choir - Has no use of costumes, nor props, nor choreography. The choir simply speaks or reads a literary piece.
B. Theatrical Speech Choir
- The reverse of the conventional speech choir A speech choir is typically the same size as a singing choir having anywhere from 12-100 members or more Selections are typically poems or poetic passage such as from Greek dramas or Shakespeare’s plays. Choreography of movement is not necessary component for speech choir. Many successful competition choirs recite their pieces while standing in place with their hands at their sides, attention directed solely at the conductor. Costumes can be as simple as matching outfits or robes, such as a vocal choir would wear, or elaborate theatrical garb. The ability to combine successfully the light, medium, and dark voices in the choir. The ability to communicate through voice, reactions to thoughts or emotions. The ability to add or subtract whole sections, banks, smaller groups, or solo speakers to increase or diminish the power of richness of the sound to better express the meaning. The variations of the voice on the musical scale. Ability to use volume, force or loudness as emphasis in appropriate places to better express feeling and meaning. Refers to the rate of speed at which a reading progresses. The ability to successfully organize and position the choir on stage for performance effect. Ability to stage entrances and exits which enhance the mood of the performance. 1. Speech choirs shall be comprised of twelve (12) to (25) class members. 2. Members of the choirs shall wear and use costumes, props, and other whenever appropriate to improve the choral interpretation of the piece. 3. Dangerous stunts shall be prohibited. The board of judges reserves the right to discontinue presentations whenever posing danger to risks to the members of the team, the judges, and the audience. 4. Upon submission of the results to the committee, judges’ decision shall be considered final and irrevocable. 5. Only three (3) speech choirs shall be awarded as Champion, 1st Runner- Up, and 2nd Runner-Up. a) Overall Interpretation(40%). The speech choir invokes thoughts and feelings and initiates a shared experience with the audience through superior dynamics, unique techniques, and expressive interpretations of the lines. b) Mastery and Delivery (40%). The speech choir demonstrates mastery of the piece by maintaining vocal unison, stage poise, eye contact , and other verbal and nonverbal effects. c) Costume and Props (10%). The speech choir wears costumes and uses props indispensable in the interpretation of the piece and shared experience between the choir and the audience. d) Audience Impact (10%). The speech choir succeeds in engaging the audience in the shared experience, hence communicating the message of the literary piece.